The French Lieutenant's Woman Page #3

Synopsis: A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters.
Genre: Drama, Romance
Director(s): Karel Reisz
Production: MGM Home Entertainment
  Nominated for 5 Oscars. Another 9 wins & 15 nominations.
 
IMDB:
7.0
Metacritic:
64
Rotten Tomatoes:
72%
R
Year:
1981
124 min
692 Views


- How dare you, in front of Miss Freeman?

- I had no one else to turn to.

It must be obvious it would be improper

for me to interest myself further in you.

Yes, it is obvious.

Why don't you go to London,

make a new life?

If I went to London,

I know what I should become.

I should become what some

already call me in Lyme.

- My dear Miss Woodruff...

- I am weak. How should I not know it?

I have sinned.

You cannot imagine my suffering.

My only happiness is when I sleep.

When I wake, the nightmare begins.

(door closes)

This is...

Why am I born what I am?

- Why am I not born Miss Freeman?

- That question were better not asked.

- I did not mean...

- Envy is...

Not envy!

Incomprehension.

- You must help me.

- It is not in my power to help you!

I do not... I will not believe that.

What do you want of me?

I must tell you what really

happened to me 18 months ago.

I beg of you. You are my only hope.

I shall be on the Undercliff tomorrow

afternoon, and the next afternoon.

I shall wait for you.

I must go.

I shall wait!

Davide?

No, it's not Davide. It's Mike.

What are you doing?

- Looking at you.

- Come back.

Come back. Come on.

- Do you approve of my telescope?

- It is most elegant.

I use it to keep an eye out for mermaids.

(laughs) Here.

I'm delighted you dropped in.

It was time we met.

The best brandy in Dorset.

I keep it for visitors from London

who share a taste for the good life.

- Your good health, Doctor.

- Yours.

- Care for a cheroot?

- Thank you.

I understand you're, er... a scientist.

A seeker after fossils.

Palaeontology is my interest.

I gather it is not yours.

When we know more of the living,

it will be time to pursue the dead.

Yes, I was introduced the other day

to a specimen of the local flora...

...that rather inclines me

to agree with you.

A very strange case, as I understand it.

- Her name is Woodruff.

- Ah, yes. Poor "Tragedy".

We know more about your fossils on the

beach than we do about that girl's mind.

A German doctor called Hartmann has

divided melancholia into various types.

One he calls "natural", by which

he means that one is born with a...

...a sad temperament.

Another he calls "occasional"...

...by which he means

springing from an occasion.

And the third class he calls

"obscure melancholia"...

...by which he really means, poor man,

he doesn't know what the devil caused it.

- But she had an occasion, did she not?

- Oh, come now.

Is she the first young woman

to be jilted? No, no.

She belongs to the third class:

Obscure melancholia.

Listen to me.

I'll tell you, in the strictest confidence.

I was called in to see her,

oh, ten months ago.

She was working as a seamstress,

living by herself...

Well, hardly living. Weeping without

reason, unable to sleep, unable to talk.

Melancholia as plain as the pox.

I could see there was only one cure.

To get her away from this place.

But no, she wouldn't have it.

She goes to a house that

she knows is a living misery...

...to a mistress that sees no difference

between a servant and a slave.

- And she will not be moved.

- But it's... incomprehensible.

Not at all. Hartmann has something

very interesting to say...

...about one of his patients.

"It was as if her torture

had become her delight."

And she has confided the true

state of her mind to no one?

- She has not.

- But if she did?

I mean, if she could

bring herself... to speak?

She would be cured.

But she does not want to be cured.

I was working... as a governess.

At the Talbots'.

His name was Varguennes.

He was brought to the house

after the wreck of his ship.

He had a dreadful wound. His flesh

was torn from his hip to his knee.

He was in great pain...

...yet he never cried out.

Not the smallest groan.

I admired his courage.

I looked after him.

I did not know then that men can be

both very brave and very false.

He was handsome.

No man had ever paid me the kind

of attentions he did as he was...

...recovering.

He told me I was beautiful...

...and that he could not understand

why I was not married.

Such things.

He would mock me...

...lightly.

I took pleasure in it.

When I would not let him kiss my hand...

...he called me cruel.

A day came when I thought

myself cruel as well.

And you were no longer... cruel?

(sighs)

Varguennes recovered.

He left for Weymouth.

He said that he would wait there

one week and then... sail for France.

I told him that I would never follow him...

...that I could not.

But, after he had gone...

...my loneliness was so deep...

...I felt I would drown in it.

I followed him.

I went to the inn

where he had taken a room.

It was not a respectable place -

I knew that at once.

They told me to go up to his room.

They looked at me.

They smiled.

I insisted he be sent for.

He seemed... overjoyed to see me.

He... he was all that a lover should be.

I had not eaten that day. He took me

to a private sitting room, ordered food.

But...

...he had changed.

He was full of smiles and caresses, but...

...I knew at once that he was insincere.

I saw that I had been...

...an amusement for him.

Nothing more.

I saw all this within...

...five minutes of our meeting.

Yet I stayed.

I ate the supper that was served.

I drank the wine. It did not intoxicate me.

I think it made me see more clearly.

Is... is that possible?

No doubt.

Soon he no longer bothered to hide the

real nature of his intentions towards me...

...nor could I pretend surprise.

My innocence was false

from the moment I chose to stay.

I could tell you that he overpowered me...

...or that he drugged me, but...

...it is not so.

I gave myself to him.

I did it so that I should

never be the same again...

...so that I should be seen

for the outcast I am!

I knew it was ordained that

I should never marry an equal, so...

...I married shame.

It is my shame that has kept me alive...

...my knowing that I am

truly not like other women.

I... I shall never, like them,

have children and a husband...

...and the pleasures of a home.

Sometimes I pity them. I have

a freedom they cannot understand.

No insult, no blame, can touch me.

I have set myself beyond the pale.

I am nothing.

I am... hardly human any more.

I am the French lieutenant's...

...whore!

You must leave Lyme.

(laughter)

We must never meet alone again. Go.

I will wait.

What's the matter?

- What's the matter? You look sad.

- No.

No.

Why are you sad?

I'm not.

- Out of my way, little girl.

- Good morning, Mrs Fairley.

My usual.

- Gonna be a nice day, then?

- Yes.

(woman knocking) Miss Woodruff?

Miss Woodruff!

Miss Woodruff,

Mrs Poulteney wants to see you!

(knocking)

Mrs Poulteney wants to see you at once!

(clock strikes six)

(thunder)

- Yes?

- Forgive me. I must speak to Dr Grogan.

- Dr Grogan is not here.

- Not here?

He has been called to the asylum.

He's at the asylum.

Thank you.

(knocking)

Charles Smithson. I must see Dr Grogan

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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