The Draughtsman's Contract Page #6

Synopsis: Mr. Neville, a cocksure young artist, is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends much further than either the purse or the sketchpad. The sketches themselves prove of an even greater significance than supposed upon the discovery of the body of Mr. Herbert.
Genre: Comedy, Drama, History
Director(s): Peter Greenaway
Production: Channel 4
  1 win & 3 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
100%
R
Year:
1982
108 min
2,001 Views


belonging to your father...

...found on the road to Southampton?

The first assumption is...

...that the horse has no business

being there without my father...

...and why is it wounded...

...and what does

that imply for my father?

And the second assumption

will no doubt implicate me...

...since a saddle-less

horse has found...

...its way into

this morning's drawing.

Mrs. Talmann...

...why don't you

now leave the window...

...and come to the basin.

Don't worry...

...your position of superiority

won't be diminished.

I will still have to look up to you.

Since I have taken valuable time...

...to fill this basin

with a little water...

...why not share it with me?

You have a curious

mole, Mrs. Herbert...

...and it is ideally placed.

Does your gardener

catch moles, Mrs. Herbert?

No, he says they

are to be encouraged...

...for good luck and the

destruction of one's enemies.

They trip up horses, Mrs. Herbert.

You will not persuade Mr.

Porringer to persecute them.

A curious man...

...and ideally placed.

Ideally placed for what?

Why for persuading

a fine white horse...

...from Southampton

to go lame in the leg.

You have nothing to fear

from Mr. Porringer, Mr. Neville.

He watches you for his own amusement.

As I do you, Madam.

You seem nonetheless to be curiously

keen to protect your gardener.

It is not you...

...but his breeches

that are his best defence.

A man in red breeches

could scarcely be considered...

...an inconspicuous conspirator.

Unlike that other fool who behaves

like a statue when you least expect.

Away from the house, Mr. Neville...

...I feel I grow

smaller in significance.

Madam, what signifies,

does not grow smaller for me.

Your significance Mr. Neville

is attributable to both...

...innocence and

arrogance in equal parts.

You can handle both

with impunity, Mrs. Talman.

But you will find that

they are not symmetrical.

You will find that one

weighs heavier than the other.

Which do you think is the heavier?

Your innocence, Mr. Neville...

...is always sinister.

So I will say that the

right one is the heaviest.

Your dexterity is admirable.

You spend too much

time with Mr. Neville.

How is that?

The man is a pariah.

He eats like a vagrant

and dresses like a barber.

What compliments.

I think he would be amused.

As for his servant...

...he looks like a

fleece with a foot disease.

Don't you think

Mr. Neville is knowledgeable?

About what?

About what, Madam?

I could take your

silence as provocation.

And why should I wish to provoke you?

To excite me to think

that you might wish...

...to compliment Mr.

Neville with more than praise...

...for his knowledgability.

The complexity of your

speech does you credit...

...but it far exceeds the

complexity of any relationship...

...I might have with Mr. Neville...

...which is indeed very simple.

He's a paid servant of my mother's...

...bound by a contract.

That is all.

I'm encouraged by my

mother to see him honour it.

Is his pleasure in your

encouragement so necessary?

Although Mr. Neville has qualities...

...he is neither as intelligent nor...

...as talented as he thinks.

Both characteristics you have

observed from the start, Louis.

Though I admit more by

prejudice than by observation.

I understand that you will be

leaving us tonight, Mr. Neville.

With Mrs. Herbert's permission...

...I will be leaving after

the arrival of Mr. Herbert...

...and after he has passed an

opinion on the drawings of his house.

If my servant has

obtained a vehicle...

...I will be leaving in the morning.

And, of course, Mr.

Neville, the sooner the better...

...as you expected me to say.

You Sir, have acquainted me

with your opinion on drawing...

...on horticulture, the

Roman church, childbearing...

...the place of women in

English life, the history...

...and politics of

Lubeck, and the training of dogs.

So I am in a fair position...

...to anticipate your

opinions to my departure.

Is Radstock to greet you

with such devoted hospitality?

Mr. Talmann...

...I have been treated

with as great hospitality...

...as I could wish for

in Mrs. Herbert's house.

Your drawings are full of the most

unexpected observation, Mr. Neville.

Looking at them is a kin to

pursuing a complicated allegory.

Are you sure this ladder was there?

- Indisputably.

And what's this? It looks like...

- Whatever it is, it was there.

Mrs. Talisman will confirm it.

How is that?

How will my wife confirm it?

Mr. Neville is probably too

encompassing in his statement.

I can, however, confirm

the sighting of a ladder.

It is propped against my father's

with drawing-room.

It is indeed Madam.

You have an exact knowledge.

As exact a knowledge as though...

...you had placed it

there yourself, would you say?

Mr. Neville, if ever I had

such a mind to...

...I would have found it

impossible to have lifted it.

It would have taken...

...two men.

Away!

What do you want, Mr. Clarke?

Can you come with me, Sir.

It's important.

It is most important that

I speak with you.

I cannot now, Thomas.

I am in a position to insist.

After what has happened,

I refuse to speak to you now.

Take care of affairs yourself...

...or in the last resort,

ask Mr. Talmann.

Telling Mr. Talman what is on my

mind will not help you.

What do you mean?

I am sure I'm shortly to be accused

of the murder of your husband.

I'm determined to confront that

eventuality well protected.

Who will accuse you?

Firstly, I think will be

your son-in-law...

...abetted and witnessed

probably by his servants.

How can that be?

- I need your assistance.

To what end?

If my son-in-law believes that you're

guilty of the murder of Mr. Herbert.

Leave me.

Maria!

Calling your servants

is not going to help.

What do you mean?

Maria!

I mean the draughtsman's contract.

What of it?

Maria, call Mr. Talmann.

I mean your contractual

obligations to Mr. Neville.

What of them?

You are disingenuous beyond words.

Don't bother to call Mr. Talmann.

Fetch me instead a...

Fetch me nothing.

I'm not thirsty just at present.

Now...

...Mr. Noyes,

what are you inferring?

I am to be unjustly and

unscrupulously accused...

...of the murder of your husband.

On what grounds?

That I was the most

likely person to have done it.

I was the only person,

except your servants...

...to know of Mr.

Herbert's return on Friday.

I am culpable because of my known

feelings towards your husband.

That is ridiculous, there was...

I am the only person in the group of

people you are about to mention...

...who was not at home

awaiting the arrival of Mr. Herbert.

And, further, because of my known

feelings towards you.

Is all that sufficient reason?

There is more.

Mr. Herbert's study is

mysteriously littered...

...with papers and

my gloves are there.

Now against this conspiracy...

...I need your protection...

...and more.

If you're guilty,

Thomas, you shall have neither.

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Peter Greenaway

Peter Greenaway, CBE (born 5 April 1942 in Newport, Wales) is a British film director, screenwriter, and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his film are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death. more…

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Submitted on August 05, 2018

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