The Gang's All Here Page #3

Synopsis: Playboy Andy Mason, on leave from the army, romances showgirl Eadie Allen overnight to such effect that she's starry-eyed when he leaves next morning for active duty in the Pacific. Only trouble is, he gave her the assumed name of Casey. Andy's eventual return with a medal is celebrated by his rich father with a benefit show featuring Eadie's show troupe, at which she's sure to learn his true identity...and meet Vivian, his 'family-arrangement' fiancée. Mostly song and dance.
Director(s): Busby Berkeley
Production: Twentieth Century Fox
  Nominated for 1 Oscar. Another 1 win.
 
IMDB:
6.9
Rotten Tomatoes:
100%
APPROVED
Year:
1943
103 min
183 Views


- You mean they don't have | a swimming pool for you...

Or a nice man to bring you | tall frosty drinks when you're thirsty?

Good afternoon. | How's the swimming today?

Super, Mrs. Potter. | Simply super.

Well, that's wonderful. | Too wonderful.

- Aren't you going in, Mrs. Potter? | - Oh, mercy, no.

The pool is Vivian's department.

I just have the towel concession.

Please. Don't rush those things | back and forth too much.

These children are here | to swim in the pool.

Yes, madam.

Hello, kiddies. | Have you seen the morning tabloid?

I suppose you'll show this to Dad | right away and be properly outraged.

Oh, no. I'm saving that until I need it.

Go ahead, Beezy. | Ask her.

- I will. Stop pushing. | - Well, go ahead.

- M-M-Mrs. Potter? | - Yes, my dear. What is it?

W- Would you care to dance, | Mrs. Potter?

Me? Oh, isn't that sweet of you. | Just being polite, of course.

Oh, no, he isn't. | I told him you like to dance.

Oh, I do. I love it. | But he is so young, and I am so-

Well, you know, so-so. | Oh, you embarrass me. Really, you do.

- Oh, go ahead, Mother. Beezy loves to dance. | - Yes, that's what I'm afraid of.

You know, I'm not 16 anymore. | I feel silly.

He wants to play.

Drop that.

Mrs. Potter, | I want to have a talk with you.

Come to my study at once, please.

Pass the ammunition, kiddies.

- You going to write me? | - Are those orders, Sergeant?

- I'm serious, Eadie. | - How serious?

Hearing from you every day would make me | feel that you're marching...

right up there with me | at the head of the column.

And that's where | I want you to be, Eadie.

I will write you, Andy...

every day.

All aboard. Leaving on Track 28.

Westbound Limited.

Chicago, Omaha, Denver...

Salt Lake City, Los Angeles...

and San Francisco.

Westbound. All aboard.

Well, I guess that's me.

Wait a minute, Andy.

- You said you were going to Florida. | - I didn't say that, darling.

Yes, you did. You said you were going | to a camp where it was warm and beautiful.

- But, Eadie, I- | - But I remember every word.

You even said the ocean | would sing you to sleep.

- And the moon and the stars and- | - Well, that's right, darling.

The ocean will sing me to sleep.

And the moon and the stars-

The stars. Remember last night | on the ferryboat?

- Yes. | - Well, look over your left shoulder again, will you?

- No, Andy. No. | - Please? Just for me. Just this once.

Just for good luck. Please.

Andy, you've got-Andy!

Andy!

That's the last time | I'll ever take you anyplace.

- Eadie. Well. | - Fancy seeing you here.

- Yes, isn't it fancy? | - I suppose you came down to meet our train, eh?

Yes, I did, | but I was a little early.

Of course, you couldn't have been seeing | a few soldiers off, by any chance.

A few soldiers? | Only one, I'll bet you. Sergeant Crazy.

It's Casey, Dorita. And what's wrong | with saying good-bye to a soldier?

- Nothing. | - I call it nice works if you can get him.

- Where have you two been? | - To the cleaners.

- The cleaners? | - That's what they call the racetrack.

Dorita's never seen a race, | so I took her out to Empire City.

I thought she ought to meet a few | of the horses she's been supporting.

I've never seen a race myself, Dorita. | Tell me about it.

Okay, I tell you. First you pick | the horses, to win, to place, to show.

Then you buy three tickets. | You sit and hold them like this.

The horse lose. | You tear up the tickets.

Then you pick three more, to win, | place, show. You buy three more tickets.

You hold them. | The horse lose again. You tear them up.

More races, more tickets, | more horse lose.

The day is over and what have you got? | I'll show you.

Hold this for me. | Like this, yes.

Horses.

Well, it looks like | a white Christmas.

A.J., have you seen | the San Francisco newspaper?

Why should I see | the San Francisco newspaper?

Well, my secretary's hometown | is San Francisco...

and she gets the San Francisco | newspaper every day.

- What's that got to do with me? | - Don't be stupid, old boy.

If it weren't her hometown, | she wouldn't get the paper, would she?

And I wouldn't be able to show you | this picture of your son receiving a medal.

So what? What?

Well, why didn't you say so | in the fiirst place?

Look at that. Been in the South Pacifiic | three months and already a hero.

Why wasn't I told about this? Why didn't | Andy write me? Where's my mail, Miss Custer?

- Right there before you, Mr. Mason. | - Oh, so it is.

- Why were you keeping this from me? | - Why, that's a medal.

- It's a medal. | - Why, it's the same one as in the picture.

It's the same one, on a ribbon | and everything. Isn't that handsome?

- Look at that. | - Oh! He's in San Francisco.

- No. | - Be home in about two weeks.

- No. | - Pottsie! My son back on American soil and a hero.

- Oh! | - Please.

- I tell you, we've got to get busy and make some plans. | - We certainly have.

Why not another stag dinner? | I had a very good time at that last one.

No, no. Right here. | Behind his name, he signs "N.S.D."

Yes, National Selective Draft. | You see, that's what that-

National Selective nothing. | It's N.S.D. No stag dinners.

No stag dinner, yes. Well, then a quiet | little party at home. Just the two families.

He don't want | a quiet little dinner.

He's young. | He wants excitement.

Why, he wants wine, girls, song!

Yes, well, there's the community | sing every Thursday night. It's really-

Oh, that's so stupid, | the choir.

I know what it is. His favorite spot. | The Club New Yorker.

Oh. Well, that lets me out. | Of course, he's your son. If you want-

Wait a minute, Pottsie. | I'm tied up with this board meeting...

but you go right over to the Club New Yorker | now and make arrangements for a party.

What are you talking about? I go to a place | like that in broad daylight and by myself?

Oh, never mind. Now, come on. | Come on. I'll go with you.

Miss Custer, | cancel my next appointment.

Where did you think | you were goin'?

Come on, girls. Snap into it. | Put some life into it.

Close it in. Come on.

Watch your feet. | Up! That's it.

Lines. Now travel forward. | Come on. Forward. Travel!

Oh, kind of ragged, girls. Benson, I want you | to set a new routine for this opening.

- Come on, Pottsie. | - Oh, A.J. -

If you're scared, hold my hand. | Mr. Baker, you remember me, Andy's father.

- Yes, indeed. | - My partner, Mr. Potter.

- Hello. And how's the sergeant? | - Well, if you're referring to my son...

he's back from the Pacifiic | and covered with medals.

Really? How do you like that? | Andy Mason a hero.

And that's why we're here. | He'll be home in a couple of weeks...

and I want to arrange | a party for him here.

That'll be fiine. | Only, the club is closed.

- We're rehearsing a new show to open in October. | - Oh, really?

In that case, Mason, I'm sure Mr. Barker here | must be very busy with his chorus girls-

- Now, wait a minute. | - What's the matter?

Rate this script:0.0 / 0 votes

Walter Bullock

Walter Bullock (May 6, 1907 in Shelburn, Indiana –1953 in Los Angeles, California) was an American song lyricist and screenwriter. After graduating from DePauw University, Bullock started writing for Hollywood in 1936 and was to collaborate with many film composers. In 1936, he had two successes with Magnolias in the Moonlight with music by Victor Schertzinger, and When Did You Leave Heaven? with Richard A. Whiting.He was nominated for two Academy Awards. more…

All Walter Bullock scripts | Walter Bullock Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Gang's All Here" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_gang's_all_here_20283>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Gang's All Here

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "Chinatown"?
    A William Goldman
    B Robert Towne
    C Francis Ford Coppola
    D John Milius