The Making of 'Tesis' Page #3
- Year:
- 1996
- 22 min
- 31 Views
where the old man got the tape
From the library
No way
Anyone home?
A friend of your's here.
He's gorgeous
Is Angela home?
- She is, come on in
- Thanks
A bit on edge, aren't you?
You know where I live?
I do my own investigations
So what do you want?
I brought you the interview
Thank you, there was no need
That's not why I came
Why then?
I want to shoot you
What?
There are no shots of you
interviewing me
We need them for the editing
Sure, I forgot
Right, when you're ready
Here?
It's in close-up.
You can't tell where we are
You'll see
Where's your room?
I don't like being taped
I don't believe that
A pretty girl like you?
Don't worry, it won't take long
Had this camera long?
Around... four months
It's no longer on the market
God, you do know everything
I got it second-hand
Why do you ask?
No special reason
You like asking questions, don't you?
Can I ask you one?
Go ahead
What colour are my eyes?
I don't know...
I haven't really looked
I see... so you're a liar as well
How much longer?
You're in a hurry?
It's almost lunch
You'll stay for lunch, Bosco?
Love to
Great, I'm nipping out for a few things
Be good
What are you doing?
The light's bad for this camera.
Sit on the bed
Why?
I can't get a good focus from here.
Sit on the bed
That's it
Ready when you are
We're talking to Bosco,
a classmate of Vanessa...
...who was close to her prior to -
Aren't you checking?
It's one straight shot
Look at me when you ask
the questions
Did she mix with wierd types?
Do you think she was kidnapped?
Any idea who she ran away with?
That's it
Hang on
You need some nods as reaction
to my answers
For intercuts
Wait...
What?
- We were closer yesterday
- I don't think so
Does it bother you?
Say when it starts bothering you
Don't!
Every word brings me an inch closer
It's not funny
Don't speak
Nervous?
- Of course not
- Not a word!
The mouth can kill
I'm not going to die
"I'm-not-going-to-die"
Five inches
What colour are my eyes?
Are you going to kill me?
Six more inches for saying that
Just one more word...
...and we collide
Next time I'll punch your face
There won't be a next time
Angela, don't let Bosco set the table
- Who switched channels?
- I did, the news is boring
How would you know?
Where's the remote?
So you work as well as study?
I do some filming
What kind?
Whatever I get:
weddings...- Baptisms...
- Does it pay?
Enough
Angela never does such things
She works hard on her thesis
You're doing your thesis?
I've just started
On what?
I'm not sure yet
Audiovisual violence and the family
You're into violence?
Not really
She loves it. She's warped. She
spends hours analysing violent films
Shut up, Sena
Is this project part of your thesis?
No, why?
The last film she brought home
was really something
You're doing a project?
What is it about?
Shall we eat? We've talked enough
What do you study?
- I started law this year
- Law?
What do you know...
I wanted to do law
Really? So why didn't you?
Don't know, I'm not cut out for it
You've got to be very...
Very tenacious... and very intelligent
- I'm neither and I'm studying it
- Your meat's getting cold
You look it
What?
lntelligent...
How's Yolanda?
Who's Yolanda?
His girlfriend
We've broken up
Really?
More or less...
the meat is excellent
He's been to your house?
Bloody hell!
Why did you let him in?
I can't help it, he charmed my family
It's you he's charmed. With me, not
even coffee, but him you invite home!
Stop being silly!
He says he bought it 4 months ago,
second-hand
That snotty sod using second-hand?
He bought it new, with guarantee.
He's got you again
We can check
You either believe him or me
That's rubbish!
Look, I've lost the receipt and the
shop doesn't have it either but...
- They said you'd have it
- What was it?
A XT-500 camera
You must have bought it...
Two years ago
The guarantee's expired
I know, but I need to keep the receipts
Alright...
1 993...
- You live in Madrid?
- Yes
Your name?
It's my brother's - Bosco Herranz
He must come himself
They said it's not necessary
on the phone
Who told you?
Some girl, I think
One moment, please
"Customer:
""Customer unknown"
"ltem:
"I knew it!
Freddy Kruger himself
Haven't seen you for a while
I've been busy
- Jerking off?
- Less than you
Can I look at the closed-circuit tapes?
You want me to get the sack?
The 1 2th, the library
Slow down
What do I get?
My body
No, thanks
High-class porn
How did you get in?
What do you want?
Don't you know?
To kill you
The phone
Someone called Castro
- I hope I didn't wake you up
- Not at all
I'd like to discuss your thesis
How about 1 1 today, in my office
- Fine...
- Great
I'll see you later then
Is Angela there?
No, she's out
Come in
- How are you?
- Fine...
Have a seat
Cigarette?
I don't smoke, thanks
Right, let's see...
It's somewhere here...
I'm hopeless
Here it is
Let's see...
Why are you interested in violence?
We get so much of it in films, on TV,
that we're getting too used to it
So?
I'm concerned
Why?
Because I don't like violence
You reject it?
Of course
Always?
Yet violence is something
that is innate in us all
But the director must be aware
of its impact
The director's only duty is to give
the public what it wants
That's the basic principle of all
entertainment
Do you reject show-business?
- No, but...
- It's a very complex issue
For example...
On what type of violence...
...will you focus?
How do you mean?
Any particular genre?
I got the impression -
and correct me if I'm wrong...
I find that your approach is rather...
- Superficial?
- Yes
You should get in deeper
This is meant to be a research project
These are just notes, it's not final
So you're investigating?
lnvestigating what?
I don't know...
it's for you to tell me
Tell you what?
What you're investigating
I didn't say I was, you did
Alright
Since you seem reluctant
to collaborate...
I don't get it
I'll tell you... try a different angle
What killed Figueroa?
Why ask me?
He was your supervisor.
You must know what killed him
You said it was an asthma attack
He was quite old
What was in the screening room...
What was it he saw that could
have killed him
Any idea?
You like theories...
don't you have one?
No, I don't
Look, Angela...
I think you're an intelligent girl
I'm sure you'll go far
That's why I don't understand you...
I don't understand you
Really?
You don't understand me?
I think you do
Think whatever you like.
You know something?
So have l
I hate such situations.
It's humiliating to be caught lying...
Like this, especially
Don't you agree?
It makes you wonder:
why do people lie?
Why are you lying?
What's on that tape
You've lost your voice
Very well...
I want that tape in my office, tomorrow
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Making of 'Tesis'" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_making_of_'tesis'_19550>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In