The Handmaid's Tale Page #5

Synopsis: Set in a Fascistic future America, The Handmaid's Tale tells the story of Kate, a handmaid. In this America, the religious right has taken over and gone hog-wild. Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid. The job of a Handmaid is to bear the children of the man to whom she is assigned. After ruthless group training by Aunt Lydia in the proper way to behave, Kate is assigned as Handmaid to the Commander. Kate is attracted to Nick, the Commander's chauffeur. At the same time, a resistance movement begins to challenge the regime.
Genre: Drama, Romance, Sci-Fi
Director(s): Volker Schlöndorff
Production: HBO Video
  2 wins & 1 nomination.
 
IMDB:
6.0
Rotten Tomatoes:
31%
R
Year:
1990
108 min
2,035 Views


We may want you to kill him.

Keep down!

[ Keys typing, beeping ]

Yeah. We'll be there

within 20 minutes.

[ Lock buzzing, unlocks ]

COMMANDER:

We'll be there.

Aha! Come in.

Now, I have a nice little

surprise for you tonight...

something that you're

gonna like a whole lot.

What is it, chinese checkers?

[ Chuckling ]

No. Better.

A boa... for you.

Now... And also

a dress... for you.

I hope to heaven it fits.

- You want me to wear this?

- Yep.

I'm taking you out.

[ Door opening ]

You look fantastic.

Fantastic is right.

COMMANDER:
Devastating.

[ Door opening ]

[ Doors closing ]

[ Engine revving ]

We're coming to

a checkpoint, sir.

I'm sorry. You're going to have

to get down on the floor

for a few minutes.

There are no wives allowed

where we're going.

Just for a minute. Sorry.

[ Doors opening ]

[ Doors closing ]

[ Door closing ]

- Oh, Nick, could you come here?

- Yes, sir.

You won't be needing

that in here...

so let Nick take the cloak.

Kind of like walking

into the past, don't you think?

Good to see you here.

How you doing, Dick?

Good to see you.

This here's Mary Lou.

She's new here.

- Mary Lou, how you doin'?

- Fine.

Good, good, good.

So you're new here, huh?

Oh, you're gonna love it here,

Mary Lou.

Everybody has fun here.

Everybody really has fun.

My friend.

I thought all this kind of thing

was strictly forbidden.

It is officially,

but, you know...

- Good evening, Commander.

- Good evening.

Now...

you can have one drink.

What do you want?

I haven't had a drink in years.

Well, have one now.

What'll it be?

Um...

- Vodka tonic?

- OK. Vodka and tonic.

Bring me a bottle of scotch.

[ Laughing ]

What do you think?

Who are these people?

Well, we have, you know,

staff officers from the front...

allies, trade delegation...

I mean, it's a good place to

meet people and stimulate trade.

You know, things like that.

No. I meant the women.

- The women?

- Mm-hmm.

Who are the women?

The women. Well, they're like,

uh, real working pros...

you know, from the time before.

The others?

We have quite a collection.

For instance, now, the one in

the green gloves over there?

She's a sociologist... or was.

This one was a lawyer.

We have business executives,

schoolteachers... you name it.

We got everybody here.

But they prefer it here, see?

Believe me.

Prefer it to what?

To the alternatives.

Sorry to bother you, sir.

You have a phone call.

All right. Thank you.

[ No audible dialogue ]

Yes, sir.

Right, sir. Uh-huh. Yes.

Yes, sir. In God we trust.

Get the field commander

and put him on hold.

You look like

the whore of Babylon.

Well, I asked them to get me

something classy

from Saks Fifth Avenue,

but you know

what the mail's like these days.

I do.

Don't do that. Your eyes'll run.

Anyway, there's no time.

Paige, could you please

leave just for a minute?

Sit. Sit.

So, why are you here?

What did you do?

Why did they send you in?

Did you laugh at the

wrong dick or something?

I'm an evening rental.

He smuggled me in for the night.

So, how are you?

I thought that

I'd never see you again.

So, what happened to you?

They caught me at the border.

Somebody must've got cold feet

or something. It's too bad.

Took me f***ing ages

to get there

with a lot of people

risking their necks.

I had some sweet guy who hid me

in his kid's room for a month

just hanging on the wall,

and I think, for what?

Christ, I didn't even have

the decency to escape.

So, what did they do to you?

They worked me over a little.

They showed me a movie

about the colonies.

You know, those f***ing toxic dumps

with all the dead bodies and sh*t?

They say you have

one year maximum there...

before your goddamn

nose falls off.

So, they stuck something

up my ass and told me I had

two alternatives...

the colonies or here,

so I said here.

So here you are.

So here I am.

It's not so bad, really.

You get free face cream here.

Free booze, free drugs,

you only work nights.

Oh, sh*t.

It's not bad, really.

Actually, there's all

these women around. I love it.

Do they let you?

They don't care who you f***.

Do you know what they

call this place? Jezebel's.

WOMAN ON P.A.:

All girls back on the floor.

All girls back on the floor.

Give me your hand.

Come on, give it to me.

Yes, they did that, too.

You remember... hands and feet

we don't need for our purposes.

WOMAN ON P.A.:

All girls back on the floor.

Back on the floor, girls.

You're such a goddamn wimp.

What am I gonna do with you?

WOMAN ON P.A.:

All girls back on the floor.

Oh, Moira.

Come on. Time's up.

WOMAN ON P.A.:

All girls back on the floor.

[ Indistinct conversations ]

I guess I'm lucky.

Lucky ducky.

Better a lucky ducky

than a dead ducky.

You're a good woman.

There's a nice room in here.

I think you'll like it.

[ Door opening ]

- [Door closing]

- COMMANDER:
Nick's a good guy.

He's like a son to me.

[ Dog barking ]

[ Door closing ]

[ Door opening ]

[ Kissing ]

Good night.

Here, sir.

Shall I take that, sir?

[ Door opening ]

[ Door closing ]

So...

what was it like?

Huh?

I said, what was it like?

Did the earth move?

What the f*** do you think

it was like?

Well, how the f***

should I know?

For God's sake...

what did you want me to do,

spit in his face

and end up shoveling sh*t

in the goddamn colonies?

Do you think

we'll ever get out?

Nick, it's happened.

What's happened?

I'm going to have a baby.

He'll love you to death.

So will she.

Come on.

You know it's yours...

and I won't let them get it.

You want to get out.

Could we get out together?

Maybe.

We have to.

Maybe.

[ Knife blade locking ]

I found it,

but I don't know

what I could do if I...

- Where's Ofglen?

- I am Ofglen.

[ Engine rumbling ]

[ Gunfire]

[ Indistinct reporting]

I trusted you.

I tried to help you.

Look, my cloak.

Used for a hooker!

We had an agreement.

Just like the other one.

A little whore.

I'm sorry.

Go to your room.

COMMANDER:

Correct, yes, sir.

Uh, we've got most of

the Mayday gang now,

and that includes the leader,

a very dangerous man.

This is a definite breakthrough

for our security forces...

and, as I would say,

this is a comparatively

stable situation

here in this state.

But let me add that we intend to rid

the whole country of these vermin.

And we'll do it without mercy.

[ Clock ticking ]

[ Door opening ]

It's dark in here.

Don't you want the light on?

KATE:
No, thanks.

Here's your supper.

Thanks, Rita.

Bless you, dear.

Bless you.

[ Doors closing ]

- Good night, Nick.

- Good night.

[ Car starting ]

[ Engine rumbling ]

[ Door opening, closing ]

[ Clock chiming ]

[ Keypad code pressed,

door unlocks ]

What is it? I...

I could've fired this thing.

[ Chuckling nervously ]

I didn't send for you.

Uh, what is it?

You've got to help me.

I'm sorry.

It's out of my hands.

Did you tell her?

[ Sighing ]

Well...

She found this.

So what could I do?

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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