The Making of 'The Mean Season' Page #2
- Year:
- 1985
- 38 Views
TELL THEM:
I'LL CALL BACK.
FIVE SECONDS?
I'LL BE THERE.
ANDERSON.
[Man]
HELLO.
YEAH, HELLO.
LISTEN,
I'VE BEEN READING
YOUR STORIES:
ABOUT THE MURDER
OF THE YOUNG GIRL.
UM, WELL-WRITTEN.
I MEAN, THEY SEEM
VERY ACCURATE.
WELL,
I APPRECIATE THE CALL,
RIGHT NOW.
[The man] I HAVE
A SPECIAL INTERES IN YOUR STORIES.
I SEE.
WHY IS THAT?
BECAUSE IT WAS ME.
I KILLED HER.
??[Suspenseful music]
WHO IS THIS?
[Laughs]
YOU DON'T REALLY
EXPECT ME TO ANSWER
THAT, DO YOU?
IT DEPENDS ON:
WHY YOU CALLED.
I GET 30 CALLS LIKE THIS
EVERY DAY--
PEOPLE CLAIMING:
RESPONSIBILITY FOR ANYTHING.
WHAT MAKES YOU:
SO DIFFERENT?
UH...
I CALLED:
.
BECAUSE:
I WANT TO HELP YOU
WAS THERE SOMETHING IN IT?
UM...
I HOPE:
YOU'RE AS BRIGH
AS I ASSUMED:
YOU WERE.
UM...
LISTEN.
CAN YOU BE:
AT YOUR PHONE:
AT, SAY, 3:
00?[Crackle]
HELLO?
[Dial tone]
HEY, RAY.
SO, YOU GUYS
DECIDED:
?
TO HOLD OU:
T ON ME, HUH
WHAT DO YOU WANT?
WE GOT A COURT APPEARANCE.
MAKE IT FAST.
DID YOU:
LOOK THROUGH:
HER CLOTHES?
WHAT DID:
YOU FIND?
NONE OF YOUR:
F***ING BUSINESS.
FOUND SOMETHING:
IN HER RIGH REAR POCKET.
WE DID--LINT.
TAKE IT EASY.
WAIT A SECOND.
MALCOLM, HOLD ON.
HOW DO YOU KNOW?
HE CALLED ME.
WHO CALLED YOU?
THE KILLER.
SH*T.
COME HERE.
HE SAYS THE KILLER
CALLED HIM.
BULLSHIT.
WHAT DID HE SAY?
WHAT DID HE SOUND LIKE?
HE SAID HE:
LEFT SOMETHING:
IN HER POCKET.
DIDN'T SOUND
LIKE ANYTHING.
I'M TRYING
TO FIND OUT.
WAS HE WHITE,
BLACK, ORIENTAL--
WHITE,
PROBABLY.
HOW OLD?
OVER 30.
DID HE SAY:
HE WAS GOING TO CALL AGAIN?
WHAT DID YOU:
FIND?
NO.
TAKE IT EASY.
HOLD ON.
WE GOT TO TELL HIM
WHAT WE GOT.
[Man] NO. HE'LL
JUST STIR IT UP.
[Ray] HE'S GOT NO REASON
TO LIE TO US.
IT'LL BE O.K.
YOU KNOW ME BETTER
THAN THAT.
I JUST WANT TO KNOW
WHAT IT'S ABOUT.
THERE WAS:
A NOTE.
WHAT DID IT SAY?
RAYMOND.
"NUMBER ONE."
NOW, DON'T GO
CRAZY ON THIS.
??[Scary music]
?
WAIT! WHAT HAV
E YOU GOT FOR US
NOTHING.
WHAT DO YOU MEAN?
CALL ME WHEN:
YOU GET OUT OF HERE.
DON'T JUMP
TO ANY CONCLUSIONS!
HEY, COME ON, GUYS.
WHAT--
DOESN'T ANYBODY HAVE
[Ring]
[Ring]
ANDERSON.
[Man]
AFRAID I WOULDN'T CALL?
I WASN'T CERTAIN.
CERTAINTY,
I HAVE LEARNED,
IS IN VERY SHORT SUPPLY OF.
DID YOU CALL:
YES.
THERE WAS SOMETHING
IN HER POCKET.
SUPPOSE YOU TELL ME
WHAT IT WAS.
AH, A TRUE SKEPTIC.
NOTEPAPER. FOLDED ONCE.
TWO WORDS.
"NUMBER ONE."
A NUMBER TWO?
AND A THREE:
AND A FOUR AND A FIVE.
WHY?
YOU'RE DOING THIS
SOMETHING ALONG THOSE LINES.
AND YOU ALREADY:
KNOW WHO THEY ARE?
I KNOW:
WHAT THEY ARE.
AH...
THREE WOMEN AND TWO MEN.
I JUST MIGHT NO PRINT THIS.
A WONDERFUL OPPORTUNITY.
I'LL CALL SOMEONE ELSE.
LOOK.
YOU'RE GOING TO BE
MY CONDUIT TO THE PUBLIC.
TELL ME ABOUT IT.
LOOK,
THAT'S ALL FOR NOW.
WE'LL TALK AGAIN
AFTER NUMBER TWO.
[Hangs up]
[Dial tone]
[Camera clicking]
THIS IS THE ONE YOU'VE
BEEN WAITING FOR, MAL.
FABULOUS!
I'M NOT SURE THIS
STORY WILL DO US
OR ANYBODY ELSE:
ANY GOOD.
THERE'S NO WAY
OF SEEING:
WHERE THIS THING
COULD GO.
IT COULD TAKE:
SOME KIND OF TWIST.
WE COULD:
LOOK NEGLIGENT.
[Jacoby] THE CHANCE
OF LIABILITY?
HE DIDN'T CALL THE PAPER.
HE CALLED ME.
MR. JACOBY...
I THINK:
WE HAVE A CHANCE,
LET ALONE THE OBLIGATION,
WHO'S STILL OUT THERE.
HE'S STILL A THREAT.
,
THAT'S--THAT'S
OUR RESPONSIBILITY
ISN'T IT?
THIS STORY'S
GOING TO SELL:
FOR SOMEBODY.
LEGALLY,
HOW FAR COULD:
OUR ASSES BE:
HANGING OUT?
DID YOU TELL HIM
YOU'D TRY TO PROTEC HIS IDENTITY IN ANY WAY?
NO.
DID YOU IMPLY:
YOUR CONVERSATION
WAS OFF THE RECORD
OR CONFIDENTIAL?
NO.
MAKE THEM:
COMFORTABLE.
WELL, WE
HAVE THREE:
IMPATIEN COPS OUTSIDE.
OH, LOVELY.
CAN WE GO:
TALK TO THEM?
I THINK:
WE BETTER.
GO AHEAD.
THANK YOU.
HOW MANY TIMES:
HAS HE CALLED?
TWICE.
WE WANT A STATEMEN FROM ANDERSON
AND TO LOOK:
AT HIS NOTES.
YOU KNOW BETTER:
THAN THAT.
BILL,
WE'VE GOT A GUY
WHO'S ANNOUNCED
WE'D LIKE
YOUR COOPERATION,
BUT IF WE HAVE TO,
WE'LL GET A SUBPOENA.
WHAT HAPPENED:
TO FREEDOM:
OF THE PRESS?
YOU'RE ABUSING
THE PRIVILEGE.
THAT'S YOUR
OPINION.
IF WE DON'T WRITE
ABOUT THESE GUYS,
AND GET THE PUBLIC
INVOLVED,
YOU'LL NEVER GET THEM.
WE'LL TAKE CARE
OF OUR END.
TO TURN OVER:
THE NOTES:
BY YOU:
OR THE STATE'S
ATTORNEY.
I'LL TELL YOU
WHAT I KNOW.
IF THIS SON OF A B*TCH
KILLS SOMEBODY ELSE,
I'LL TELL THE POS YOU HELD BACK
INFORMATION:
THAT COULD HAVE:
PREVENTED IT.
WE DIDN'T SAY WE WEREN' GOING TO COOPERATE.
WE WANT AN ARRANGEMEN THAT WE CAN ALL LIVE WITH.
HOW ABOUT A TAP:
ON ANDERSON'S PHONE?
NO WAY.
YOU WON' NEED IT.
WE'LL GIVE YOU TAPES
OF THE CONVERSATIONS.
WHAT'S
THE DEAL:
HERE?
YOU GIVE US:
WHATEVER:
YOU GE:
EXCLUSIVELY,
BEFORE:
THE OTHER:
NEWSPAPERS.
NO. WE'VE ALL GO OUR RELATIONSHIPS
TO MAINTAIN.
SOLD.
??[Dramatic music]
[Malcolm on tape]
[Killer on tape]
A WONDERFUL OPPORTUNITY.
I'LL CALL SOMEONE ELSE.
LOOK.
YOU ARE GOING TO BE
MY CONDUIT TO THE PUBLIC.
OF PROFILE HERE, DOC.
WE NEED SOMETHING
TO NARROW THIS GUY DOWN.
I'M A SHRINK.
I CAN'T TELL ANYTHING
.
FROM ONE SHORT,
TAPED CONVERSATION
BUT ISN'T THERE
SOMETHING:
ANDERSON:
COULD DO:
TO KEEP:
THE BASTARD:
TALKING LONGER:
DRAW HIM OUT?
I THINK YOU'RE DOING
THE RIGHT THINGS
INTUITIVELY.
LISTEN TO HIM.
WHEN HE'S UNCLEAR,
ASK QUESTIONS.
I WOULDN' BE JUDGMENTAL,
AND I WOULDN'T PUS
H HIM INTO GIVING MORE
THAN WHAT HE WANTS
TO GIVE.
BE PATIENT.
BE A FRIEND.
[Car door shuts]
HEY, STEVE.
WHAT ARE YOU GUYS
DOING OUT HERE?
GIVE US A BREAK.
THE MAN YOU:
TALKED TO--
THE KILLER.
DID THE KILLER:
INDICATE WHEN HE
WOULD CALL NEXT?
ANY SPECIFICS:
AT ALL, MAL?
.
HE WASN'T SPECIFIC
HE DIDN' SAY ANYTHING
THAT WOULD NARROW
IT DOWN, GUYS.
HOW LONG DID YOU
TALK TO HIM, MAL?
HOW LONG WAS IT?
HOW LONG WAS:
YOUR CONVERSATION?
NEITHER ONE WAS MORE
EVERYTHING I KNOW
IS IN THE PAPER.
ARE YOU GOING TO
BE ABLE TO LIVE:
WITH YOURSELF?
[Asking questions]
]
??[Television news theme music
SO FAR,
MALCOLM ANDERSON,
A JOURNALIST WITH
THE MIAMI JOURNAL,
IS THE ONLY PERSON
TO HAVE BEEN CONTACTED
BY THE KILLER:
OF SARAH HOOKS,
THE GIRL FOUND MURDERED
ON BILL BAGGS BEACH.
ANDERSON HAS BEEN CONTACTED
TWICE BY THE KILLER.
WERE BRIEF,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Making of 'The Mean Season'" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/the_making_of_'the_mean_season'_13560>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In