Rules Don't Apply Page #10

Synopsis: An aspiring young actress (Lily Collins) and her ambitious young driver (Alden Ehrenreich) struggle hopefully with the absurd eccentricities of the wildly unpredictable billionaire, Howard Hughes, (Warren Beatty) for whom they work. It's Hollywood, 1958. Small town beauty queen, songwriter, and devout Baptist virgin Marla Mabrey (Collins), under contract to the infamous Howard Hughes (Beatty), arrives in Los Angeles. At the airport, she meets her driver Frank Forbes (Ehrenreich), who is engaged to be married to his 7th grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes' #1 rule: no employee is allowed to have any relationship whatsoever with a contract actress. Hughes' behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
Genre: Comedy, Drama, Romance
Director(s): Warren Beatty
Production: 20th Century Fox
  Nominated for 1 Golden Globe. Another 3 wins & 9 nominations.
 
IMDB:
5.7
Metacritic:
60
Rotten Tomatoes:
57%
PG-13
Year:
2016
127 min
£3,647,836
Website
338 Views


- Yes, sir.

Here we go.

We got banana nut?

Have we...

- Uh...

- A pint and a half, sir.

Pint and a half.

Finally! It's been far too long!

(laughing) Far too long.

Spoons.

President Somoza is coming aboard!

Mr. Hughes!

(chuckles) Welcome to Nicaragua.

You look incredible!

- You look wonderful.

- Thank you. So do you.

- You have not aged.

- Thank you.

I wanna know

what you're doing in...

(Speaking Spanish)

There's an important message for you.

(Speaking Spanish)

"The United States

Federal Court decided today...

(aide continues speaking Spanish)

"in the case of TWA...

(aide continues speaking Spanish)

"a judgment of $645 million

"against Howard Hughes...

(aide continues speaking Spanish)

"who refused to appear."

This cannot be good.

They think I'll have to sell

the Hughes Tool Company to pay it?

I'll never sell my daddy's company.

My daddy would say it's time to call

Raymond Holliday down in Houston.

Get him to come down here.

(bell tolling)

So...

I just want you to know

I don't think you're doing

the wrong thing.

And I am so relieved

that you're not

going back to Hollywood.

Mom, I haven't told another

living soul about this.

Doctor Diamond is a good man,

and he's coming in on a Sunday.

So, shall we go?

Now, when you were 10 years old,

when you used to come down

to your daddy's factory...

Raymond, my daddy always trusted me

to take care of things.

Now, trying to take care

of the Hughes Tool Company

at a time like this.

That's like trying to

take care of my daddy.

You're not your

daddy's father, Howard.

Your daddy's dead.

No, he's not.

He's in my DNA.

Oh, Lord!

You know, you're gonna die, too.

Who you gonna leave it to?

Whose DNA you gonna be in?

In my opinion,

if you don't sign it now,

they're gonna do what they said.

They're gonna withdraw the offer

to buy the damn company.

So, if I sign this thing,

would they still keep

the Hughes name on the company?

You don't drill for oil

with a name, Howard.

(chuckles)

You know, I'm planning on

doing a little flyin'.

Do you wanna come?

- Do a little flyin'?

- Hmm.

What?

I'm just not sure...

you ought to be thinkin'

about flyin' anymore, Howard.

Come on in, Frank.

(sighs)

Okay. Please give this

to the gentleman, and

tell him that I have asked him

to please consider

keeping my father's name

on the company.

This is signed.

Mr. Hughes has asked you

to consider keeping

his father's name on the company.

(snickers)

(Spanish music on stereo)

I notice you don't say grace anymore.

I don't mean to be negative,

but do we live

in Nicaragua now?

Although, I am kinda getting

to like Managua.

(indistinct chatter)

Wave, Frank.

(coughs and laughs)

Whoo. Let's keep it going.

(Spanish music on stereo)

(rumbling)

(panting)

Don't worry, don't worry!

I know how to handle earthquakes!

We're going to London.

Check out the tax setup,

Frank, and get me some codeine.

The University of Virginia's

going coed.

They're finally letting women in

so I might even go for a doctorate

and do my dissertation on music.

Good for you.

Thanks for not throwing

my things away, Nadine.

I had no idea where to send them.

Where do we call you in Virginia?

Maybe it's better if I call you.

(Frank mumbling)

Therefore, the percentages noted

in the column were percentage of...

(mumbling)

(on speakers) Frank, we've been

in London too long with no fun.

I want you

at the Gatwick Airport in 45 minutes

in the DC-3.

(line disconnects)

Give the man some credit.

He knows he can't fly.

Mr. Hughes!

So happy to finally meet you

in person, sir. At last!

I'm sure you need

no introduction to the DC-3. This one,

of course, is equipped with

the Pratt & Whitney R-1830

Twin Wasp engines,

- which improve...

- I know the DC-3 very well.

Um...

Certainly an improvement over the

original Cyclone 9s which were wanting

- in the old oomph department.

- Where to, gentlemen?

Where do we go?

I don't know, sir.

If we are heading east,

then that would be northern

France, possibly Belgium.

What do you think,

wing commander? Belgian waffles?

How does it sound?

Uh, I don't know.

All right, never mind.

You want a chicken sandwich?

- Not hungry.

- Not hungry. Okay-

How about you? Do you want

a chicken sandwich?

- No, thank you.

- I got three.

- I'm fine. Just eaten.

- No?

(laughing)

Did you know that

you're 20% less likely to black out

during a dive when you're my age?

Because the arteries

are less expansive.

No, I didn't know it, sir.

Remember that.

- Something to look forward to.

- Yes!

Okay, let's go.

(wind whooshing)

I think we may have a door still open.

Relax! I like it like that!

Just close the cockpit.

Gentlemen, you ain't

seen nothin' yet.

You know that line

Al Jolson used to use,

"You ain't heard nothin' yet"?

First time he ever sang it,

I saw him

upstairs on the roof

at the Amsterdam Theatre.

And it was

a big charity show.

Everybody's big stars,

big stars, and Jolson says,

"I gotta close the show,

"because I'm the world's

greatest entertainer

"and nobody, but nobody,

follows Jolson."

Well, everybody said,

"Okay, Jolson, you're the greatest.

"You close the show."

There was only one problem though.

Jolson didn't know

who he was following.

(laughs) Caruso.

He's gotta get up and sing

after Enrico Caruso,

the world's greatest voice! Ha!

So, Caruso comes out,

he's singing in Italian.

The audience just goes crazy.

- They go crazy.

- (plane clattering)

They're on their feet cheering.

They won't sit down,

they're cheering!

Caruso goes off,

Jolson comes out.

But he can't get them to shut up,

because they want more Caruso.

And finally Jolson shuts them up.

He makes them sit down

and that's when he says it.

He says, "You know,

you ain't heard nothing yet!"

"You ain't heard nothing yet!"

ls it true

what they say about Dixie

Does the sun really shine

all the time?

Do the sweet

magnolias blossom

Round everybody's door?

Do folks keep eating possum

'til they can't eat no more?

Is it true

what they say about Swanee?

Is a dream by that stream

So sublime?

Do they laugh, do they love

like they say in all the song?

If it's true,

that's where I belong

Swanee

Take a look at this.

How I love ya, how I love ya

My dear old Swanee

I'd give the world to be

Among the folks in D-I-X-I-E

Even though my mammy's

waitin' for me, prayin' for me

Hey, Frank!

Flyin' really gives a guy a chance

to do some thinking, doesn't it?

You know what

I'm thinking, Frank?

I am thinking that

it's time for me to buy

Pan American Airlines!

You ain't heard nothin' yet!

(children laughing)

Hey, where you goin'?

Come back here.

Well, tell hotel security

to tell the mother...

Yes, there's three of them.

They're all up here.

Whoa, whoa, whoa.

Go this way.

I have no idea how they got in.

Come on, kid. Please!

You gotta get out of here. Kid.

I know where you are, kid.

Please come out.

Rate this script:0.0 / 0 votes

Warren Beatty

Henry Warren Beatty (né Beaty; born March 30, 1937) is an American actor and filmmaker. He has been nominated for fourteen Academy Awards – four for Best Actor, four for Best Picture, two for Best Director, three for Original Screenplay, and one for Adapted Screenplay – winning Best Director for Reds (1981). Aside from Orson Welles for Citizen Kane, Beatty is the only person to have been nominated for acting in, directing, writing, and producing the same film, and he did so twice: first for Heaven Can Wait (with Buck Henry as co-director), and again with Reds. Eight of the films he has produced have earned 53 Academy nominations, and in 1999, he was awarded the Academy's highest honor, the Irving G. Thalberg Award. Beatty has been nominated for eighteen Golden Globe Awards, winning six, including the Golden Globe Cecil B. DeMille Award, which he was honored with in 2007. Among his Golden Globe-nominated films are Splendor in the Grass (1961), his screen debut, and Bonnie and Clyde (1967), Shampoo (1975), Heaven Can Wait (1978), Reds (1981), Dick Tracy (1990), Bugsy (1991), Bulworth (1998) and Rules Don't Apply (2016), all of which he also produced. Director and collaborator Arthur Penn described Beatty as "the perfect producer", adding, "He makes everyone demand the best of themselves. Warren stays with a picture through editing, mixing and scoring. He plain works harder than anyone else I have ever seen." more…

All Warren Beatty scripts | Warren Beatty Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Rules Don't Apply" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/rules_don't_apply_17225>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Rules Don't Apply

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "The Social Network"?
    A Christopher Nolan
    B Quentin Tarantino
    C David Fincher
    D Aaron Sorkin