The Bridges of Madison County

Synopsis: The path of Francesca Johnson's future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Illinois state fair in the summer of 1965, Robert Kincaid happens turn into the Johnson farm and asks Francesca for directions to Roseman Bridge. Francesca later learns that he was in Iowa on assignment from National Geographic magazine. She is reluctant seeing that he's a complete stranger and then she agrees to show him to the bridges and gradually she talks about her life from being a war-bride from Italy which sets the pace for this bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes her thoughts of the four-day love affair which took up three journals. The journals are found by her children after the lawyer was going over Francesca's will and all

Genre: Drama, Romance

Director(s): Clint Eastwood

Actors: Clint Eastwood, Meryl Streep, Annie Corley, Victor Slezak

Production: Warner Bros.

Nominated for 1 Oscar. Another 6 wins & 14 nominations.


IMDB:: 7.6
Metacritic:: 66
Rotten Tomatoes:: 89%

The Bridges of Madison County Movie Quotes »

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: PG-13
Year:: 1995
: 135 min
: 3,872 Views

00:
01:01,829 -- 00:01:03,467 X1:315 X2:404 Y1:472 Y2:495
Hi, sis.
2
00:
01:14,829 -- 00:01:19,778 X1:159 X2:560 Y1:431 Y2:495
MichaeI, if I couId just get you
to sign this right here. . .
3
00:
01:20,029 -- 00:01:24,978 X1:151 X2:567 Y1:431 Y2:495
. . .which gives you the contents
of the safe deposit box.
4
00:
01:27,469 -- 00:01:30,586 X1:113 X2:606 Y1:436 Y2:495
Thank you.
And this one which cIears the bank. . .
5
00:
01:30,829 -- 00:01:33,707 X1:221 X2:497 Y1:436 Y2:495
. . .of aII responsibiIity
for the contents.
6
00:
01:33,949 -- 00:01:35,223 X1:228 X2:491 Y1:468 Y2:495
It's kind of exciting.
7
00:
01:35,629 -- 00:01:39,781 X1:117 X2:602 Y1:430 Y2:495
Maybe we'II find out
that your mother had secret miIIions.
8
00:
01:40,069 -- 00:01:43,345 X1:182 X2:536 Y1:435 Y2:495
Why don't we get started?
Your mother is interred. . .
9
00:
01:43,589 -- 00:01:48,344 X1:115 X2:604 Y1:431 Y2:495
. . .at the Cedar Heights FuneraI Home
untiI arrangements can be made.
10
00:
01:48,869 -- 00:01:50,541 X1:189 X2:530 Y1:469 Y2:495
I thought it was arranged.
11
00:
01:50,789 -- 00:01:52,461 X1:233 X2:486 Y1:430 Y2:495
-There's a probIem.
-What probIem?
12
00:
01:52,709 -- 00:01:57,021 X1:118 X2:601 Y1:436 Y2:495
Your mother Ieft expIicit instructions
to be cremated.
13
00:
01:57,269 -- 00:02:01,057 X1:174 X2:545 Y1:435 Y2:495
-I don't understand it either.
-When did she decide this?
14
00:
02:01,309 -- 00:02:03,618 X1:142 X2:576 Y1:469 Y2:495
ApparentIy just before her death.
15
00:
02:03,869 -- 00:02:07,498 X1:076 X2:643 Y1:430 Y2:495
-I don't know anybody who gets cremated.
-Lots of peopIe do.
16
00:
02:07,749 -- 00:02:11,424 X1:137 X2:581 Y1:431 Y2:495
Nobody in my famiIy did.
Dad bought pIots at Prairie HiIIs. . .
17
00:
02:11,669 -- 00:02:13,785 X1:172 X2:547 Y1:472 Y2:495
. . .one for him, one for Mom.
18
00:
02:14,029 -- 00:02:17,260 X1:189 X2:530 Y1:431 Y2:495
-The wiII cIearIy states--
-I don't care what it says.
19
00:
02:17,509 -- 00:02:21,661 X1:106 X2:613 Y1:431 Y2:495
Maybe Mom was deIirious. Maybe
she didn't know what she was saying.
20
00:
02:22,029 -- 00:02:26,181 X1:121 X2:598 Y1:431 Y2:495
If she wanted to be cremated, why
the heII did she Iet Dad buy 2 pIots?
21
00:
02:26,429 -- 00:02:28,181 X1:212 X2:507 Y1:469 Y2:495
She was very specific.
22
00:
02:28,549 -- 00:02:32,144 X1:099 X2:619 Y1:431 Y2:495
She wanted her ashes to be thrown off
Roseman Bridge.
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00:
02:32,389 -- 00:02:33,981 X1:307 X2:411 Y1:436 Y2:495
-What?!
-Bizarre!
24
00:
02:34,229 -- 00:02:36,948 X1:185 X2:533 Y1:436 Y2:495
Mr. Peterson, are you sure
Mom wrote aII this?
25
00:
02:37,189 -- 00:02:40,704 X1:134 X2:585 Y1:431 Y2:495
It was notarized and witnessed by
Mrs. Lucy DeIaney.
26
00:
02:40,949 -- 00:02:42,940 X1:187 X2:531 Y1:436 Y2:495
-Maybe you couId ask her.
-Who the heII is she?
27
00:
02:43,189 -- 00:02:45,180 X1:168 X2:550 Y1:468 Y2:495
I remember her, I just don't--
28
00:
02:45,909 -- 00:02:49,902 X1:148 X2:570 Y1:430 Y2:495
I don't care if it's IegaI. We're
not cremating her or throwing. . .
29
00:
02:50,149 -- 00:02:53,380 X1:174 X2:544 Y1:436 Y2:495
. . .her ashes off some bridge
where we can't visit her. . .
30
00:
02:53,629 -- 00:02:56,097 X1:131 X2:587 Y1:473 Y2:495
. . .because she'II be bIown aII over!
31
00:
02:56,509 -- 00:03:01,344 X1:104 X2:615 Y1:431 Y2:495
-And peopIe driving aII over her, dogs--
-We're not doing it.
32
00:
03:01,869 -- 00:03:03,905 X1:244 X2:474 Y1:435 Y2:495
I'm not even sure
it's Christian.
33
00:
03:04,149 -- 00:03:07,107 X1:184 X2:534 Y1:435 Y2:495
Maybe it's an ItaIian thing.
She was ItaIian.
34
00:
03:07,349 -- 00:03:09,226 X1:257 X2:462 Y1:473 Y2:495
Doesn't matter!
35
00:
03:09,869 -- 00:03:11,097 X1:300 X2:419 Y1:474 Y2:495
Move on.
36
00:
03:11,349 -- 00:03:13,499 X1:183 X2:535 Y1:474 Y2:495
We can come back to this.
37
00:
03:13,749 -- 00:03:16,058 X1:168 X2:550 Y1:468 Y2:495
Why don't we open the box?
38
00:
03:44,029 -- 00:03:46,020 X1:211 X2:508 Y1:472 Y2:495
MichaeI, Iook at these.
39
00:
03:48,549 -- 00:03:50,779 X1:127 X2:592 Y1:469 Y2:495
Have you ever seen these pictures?
40
00:
03:57,389 -- 00:04:00,187 X1:132 X2:586 Y1:469 Y2:495
It was in this enveIope from 1 965.
41
00:
04:00,669 -- 00:04:02,387 X1:198 X2:521 Y1:468 Y2:495
She's not wearing a bra.
42
00:
04:06,909 -- 00:04:09,184 X1:182 X2:536 Y1:468 Y2:495
That's the HoIIiweII Bridge.
43
00:
04:10,549 -- 00:04:14,258 X1:166 X2:553 Y1:430 Y2:495
-In case anyone's interested.
-Why are there 2 deeds here?
44
00:
04:14,949 -- 00:04:18,578 X1:160 X2:559 Y1:431 Y2:495
This is for the additionaI acres
he purchased in '59.
45
00:
04:20,149 -- 00:04:21,468 X1:297 X2:421 Y1:474 Y2:495
And this?
46
00:
04:22,149 -- 00:04:26,586 X1:136 X2:583 Y1:431 Y2:495
Those were biIIs of saIe
from equipment your mother soId.
47
00:
04:33,749 -- 00:04:38,425 X1:131 X2:588 Y1:431 Y2:495
-This is for the originaI Iand parceI.
-BeautifuI picture of her.
48
00:
04:47,349 -- 00:04:48,668 X1:318 X2:401 Y1:474 Y2:495
What?
49
00:
04:49,149 -- 00:04:51,344 X1:129 X2:590 Y1:469 Y2:495
CouId you come here for a minute?
50
00:
04:52,469 -- 00:04:53,424 X1:318 X2:401 Y1:474 Y2:495
What?
51
00:
04:57,669 -- 00:04:59,148 X1:221 X2:498 Y1:469 Y2:495
Where are we going?
52
00:
05:04,989 -- 00:05:08,982 X1:118 X2:600 Y1:431 Y2:495
She say anything in there about me?
About Ieaving me anything?
53
00:
05:09,229 -- 00:05:10,947 X1:338 X2:381 Y1:474 Y2:495
No.
54
00:
05:16,109 -- 00:05:17,303 X1:244 X2:474 Y1:468 Y2:495
What's going on?
55
00:
05:20,949 -- 00:05:24,498 X1:200 X2:519 Y1:431 Y2:495
We were just wondering
if it might be better. . .
56
00:
05:24,749 -- 00:05:28,264 X1:163 X2:555 Y1:436 Y2:495
. . .if CaroIyn and I
Iooked at this stuff ourseIves.
57
00:
05:28,509 -- 00:05:31,069 X1:178 X2:540 Y1:430 Y2:495
We don't want to keep you
waiting around.
58
00:
05:33,229 -- 00:05:36,346 X1:213 X2:505 Y1:430 Y2:495
I'II contact your office
about the IegaI work.
59
00:
05:36,949 -- 00:05:39,338 X1:259 X2:459 Y1:468 Y2:495
''I struggIe to. . .
60
00:
05:39,909 -- 00:05:43,982 X1:168 X2:550 Y1:436 Y2:495
. . .put it together in a way
that aIIows me to continue. . .
61
00:
05:44,229 -- 00:05:47,380 X1:217 X2:502 Y1:430 Y2:495
. . .knowing that we're
on separate roads.
62
00:
05:51,189 -- 00:05:55,865 X1:145 X2:573 Y1:431 Y2:495
But then, I Iook through the Iens
of my camera and you're there.
63
00:
05:56,109 -- 00:06:00,864 X1:133 X2:585 Y1:431 Y2:495
I start to write an articIe
and I find myseIf writing it to you.
64
00:
06:01,429 -- 00:06:05,502 X1:095 X2:624 Y1:430 Y2:495
It's cIear to me now that we
have been moving towards each other. . .
65
00:
06:05,749 -- 00:06:08,388 X1:198 X2:520 Y1:436 Y2:495
. . .towards those 4 days,
aII of our Iives. ''
66
00:
06:08,629 -- 00:06:11,348 X1:162 X2:556 Y1:430 Y2:495
I don't want to hear anymore.
Burn the damn thing.

Rate this script:5.0 / 1 vote

Richard LaGravenese

Richard LaGravenese (born October 30, 1959) is an American screenwriter and film director, best known as the writer of The Fisher King. more…

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The Bridges of Madison County

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