Somewhere

Synopsis: While recuperating from an injury at Beverly Hills' famed Chateau Marmont, bad-boy actor Johnny Marco (Stephen Dorff) receives a visit from his young daughter, Cleo (Elle Fanning). Though his mind is not on parenting, she has a way of inserting herself into her father's daily routine. Slowly, the two bond, forcing Johnny to re-examine his life of excesses and his relationship with Cleo.
Genre: Comedy, Drama
Production: Focus Features
  4 wins & 7 nominations.
 
IMDB:
6.3
Metacritic:
67
Rotten Tomatoes:
70%
R
Year:
2010
97 min
$1,768,416
Website
1,289 Views


1

EXT. RACE TRACK - DAY 1

It's overcast, as a black Ferrari speeds around an empty

track in the foggy haze. It does lap after lap, getting

nowhere.

It slows down and stops. JOHNNY gets out and stands there.

CUT TO:

Main titles over black: Somewhere

2 INT. CHATEAU MARMONT - NIGHT 2

JOHNNY, a bad boy actor in his early thirties, comes down the

stairs flanked by some pretty party girls, wasted and

laughing. He trips and falls down the stairs out of frame.

JOHNNY (O.S.)

Ow....f***.

CUT TO:

3 INT. JOHNNY’S BEDROOM - NIGHT 3

Johnny reclines on pillows on a bed in the Chateau Marmont.

He has a bruise on his face and a cast on his wrist.

Prescription bottles line the night table next to a bottle of

Petrus.

He stares blankly ahead. An out-of-focus girl's body comes

into frame.

CUT TO:

4 Johnny's P.O.V. - THE TWINS, dressed in candy-striper mini 4

dresses, cheerfully do a get-well dance for him at a strip

pole.

A get-well bouquet of metallic balloons are starting to sag

behind them; a little boom box plays music for their routine.

Johnny leaves them to go in the bathroom. He passes a table

with some books on it - Proust and Dostoevsky.

Official White Version 06/04/09 2.

5 INT. BATHROOM - NIGHT 5

Johnny looks in the mirror at his bruised face and how much

more his hair is thinning. He takes some Propecia and Vicodin

and goes back to bed.

6 INT. JOHNNY’S ROOM - NIGHT 6

He watches the twins from bed...his eyelids are heavy, and he

passes out.

The twins pack it up - folding up their travel strip-pole

like a telescope, and taking their boom box on their way out.

FADE OUT.

7 EXT. CHATEAU MARMONT PATIO - AFTERNOON 7

It’s a sunny day in Los Angeles. Johnny sits alone on a

bench, with sunglasses on, smoking.

A familiar waiter asks him if he needs anything.

Two LA girls at another table look over at him with inviting

smiles.

His phone makes a beep and with heavy eyelids, he looks down

at a text message on the screen:

Why are you such an a**hole?

CUT TO:

8 EXT. L.A. STREETS - DAY 8

Johnny drives aimlessly through LA, down Mulholland.

A sandy blonde in a Porsche smiles at him, and he follows her

for a while, then loses her in the traffic.

CUT TO:

9 INT. CHATEAU MARMONT HALLWAY - EVENING 9

He walks down the hall, as Amazon girls dressed as vampires,

smoking cigarettes pass him.

Official White Version 06/04/09 3.

They all check him out and step into a room where a photo

shoot is going on.

CUT TO:

10 INT. JOHNNY’S SUITE - NIGHT 10

He smokes a cigarette and waits for something, what to do

next. In real time we watch him smoke and wait.

When his cigarette is done, he throws some pills in his mouth

and has a beer.

CUT TO:

11 Johnny’s P.O.V. - Power-rock tennis routine: 11

The twins wear short white tennis outfits while they do a

dance at the pole for him, spinning around with their tennis

racquets.

CUT TO:

12 After their routine, one of the twins passes by Johnny and he

grabs her and throws her on the bed. She shoves him off-12

CINDY:

I’m Cindy, you moron.

and keeps going on her way.

JOHNNY:

Oh, sorry, Cindy.

The other twin, Bambi, leans down for a passionate kiss.

BAMBI:

I’m the other one.

E.C.U. She kisses him, then blows her gum into a bubble, it

pops in his face.

CUT TO BLACK.

Official White Version 06/04/09 4.

We hear Layla’s voice over black.

LAYLA (O.S.)

Johnny...Johnny...

FADE UP:

13 INT. JOHNNY’S BEDROOM -DAY 13

Bright afternoon sun floods his room. The twins and pole are

gone.

Johnny wakes up to see CLEO, a skinny 11 year old with messy

hair, in an over-sized t-shirt, next to him on the bed,

signing his cast.

He wakes up to her radiant kid smile.

Hi, Dad.

CLEO:

LAYLA, late-thirties, stands in the doorway looking at him

like "nice one".

LAYLA:

What happened to you?

JOHNNY:

Oh, some stunt work.

stunt...

We had a big

CUT TO:

14 INT. JOHNNY’S CAR - DAY 14

They drive down the bright sunny streets of L.A., as Johnny

takes Cleo to her ice-skating lesson.

Johnny looks in his rear view mirror.

JOHNNY:

Do you see that?

Official White Version 06/04/09 5.

What?

CLEO:

JOHNNY:

That black SUV. I think they’re

following us. Do you see cameras?

She looks back.

CLEO:

It just looks like a car.

He blows it off. They pull up and park at a Mall in the

Valley.

CUT TO:

15 INT. ICE-SKATING RINK 15

Johnny sits in the bleachers and watches her.

Cleo, in light blue, with her hair pulled back glides over

the ice in a routine to dreamy music.

He watches her - her face in peaceful concentration, she

looks like a pixie on the edge of adulthood.

CUT TO:

16 INT. CAR- EVENING 16

Johnny drives Cleo home.

JOHNNY:

You’re really good, when did you

learn how to ice-skate?

CLEO:

I’ve been going for 3 years.

JOHNNY:

Oh. Really...

She nods. He looks in rear-view mirror.

Official White Version 06/04/09 6.

JOHNNY:

Is that the same SUV?

Cleo looks back.

CLEO:

There’s kind of a lot of those in

LA.

JOHNNY:

Yeah, but I think that’s the same

one.

Cleo looks back and writes something on her iPhone.

JOHNNY:

What are you doing?

CLEO:

I’m taking down the plates.

CUT TO:

17 EXT. LAYLA’S HOUSE - DUSK 17

Johnny pulls up at a nice house in Hancock Park, dropping

Cleo at home.

CLEO:

Bye, see you later.

He hugs her and kisses her on the top of her head.

JOHNNY:

Bye, Kiddo.

Official White Version 06/04/09 7.

She is small climbing out of the low Ferrari.

CUT TO:

18 INT. FERRARI - NIGHT 18

On his way home alone, he stops at a red light and his phone

beeps with a text message:

You think you're such hot sh*t, don't you?

CUT TO:

19 INT. JOHNNY’S SUITE - NIGHT 19

He walks though the living room of his hotel suite- it's

filled with people hanging out, smoking, drinking,

talking...SAMMY, Johnny's stooge buddy, hosts.

Some French guy with a big joint is talking.

FRENCH GUY (WITH THICK ACCENT)

There’s this documentary- it’s

amazing- it’s called the F-word,

about the history of people saying

F*** on TV in America- with all

these clips, you know, and how

there’s a two hundred thousand

dollar fine in the U.S. If you say

it on TV, they had these clips of

Bush and he said it like 20 times,

so that would be like 4 million...

Johnny finds a loose pill in his pocket, he looks at it to

see what it is, but doesn't really care, anything will be

better, and pops it in his mouth.

He pours himself a drink.

C.U. Whiskey hits ice cubes in a tall glass.

Official White Version 06/04/09 8.

Johnny goes up to a pretty girl and smiles at her with all

his charm.

JOHNNY:

Hi, I’m Johnny...

She’s stoked.

CUT TO:

20 INT. JOHNNY’S BEDROOM - NIGHT 20

In the darkness of his bedroom, the party a dim muffle,

Johnny and the pretty girl make out, they are laughing,

wasted...she says his name excited-GIRL

Johnny...Johnny...

--as he moves down her body, taking off her underwear, he

passes out in-between her legs.

Johnny?

GIRL:

CUT TO:

21 INT. JOHNNY’S BEDROOM - DAY 21

Johnny wakes up alone in his bed. Bright light floods in the

window.

CUT TO:

22 INT. BATHROOM - DAY 22

Johnny takes a shower- It’s a new day. He tries to keep his

cast out of the water.

CUT TO:

Rate this script:5.0 / 2 votes

Sofia Coppola

Sofia Carmina Coppola (born May 14, 1971) is an American screenwriter, director, producer and actress. In 2003, she received the Academy Award for Best Original Screenplay for the comedy-drama Lost in Translation, and became the third woman to be nominated for an Academy Award for Best Director. In 2010, with the drama Somewhere, she became the first American woman (and fourth American filmmaker) to win the Golden Lion, the top prize at the Venice Film Festival. Her father is director, producer and screenwriter Francis Ford Coppola. more…

All Sofia Coppola scripts | Sofia Coppola Scripts

0 fans

Submitted by aviv on November 14, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Somewhere" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/somewhere_605>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Somewhere

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "second act" in a screenplay?
    A The main part of the story where the protagonist faces challenges
    B The introduction of the characters
    C The climax of the story
    D The resolution of the story