The Devil's Advocate Page #10

Synopsis: Aspiring Florida defense lawyer Kevin Lomax (Keanu Reeves) accepts a high-powered position at a New York law firm headed by legal shark John Milton (Al Pacino). As Kevin moves up in the firm's ranks, his wife, Mary Ann (Charlize Theron), has several frightening, mystical experiences that begin to warp her sense of reality. With the stakes getting higher with each case, Kevin quickly learns that his mentor is planning a far greater evil than simply winning without scruples.
Production: Warner Home Video
  1 win & 5 nominations.
 
IMDB:
7.5
Metacritic:
60
Rotten Tomatoes:
66%
R
Year:
1997
144 min
2,681 Views


CULLEN:

I didn't kill anybody.

KEVIN:

I'm telling you how it looks. You

discover the crime. You call it

in. You've got blood on your person and clothes, and -

(before Cullen can cut him off)

--and -- your prints are on the murder weapon.

CULLEN:

How do you know that?

KEVIN:

There's a second print in blood -it's

a partial of a hand -- on the wall next to th-

CULLEN:

I have keys! I called the cops from the house! I touched the

goddamn wall!

(to Barzoon)

I was panicked! I panicked!

KEVIN:

We need twelve people who can see past all that. I'd get out infront of this fast.

(CONTINUED)

DEVIL'S ADVOCATE - Rev. 11/2/96 61.

87 CONTINUED:
(2) 87

CULLEN:

I panicked! Is that a crime?

I touched the wall!

BARZOON:

He's right, Alex. People need to hear these things.

KEVIN:

You're not happy tomorrow? The

next day? We'll move over. But

right now -- this moment -- you need immediate representation.

CULLEN:

I've got a fourteen-year-old stepdaughter who I care more about than anything in the world. They won't let me call her from

downtown. They won't let me talk to her after I'm out. I gotta go deal with that first.

KEVIN:

We need to issue a statement.

Cullen looks to Milton. Waiting. Help me.

MILTON:

He's a winner, Alex.

And they'll never see him coming.

CULLEN:

I'm gonna make some very tough phone calls. Then I'm gonna take a pill and try to get some sleep. My place. Eight A.M. tomorrow. Alone.

(beat)

And you better be every f***ing inch as good as you think you are.

CUT TO:

88 OMITTED 88

89 EXT. SOHO BOUTIQUE STREET - DAY 89

A woman with short dark hair -- her back to us -- looking in a shop window. Her reflection in the glass, it's Mary Ann. She's cut and colored her hair.

Jackie and Diana already going in and -CUT

TO:

DEVIL'S ADVOCATE - Rev. 11/2/96 62.

90 INT. SOHO BOUTIQUE AND DRESSING ROOM - DAY 90

White wine and couture. Mary Ann holding a blouse.

MARY ANN:

(whispering)

This is three thousand dollars.

JACKIE:

Know what you need to do? Buy it.

Wear it once. And then throw it

away. That'll loosen you up.

DIANA:

I say spend it all. If you're never gonna see your husband, you might as well have a relationship with his money.

(as she strips)

I swear, if he wasn't afraid of me

shooting my mouth off, Eddie would've put a cellulite clause in the pre-nup.

JACKIE:

Dr. Robert, I'm telling you, he's the miracle man. You've seen my new tits, I mean who does it

better than that?

DIANA:

It's not my tits I'm worried about.

Mary Ann turns. Jackie beside her. Topless. Smiling.

JACKIE:

Real or not?

(her breasts)

They look real...

(she shimmies)

They move real...

MARY ANN:

(trapped there)

Must be real.

JACKIE:

Feel them. Go ahead. That's the

ultimate test.

Before Mary Ann can stop her, Jackie is taking her hand,

guiding it to her breast, and holding it there.

(CONTINUED)

DEVIL'S ADVOCATE - Rev. 11/2/96

90 CONTINUED:

JACKIE:

(smiling)

Feel real?

MARY ANN:

Yes.

(pulling away)

Absolutely. Real.

JACKIE:

(backing away)

Dr. Robert. When you're ready.

Mary Ann looking away as Jackie walks off.

as it was, and yet different.

And then, she turns and sees -

91 OMITTED

63.

Everything is

92 INT. SOHO BOUTIQUE - DRESSING ROOM (FX) - DAY 92

(EFX) Jackie pulling a dress down over her head.

She's taking her time because it's a delicate, clingy...

93 INT. SOHO BOUTIQUE - DRESSING ROOM (FX) - DAY 93

... complicated outfit -- turning -- and for one brief moment we see a serpent's head -- disappearing now into the dress as she struggles inside the material -- her body -- the body inside the dress -- transforming -- ribs and spikes and huge moving muscles strain the limits of the material, and then, suddenly, it's over.

94 INT. SOHO BOUTIQUE - DRESSING ROOM - DAY 94

Jackie's face appears. She straightens the seams.

Turning now -

JACKIE:

What do you think?

But Mary Ann is gone.

CUT TO:

95 OMITTED 95

thru thru

102 102

DEVIL'S ADVOCATE - Rev. 11/2/96 64/65.

103 INT. LAW FIRM - STAIRCASE/OFFICE - DAY 103

Kevin, coming out a door with Heath and an associate.

KEVIN:

... first thing -- I need this ASAP -- I want articles, clippings,

TV interviews, I want everything you can get on Alex Cullen.

HEATH:

(walking off)

You better get a semi truck.

104 INT. LAW FIRM - STAIRCASE/OFFICE - DAY 104

Christabella climbing the stairs. Short skirt. Great

angle. Halfway up, she stops to fix her stockings.

(CONTINUED)

104 CONTINUED:

CHRISTABELLA:

Enjoying yourself?

KEVIN:

(caught)

Sorry. I'm just...

CHRISTABELLA:

Just what? Looking?

KEVIN:

Guilty.

CHRISTABELLA:

Congratulations on Cullen.

KEVIN:

Thank you.

CHRISTABELLA:

What an incredible situation, even

if you lose you become a star.

KEVIN:

What if I win?

CHRISTABELLA:

If you win...

(smiles)

If you win it's everything.

KEVIN:

Any advice?

CHRISTABELLA:

Cullen is a pig. He's a pig

beyond reasonable doubt. I

suggest you keep him as far away

from the jury as possible.

KEVIN:

I'll keep it in mind.

CHRISTABELLA:

(leans in,

whispering)

You can look all you want, but I

don't f*** married men.

KEVIN:

What a relief. I was starting to

think you were perfect.

66.

(CONTINUED)

DEVIL'S ADVOCATE - Rev. 10/22/96 67.

104 CONTINUED:
(2) 104

Kevin...

PAM (O.S.)

He turns instantly -- Pamela standing behind him.

PAM:

Your wife is on the phone.

She sounds upset...

Christabella smiling as Kevin rushes off.

CUT TO:

105 INT. LOMAX APARTMENT - DAY 105

Mary Ann very upset. Kevin has just come home.

MARY ANN:

I don't care if they can hear me!

I don't care! I don't like it here.

And these women, my God... I mean,

I'm seeing things for Christ's sake!

KEVIN:

You just left them in the store?

MARY ANN:

Yes!

KEVIN:

Look, calm down, all right?

Listen to me... Mare? First,

you do this radical thing with your hair...

MARY ANN:

You hate it.

KEVIN:

Stop. I think it's fine. But I

also think it's traumatic.

You've got the pressure of fitting in with new friends,

a new place... add three bottles of wine and -

MARY ANN:

No! It wasn't the wine. It

wasn't the wine or my hair or talking to Kathy, because I know that's what you're gonna say -(

CONTINUED)

DEVIL'S ADVOCATE - Rev. 10/22/96 68.

105 CONTINUED:
105

KEVIN:

What about Kathy?

MARY ANN:

What about her? She's pregnant again.

KEVIN:

Oh, and that's got nothing to do with it...

MARY ANN:

Kevin, I never see you anymore.

Now that you've got this big case,

it's just only gonna get worse. I

don't know anybody here. These

women scare the living sh*t out of

me. If you can believe it, I'm actually looking forward to having your mother come and visit.

KEVIN:

What about the apartment?

MARY ANN:

Exactly! You just go out -- you

buy a few new suits and you're fine. I've got this whole place to fill up and I know we have all this money and it's supposed to be fun, but it isn't! It's like

a test! The whole thing is like one big test! I'm lonely.

KEVIN:

Let's make a baby.

MARY ANN:

Don't tease me.

KEVIN:

I wouldn't do that.

Unless you asked.

MARY ANN:

You hate my hair, don't you?

106 INT. LOMAX APARTMENT - DAY 106

His hand moves against her cheek, and then down the back of her neck. She moves into his body and -

Rate this script:5.0 / 2 votes

Jonathan Lemkin

Jonathan Lemkin is an American screenwriter. He has written for the television series 21 Jump Street, Beverly Hills, 90210, and Hill Street Blues. more…

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