The Gang's All Here Page #5

Synopsis: Playboy Andy Mason, on leave from the army, romances showgirl Eadie Allen overnight to such effect that she's starry-eyed when he leaves next morning for active duty in the Pacific. Only trouble is, he gave her the assumed name of Casey. Andy's eventual return with a medal is celebrated by his rich father with a benefit show featuring Eadie's show troupe, at which she's sure to learn his true identity...and meet Vivian, his 'family-arrangement' fiancée. Mostly song and dance.
Director(s): Busby Berkeley
Production: Twentieth Century Fox
  Nominated for 1 Oscar. Another 1 win.
 
IMDB:
6.9
Rotten Tomatoes:
100%
APPROVED
Year:
1943
103 min
183 Views


Don't tell me | they've been rationed too.

I know, but what are you gonna do?

If you don't cut that out, | the censors will. What's he saying?

He wants to know why you didn't tell him | he had to dance in a rose garden.

- What's that got to do with it? | - They're Mr. Potter's roses and he's fond of them.

But he says you don't realize | what your fiiendish little roses have done.

What have they done?

No.

- What'd he say? | - How should I know?

They had to send his partner | back to New York with rose fever.

- She doesn't like roses, so Tony hates them. | - Is that so?

Where is he? There you are. | My roses aren't too fond of you.

What have you got to say to that?

He says he's gonna sue you | and your roses for ruining his partner's health.

- Sue me? | - S!

This is an outrage! Where's Mason? | He got me into this.

I'm gonna have you and your theatrical troupe | thrown off this place forcibly.

- Mason! Mason! | - Oh, Mr. Potter! Mr. Potter!

Let him go. | Mason will cool him off.

What happens to me they wouldn't believe | on the Goodwill Hour.

- Eadie, tell Tony he'll have to get another dancing partner. | - Another partner?

- Yes. | - But who?

- That's his worry. | - Okay.

I'll stay as I am.

Tony!

I'm sorry. | I've never seen him-

- You are beautiful! | - He speaks English.

It's wolf talk. | That's international.

Say, Vivian's all right. | She catches on pretty quick.

Well, I taught her a few steps | when her father wasn't around.

I might have known. Mrs. Potter | was a great dancer herself in her day.

- Really? | - She was so smooth, she could waltz around...

with a glass of beer on her bustle | and never disturb the foam.

- I guess Vivian takes after her. | - A block off the old chip, huh?

That was thrilling, darling.

I think you danced beautifully.

Baby, you were great. | I want you in the show.

Thank you, Mr. Baker, but I'm afraid of Dad. | He'd never approve of it.

- Why not? | - You know how he feels about shows and show people.

- My purple past, remember? | - Vivian's gonna be in this show.

Oh, Peyton will never allow it.

- Not even with some gentle persuasion? | - What do you mean?

- Let's see. I've got it. Your boudoir. | - What are you talking about?

I'm talking about the biggest scene | of your career.

Come along, | you old tenderized ham.

Well, at last, | I'm worth something.

- You know what to do now? | - No, my mama never told me.

Don't you worry about me.

- Here he is. | - Come on, baby. Do your stuff.

- Come in. Oh, Peyton. | - You sent for me, dear?

- Yes, I did. | - What's Mr. Barlow doing here?

- Protect me. This man is blackmailing us. | - Blackmail?

- What's he want, money? | - Would it were money he wanted.

- What do you mean by that? | - He threatens me unless I allow my daughter-

your daughter- our daughter to dance | in the show with Tony De Marco.

Why, that's unthinkable!

Oh, you blackguard. | Oh, you gangster.

How could you think | of such a fiiendish scheme?

Now, Mr. Potter, the only decision | I want you to make is this.

Shall I introduce Vivian as the charming child | of Mr. And Mrs. Peyton Potter...

or shall I simply announce, | ladies and gentlemen...

- I give you the talented daughter | of the notorious Blossom Murphy?

You know her name? | You told him your name?

- No, Peyton, he knew me in Paris. | - In Paris?

You scoundrel! Out of her dark past | which she has lived down so beautifully...

so gracefully, you come at a time | like this to blackmail her.

Ugly word, "blackmail. " | Don't say it again.

Blackmail, blackmail, | blackmail!

- How much money does he want? | - I don't know.

As I said before, | you cannot bribe me with gold.

It is the artistry | that was Blossom Murphy...

that I would restore to the world | through her daughter Vivian.

Oh, Peyton, you won't make her do it! | You won't make her appear in that show!

- I would die! | - I see no other way out, darling.

Mr. Bailey has us in his power.

- Will you give your consent, Mrs. Potter? | - If Mr. Potter insists!

What else can I do? | But I'm not fiinished with you yet.

I'll see a good lawyer today | to deal with you for this outrage.

- My brother in Brooklyn, he's a wiz on blackmail cases. | - Oh, is he?

- Yes. | - Really!

- Dorita, come in. I've got a surprise for you. | - What surprise?

- What was it? | - Dad's given his consent. I can appear in the show.

Marvelous! | Then everything's donkey-dory, huh?

- What you got there? | - Sergeant Mason.

- You like him? | - Sergeant Mason? He's Sergeant Crazy!

I think it's you that's crazy.

Oh, no, no, I'm not crazy. | My name is Dorita.

- This is the man I'm going to marry. | - What?

Then he's a two-time, | double-cross snake in the bush.

- Dorita. | - Yes?

- Are you the woman? | - Of course I'm a woman. Do I look like a man?

You don't understand. | You see...

I think there was someone he was playing | around with in town.

Look, nobody play around me, | in town, in cities, nowhere.

I thought you recognized | this picture.

At fiirst minute, yes. | But the second minute, no.

It was somebody else who looked | just like him, like twin sisters.

Same eyes, same hair, | same mouth.

- You were telling the truth? | - Scratch my heart.

Vivian, are you in?

- Oh, it's Eadie! | - What about it? Does that frighten you?

No, I'm cold as a cucumber.

- Come in, Eadie. | - I just heard the good news.

Phil's little blackmail party | really paid off.

Isn't it wonderful? | I've always wanted to dance.

- Tony's very excited about you. | - Oh, I'm glad.

- What's the matter with you? | - Nothing. I feel in the pinks.

Then stop looking like Lady Macbeth. | What's wrong with her?

I don't know. | Can I get you something, Dorita?

Oh, no, no, nothing. | I feel wonderful, if you don't mind.

- Why don't you sit down? You seem restless. | - Oh, no, no.

I like it here, just standing.

- Aren't you tired? | - Yes, I guess I am.

I think I go now and turn myself in | and get some shut eyes.

- You know. Good night. | - Good night, Dorita.

- I'll see you in a few minutes. | - Yes, good night.

Dorita, you're snoring again.

Dorita! Dorita, wake up!

What's the matter, buglers?

- Where did you get this picture? | - What picture?

You know what picture. | This picture of Casey.

Your birthday next week, no?

- Don't change the subject. | - I'm not changing anything.

Casey sent you the picture | for your birthday. Only, he send to me.

And now you have spoiled surprise. | That's all.

No, I haven't. It's a much better | surprise this way.

- You think so, huh? Yes? | - Mm-hmm.

Good. I don't get it.

Good heavens, 10:00!

I might expect this | from you in person...

but when your picture wanders | into strange girls' rooms-

Really.

Well! What do you want?

Mr. Mason is serving everyone mint jalops, | and I bring you a mint jalops too.

- It's delicious. | - You might have saved yourself the trouble.

- I am a teetotaller. I never touch alcohol. | - You don't touch. You drink it.

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Walter Bullock

Walter Bullock (May 6, 1907 in Shelburn, Indiana –1953 in Los Angeles, California) was an American song lyricist and screenwriter. After graduating from DePauw University, Bullock started writing for Hollywood in 1936 and was to collaborate with many film composers. In 1936, he had two successes with Magnolias in the Moonlight with music by Victor Schertzinger, and When Did You Leave Heaven? with Richard A. Whiting.He was nominated for two Academy Awards. more…

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Submitted on August 05, 2018

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