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The Family Man Page #22
Cash ignores Jack, watching the girl as she heads to
the door, hesitates a moment, then walks out...
A look of disappointment on Cash’s face as he reaches
into his pocket, pulling out a little notebook...
Cash looks at Jack.
CASH:
(making a note
in his book)
That was a character issue...
(shaking his head)
...and for nine dollars?
That’s just sad...
JACK:
Hey, I’m talking to you!
I am not going back, do you
understand...?!
Cash looks at him, compassion on his face.
JACK (CONT’D)
You can’t do this. You
can’t keep coming in and
out of people’s lives,
messing things up...
CASH:
C’mon, Jack...
Jack throws six bucks on the counter...
JACK:
I’ve got kids, I’m going
home...
CASH:
You know what the word
glimpse means, J? It’s
by nature an impermanent
thing.
Jack walks determinedly toward the exit. He stops and
turns at the door...
JACK:
(pointing at
Cash)
I’m staying.
Cash follows him with his eyes, a proud look on Cash’s
face as Jack leaves...
111INT. CAMPBELL HOUSE, JOSH’S ROOM - LATE NIGHT
Jack walks to Josh. He’s sleeping soundly.
Jack gently kisses Josh on the head, careful not to
wake him.
112INT. CAMPBELL HOUSE, ANNIE’S ROOM - LATE NIGHT
Jack is standing over Annie, kissing her on the cheek.
ANNIE:
(stirring, groggy)
Is it morning yet?
JACK:
No, honey. Go back to
sleep.
She closes her eyes as Jack stands there for a moment
looking at her, sadness all over his face.
JACK (CONT’D)
Take care of yourself,
Annie. I’m going back to
the mother ship...
Finally, he turns to go...
113INT. CAMPBELL HOUSE MASTER BEDROOM - LATE NIGHT
The clock reads, “11:17.” Kate is already in bed as
Jack walks in.
KATE:
(looking up from
her book)
Hey...
Jack approaches her, sitting on the bed...
JACK:
These last weeks, Kate, I
know that I’ve done
some...some unusual
things.
Kate nods.
KATE:
It’s been interesting,
that’s for sure.
JACK:
But I’ve done some good
things too, haven’t I?
KATE:
You’ve been Jack
Campbell. And that’s
always a good thing...
She kisses him on the cheek.
He takes her arms in his hands and looks her in the
eyes.
JACK:
I need you to remember
me, Kate. How I am right
now, right this very
moment. I need you to
put that image in your
heart and keep it with
you, no matter what
happens.
KATE:
Are you okay, Jack?
JACK:
Please, just promise me
you’ll do that. You have
to promise, Kate.
Because if you don’t,
then it’s like it never
happened and I don’t
think I could live with
that.
She’s a bit confused but she couldn’t be more in love
with him.
KATE:
I promise, Jack...
JACK:
Promise me again...
KATE:
I promise. Come to bed,
honey.
Jack stands up, heading toward the door.
JACK:
Soon...
114EXT. SUBURBAN STREET - LATE NIGHT
Snow begins to fall...
Jack with Lucy on a leash, walking side by side, his
mind elsewhere...
Lucy leads him around a corner...to a large open
field...
Lucy stops. She looks back at Jack, then out to the
open field.
Jack removes the leash. The dog bounds happily out
into the field, looking for just the right spot.
Jack puts his hands in his coat pocket...pulls out a
half-eaten roll of PEPPERMINT LIFESAVERS, puts one in
his mouth...
He looks up at the sky, snow gently falling onto his
face. It’s cold, but it’s beautiful...peaceful and
still...the air clean and crisp...
He breathes in the fresh air, the Lifesaver dissolving
in his mouth, watching the dog...
115INT. CAMPBELL HOUSE MASTER BEDROOM - LATE NIGHT
The room is dark...
Jack enters, sees Kate sleeping soundly in bed.
He sits down in a chair and watches Kate asleep, a sad
look in his eyes...
As he continues to watch her, to listen to her, his own
eyelids appear to grow heavy...
He tries to fight the sleep...opening his eyes...
focusing on her...but it’s no use...
Finally, he closes his eyes...falling into a deep
sleep...
CHAPTER SIXTEEN – THE OLD LIFE
DISSOLVE TO:
116INT. JACK’S APARTMENT, BEDROOM - MORNING
A PHONE RINGING:
Jack, flat on his back in bed...Light streams onto
his face ...he stirs...
Jack reaches over to Kate’s side...there’s no one
there.
Pull back to reveal...his old Manhattan apartment...
his old dressy clothes strewn on the floor...
Jack, sleep still in his eyes, reaches over...he’s not
wearing any pajamas...picks up the phone...
JACK:
(groggy, dazed)
Yeah...okay, send her
up...
He drops the phone...turns back over...let’s his eyes
stay closed for another moment...then...
His eyes open...
He looks around...sees his shirtless torso...then his
old apartment...tailored clothes on the floor.
JACK (CONT’D)
(sadly)
Damnit.
Jack looks at the clock, “9:23 a.m.” He gets out of
bed, throwing on pants and a pair of shoes, and leaves
the room...
117INT. JACK’S APARTMENT, LIVING ROOM - CONTINUOUS
...Jack walks to the door just as...
The doorbell RINGS. He stops, then cautiously opens
the door, seeing...
PAULA, wearing a long overcoat and a wide smile on her
face.
PAULA:
Waiting for me by the door,
huh?
Jack looks at her.
JACK:
Paula...
Paula opens her coat – the only thing she has on
underneath is a sexy little teddy.
JACK (CONT’D)
(momentarily
distracted)
That’s totally see through...
PAULA:
(smiling)
Merry Christmas...
JACK:
(confused)
Christmas? It can’t be
Christmas...
Jack stares at her, totally confused...
PAULA:
(lasciviously)
It’s whatever you want it
to be, Jack...
Jack grabs a leather jacket then walks right by a
shocked Paula and heads out the door, practically
running down the corridor.
PAULA (CONT’D)
Jack?...Jack!
CUT TO:
118EXT. GEORGE WASHINGTON BRIDGE - MORNING
Jack’s Ferrari speeds down the bridge, toward Jersey...
119EXT. CAMPBELL HOUSE - MORNING
Jack’s Ferrari pulls up in the driveway and he hops
out. He races to the front door, POUNDING on it...
A MAN in a Van Heusen shirt and Hagar slacks answers.
Jack stares at him in shock.
MAN:
Can I help you?
JACK:
Is Kate here? Does Kate live
here?!
MAN:
Kate? No, there’s no one here
named Kate. Is that good
enough for you?
Jack starts rapping his head against the door post,
much to the shock of the guy standing there.
JACK:
Damn...damn...damn...
MAN:
Hey, are you okay?
JACK:
No...I’m not...
MAN:
for you?
Jack shakes his head mournfully.
MAN (CONT’D)
Hey, my wife’s in the kitchen.
You got a cigarette?
JACK:
I’m sorry, no...
Jack walks off, beleaguered...
120EXT. ARNIE’S HOUSE - MINUTES LATER
Jack’s car drives by as Arnie carries a bicycle box out
to the garbage. The car screeches to a halt in front
of the driveway.
ARNIE:
(shouting at Jack)
Hey, you can’t park that
thing here.
JACK:
(out the window)
It’s me, Jack...
ARNIE:
I don’t care if you’re Tim
Allen with your fancy car
and all your tools, you
still can’t park here.
JACK:
Tell me you recognize me,
Arnie. Please...
ARNIE:
How’d you know my name?
JACK:
We bowl together. We’re
bowlers ...we won a
championship...we’re winners.
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"The Family Man" Scripts.com. STANDS4 LLC, 2025. Web. 26 Feb. 2025. <https://www.scripts.com/script/the_family_man_340>.
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