River's Edge Page #3

Synopsis: A group of high school friends must come to terms with the fact that one of them, Samson, killed another, Jamie. Reactions vary, as Layne is intent on protecting Samson and smuggling him out of the state, while others think it's best to go to the police. Matt's tough little brother also finds out about the body and no one knows quite how the police will learn about the murder or who will be blamed for it.
Genre: Crime, Drama
Director(s): Tim Hunter
Production: Island
  4 wins & 5 nominations.
 
IMDB:
7.1
Metacritic:
73
Rotten Tomatoes:
86%
R
Year:
1986
99 min
1,237 Views


Why do you think it is that Russia's|gearing up to kick our asses, man?

- Drink your beer.|- I won't drink my beer. I'm talking here.

These things are important to me. And,|believe it or not, you're important to me.

Look at that.

- Son of a b*tch. Duck down.|- Hope they don't upset Aunto.

Duck down, goddammit!|You want to get caught?

Somebody f***ing narked.

- Yeah.|- OK. Now, we can't panic.

I'll bet you it was Mike.|I'll bet you anything it was Mike.

We're just gonna drive around a little|while, see if we can't figure this thing out.

We have to get you out of town somehow.|You have any money? We'll need money.

We have to put you up somewhere|until we get money.

We can't panic, though.|We're dead if we panic, OK?

Whatever you say, Layne.

OK.

Sure this is the right place?

- I can't understand it.|- You said she was buried.

No, she was just lying down here,|in the grass.

If this is some joke that you're playing...

Captain Bennett! Over here.

Did the sight of this dead girl|move you in any particular way?

- I don't know.|- Were you shocked, angered, saddened?

- Did the sight please you?|- I don't know how I felt.

- You knew this girl.|- Yeah.

- How did you feel about her?|- I don't know.

OK, I'm getting sick of "I don't know",|do you hear me?

Did you love her? Did you hate her?|Did you f*** her when you got bored?

- She was a friend, I guess.|- You guess? She was or she wasn't?

She was.

So you're standing there,|staring at your dead friend

like it's all some kind of a big joke, right?

Some adventure. What the hell|was going on in your head, Matt? Huh?

Exactly what?|What were you thinking about?

Or were you even thinking at the time?|Answer me, goddammit!

I don't know, OK?|You want me to make something up?

No.

I want you to tell me the truth.

The body, Matt.|How do you figure it got in the river?

- I don't know.|- Well, take a stab, huh?

What do you think? You think|maybe it rolled, or a big gust of wind

peeled off the river and scooped it up?

- Maybe.|- Or maybe somebody pushed it.

- Maybe.|- Maybe you.

- I didn't push it.|- You're the only one we know was there.

- I told you about John.|- John?

Samson. We call him John|because of his last name, Toulette.

You know. Toulette, toilet, john.

That's very clever.

So you... you helped Samson,|John, push the body off.

- After I helped kill her.|- Yeah?

Yeah, and f*** you, too!|I reported the thing, man.

- You act like I'm guilty of a crime.|- You think you're going somewhere?

I've got rights. You can't keep me here.|I didn't do anything.

That was exactly your mistake, buddy.

You saw this and didn't act immediately.|Makes you an accessory after the fact.

I could arrest you right now if I wanted to,|so why don't you sit down?

We'll talk some more.

I find you very interesting.

Feck.

Feck.

Feck.

- Cheque's in the mail.|- No time for bullshit. Open up.

And put that thing away, last thing|we need is cops. Hurry your ass.

- You've met John.|- Hey, I've killed men bigger than you.

He knows, Feck, he knows.|Look, Feck, John's in trouble.

- He needs your help.|- Trouble? What did you do?

Nothing, Feck.

- I killed Jamie.|- Dammit, John!

He didn't exactly kill her,|it was an accident.

I killed a girl once. It was no accident.

Put the gun right to the back of her head,|blew her brains right out the front.

I was in love.

- I strangled mine.|- Did you love her?

- She was OK.|- OK, OK, Feck.

We've got to get John out of state.|Need your car.

You're not using my car.|You've got a car of your own.

- Mine won't make it that far.|- No, I might need mine.

Feck, you haven't been|out of this house in over five years.

What if somebody sees it, then?

They're still after me.

You know that.

They've been after me for 20 years.

I mean, you kill a person,|they don't let you forget.

They stick after you like ghosts.

I mean, they don't believe you|when you say you're sorry.

They want you to pay somehow.

OK, OK, OK. Uh, Feck.

Forget the car.

How about if John just stays here|while I go figure this thing out?

- Sure.|- OK, I'll be back.

John. I don't want you showing|your face outside this house.

Company.

Yeah. I...

I love company.

- What are you staring at?|- You're involved in this murder.

I didn't kill anybody, dammit.

- John did it. John wasted Jamie.|- You don't seem too concerned.

Well, what the hell do you know?

You don't know anything.

Tim hasn't come home tonight. He's only|12 years old, Matt. It's past midnight.

Where do my children go at night?

Put the car into gear, Mom. He's OK.

Hey. I saw your friend on TV tonight.|I thought maybe I might catch you, too.

- F*** off.|- Don't you two start.

Why? His best friend killed a girl.|That's big news.

I mean, he dumped her body and he|bragged about it all round school. Whoo!

- I'll bet you know where he's hiding.|- They haven't caught him?

Don't give me that phoney surprise sh*t.|Your punk friend's been calling all night.

- What? He help you kill the poor girl?|- Maybe he did. Maybe I am a killer.

Why should you care? You're just here|to f*** my mother and eat her food.

- Matt!|- Oh, he moves.

- You're a f***ing a**hole.|- Try something.

Motherf***er! Food-eater!

- I'm gonna shove that up your ass.|- Come on.

Come on, hit me.

- Hit me.|- Come on. Come on.

- Tough guy, huh? Show me how tough.|- You're not worth it.

Sh*t.

Great.

He's still killing her.

Come here. Come here!

- Why do you pull sh*t like that?|- Leave me alone.

Answer me. Answer me.

I didn't do anything.

- F*** you!|- Answer me. Why? Why?

Hey. Get off of him. Come on.

You dirty traitor.

- What do you mean by that?|- You know what I mean.

I saw you on that phone tonight.

You keep your little mouth shut.

You're gonna pay for what you did.

You're gonna die for what you did.

- You little sh*t.|- Hey.

- You're a dead man, Matt.|- Hey!

Hey!

Hey, Timmy. Timmy.

Hey, where you going? Come on.

You let them both get away?

Madeleine, I got troubles of my own.|I don't want to fight your delinquent sons.

- You don't care.|- You're the mother.

I didn't give birth to the monsters.

My f***ing brother. Go get your|nun-chucks and your dad's car.

I know where we can get a gun.

Matt.

Where the hell have you been?|I've been looking for you all night.

- We should have never let Mike in on it.|- It could have been anybody, Layne.

Bullshit. I happen to know my friends,|f***ing know them.

I know who's cool and who's not.

Maybe John finked on himself.

And maybe you finked on him.|Be realistic. This is us we're talking about.

We're a f***ing team.|We're like Starsky and Hutch.

- None of us would f*** it up on purpose.|- Where's John now?

Safely hidden away,|where he can't get in any trouble.

No finer weed have you ever tasted.

My sister, she drives|this down from Humboldt,

along with the regular Feck weed.

She comes to visit about once a year.

She's real fat.

You ought to see her,|she's like a goddamn hippopotamus.

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Neal Jimenez

Neal Jimenez (born May 22, 1960) is a screenwriter and film director, best known for the 1986 film River's Edge. He was a member of the dramatic jury at the Sundance Film Festival in 1994. He won Independent Spirit Awards for Best First Feature and Best Screenplay for The Waterdance.Jimenez attended UCLA School of Theater, Film and Television. In 1984, while a film student, he went hiking with some friends and slipped on a rock, falling twenty feet into a shallow pool below. He was initially paralyzed from the neck down but subsequent surgeries restored movement to his upper body and he has been a paraplegic since. The film The Waterdance, which he wrote and co-directed, was partly based on his experience in rehabilitation. He is of Mexican American descent. more…

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Submitted on August 05, 2018

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