Teacher's Pet Page #5

Synopsis: James Gannon, the hardboiled city editor of a newspaper, believes that the only way to learn the business is by way of the School of Hard Knocks, and has a very low regard for college-taught journalism, so he's not pleased when his managing editor orders him to help Erica Stone, a college professor, with her journalism class. Finding himself attracted to her, he pretends to be a student in her class, not revealing he's Gannon, whom she despises. As they bob and weave around their mutual growing attraction, they both begin to gain respect for each other's approaches to reporting news, but how will Erica react when she finds out who he really is?
Genre: Comedy, Romance
Director(s): George Seaton
Production: Paramount Home Video
  Nominated for 2 Oscars. Another 7 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
83%
APPROVED
Year:
1958
120 min
619 Views


Excuse me for saying this,|Mr. Gallagher...

but your friend's kind of reporting|went out with Prohibition.

This isn't a rehash.

I'm talking about the big why|behind the story.

This is the function of a newspaper|in today's world.

TV and radio announce spot news|minutes after it happens.

Newspapers can't compete|in reporting what happened anymore.

But they can and should tell the public|why it happened.

What made your story so interesting?

I'll tell you.|It was Salas' reason for firing the gun.

Listen to this.

"When he threw the money at me,|I don't know...

"people been throwing things in my face|all my life.

"I guess I couldn't take it no more. "

But he said it on the spot.|It tied in with the story!

Young Salas gaVe a Vague, bitter,|tormented reason.

But behind that why|are a hundred other whys.

One on top of another,|they led to Violence.

Was it because he's a member|of a minority group...

struggling to solVe|the complex problem of assimilation?

Did society at large|create the climate for this tragedy?

Mr. Gallagher, out there in the city|are some of the answers.

Files of the Immigration Department,|dark shadows of Central Park...

tenements, oVercrowded schools...

the jails, police stations.

And it's your job to try to find them.

That's the kind of thing you read|when you're waiting in a dentist's office.

The guy who fights his way on a subway|after a hard day's work...

hangs onto a strap with one hand|and a newspaper with the other...

doesn't want to wade through|a dull explanation-

The man on the subway is more curious|than you think. You ask anybody...

except that|outdated reporter friend of yours...

and you'll find that today|the aVerage man wants to know why.

Please, Mr. Gallagher,|won't you try writing it?

All right.

But couldn't we go someplace|and haVe a cup of coffee...

- and talk it oVer?|- No, thank you.

I must get home.|I haVe a lot of reading and-

Only take a few minutes.|Maybe you could show me how to start.

No, this is what's called in the trade|a think piece and I want your thinking.

I know you'Ve got- Excuse me.

Hello. You got the tickets.|That's wonderful.

They were sold out weeks ago,|I thought.

You know, you're fantastic.

What?

That's loVely. Yes.|Hold on a second, will you?

Good night, Mr. Gallagher,|and good luck.

Yes, what time shall I expect you?

- Good night.|- Good night.

I just think it's great.

You're supposed to put me down|for an eVening conference.

Tomorrow night would be good.|Let's see.

No. Tomorrow night, Dr. Pine.|Saturday night, Dr. Pine.

What's with this Dr. Pine?|Doesn't she feel well?

You're Tuesday at 9:30.

7:
00 would be better for me.

Perhaps we could haVe dinner together,|you know and...

9:
30.

Concert, Dr. Pine, Tuesday.|I'll put it down.

Yes, I'll be right in.

You're now Wednesday at 9:30.

Here's the adVance Jim Bacon AP story.

Drama.

Sorry, Jim, haVen't got a quarter.

Broke eVen tonight,|didn't play. Anything?

Nothing much.

They found a homemade bomb|in a locker at Grand Central.

- No damage.|- Must be that same screwball.

Tell me, why does a guy|do a thing like that?

What difference does it make? He did it.

GiVe me some coffee, please.

There's got to be a reason.|I keep saying to myself, "Why?"

I need some stuff, Bill,|on the local Puerto Rican situation.

- Want me to check the clips?|- No.

I know what we'Ve got in the morgue.|I need more intimate stuff:

census figures on family income,|housing, employment...

survey on prejudice, police statistics-

You mean, like for a think piece?

Yeah, like for a think piece.

I doubt if we haVe anything up-to-date|enough for that. We neVer use it.

I can round up something tomorrow|if you-

I wanted it tonight.

Why?

I'm going to school.|I need it for my homework.

You ask a silly question,|you get a silly answer.

Yeah.

Mr. Gannon?

Beg your pardon, Mr. Gannon,|but I couldn't help oVerhearing...

Well?

I think I might haVe|what you're looking for.

- Where?|- Right here in my desk, sir.

There's quite a bit|on that Puerto Rican situation.

Getting more explosiVe eVery day.

Got anything on that kid|that killed the grocer at 110th Street?

The Salas boy. Yes, sir.

GiVe me a think piece,|about 2,000 words...

on the factors and conditions...

- that led to the killing.|- Yes, sir.

Soon as you get the lead finished,|let me see it.

Yes, sir.

I can't seem to get it out of my mind,|Mr. Gannon.

What?

Why does a guy do a thing like that?

Maybe he was sore at the world,|that's why.

I'm sore at the world, too,|but I don't go around planting bombs.

Let me speak to|Miss Erica Stone's office, please.

There's got to be a reason behind it.

The bomb was heavy.|He got tired of carrying it around...

so he put it in the locker.|Only costs a dime, you know.

Hello. Let me speak|to Miss Erica Stone, please.

She's gone home.

I'm sorry, Mr. Gallagher,|I can't giVe you her address.

Not without faculty authorisation.

But I'Ve finished the first paragraph|of my assignment...

and I just wanted to drop by her place|for a few minutes...

and see if I was on the right track.

If you mean the inside track,|the answer is no.

Dr. Hugo Pine is coming along fast|on that one. Good night.

Doctor Hugo Pine.

How's the fan mail?|Fine. I just got more for you.

Thank you.

Hello, Barney.

How are you this morning?|Fine.

Got a lot of mail there|this morning.

Good morning.|Good morning, Harold.

Get me eVerything you can on him.

Doctor Hugo Pine.

P- I-N-E?

Right. Hurry it up, will you, Tess?

Here's the rest of that Salas story.

- Take you all night?|- Yes, sir.

You should haVe knocked it out faster.

After all, how long does it take to say|we need better housing...

bigger playgrounds and more schools?

I wanted to talk to Salas' mother.

I got there early|while they were still asleep.

I wanted to find something out.|I was right.

They were liVing eight in one room.|That's against the housing law.

The landlord's a gouger.

There's a $40 rent ceiling|for one room...

but he takes another $40|under the table.

It was that $40 the boy was after|when he killed the old man.

Okay.

- What's your name?|- Miller. Harold Miller.

All right, Miller.

Roy, put Miller back on the day side.

Okay, Jim.

- Gannon.|- Here's that information you wanted...

on Dr. Hugo Pine.

"Special Consultant,|Psychological Warfare, U.S. Army.

"Member, GoVernor's Committee|on State Mental Hospitals.

"Chairman, Mayor's InVestigating|Committee on JuVenile Delinquency.

"Head of... "

When did he win the Nobel Prize?

He also writes books.

Yeah, I guess I could haVe|the bookstore send them up to you.

Any particular ones?

WhateVer he's written.|Okay, I'll take care of it right away.

Gladys, get me the bookstore.

Thanks a lot!

All right.

What's that?

The books you ordered,|by Dr. Hugo Pine.

- I said one copy of each.|- That's what you got, Mr. Gannon.

And here's the bill. $83.40.

"The Psychoneurotic|Manifestations...

"of Abnormal Cultural Patterns. "

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Fay Kanin

Fay Kanin (née Mitchell; May 9, 1917 – March 27, 2013) was an American screenwriter, playwright and producer. Kanin was President of the Academy of Motion Picture Arts and Sciences from 1979 to 1983. more…

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Submitted on August 05, 2018

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