The Devil's Advocate Page #18

Synopsis: Aspiring Florida defense lawyer Kevin Lomax (Keanu Reeves) accepts a high-powered position at a New York law firm headed by legal shark John Milton (Al Pacino). As Kevin moves up in the firm's ranks, his wife, Mary Ann (Charlize Theron), has several frightening, mystical experiences that begin to warp her sense of reality. With the stakes getting higher with each case, Kevin quickly learns that his mentor is planning a far greater evil than simply winning without scruples.
Production: Warner Home Video
  1 win & 5 nominations.
 
IMDB:
7.5
Metacritic:
60
Rotten Tomatoes:
66%
R
Year:
1997
144 min
2,755 Views


THE PRIEST:

... to contemplate evil. How it

robs -- how it steals everything of value from us...

Cullen turns -- except it's not Cullen, it's Gettys -yes,

Gettys -- whispering in Allesandra's ear and -

THE PRIEST:

... farther from God's purpose...

212 INT. CATHOLIC CHURCH - DAY 212

Kevin out of his seat. Pushing past Christabella -rushing

up the aisle -

THE PRIEST:

... and the greater that distance,

the greater evil's pleasure...

118.

213 INT. CATHOLIC CHURCH - DAY 213

Milton watching Kevin flee the church.

CUT TO:

214 EXT. CATHOLIC CHURCH - DAY 214

Moments later. Kevin hustling away -

WEAVER (O.S.)

(behind him)

Mr. Lomax?

KEVIN:

No comment. I'll have something

for you later.

WEAVER (O.S.)

I'm a friend of Eddie Barzoon.

Kevin turns. Weaver walking beside him.

WEAVER:

Remember me? Mitch Weaver.

Justice Department.

KEVIN:

Staking out the funeral?

WEAVER:

Looking for you actually.

KEVIN:

I'm in a bit of a hurry right now.

I need to talk to my wife.

WEAVER:

Just wanted to ask you -- off the

record -- I had a few questions

about Eddie.

CUT TO:

215 INT. CATHOLIC CHURCH - DAY 215

The funeral. In progress. CHOIR and ORGAN getting LOUDER. We're watching Milton move in the back of the church.

CUT TO:

119.

216 EXT. STREET - DAY 216

Kevin walking faster. Weaver right beside him.

WEAVER:

Milton, Chadwick, Waters is a

little more than a law firm, but then I assume you knew that.

(working him)

Devada Holdings? I'm sure you've

heard of it. London, Kinshasa,

Karachi -- Arms brokering mostly.

You've got Munzer-Dietch, they're

in Berlin and Djakarta -- chemical

weapons, toxic waste. Ivanaco

Limited -- Moscow -- money

laundering for the Eastern Bloc.

(at his ear)

It goes on and on, Kevin.

CUT TO:

217 INT. CATHOLIC CHURCH - DAY 217

Stained glass. Angels. The Stations of the Cross.

218 INT. CATHOLIC CHURCH - DAY 218

Milton standing in the shadows at the back. Taking it all in. Prodigal angel.

219 INT. CATHOLIC CHURCH - DAY 219

(EFX) And then, the stained-glass angels begin to move.

Wings begin to beat. Expressions come alive.

Expressions of panic and fear and -

CUT TO:

220 EXT. STREET - WEAVER - DAY 220

Kevin really striding. Weaver right there.

WEAVER:

Milton is into everything.

(listen to me)

Barzoon was coming in, Kevin. He was gonna testify.

(MORE)

(CONTINUED)

120.

220 CONTINUED:
220

WEAVER (CONT'D)

Desoto and Dibalista, in Panama,

that's a firm that specializes in

opening bank accounts for judges

all over South America. Huge drug cases. Murder. Everything.

KEVIN:

He's a lawyer! What the f*** do you want?

(stopping there)

Stay off my back.

Weaver left standing there, as Kevin rushes away -through

traffic -- across the street -

WEAVER:

This is a first time, last time

offer!

(calling after him)

I'm learning about you, Kevin. I

talked to some old friends down in

Florida this morning...

(louder now)

The Gettys case. The eighth-grade

teacher?

(did Kevin just slow down)

Found him this morning. He had

the body of a ten-year-old girl in

the trunk of his car.

Kevin, across the street, stops.

CUT TO:

221 INT. CATHOLIC CHURCH - DAY 221

(EFX) Stained-glass angels going nuts now -- wings flapping like mad -- danger everywhere, as the MUSIC STARTS to CLIMAX and -

222 INT. CATHOLIC CHURCH - DAY 222

Milton down below. Lowering a single finger into the holy water. Instantly -- it's boiling, and we -

HARD CUT TO:

DEVIL'S ADVOCATE - Rev. 1/18/97 121.

223 EXT. STREET - DAY 223

Kevin standing there, across the street -- Weaver smiles,

thinking he'll talk now for sure -- stepping off the curb and -TIRES

SCREECHING and Weaver turning and -A

car trying to stop and -Kevin

watching as -WHAMM!

-- Weaver ploughed onto the hood and -A

mother at the wheel -- her daughter beside her -- both

screaming and -The

car's WINDSHIELD as it CRUMPLES and -Kevin

watching as the car stops and -Weaver

is dazed but alive -- his face buried in the

windshield -- pulling himself up and -

Weaver's face THROUGH the shattered glass as he looks down to see -Mother

and child (EFX) -- transforming -- for an

instant -- into monsters and -

Weaver more terrified than hurt -- scrambling off the hood of the car -- staring back in horror and -Mother

and child -- completely freaked out -- both of them

hysterical and -Weaver

holding his arm -- nose bloodied -- but moving -

backing away -- turning to find Kevin still across the street and -It's

gonna be okay.

And then, a big flat-nose truck -- out of nowhere -- air

BRAKES BLASTING as it just wipes Weaver OFF the SCREEN

and -Kevin

falling back, flat against a wall -- STAYING ON Kevin -- as the street comes alive with the SOUNDS of

EMERGENCY and he starts moving away and we -

CUT TO:

224 OMITTED 224

&&

225 225

DEVIL'S ADVOCATE - Rev. 1/18/97 122.

226 INT. HOSPITAL HALLWAY - DAY 226

Kevin walking through -- stopping finally at an open door -

227 INT. HOSPITAL ROOM - DAY 227

Mary Ann in a chair. Heavily sedated. Pam standing beside her, brushing her hair. Mrs. Lomax, on her knees,

standing now -

MRS. LOMAX

Kevin... honey...

KEVIN:

What are you doing here?

MRS. LOMAX

I came this morning. I been

calling the house and getting no answer and then I spoke to Pam and... I need to talk to you.

PAM:

We got her on the first flight up this morning.

MRS. LOMAX

Are you all right?

KEVIN:

I just... I don't know.

MRS. LOMAX

Will you excuse us a moment?

Mrs. Lomax guides Kevin out.

watching them exit -Mary

Ann's vacant eyes

CUT TO:

228 INT. HOSPITAL HALLWAY - DAY 228

Just outside the room.

MRS. LOMAX

I never should've left. I knew it.

I'll never forgive myself.

KEVIN:

I was gonna call you, I just...

(CONTINUED)

DEVIL'S ADVOCATE - Rev. 1/18/97

228 CONTINUED:

MRS. LOMAX

What I did, Kevin, I thought it was for the best. Loving you was always first for me.

KEVIN:

There's nothing you could've done.

MRS. LOMAX

I could've told you the truth.

KEVIN:

About what?

MRS. LOMAX

I've lied to you, Kevin.

KEVIN:

When?

MRS. LOMAX

Always.

(pause)

Baptist Endeavor Youth Crusade,

ninety-sixty-four. I was here.

In New York. That night in the elevator, you never let me answer.

KEVIN:

What are you talking about?

MRS. LOMAX

We stayed a week. The Tremont

Hotel, it's not there anymore, I went by and it's gone -- they had a restaurant downstairs and we ate

there almost every meal -

KEVIN:

Wait. Stop.

MRS. LOMAX

Your father was a waiter in that

restaurant.

KEVIN:

Oh, this is great, Ma... this is just perfect -

MRS. LOMAX

-- honey, listen to me -

123.

(CONTINUED)

DEVIL'S ADVOCATE - Rev. 1/18/97 124.

228 CONTINUED:
(2) 228

KEVIN:

(total incredulity)

--Now? You do this now? -Because,

I mean, your timing -it's

superb -- you wait thirty years? -- you fly up here -- you pick today? -

MRS. LOMAX

-- Kevin, honey, wait -

KEVIN:

-- obviously I'm not under enough pressure -- I don't have enough on my mind, I need this little -

Rate this script:5.0 / 2 votes

Jonathan Lemkin

Jonathan Lemkin is an American screenwriter. He has written for the television series 21 Jump Street, Beverly Hills, 90210, and Hill Street Blues. more…

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