Some Mother's Son Page #6

Synopsis: Based on the true story of the 1981 hunger strike in a British prison, in which IRA prisoner Bobby Sands led a protest against the treatment of IRA prisoners as criminals rather than as prisoners of war. The film focuses on the mothers of two of the strikers, and their struggle to save the lives of their sons.
Genre: Drama, History
Director(s): Terry George
Production: Warner Home Video
  4 wins & 1 nomination.
 
IMDB:
7.3
Rotten Tomatoes:
69%
R
Year:
1996
112 min
499 Views


Fire!

Load...

Fire!

Load...

Fire!

Some 100,000

people took part in the funeral.

Abroad...

A wave of

anti-British protests...

This is a disaster.

Is this the official

foreign office line,

or is this merely

your line, Harrington?

Thomas, do you know

anything about the role

of Irish martyrs in history?

1916...Pierce Connelly.

Well, you've created

another one.

...Thatcher to behave

with compassion.

Don't let any more die.

Don't let any more die.

Give us your support.

Give us your support.

Don't let any more die.

Don't let any more die.

Give us your support.

Give us your support.

Remember Bobby sands.

Remember Bobby sands.

You Fenian bastards!

Here.

It's all right.

It's all right.

It's only piss.

Are you all right?

You'll be OK.

Come on, we'll get you

home now. Come on.

Are you all right?

I'm fine.

You're all right.

Bastards!

Hello?

Mummy.

Alice.

I had to come home.

Good.

There are now 10 of

them on the strike.

The first few are hard-core

gunmen and bombers

who've murdered innocent people,

but further down the line,

we've got young men

who are only involved

peripherally.

And I'm not sure

about shifting the onus

onto the families.

We're not negotiating, are we?

Who does Harrington report to?

He's a foreign office

monitor at the prisons.

Be careful with him.

We have every confidence in you.

Alice.

Hiya, Liam.

Hello, ma.

Jesus Christ, Gerard,

can you not stop this?

Oh, God.

Look, is there no other way?

Alice, please.

We've argued this out.

Please respect my convictions.

Youse know something?

I've never seen things

as clearly before...

As I can see things now.

He won't do it.

Mum, he won't go

through with it.

Oh.

This is

the northern Ireland news.

In a further escalation

of the prison crisis,

the I.R.A. Have issued

the following statement:

"Our comrades are prepared

to die for their rights."

Morning, lads.

"Those who try

to take those rights away

must be prepared

to pay the same price."

Come on!

Come on!

No!

Help!

No!

Oh!

Oh, no!

Ohh...

I'm proud of you.

Why?

For respecting my beliefs.

Oh, Gerard.

Who said I respected

your beliefs?

You had a choice

in what you did,

but you left us with no choice.

Don't let us die.

Kieran!

Kieran!

I'll see.

Oh!

Can't go out there.

We must all mourn the death

of this young man,

but we must also mourn the death

of 2 prison officers

brutally murdered in front

of their own families.

Some of you here

have your hands

steeped in blood.

Who paid you to say that, daly?

I beg you now,

stop this violence.

Who put you up to it?

We don't have to listen to this.

It is our

solemn duty--

why don't you stick

to religion, daly?!

...under God,

to save life.

Did the Brits get at you?

We must save life

wherever possible,

however unpopular it is.

Please...

Don't let anybody else die.

Please don't let

anybody else die.

Kieran!

This is wrong.

This is wrong!

What you said in there was

an absolute bloody disgrace.

What I said in there

is God's law.

You're telling me

to betray my son?

It's God's law, Annie!

This isn't a protest anymore.

These people are using these

funerals to win support.

These people are our

friends and our families.

Look, you have

to take your sons off.

You have the right to choose.

You can make a choice.

Leave them alone.

No, I don't.

It's not my choice to make.

Jesus Christ, do you think

if it was my choice,

I'd let him die?

Come on, Annie, let's go home.

I--

do you hear me, Kathleen?

He's losing consciousness.

We should contact

the next of kin.

Mrs. Quigley?

Tim Harrington.

Leave me alone.

Please, Mrs. Quigley, I

think we have a solution.

Excuse me. I'm going

to stay with my son.

Look, we can resolve

this bloody mess.

Do you want to stop

this madness?

Do you?

While there's still time,

please take me to Danny Boyle.

Am I safe here?

They'll have to

shoot me as well.

You think they won't?

You've got some nerve

coming here.

Mr. Boyle,

I have a proposal.

The prisoners can have

their specific demands.

As a right?

As a right.

Provided the hunger strike

is called off first

and your organization

makes no statement

claiming to have won

prisoner-of-war status.

May I have an ashtray?

The government will say

that in light of the

prisoners' sensible decision

to end the hunger strike,

we are re-examining

the present regime.

You cheated us

about the clothes.

Mr. Boyle, I have never

cheated anyone in my life.

Now,

if the terms are acceptable,

I will go into

the prison tonight

and outline the changes

to the hunger strikers

in the presence of a

witness of your choice.

Thatcher will never

agree to this deal.

Senior concerned parties

within the government

feel strongly that the

prime minister will agree.

I'll have to consult

the prisoners first.

And I must talk to my people.

Danny, my son is dying.

We don't have any time.

Can't you just resolve this now?

Do something.

You must do something.

There's nothing I can do.

Please leave.

One on!

Clear the wing!

Keep goin', Frankie.

Keep goin', Gerard.

Hi, tom.

Must be serious if you're here.

I think we have a deal.

Oh!

Kathleen, any sign

of Harrington?

No. They told me

he was with you.

Tom McLaughlin,

the prisoners' leader.

How are you,

Mrs. Quigley?

You all right?

Yes.

So he's not with you?

Where is he? Do you

think he's coming?

I have no idea.

He must be in London.

So what do the

prisoners think, tom?

The prisoners will agree

if the Brits agree.

Oh, thank God.

Can I bum one of those on you?

Oh, yes, yes, of course.

Where is he?

You know Frankie

doesn't have long.

Aye, I know.

All we can do is wait,

Mrs. Quigley.

Yes...

Yes, we have a deal.

They'll agree.

No, no loss of face to anyone.

What's going on?

How dare you barge in here?

Your career's over.

We have a deal in place.

It's not a deal.

It's surrender.

I warn you,

I have strong support.

You'll be lucky

to get a pension.

Get out.

Now.

Cardinal's office, please.

Yes, your eminence.

I think we can reach

a compromise.

That's right.

Kathleen!

Kathleen, Kathleen...

The cardinal organized a deal.

What deal?

What are you doing here?

Where'd this come from?

Farnsworth's office.

You f***in' idiot.

What's wrong?

"The prisoners will have the

privilege of their own clothes."

Jesus Christ.

Privilege.

It's only a word.

We have been in direct

negotiations with Harrington,

who was prepared to accept

the 5 demands as a right!

There are 9 men have died

for that right, daly,

and you have

no reason to come in

and interfere in the work

that should come from this.

I'm taking him off.

OK, now clear the room.

Frankie!

Annie...

Kathleen...

Oh, Annie, I'm so sorry.

Sure his sufferings

are over now anyway.

I took Gerard off.

I had to do it.

Somebody had to do it.

You're lucky you had the choice.

OK, Mrs. Quigley, will you

come with me, please?

Oh, Jesus...

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Terry George

Terence George (born 20 December 1952) is an Irish screenwriter and director. Much of his film work (e.g. The Boxer, Some Mother's Son, and In the Name of the Father) involves "The Troubles" in Northern Ireland. He was nominated for two Oscars: Best Writing, Screenplay Based on Material from Another Medium (1993; In the Name of the Father), and Best Writing, Original Screenplay (2004; Hotel Rwanda). On 26 February 2012, he received an Oscar in the live action short film category for The Shore. more…

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Submitted on August 05, 2018

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