The Draughtsman's Contract Page #5

Synopsis: Mr. Neville, a cocksure young artist, is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends much further than either the purse or the sketchpad. The sketches themselves prove of an even greater significance than supposed upon the discovery of the body of Mr. Herbert.
Genre: Comedy, Drama, History
Director(s): Peter Greenaway
Production: Channel 4
  1 win & 3 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
100%
R
Year:
1982
108 min
2,001 Views


against my father's wardroom...

...a ladder usually put to

use for the collecting of apples.

And in the drawing of the laundry...

...there is a jacket of my

father's slit across the chest.

Do you not think that before

long you might find the body...

...that inhabited all those clothes?

I am thinking very hard

about the drawing you've left out.

And you, Madam,

were in that drawing.

Are you sure?

The sound of you was in the drawing.

You were playing the spinet.

I thought that we had discussed...

...the pictorial equivalents of

noise without conclusion.

Perhaps it was not

me playing the spinet.

Have you thought of that?

Then who was it?

You see, Mr. Neville,

you are already beginning...

...to play the game rather skilfully.

Four garments and a ladder...

...do not lead us to a corpse.

I said nothing about a corpse.

You are ingenious.

It is as if you'd planned it.

Your father is in Southampton.

He would not miss his

clothes or notice the ladder.

Is my father in Southampton,

Mr. Neville?

My mother told you that.

And you must realise that

she is a lady of few words...

...and not incapable of

a few stratagems.

Haven't you thought how hard...

...she persuaded you to be

her draughtsman...

...to draw her husband's

house while her husband was away?

Her explanation for

that can be supported.

Perhaps you have

taken a great deal on trust.

I look forward to the

eventual purpose and...

...outcome of this ingenuity.

My last six drawings will

be redolent of the mystery.

I will proceed step by

step to the heart of the matter.

Perhaps to the heart of my father?

Lying crimson on a

piece of green grass?

What a pity that your

drawings are in black and white.

You rush ahead.

The items are innocent.

Taken one by one,

they could so be construed.

Taken together you could be

regarded as a witness to misadventure.

Misadventure?

What misadventure?

There is no misadventure.

And more than a witness.

An accessory to misadventure.

You are fanciful.

Mr. Neville...

...I have grown to

believe that a really...

...intelligent man

makes an indifferent painter.

For painting requires

a certain blindness.

A partial refusal to be

aware of all the options.

An intelligent man

will know more about...

...what he is drawing

than he will see.

And in the space between

knowing and seeing, he will become...

...constrained...

...unable to pursue an idea strongly.

Fearing that the discerning,

those who he is eager to please...

...will find him wanting

if he does not put in...

...not only what he knows,

but what they know as well.

You, Mr. Neville...

...if you are an intelligent man

and thus an indifferent painter...

...will perceive that a construction

such as I have suggested...

...could well be placed on the

evidence contained in you drawing.

If you, are as I have heard tell...

...a talented draughtsman...

...then I imagine that you

could suppose that the objects...

...I have drawn you attention to,

form no plan...

...stratagem or indictment.

Indictment, Madam?

You are ingenious.

I am allowed to be

neither of the two things...

...that I wish to be at the same time.

I propose...

...since I am in a position to

throw a connecting plot over...

...the inconsequential

items in your drawing...

...an interpretative plot

that I could explain to others...

...to account for my

father's disappearance.

And there's no word now of my

father having arrived in Southampton.

I propose that we could come to...

...some arrangement...

...that might protect you...

...and humour me.

I suggest that we come

to a similar arrangement...

...as you have struck with my mother.

I would like you now to

accompany me to the library...

...where I know that

Mr. Noyes is waiting for us.

And for each

remaining drawing to agree.

And for each

remaining drawing to agree.

To meet Mrs Talmann, in private.

And to agree to meet

Mrs. Talmann in private.

And to comply with her requests...

...concerning her pleasure with me.

And to comply with her requests...

...concerning her pleasure with me.

Drawing Number 7.

From 7 o'clock in

the morning until 9...

... the front prospect

of the house will be kept clear...

... of members of the household,

household servants...

... horses and carriages.

Drawing Number 8.

From 9 o'clock in

the morning until 11...

... the gardens in front

of the bath house building...

... will be kept clear.

No coals will be

burnt to cause smoke...

... to issue from

the bath house chimney.

From 11 o'clock in

the morning until 1...

... the yew tree walk in the

centre of the lower garden...

... will be kept completely clear...

... and all members of

Mr. Herbert's family...

... members of his

household staff and animals.

It is time, Mr. Neville.

From 2 o'clock in

the afternoon until 4...

... the back of the house

and the sheep pasture...

... on the eastern side, will

be kept free of all members...

... of the household

and farm servants.

The reason I've suggested

you come here is...

...because I've borrowed

this painting from the house.

Would you stand?

Are you not intrigued by it?

I confess I have

paid it little attention.

Your husband surprises me...

...with his eccentric

and eclectic taste.

Whilst most of his peers are

content to collect portraits...

...mostly of an

edifying family connection...

...Mr. Herbert seems

to collect anything.

Perhaps he has eye for optical theory.

Or the plight of lovers.

Or the passing of time.

What do you think?

Perhaps, Madam, he has...

...and I would stand

by him in this...

...an interest in

the pictorial conceit.

Can you see why your

husband had reason to buy it?

It's of a garden.

That's reason enough.

True, but what of the events

that are happening within it?

Shall we peruse it together?

Do you see...

...a narrative in these

apparently unrelated episodes?

Theirs drama is there not

in this overpopulated garden.

What intrigue is here?

Do you think the characters

have something to tell us?

Would you know if your daughter...

...had any particular

interest in this painting?

Could you put a season to it?

Do you have an opinion?

What infidelities

are portrayed here?

Do you think...

... that murder is being prepared?

Did you hear that a horse

had been found at Strides...

...which is about three

miles from here on the road...

...if followed long enough

could lead you to Southampton.

I will stay dressed,

Mr. Neville, you will not.

Mr. Clarke says the

horse has been badly treated.

All roads can lead to

Southampton...

...if the traveller on

horse is ingenious enough.

I've heard of a horse

that found its way to Dover...

...and boarded a

ship taking hay to Calais.

The French do not treat horses kindly.

They eat them.

Was your horse partly eaten?

May I leave my hat on?

Your chair looks insignificant

out there, Mr. Neville.

What significant

assumption are we to make...

...of a wounded horse

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Peter Greenaway

Peter Greenaway, CBE (born 5 April 1942 in Newport, Wales) is a British film director, screenwriter, and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his film are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death. more…

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Submitted on August 05, 2018

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