River's Edge Page #5

Synopsis: A group of high school friends must come to terms with the fact that one of them, Samson, killed another, Jamie. Reactions vary, as Layne is intent on protecting Samson and smuggling him out of the state, while others think it's best to go to the police. Matt's tough little brother also finds out about the body and no one knows quite how the police will learn about the murder or who will be blamed for it.
Genre: Crime, Drama
Director(s): Tim Hunter
Production: Island
  4 wins & 5 nominations.
 
IMDB:
7.1
Metacritic:
73
Rotten Tomatoes:
86%
R
Year:
1986
99 min
1,237 Views


It was you.

I didn't think I'd be the only one.|Don't tell Layne.

Of course I won't. God, weren't|you scared of people finding out?

Yeah.

But I kept seeing her face, Clarissa.|Didn't you keep seeing her face?

I mean, it affected me. Didn't it affect you?

It did.

I mean, we knew Jamie, right?

And there she is, dead,|right there in front of us.

And even that close, we don't|even feel like we've lost anything.

At least, I didn't. That got me the most.

I couldn't even cry for her, Matt.

I mean, I cried when that guy|in Brian's Song died.

You'd at least figure I'd be able to cry|for someone we hung around with.

It'll hit us. I know it will.

Probably at her funeral.

Sometimes I think|it'd be a lot easier being dead.

Ah, that's bullshit.|You couldn't get stoned any more.

I hear it's the same sensation.

I like you.

OK.

OK, OK, OK, OK.

I'm gonna take care of you, Toulette.|I'm gonna find you.

Someone's gotta take care of you.|I'm gonna take care of you, OK?

Dammit, John, where the f*** are you?

Hey, Ellie don't drink.

- She does something with this mouth.|- Ellie's a nice girl.

I'm sure she is.

Like, real nice.

Let's see what kind of tricks|she knows here, huh?

Oh, yeah, baby. That's nice.|Oh, that is real nice.

Would you please not do that, John?

Oh, baby, not so quick,|you're making me hot.

Please, John. Stop that.

Oh, oh... Oh, baby, baby, baby,|baby, baby, baby...

Please!

Cool.

You hear that?

Hey!

Hey, you, eat me.

Don't give me no sh*t. You eat me.

No, you eat me.

- No, you eat me.|- You eat me, a**hole.

- No, you eat me, a**hole.|- Shut up before I call the cops.

You shut up.

Yeah?

Call 'em.

You better settle down, John.

You try it.

I better not. You come here,|and you sit down.

We don't want to attract attention, man.

Come on, Feck. Fire your gun.

Bet you haven't fired it in years.

It's not something that|I just shoot off, without reason.

Why not?

It's got a sentimental value.

Is this the gun you wasted the chick with?

Huh?

It is.

I bet you look back with pride, huh?

It's something I did.

You wanted to show her who was boss.

I don't know if you can understand.

I loved her.

So why'd you kill her?|Did she tell you to eat sh*t?

No. No.

Come on, Feck, I'm with you.|Man, I killed a girl, too.

I wanted to show the world who's boss.

What's that?

It's nothing. Close your ears.

You better give me the gun, John.

I didn't need no gun.

I did mine with my hands.

I was right there, I was right on top of her,|I was face to face.

I wasn't even mad, really.

She didn't look too surprised.

Just a little stoned.

After a few minutes,

her face puffed out and it turned|dark purple and she just stared at me.

She couldn't move.

She couldn't scream.

I had total control of her.

I had total control of her.

It all felt so real.

It felt so... real.

She was dead, there, in front of me,|and I felt so f***ing alive!

Is that how you felt, Feck?

Not quite, man.

Funny thing is...

I'm dead now.

- They're gonna fry me for sure.|- Ah, don't say that.

Layne's gonna help you out.

Layne?

What the f***...|Layne's gonna send me to Portland,

and hide me out in some|dark room for 20 years.

So I end up like you, Feck.

You think I want that?

No.

You don't.

Layne was never really a friend, anyway.

He doesn't even know me.

I'll be your friend.

I like you.

- I'm glad we decided to go against Layne.|- Mm-hm.

Sometimes I feel like|I don't even know him any more.

He's lost. Let's get some sleep.

You weren't supposed to get old.

Oh, God.

Hit him again.

I'm awake, I'm awake.

Oh, f***.

Hi.

Can you tell us anything|about the murder?

- Are you the killer?|- What?

Don't I even get a f***ing phone call?

- So now we get married, right?|- No. Let's get stoned instead.

Ah, that'd be great.

I could just lie here all day,|cut school and soak up the rays.

Sh*t, school.

I really shouldn't miss Burkewaite's class.

You really have the hots|for that guy, don't you?

No.

I just...

- I don't know, respect him.|- You respect an adult?

I really do need to get stoned.

We'll stop at my house on the way to|school. I think I have some Feck weed left.

I feel like someone|dipped me in used cooking oil.

We could take a shower.

I mean, you could, you know. By yourself.

No.

What am I supposed to do, then?|What am I supposed to do with him?

- Look, if it's gonna be a hassle...|- No, no hassle. OK? No hassle.

Be right back, OK?

You're supposed to raise him right.|The both of them. Control them.

That easy? Just tell 'em what|to do, tell 'em what not to do. Perfect kids.

It's not impossible.|My father raised me right.

- Your father beat the sh*t outta you.|- So what? Huh? It'd make 'em listen.

Big f***ing talk.

Matt.

Matt?

- I'm upset, Matt.|- Kick that idiot outta the house, then.

Suppose I just kick you outta the house?

Tim didn't come home last night.

- Did you hear me?|- You got any spare dope?

Oh, sh*t, I don't believe this.|Your little brother.

He's 12 years old. He hasn't come home,|hasn't called. God knows what he's doing.

What am I supposed to do?|I'm not his mother.

Then I'm not his mother either.|I am nobody's mother.

I give up this mother bullshit, it's not|worth it. You were all mistakes anyway.

Don't give up, Mommy.

I'm gonna leave you all,|just like your father did.

Jesus, Ma, settle down, OK?

Tim's all right.

Look, everything's just a little crazy now,|a little outta control, OK?

Look, I got somebody waiting outside|for me, I'm in a rush. We'll talk later.

I'm gonna take this joint. And don't|worry about Tim, OK? I'll get him home.

Yeah, it really shocked me.|I think killing is wrong.

What about all those people|going to see the body?

That shocked me too.|I think they should have arrested John.

- John?|- Well, he killed Jamie.

- You knew the killer?|- Yeah.

You know, we both kinda knew the killer.

As well as, um, in addition to,|you know, who he killed, too.

I mean, because of that,|it's pretty hard for us to be, um...

- Objective?|- Yeah, that's it, objective.

You know, since we knew the two|alleged people involved and everything.

And whereas we might be upset|this morning or something,

you know, we're not, because of|the fact that we're not objective at all.

I also play guitar, by the way.

- You don't even know what a friend is.|- I'm tired.

- You call Samson a friend?|- Don't I get a phone call?

Enough of a friend to cover up for?

Help him hide the body. Maybe...|maybe even help him kill the poor girl.

I didn't kill nobody.

Did he tell you why he did it?

Weren't you even curious?

Did you even give a flying f***?

These are stupid questions. I know|my rights. I know I get a phone call.

You don't have any rights just yet, Layne.|We haven't arrested you.

Great. See you.

OK.

OK. OK.

Go. Make your phone call.

Go call one of your precious friends.

- I asked you a question.|- I didn't know her, OK?

I just want to say,|it was horrible what those kids did.

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Neal Jimenez

Neal Jimenez (born May 22, 1960) is a screenwriter and film director, best known for the 1986 film River's Edge. He was a member of the dramatic jury at the Sundance Film Festival in 1994. He won Independent Spirit Awards for Best First Feature and Best Screenplay for The Waterdance.Jimenez attended UCLA School of Theater, Film and Television. In 1984, while a film student, he went hiking with some friends and slipped on a rock, falling twenty feet into a shallow pool below. He was initially paralyzed from the neck down but subsequent surgeries restored movement to his upper body and he has been a paraplegic since. The film The Waterdance, which he wrote and co-directed, was partly based on his experience in rehabilitation. He is of Mexican American descent. more…

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Submitted on August 05, 2018

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