Terms of Endearment

Synopsis: Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora's interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking. In the end, different people show their love in very different ways.
Genre: Comedy, Drama
Director(s): James L. Brooks
Production: Paramount Pictures
  Won 5 Oscars. Another 27 wins & 18 nominations.
 
IMDB:
7.4
Metacritic:
79
Rotten Tomatoes:
88%
PG
Year:
1983
132 min
597 Views


Let me go, just for a minute.

You're going to stare that baby

into a coma.

Stop exaggerating.

It's not good to keep checking

and imagining terrible things.

- I know, I know.

- Here it starts. Here we go.

Rudyard...

Rudyard, she's not breathing.

Honey, she's sleeping.

The baby's sleeping.

No...

- Rudyard, it's crib death.

- It's sleep!

- She's asleep, honey.

- Maybe.

Come on!

Emma.

Oh, good.

That's better.

No, thank you.

Thanks. Emma?

He was one of the most dependable men

that ever worked for me.

- I know. Thank you.

- He was a good man.

I'm real sorry about your daddy.

Take care of your momma.

Emma? Emma, wake up, please.

- Wake up.

- What's wrong?

I was tense and I was wondering

how you were feeling.

- Would you like to sleep in my bed?

- No, thank you.

Would you like to sleep

in my bed again?

Yes!

What are we going to do

with this hair?

Hey, Emma!

Patsy, hurry up!

You're going to miss him.

Oh, that's what they were looking at!

- Good night, honey.

- Where's Momma?

That old fart's trying

to get in her pants.

- What if the astronaut shows up?

- Oh, they're everywhere in Houston!

- Say hi to Race.

- OK. Love ya. Astronauts!

So?

- We better get going.

- I'll say goodbye. Want to go with?

No. I don't think I'm up to it today.

Sure would be nice

to have a mother somebody liked.

Why don't you accept the fact that

you have certain biological needs?

- Because I don't.

- Mom! I'm going now.

Excuse me.

Can you believe it?

He wants to take me to Tahiti.

I don't know why you treat these men

like this. They have feelings too.

- Has the astronaut moved in yet?

- Who?

Patsy teaching you coy lessons?

Breedlove. Has he moved in?

- Put your socks up!

- Say goodbye to Patsy.

- Be home by eleven.

- Say goodbye to Patsy.

- Goodbye, Patsy!

- Thank you.

In this day and age, anything goes!

I feel really foolish getting stoned

to hear Mary Martin.

See, Patsy...

This is not Mary Martin,

this is Ethel Merman.

This is the last time

we're gonna be like this.

I just plain refuse

to get into that kind of thinking.

It should not stop.

I mean, we're gonna be best friends.

Our babies will be best friends.

We'll all be best friends.

Oh, God!

- Just a minute.

- Open the door.

Emma, open the door.

Just a minute.

- I need to talk to you!

- All right.

I'm getting married. What the hell?

- Meet me in my room?

- Yes.

- What do you think she wants?

- Maybe to tell you how to have sex.

What?! No. She only knows

how to avoid it.

I can't believe you said that.

I didn't mean it.

I didn't mean it, I swear.

What have you been doing, Emma?

Nothing.

What is it, Momma?

I really want to get some sleep so

I look halfway decent for tomorrow.

Come on. What is it?

Would you want me to be silent

about something for your own good?

Yes, ma'am, I would!

OK, come on.

Come on.

I've been in here all night.

I've been trying to decide what...

what wedding gift to get you.

I thought of that Renoir

that my mother gave me.

But I couldn't reach a conclusion.

Then I came to grips with the reason

why I couldn't think of a gift.

Oh, Momma, it's all right.

I need dishes, a rotisserie...

The car...the house...

I'm totally convinced

if you marry Flap Horton tomorrow,

it will be a mistake

of such gigantic proportions,

it will ruin your life

and make wretched your destiny.

Why are you doing this to me?

You are not special enough

to overcome a bad marriage.

Use your brains.

Flap is limited.

He hasn't got any imagination.

Even at this age, all he wants

is a secure teaching job.

Mother...

I'm marrying Flap Horton tomorrow.

I thank God

Flap's getting me out of here.

If this is your attitude,

don't come to my wedding.

That's right.

No, I think you're right.

The hypocrisy was bothering me, too.

My own mother's

not coming to my wedding.

Listen to her. She's going crazy.

I'll give her until noon tomorrow.

Emma, your mother

boycotted your wedding,

she hates your husband

and only holds you in medium esteem.

Medium esteem.

That is so cute. That is so cute.

Wouldn't it have been strange

to marry a person who didn't read?

There's millions of interesting

people who never pick up a book.

Flap, I feel so totally good about

us. I hope I get pregnant tonight.

That would be nice.

I love the way you look.

You're so nice.

I... You're my sweet-assed gal.

Here comes the bride!

Wait, Flap. Where did you learn

how to do that?

That is the strangest

music to make love to.

I know.

Leave me alone. I'm happy.

I don't want to talk to you.

No. Did you see the tablecloth

Rosie gave me?

It's beautiful.

It's got red flowers on it.

She made it. No, not yet.

Home-made omelettes.

Just ordered 'em. Kinda Tex-Mex.

No. That was the worst thing

you've ever done to me, Mother!

Well, I think you owe my husband

an apology.

Until you apologise,

I'm not listening to your gossip.

No. Well, he's right here.

Hold on.

Yes. Yes.

Hello, Mrs Greenway.

No, ma'am, I am not

enjoying your predicament.

Momma, be nice!

As a matter of fact,

I don't need or desire an apology.

All I want is for you to understand

and appreciate my position,

to respect our marriage,

and to wait another 15 minutes

before you call in the morning.

Yes, I guess I've said my piece.

OK, I'll put her on.

He's so great!

I'll talk to you later.

I don't care about the neighbourhood.

Can't you stay a little while longer?

I thought we were having

a real good time, didn't you?

Listen, don't go yet.

One more minute.

I've got something to show you.

No, really.

- Thanks.

- Good night.

- I bought you something.

- What?

A tie.

You didn't buy this for me.

You were worried about

how I'd look to your mother.

Stop being a quisling

where she is concerned.

Whenever I get happy,

you turn perverse.

- Buying this tie made you happy?!

- Yes! Yes!

I wish you could understand,

cos you really don't.

It made me very happy,

buying this tie.

I went to two or three places.

Then describing your jacket, knowing

it would match what you're wearing,

which, by the way, it certainly does.

I mean, it was fun!

It was a goddamn mardi gras and

you're too dumb to understand that!

I'm sorry. I'm being terrible.

Going to your mother's,

it makes me a little irrational.

Can I help?

Yes. Thank you, Flap.

Take this candle. I need another one.

- In the kitchen?

- Yes.

That looks great.

Who's that short gentleman?

Not that it's any of your business...

Just leave it at that.

What are you looking at?

She isn't there any more.

She'll be back.

I'm Edward Johnson, Aurora's friend.

Pleased to meet you. Vernon Dahlart.

God, isn't she something?

Here she comes.

I met her two weeks ago at church.

You might say she's God's gift

to Vernon Dahlart.

Then you like her?

Oh, no. Does it show?

Good food.

Well, this is what I used to serve

when I lived in Boston.

Vernon, you haven't said a word.

Is that right? I feel like

I haven't stopped talking.

Rate this script:0.0 / 0 votes

James L. Brooks

James Lawrence "Jim" Brooks is an American director, producer and screenwriter. Growing up in North Bergen, New Jersey, Brooks endured a fractured family life and passed the time by reading and writing. more…

All James L. Brooks scripts | James L. Brooks Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Terms of Endearment" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/terms_of_endearment_19533>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "montage"?
    A A single long scene with no cuts
    B A series of short scenes that show the passage of time
    C A musical sequence in a film
    D The opening scene of a screenplay