The Glass Slipper
- UNRATED
- Year:
- 1955
- 93 min
- 352 Views
NARRATOR:
A LONG TIME AGOIN A SMALL PRINCIPALITY
SOMEWHERE IN THE MIDDLE
OF A HAPPY EUROPE,
WHO LIVED HAPPILY IN A FINE PALACE,
AND A NUMBER OF LADIES AND GENTLEMEN
WHO LIVED HAPPILY
ON THE FASHIONABLE HILL
HAPPILY IN THE VILLAGE.
NOW IT CAME TO PASS
THAT IN THE SPRING,
THREE DAYS OF FESTIVAL WERE DECLARED.
THEY WERE CELEBRATING
THE RETURN OF PRINCE CHARLES,
THE ONLY SON OF THE REIGNING DUKE.
MOST OF THE TOWNSPEOPLE
HAD NEVER SEEN PRINCE CHARLES.
HE HAD BEEN AWAY FOR MANY YEARS,
GETTING HIS EDUCATION
IN THE FINEST UNIVERSITIES,
LONDON, AND VIENNA.
WOMAN:
NO, NOT THAT WAY![LAUGHTER]
WOMAN:
OH, LOOK!NOW IT'S BEAUTIFUL.
SECOND WOMAN:
YES, LIKE THAT.BUT A LITTLE HIGHER, WILLIE.
HIGHER?
WELL, THAT'S WHA WE'RE WAITING FOR!
[LAUGHTER]
WILLIE:
WELL,WHERE'S THE HAMMER?
SECOND WOMAN:
OH, IT'S, UH...OH, OVER THERE!
EDWINA, HOLD THIS, PLEASE.
TIE IT TO THE OTHER ONE.
LOOK WHO'S HERE.
WELL, WHAT DO YOU WANT?
I WANT TO--TO HELP.
I CLEAN UP, EH?
I'LL PICK UP THE ONES THAT DROP,
SO THAT EVERYTHING
BE NICE AND CLEAN.
SHE'S GOING TO MAKE
EVERYTHING NICE AND CLEAN.
I'LL SWEEP THE TORN LEAVES
AND THE LITTLE STRINGS.
SEE?
STAY AWAY FROM ME,
YOU DIRTY THING!
OH, I'M NOT DIRTY!
JUST CINDERS. LOOK!
PLEASE, LOOK!
OH, MAKE HER GO AWAY, WILLIE.
MY MOTHER SAYS:
I MUSTN'T SPEAK TO HER.
GO AWAY, CINDERS.
MY NAME IS ELLA, AND I'M NOT DIRTY.
I'VE JUST BEEN CARRYING OUT THE ASHES.
MAYBE A LITTLE SOOT,
BUT I--
ELLA CINDER!
DIRTY CINDER!
ELLA CINDER!
WILLIE:
GOOD-BYE, CINDERELLA.CINDERELLA!
CINDERELLA!
STOP IT!
NOW LOOK WHAT YOU'VE DONE,
YOU UGLY THING!
I AM NOT UGLY!
YOU ARE UGLY!
YOU HAVE A BIG FAT BOPU.
AND YOU HAVE A VOICE LIKE A PIG!
AND YOU--YOU--
YOU--
NARRATOR:
SO, YOU SEE HOW IT WAS.
OH, WELL, THEY CAN
SCARCELY BE BLAMED,
AN AMIABLE CHILD.
THE GROWN-UPS OF THE TOWN
AGREED WITH THEIR SONS AND DAUGHTERS.
THEY'RE SAYING, "TSK, TSK.
DREADFUL, DREADFUL.
"THE GIRL'S A DISGRACE.
LOOK AT HER HAIR."
OF THE REJECTED BECOMING
ALL THE MORE REJECTED
BECAUSE THEY BEHAVED BADLY
BECAUSE THEY'D BEEN REJECTED--
ONE OF THOSE, UH, CIRCLES.
THE HEAT OF TEARS BURNING
BEHIND THE EYES.
AND SO SHE CAME HOME.
THIS PRIMPING IS IN PREPARATION
FOR THE ARRIVAL OF THE PRINCE,
FOR HE MAY GLANCE THEIR WAY
WHEN HE RIDES DOWN THE STREET.
THESE ARE ELLA'S STEPSISTERS.
THIS IS BIRDENA--
VIVACIOUS, DAZZLING,
BEAUTIFUL AS A ROSE,
AND THIS IS SERAFINA--LANGUID, SEDUCTIVE,
EFFORTLESSLY ALLURING,
AND COLD AS A COBRA.
AND THIS IS ELLA'S STEPMOTHER,
THE WIDOW SONDER.
"STRAIGHTEN UP, ELLA.
"DO THIS, ELLA.
"DO THAT, ELLA.
"PICK UP THE THINGS
YOUR SISTERS DROPPED, ELLA.
"THESE ARE THE PREROGATIVES
OF BEAUTY, ELLA.
"COME, BIRDENA.
"COME, SERAFINA.
"I AM THE MOTHER OF THE PRETTIEST GIRLS
IN THE VILLAGE.
"NOT YOU, ELLA!
"STAY BACK HERE, ELLA.
"THE PRINCE MAY
THINK WE KNOW YOU."
[FANFARE]
CROWD:
LONG LIVE THE PRINCE!
MAN:
LONG LIVE PRINCE CHARLES!
DID YOU SEE HIM:
LOOK RIGHT THIS WAY?
HE DID, INDEED, LOOK THIS WAY.
HE LOOKED RIGHT AT ME.
AT YOU?
HE DISTINCTLY LOOKED
RIGHT AT ME.
NO, HE DIDN'T!
I SAW HIM.
I DID, TOO.
I SAW HIM.
NO, YOU DIDN'T.
I DID!
VERY WELL. WHAT DID
HE LOOK LIKE?
HE...
WELL, HE LOOKED--
HE LOOKED LIKE:
A HANDSOME PRINCE
ON A BEAUTIFUL:
WHITE HORSE.
YOU SEE?
THE HORSE WAS BLACK,
BLACK AS NIGHT.
SHE DIDN'T SEE HIM AT ALL.
I DID!
IT WAS BLACK,
BLACK AS NIGHT.
WELL, YOU SEE?
WHAT A FIB.
WHO--WHO CARES ABOU AN OLD PRINCE, ANYWAY?
I HATE HIM! I DON'T CARE.
I HATE HIM!
WHAT AN UNPLEASAN GIRL YOU ARE.
I DON'T CARE!
NARRATOR:
THE LITTLE SPIRIT IS STILL DEFIAN AND DEFENSIVE,
STILL UNBROKEN.
BUT GIVE THEM TIME.
THEY'LL BREAK IT.
A FEW MORE YEARS,
AND SHE WILL STOP FIGHTING BACK
AND WILL NO LONGER
FEEL ANY PAIN.
THE OTHERS WILL THEN
HAVE THE CONVENIENCE
OF AN UNPAID SPINSTER SLAVEY
IN THE HOUSE--
WILLING, DOCILE,
GRATEFUL FOR CRUMBS.
A FEW MORE YEARS,
THE SWEET BROOK GLITTERED,
THE FOREST WAS COOL,
AND A MEADOWLARK WAS
CONFIDING ITS HEARTBREAK
TO THE QUIET AIR.
[ELLA CRYING]
WHY ARE YOU CRYING?
WHAT'S THE MATTER,
YOU SWEET, PRETTY CREATURE?
BUT IT'S ONLY ASHES.
WHAT'S WRONG WITH ASHES?
VERY GOOD FOR THE CHICKENS.
WHAT'S YOUR NAME?
ELLA.
BUT THEY WON'T EVEN
THEY CALL ME--
EDWARD AND WILLIE
AND ALL THE OTHERS--
BECAUSE OF THE ASHES,
THEY CALL ME CINDERELLA.
CINDERELLA?
CINDER ELLA,
WHAT A BEAUTIFUL WORD.
I LIKE IT VERY MUCH.
THERE ARE OTHER WORDS
I LIKE VERY MUCH,
LIKE WINDOWSILL...
AND ELBOW.
ELBOW.
AND I LIKE:
APPLE DUMPLING, TOO.
IT'S A COMICAL WORD.
APPLE DUMPLING.
PICKLE RELISH.
THAT HAS A NICE SNAP TO IT.
WHAT'S THE MATTER
WITH YOUR HAIR?
I CUT IT OFF.
I--I GOT ANGRY AT IT.
ONE DAY, I HATED MYSELF SO,
BUT I CUT MY HAIR OFF INSTEAD.
AND I FELT MUCH BETTER AFTER.
IT'S GROWING NOW.
SPLENDID.
NO USE COMBING I OR ANYTHING.
IT DOES PRESEN A PROBLEM.
WHAT'S YOUR NAME?
MRS. TOQUET.
OH, YOU'RE THE CRAZY LA--
I MEAN...YOU'RE THE ONE
THEY SAY YOU NEVER COME
INTO THE VILLAGE DURING DAYTIME.
THAT'S RIGHT.
WHY?
BECAUSE I ALWAYS
GO THERE AT NIGHT.
YOU--YOUR SHOES
ARE GETTING WET.
YES. IT'S THE WATER.
OH.
DO YOU LIVE:
IN THE VILLAGE?
YES.
WITH BIRDENA, SERAFINA,
AND MY STEPMOTHER.
OH. HOW ARE THEY?
OH, YOU KNOW THEM?
I WOULDN'T HAVE TO ASK.
OH.
WELL, THEY'RE
VERY WELL, THANK YOU.
THEY'RE VERY BUSY NOW.
THEY'RE GETTING READY
TO GO TO THE BALL--
DAY AFTER TOMORROW
AT THE PALACE.
THEY ARE GOING:
TO MEET THE PRINCE.
YOU SEE, BIRDENA
AND SERAFINA:
ARE THE MOST BEAUTIFUL GIRLS
IN THE WHOLE VILLAGE.
THEY CAN SEW VERY WELL,
AND THEY HAVE FINE MANNERS
AND BEAUTIFUL CLOTHES.
THEY ARE JUST EVERYTHING
THAT GIRLS SHOULD BE.
AND YOU? WHERE ARE
YOUR PRETTY CLOTHES?
OH, I DON'T CARE
WHAT I LOOK LIKE.
THAT'S NO REASON
FOR FRIGHTENING PEOPLE.
IT DOESN'T MATTER.
NOBODY LIKES ME ANYWAY.
I LIKE YOU.
YOU DON'T.
I DON'T NEED ANYBODY
TO LIKE ME.
I DON'T CARE.
I DON'T CARE ONE BIT,
BECAUSE, ONE DAY, I'M GOING
OH?
IN THE DUCAL PALACE?
THAT'S RIGHT.
A VERY PLEASANT PLAN.
WHO ARRANGED IT?
WELL...
ONE DAY, THERE'S AN OLD LADY
WHO CAME TO SEE MY MOTHER.
SHE WAS A TELLER
OF FORTUNES, THEY SAY.
THAT SOME DAY:
HER CHILD WOULD LIVE
IN THE PALACE.
AND I WAS BORN:
THREE HOURS LATER.
THIS STORY VERY OFTEN
WHEN I WAS A LITTLE GIRL.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Glass Slipper" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/the_glass_slipper_20321>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In