The Handmaid's Tale Page #4

Synopsis: Set in a Fascistic future America, The Handmaid's Tale tells the story of Kate, a handmaid. In this America, the religious right has taken over and gone hog-wild. Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid. The job of a Handmaid is to bear the children of the man to whom she is assigned. After ruthless group training by Aunt Lydia in the proper way to behave, Kate is assigned as Handmaid to the Commander. Kate is attracted to Nick, the Commander's chauffeur. At the same time, a resistance movement begins to challenge the regime.
Genre: Drama, Romance, Sci-Fi
Director(s): Volker Schlöndorff
Production: HBO Video
  2 wins & 1 nomination.
 
IMDB:
6.0
Rotten Tomatoes:
31%
R
Year:
1990
108 min
2,087 Views


[ Chuckling ]

Boss' wife was real ladylike.

She said,

"I want you to f*** her, Nick.

I want you to

give her the works."

I said, "Yes, ma'am.

Anything you say, ma'am."

I could always squirt it

into a bottle...

and you could just pour it in.

[ Moaning ]

[ Sighing ]

[ Moaning ]

[ Moaning ]

# Amazing grace #

# How sweet the sound #

# That saved a wretch #

# Like me #

# I once was lost #

# But now I'm found #

# Was blind #

- # But now #

- [ Moaning ]

# I see #

[ Passionate moaning ]

[ Sighing ]

Jesus.

I have to go.

My name is Kate.

Kate.

You have to go.

[ Door opening ]

[ Door closing ]

- [ Moaning ]

- [ Door opening ]

WOMAN:

Blessed be the fruit.

- Morning.

- Blessed be the fruit.

Eat it. It's full of vitamins,

good for you.

It's a beautiful day, isn't it?

[ Scoffs ]

Maybe not.

SERENA:

Offred?

[ Door closes ]

Your daughter is alive.

I believe this is she.

[ Gasping ]

Where is she?

She's in good hands,

with people who are fit.

When can I see her?

That's impossible.

Impossible?

What do you mean?

She's my baby.

I'm her mother.

She wouldn't know you.

Wait.

What's happened to her?

She hasn't been harmed

in any way.

She's dearly loved.

How long have you known?

- Why didn't you tell me?

- I wasn't sure.

How could you

keep it from me?

I wasn't sure whether it would

be good for you to know.

How is she?

She's fine.

You mustn't worry.

[ Door opening ]

[ Door closing ]

KATE:

My daughter is alive.

NICK:

How do you know she's alive?

She showed me a picture.

[ Sighing ]

I don't know what to do.

I can't stand it.

I have to see her.

Kate.

Kate, you must realize that

they'll never let you see her.

No!

- Kate, they will never...

- No!

- [ Slapping ]

- Kate!

[ Sobbing ]

She's alive.

- My baby is alive.

- Shh.

It's all right.

Offred, the birth mobile.

Hurry!

Oh, and may it go well.

- Who is it?

- It's Ofwarren.

Isn't it exciting?

Isn't it wonderful?

And breathe.

Just relax.

Breathe. Deeply. Deep.

Breathe through the nose,

out through the mouth. Breathe.

[ Panting ]

[ Gasping ]

Pant.

[ Panting ]

Well, tell her to hurry up,

for Christ's sake.

- We haven't got all night.

- Maybe it's stuck.

Listen, I know these girls

from way back.

I tell you, they're tramps,

all of 'em.

They've spiked it.

It's a special day.

Are you all right?

What? Oh, yes.

Are you sure?

I have a daughter

living with people like these.

Suck it.

Good. That's it. Just relax.

That's it.

Just relax.

[ Indistinct conversations ]

Quick, quick now.

It could be any time.

It could be any time now.

- Hurry. Hurry.

- It's coming!

[ Panting ]

Take a deep breath in

and let it go.

Deep breath in and push.

Come on.

Hold it. Hold it. Hold it.

Hold it. Hold it.

Quick breath in.

[ Gasping ]

And again. Quick breath

and hold it. Push down.

You can do it. That's it.

And quick breath in again.

And push down one more time.

[ Grunting ]

Good, good.

Push a little more,

little more, little more...

WOMAN:
Stop pushing!

MIDWIFE:

Now give it a good push!

- [ Grunting ]

- [ Indistinct chatter ]

There you go.

That's it.

- [ Baby crying ]

- [ Panting ]

[ Applause ]

I'd say she looks utterly

and completely radiant.

What is it?

It's a lovely little girl.

That's what I've

always wanted... always.

Congratulations.

Oh, thank you, my dear.

[ Grunting ]

Oh, come on, now.

You shouldn't be walking.

I want to go home.

I know.

That's a girl.

What was it?

[ Clapping ]

Hurry up, girls. Let's go.

You're not alone.

Do you understand?

I'm with you.

There are many of us.

Watch your Commander. Study him.

Get to know

everything about him, OK?

[ Indistinct conversations ]

Get on with it.

- You know what you are?

- What?

- You're a mystery.

- Me?

I don't know anything about you.

There's no mystery about me.

I'm just an

ordinary guy, really.

What do you do, exactly?

Well, for one thing,

too much damn paperwork.

I used to be...

I used to be in

market research...

then I branched out, you know,

became sort of a scientist.

Then the guys

made their move and...

asked me to go in with them.

So, I liked most of the

things they wanted to do...

so that was it... period.

Why?

- Why?

- Mm-hmm.

Country was in a mess,

that's why... a total mess.

All the garbage had

kind of risen to the top.

You know, we had all these

pressure groups...

running the store,

trying to dictate to us.

Blacks, homos, you know...

all those people on welfare.

Women.

COMMANDER:

Yes, siree, women.

So we had to clean it up.

We took out a big hose

and washed the place clean.

I had a family and a job

I was good at.

I didn't need cleaning up.

I don't mean you.

All right, let me explain

something to you.

I'm not talking about you,

I'm talking about the country.

The country was crazy.

I mean, nobody felt anything,

men or women.

All they had was, like...

how can I put it?

Like... itches.

Sex itches, money itches,

power itches.

But that's not enough.

There was no common purpose.

Nothing to believe in,

nothing to fight for.

Nobody really knew

how to feel anything anymore.

Do they feel now?

I think they do, yes. They do.

What?

Well, respect, reverence...

values that the average

person can feel right here...

and, in your case, here.

[ Chuckling ]

Beautiful.

So, what do you think?

Why didn't you say something?

I don't think.

MAN ON P.A.:

Women's salvaging today at 3:45.

Male particicution at 4:00.

Admittance is for all females...

[ Indistinct conversations ]

MAN ON P.A.:

Women's salvaging today at 3:45.

Male particicution at 4:00.

Admittance is for all females,

including...

[ Drums playing, singing ]

AUNT LYDIA:

Amen.

We are here today

in the name of duty...

and sometimes duty

is a hard taskmaster.

This woman, whom we all

knew as a Handmaid...

has been found guilty

of seduction and fornication...

with a member

of the medical staff.

[ Humming ]

Why does God demand her death?

ALL:

For her sins!

For her sins!

For her sins!

[ Metallic clattering ]

[ Choking ]

[ Cheering ]

AUNT LYDIA:

Order, order!

You may form a circle.

Orderly, orderly.

This man has been convicted

of the rape of a Handmaid.

Deuteronomy 25.

"If the man forces her

and lies with her...

then the man that lay

with her shall die."

This crime took place

at gunpoint.

[ Screaming ]

AUNT LYDIA:

The Handmaid was pregnant.

The baby died!

[ Screaming ]

[ Clamoring ]

He was no rapist.

He was a political.

One of our best men.

[ Crying ]

Hi. How are you doing?

Have a nice day.

Have a nice day.

Have a nice day.

These prayers can be ordered by

compuphone...

or right here in this store.

So, you're seeing him alone?

- Who?

- Your commander.

How do you know that?

We just know.

What does he want? Kinky sex?

No. Not exactly.

He's at the top.

He's in charge of security

for the whole state.

He's a real bastard.

[ Explosion ]

[ Tires squealing ]

[ Gunfire ]

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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    "The Handmaid's Tale" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_handmaid's_tale_20386>.

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