The Draughtsman's Contract Page #8

Synopsis: Mr. Neville, a cocksure young artist, is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends much further than either the purse or the sketchpad. The sketches themselves prove of an even greater significance than supposed upon the discovery of the body of Mr. Herbert.
Genre: Comedy, Drama, History
Director(s): Peter Greenaway
Production: Channel 4
  1 win & 3 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
100%
R
Year:
1982
108 min
1,921 Views


...when Mr. Neville

had finished with it.

When your speech is as

coarse as your face, Louis...

...you sound as impotent by

day as you perform by night.

Night and Day your

behaviour has been coarse...

...and is no down in

corresponding black and white...

...for all the world to peer

at, whether the sun shines...

...or the wind blows, hot or cold.

Your speech, Louis, is

becoming meteorological.

Explain your conceit.

It is no conceit but

Mr. Neville's drawings.

I was sure you believed Mr. Neville

incapable of complicated meaning.

What has he done now?

It is mostly what he has undone.

It seems to be your person.

I have no control over

Mr. Neville's drawings.

He draws what he pleases.

He is not paid to draw for his own

pleasure, nor for yours.

What makes you think he has done that?

The way it looks.

- How does it look?

The way the world sees it.

- The world!

There cannot be that many

people who have seen these drawings.

Who are these people

that represent the world?

Seymour, Noyes, the Poulencs.

What do they see?

Enough to delight them...

...to exercise their

tongues, to discuss patrimony.

Or the lack of it.

They see then what they

have long been searching for.

Do you think?

And that means?

An opportunity to braid

you for not producing an heir.

Woman, it takes two.

It does indeed, Sir.

You amaze me.

What has that to do with Mr. Neville?

I could ask you that.

- You did not. You asked Mr. Noyes.

It was he who pointed it out to me.

With his long nose he could point

you in any way he wishes.

Madam...

...you'll look at those drawings...

...and you'll explain to me...

...why a ladder is

placed under your window...

...and why your revolting little dog

is outside the bath-house...

...and why your walking-clothes

casually decorate...

...the bushes of the yew-walk.

Your inventory,

Louis, is unlimited...

...like you long,

clean, white breeches.

But there is nothing of

substance in either of them.

Let me ask you.

Perhaps you can explain what your

boots were doing in the sheep-field.

They were not my boots.

- Why was your undershirt idling...

...on a hedge near

the statue of Hermes?

It was not my shirt.

Can you not see...

...the drift of this

domestic inquisition?

You are answering me

as I could answer you.

You cannot deny it is your dog.

And whereas, with

your final accusation.

You pursue the ambiguity

of an abandoned sunshade.

You are complete on paper...

...in a borrowed hat

and a borrowed coat...

...and a borrowed

shadow I shouldn't wonder.

Posing with your knees tucked in...

...and arse tucked out...

...and a face like a Dutch fig...

...and a supercilious Protestant

whistle, I shouldn't wonder...

...on your supercilious smug lips.

And Louis...

...you have always said that

Mr. Neville has no imagination.

He draws what he sees.

Whose patrimony were

you apeing then?

My father's?

The world knows that he is dead...

...and is not certain who killed him.

The world might peer

at those drawings...

...and ask what conspiracy

of inheritance...

...did Mr. Neville have for you.

You are disreputable.

You side with a tenant-farmer's son

against your husband.

You have married the grand-daughter

of an army victualler.

There is nothing that I have said

that suggests I side with Mr. Neville.

I hope you will agree that

he has been useful to us all.

What have you done with his drawings?

I've bought them for 600 guineas

and plan to destroy them.

It would be a pity to destroy them.

You are concerned that posterity...

...will know of your duplicity.

Louis...

...they contain

evidence of another kind.

A kind more valuable than that

seized upon by those titillated...

...by a scandal

that smears your honour.

Evidence that Mr.

Neville may be cogniscent...

...to the death of my father.

Good morning, Madam.

Mr. Neville.

Good morning, Sir.

Good morning.

Though the summer suddenly seems

past and the weather less than good.

What has brought you back

to Anstey so soon?

I thought our humble

estate had seen the last of you.

I am staying at Radstock with

the Duke of Lauderdale...

...and have come at the

invitation of Mr. Seymour...

...to find that curiously he is

out and most of his house is shut up.

Mr. Seymour is in

Southampton with my husband.

The funeral was three days ago

and they are discussing property.

It would seem then that

my visit is poorly timed.

May I ask after the

health of your mother?

Although my mother was

understandably disturbed...

...by my father's

death, she is now...

...from the knowledge that

her affection for my father...

...can never be reciprocated...

...at ease.

And what of yourself?

I am very well, Mr. Neville.

And we are thriving.

Mr. Van Hoyten is to

consider for us a new management...

...of the grounds in an

entirely fresh approach.

He has come at our

request to soften the geometry...

...that my father

found to his taste, and to...

...introduce a new ease

and complexion to the garden.

Mr. Van Hoyten has

worked in The Hague...

...and he has presented

Mr. Talmann with some novel...

...introductions which we

will commence next spring.

He is a draughtsman too.

Mr. Neville has come, Mother...

...as we both believed he might.

He has brought with him

a rare gift from Radstock.

Three pomegranates from

Lauderdale's gardener...

...reared in English

soil under an English sun.

But with the help of one

hundred panes of glass...

...and half a year's

supply of artificial heat.

Thank you Mr. Neville.

We must see what we

can do for you in return.

I was about to take Mr.

Van Hoyten to the river.

He has plans to make a dam...

...and flood the lower field.

I will no doubt see

you later, Mr. Neville.

Flooded fields, Madam?

Do you plan to join Anstey to the sea?

We are to have an ornamental lake.

My son-in-law has ambitions

for his countrymen.

It is probably you

that has opened his eyes...

...to the possibilities

of our landscape.

Why is this Dutchman

waving his arms about?

Is he homesick for windmills?

Who knows?

He's a man with new ideas.

New ideas demand

new methods, perhaps.

How was Radstock?

Fine enough, Madam...

...but dull after the

excitements of Anstey.

Have you now come here

to renew those excitements?

That would be presumptuous.

It would indeed.

All contracts have been honoured...

...and the body has been buried.

That was blunt.

I remember that you were blunt...

...in your dealings with me.

I was glad to see Mrs. Talmann...

...and in all truth, put as

much a possibility as I could...

...to see that a meeting

with yourself might occur.

I was curious to see

the house and gardens again.

To see what appearance they'd put on

after this week of changing weather.

But I admit that it was

out of curiosity to see you...

...was behind the

reason for my wishing...

...to be invited to

Mr. Seymour's house.

Curiosity...

...dies bit sound a very

Rate this script:5.0 / 1 vote

Peter Greenaway

Peter Greenaway, CBE (born 5 April 1942 in Newport, Wales) is a British film director, screenwriter, and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his film are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death. more…

All Peter Greenaway scripts | Peter Greenaway Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Draughtsman's Contract" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/the_draughtsman's_contract_20113>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Draughtsman's Contract

    Soundtrack

    »

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 2015?
    A Birdman
    B The Grand Budapest Hotel
    C Whiplash
    D The Imitation Game