The French Lieutenant's Woman Page #7

Synopsis: A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters.
Genre: Drama, Romance
Director(s): Karel Reisz
Production: MGM Home Entertainment
  Nominated for 5 Oscars. Another 9 wins & 15 nominations.
 
IMDB:
7.0
Metacritic:
64
Rotten Tomatoes:
72%
R
Year:
1981
124 min
693 Views


- I'm Tom Elliott. Who are you?

- My name is Smithson.

- Mama and Papa are abroad.

- Yes. I was looking for a Mrs Roughwood.

I'll find her for you.

- (girl) You put that one in there.

- Mrs Roughwood?

- Mrs Roughwood?

- (woman) She's with Rachel and William.

- Mrs Roughwood?

- Yes?

- Someone to see you.

- All right.

She's working, but she

doesn't mind being interrupted.

Mrs Roughwood?

Mr Smithson?

My solicitor was told

you lived at this address.

- I do not know by whom.

- By me.

By you?!

I've been looking for you for three years.

I broke off my engagement.

I came back for you to take you with me,

to marry you... and you'd gone.

And now all these years later you choose

to let me know you're alive. Why?

I could not do so before this.

- You've married.

- Oh, no, I have not.

I pass as a widow in the world.

- What is this house?

- He is an architect. His name is Elliott.

They gave me shelter a long time ago.

I am tutor to their children,

but... I am free to do my own work.

They have encouraged it.

- These are yours?

- Mm. Yes.

You have found your gift.

Why did you leave Exeter?

You told me you loved me.

You showed me your love.

Answer me!

There was madness in me... at that time.

A bitterness, an envy.

I forced myself on you, knowing

that you had other obligations.

It was unworthy!

I saw after you had gone that I had

to destroy what had begun between us!

Are you saying that you never loved me?

- I could not say that.

- But you must say that!

You must say "I am totally evil."

"I used him as an instrument."

"I do not care

that in all this time...

...he hasn't seen a woman

to compare with me...

...that his life has been

a desert without me...

...that he sacrificed everything for me."

- Say it!

- No. No.

Why did you ask me here?

What do you want from me?

- I saw the newspaper advertisements...

- You saw them?

- You read them, and you did nothing?

- I'd changed my name.

You ruined my life

and took pleasure in doing so!

You misjudge me! It has taken me

this time to find my own life!

It has taken me this time

to find... my freedom.

- Freedom?!

- Yes.

To make a mockery of love,

of all human feeling?

Is that what Exeter meant to you? One

brief transaction of the flesh, just that?

You planted a dagger in me...

...and your "freedom" gives you

licence to twist it in my heart?!

- Well, no more.

- No!

Yes!

Mr Smithson...

...I called you here

to ask your forgiveness.

You loved me once.

If you still love me, you can forgive me.

I know... I know it is

your perfect right to damn me.

But if you do...

...still love me...

Then I must... forgive you.

Yes, you must.

(jazzy dance music)

- Anna. You're going.

- Yes.

- Goodbye. Good journey.

- Bye-bye.

Mike!

Oh, are you going?

Take care.

(car door slams)

(engine starts)

(car drives off)

Sarah!

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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