The Making of 'The Haunting'
- Year:
- 1999
- 60 min
- 122 Views
# Ring-around-the-rosy #
Now, I'm trying to tell you...
that we can't afford
to keep you here any more.
You already owe two months
worth of back rent.
It's mine,
and you're not taking it away.
Read the will, Nell.
It states, in plain language:
any and all personal property
as he shall see fit."
- He's not even real family.
- Yeah, well, maybe not.
But clearly, Mother thought Lou
would be much better equipped...
to deal with these
unpleasant details than you.
"Unpleasant details" ?
What have I been dealing with
for the past 11 years ?
I've cooked, cleaned, mopped up
her urine ! You call that
an "unpleasant detail" ?
- Hey, your sister
didn't write the will.
- We all know what you've done.
- We're trying to help.
- Do not help me !
Oh, Ritchie.
Just go sit on the couch, okay ?
Oh.
Anyway, once probate closes,
we can put this apartment
on the market,
and we all might be able
to make a few bucks.
Also, we know how much you love
Mom's car, so we're giving it to you.
You're taking away my home
and giving me a 20-year-old car ?
Absolutely. We'll deduct the value
from the proceeds of the apartment.
Who are you ?
Do you understand
that I have nowhere to go ?
We've been talking,
and Lou and I are very busy.
We could use someone to help us
with the cleaning and the cooking,
Eleanor, help me. I gotta pee.
Ritchie, not now!
Get outta my home.
Well, suit yourself.
We'll let the courts handle it.
Get out of my home.
Honey, let go. That's right.
Oops. Sorry. Okay.
Here you go, honey.
Follow Daddy.
Come live with us, Nell.
You have no idea
how hard it is out there.
No,Jane. You have no idea
how hard it was in here.
Hello.
Yes, this is Eleanor.
Where ?
I see it.
"Research subjects.
Nine hundred a week."
Here's how they're organized. The groups
have very different personalities.
Scored all over the Kiersey Temperament
Sorter, just like you asked for,
and they all score very high
on the insomnia charts.
Oh, what a beautiful profile.
A classic dependent
personality disorder.
However, we were looking
for "suggestible."
Her mother died
two months ago.
And what are your feelings,
Mary ?
Tell me what
your intuitions say.
I put my favourites
on top.
Mm-hmm.
What else have we got here ?
"Low self-esteem,
high narcissism,
chronic feeling of emptiness,
identity disturbance. "
Good, good. Very good.
That's Hill House.
That's perfect, isn't it ?
- The Hill House Project--
- Is absolutely essential
to my research, Malcom.
No, just listen.
I grant you,
fear and performance
is a big, sexy idea.
- But as chairman
of this department, I cannot--
- I know you clinical guys...
don't like to ask these questions,
What is fear, anyway ? It's a series of
automatic responses to a given stimulus,
characterized by increased
heart rate, respiratory activity
and adrenaline function.
The only problem with fear
is that it has largely become
inappropriate and nonadaptive.
Do sweaty palms
help to talk to your boss ?
And yet we carry with us
these primordial fear responses...
that do the opposite of what
they were intended to do.
- So why is that ?
- David, David, no one is saying...
that these aren't
provocative questions.
But you can't conduct this research
ethically or responsibly.
And on top of that,
you're bringing your insomniacs...
to this house
under false pretences.
Because the experiment needs
Calling it an insomnia study...
allows me to create a highly
suggestive environment...
to investigate
the dynamics of fear.
You don't tell the rats they're
actually in a maze, Malcom. Come on.
What do you want ?
Are-- Are you Mr Dudley,
the caretaker ?
Yeah. I'm Mr Dudley, the caretaker.
What are you doing here ?
I'm with Dr Marrow's group.
I'm supposed to see Mrs Dudley.
Is she here ?
What do you think ?
Why do you need
so many chains ?
That's a good question.
Sometimes the people on either side
of the fence see a locked chain,
they feel
a little more comfortable.
Why do you suppose that is ?
Mrs Dudley ?
Hello ?
Mrs Dudley ?
Hello ?
Hello ? Mrs Dudley ?
Oh, my--
I'm-- I'm, uh--
I'm Eleanor Vance.
- I'm here with the--
- Dr Marrow's group.
You're the first.
Yeah, I'd-- I'd heard a sound,
and that's--
It's make the dinner or answer the door.
Can't do both.
- Are you Mrs Dudley ?
- So far.
I'll show you your room.
This way.
The Red Room.
You're going to be the first visitors
Hill House has had...
- Really ?
These are beautiful.
I know. I've seen 'em.
It's a lot to dust.
I've never seen
this kind of beauty.
You must love working here.
I set dinner on
the dining room sideboard at six.
You can serve yourselves.
Breakfast is ready at nine.
I don't wait on people.
I don't stay after dinner,
not after it begins
to get dark.
I leave...
before dark comes.
We live in town--
nine miles--
so there won't be anyone around
if you need help.
We couldn't even hear you...
in the night.
Why would we ?
No one could.
No one lives
any nearer than town.
No one will come
any nearer than that...
in the night,
in the dark.
You'll be staying in the north wing.
Hi. Don't worry.
I'm not an obsessive packer.
It's just asking people to help me
schlepp this stuff is a cheap...
and exploitative way
of making new friends.
- Here. I'm Theo.
- Hi.
Eleanor,
don't you love it here ?
I love it. Sort of Charles Foster Kane
meets the Munsters or something.
- I like your boots.
- You do ? Aren't they great ?
Prada. Milan, not New York.
But they're killing me.
for such savage kicks.
Wow. Oh, my God.
Oh, this is so twisted.
Seriously twisted.
I set dinner
on the dining room sideboard at six.
Breakfast is at nine.
I don't stay after dinner,
not after it begins to get dark.
if you need help.
- We couldn't even hear you.
- No one could.
No one lives
any nearer than town.
No one will come
any nearer than that.
In the night.
- In the dark.
- In the dark.
My bedroom's
right next door to yours.
I think we share
the same bathroom.
Oh, don't worry.
I probably won't be in here much.
- Light sleeper.
- That's why we're here.
- What do you do, Eleanor ?
The last person I was workin' for,
it ended. Over, so-- And you ?
Well, that depends.
I'm supposed
to be an artist,
but I've been distracted
from work by love.
- You know what I mean ?
- Mmm, not really.
Hey, don't tell me Boston's
different from New York.
Oh, you mean you have trouble
with commitment.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Making of 'The Haunting'" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_making_of_'the_haunting'_9708>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In