Salome's Last Dance Page #8

Synopsis: Set in France Oscar Wilde (so it appears) visits a local theatre and is surprised by their retelling of his own work ""Salome'" the story line then digresses in to a VERY twisted portrayal of his work preformed by the local brothel and what can only be described as rejects from the local community theatre. Just when you think it's hit rock bottom it reaches for a new low you didn't think possible and begins to dig add and yet the music continues to dig this in to an ever deepening pit from which you will never get your time back.
Director(s): Ken Russell
Production: Lionsgate
 
IMDB:
6.7
Rotten Tomatoes:
50%
R
Year:
1988
89 min
338 Views


a little to be desired.

On the contrary, I found it

extremely stagey!

The death of Salome was pure verissimo.

How on earth do you

achieve such realism?

I wondered if you were going to..

- Well, Oscar, tell us the worst!

My dear Lady Alice.

You're acting to tell the truth..

That remark generally

precedes an untruth.

I make no excuses, for my performance.

If it is good enough for Queen Victoria,

it is certainly good enough for you.

You've done a royal

command performance?

No Christmas at Balmoral would be complete

without the entire family staging "Macbeth".

Why Macbeth? - I had no idea her

Majesty admired Shakespeare!

The Balmoral ghost walks

only at Christmas Eve.

I was not referring to my acting,

but to my costume.

It is the one I usually wear

as Lady Macbeth.

My dear Lady Alice..

You transcended country, class

and indeed the very centuries!

Sarah Bernhardt should

look to her laurels!

Though I must confess, you lack one of

her most singular attributes.

Indeed! And pray what is that?

A wooden leg!

Remain where you are!

Nobody is to leave the room!

- What is the meaning of this?

We're here to run you in!

- Run us in!

Oh, please, Alfred, not the

"Pirates of Penzance".

I'd hate to share a double bill

with Gilbert and Sullivan!

I assure you, Oscar..

- Oscar Wills Fingal O'Flahertie Wilde?

You're under arrest! Charged

with gross sexual indecency..

and the corruption of minors!

Bosie!

Alfred Taylor, you're also under arrest.

Charged with running a disorderly house.

I've.. - Now, will you both come

quietly or shall we use the handcuffs?

That won't be necessary, officer.

We've had one melodramatic ending

tonight, two might be an indulgence!

Chilvers, my top hat and cloak.. I'm

going out.. I may be some little time.

You called, Sir?

Know Alfred, I think Bosie was miscast!

If you mount a revival, he really

should play Salome..

and I should play the Prophet.

With your head served up

in a silver platter?

Or my balls!

If you think that I am traveling in this

horsebox with two dangerous criminals..

You are mightily mistaken, my man!

Name and address, Miss?

"Miss"? I have never been

called Miss in my life!

I am the Lady Alice

Fitzkensington Windsor!

I beg your pardon, your Ladyship.

I had you down for an 'ore!

You have to come along all the same.

Since when has it been

a crime to play charades?

Never your Ladyship!

But we need you as a witness..

one of the chambermaids

just been murdered!

Murdered! Nonsense! It was

death by misadventure!

She slipped on a banana skin!

Mr. Taylor! Mr. Taylor, I got them!

Mr. Taylor, come back! Mr. Taylor!

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Oscar Wilde

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his imprisonment and early death. Wilde's parents were successful Anglo-Irish intellectuals in Dublin. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art" and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde had the Marquess of Queensberry prosecuted for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of 46. more…

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Submitted on August 05, 2018

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