The Making of Alan Parker's Film 'The Commitments'
- Year:
- 1991
- 23 min
- 673 Views
Tell us about the early days, Jimmy.
How did it all begin?
Well, Terry, I was always in the music
business, but more on the sales side.
F*** off.
# Don't want your kisses
# That's for sure
# I die each time
# I hear this sound:
# Here he comes
# That's Cathy's clown
# Here he comes
# That's Cathy's clown
# Dearest
# Darlin'
# I have to write to say
that I won't be home
# Any more
# Cos something happened
# To me
# While I was drivin' home
# And I'm not the same
# Any more
# Oh, I was only
# Twenty-four hours from Tulsa
# Only
# One day away from your arms
# I saw a welcoming light
# And I had to stop for the night
# Said to the man at the railroad station
# I want a ticket
# Just for one
# He said:
Well, if you insist# Oh-oh
# Destination anywhere
- Jimmy! Jimmy! You got the video?
- Yeah. Mississippi Burning, wasn't it?
Have you got any Hothouse Flowers?
# And this old world ain't got
no back door
# Because I saw her today
# I saw her face
# It was a face I loved
# And I knew
# I had to run away-ay
# And get down on my knees and pray-ay
# That they'd go away
# But still they begin
# Those needles and pins, yeah
# Because of all my pride
# Right now - yeah!
# Needles and pins, yeah
# Needles and pins, yeah
# Needles and pins
# Needles and pins,
yeah, yeah, yeah, yeah
# Yeah-yeah!
# Ye-e-e-eah!
We'll take a short break here,
but we'll be back,
so stay in the groove.
- Imelda, you're lookin' deadly!
- What are you doin' here?
- Friend of the band's.
- You're sure no friend o' me sister's!
The fella she's marrying
hardly knows her.
Cheeky bastard!
- You'll be next.
- Why me? I'm not bleedin' pregnant!
- Imelda.
- See yeh, Jimmy.
F*** off!
Well, I'm three months gone.
It's a bit tight.
- Oh, I can feel it!
- You can feel it already?
That's great! Can you feel it?
- Why d'yeh want me to manage yis?
- Cos you know all about music, Jimmy.
You had Frankie Goes To Hollywood's
album before anyone else.
- You were first to realise they were shite.
- What's shite is what yous were playin'.
- We have to play that at weddings.
- What d'yeh call yourselves?
- And And And.
- And And f***in' And?
Ray is thinkin' of an exclamation mark
after the second And.
- He says it'll look deadly on the posters.
- Yeh don't like it?
- D'yeh think it should go at the end?
- I think it should go up his arse.
We're not married to it.
Aah, no.
Dance, yeh bastard!
# I've looked at the ocean
# Tried hard to imagine
# The way you felt the day you sailed
# From Wester Ross to Nova Scotia!
# We should have told you
- Look at that eejit!
- That eejit's singin' somethin' like music.
Jimmy, we need direction.
If I'm the manager, Ray's not in the band.
- Why not?
- I don't like him. I never have.
- I hate him, to be honest with yeh.
- But he owns the synth.
No one uses synths any more.
It's back to basics.
Just as well, cos we've f***-all else.
# ..railtrack
# From Miami to...
Jaysis!
- What the f*** is tha'?
- It's me hanky.
- Here yeh are, Imelda.
- Thanks.
What are yous lookin' at?
Nothin'.
- I'll have this washed for yeh, Jimmy.
- That's OK.
Wash it? I'd f***in' frame it!
What does she see in him? He looks like
he models f***in' knittin' patterns!
- Mothers love him.
- Why? He's a prick!
He's a prick with a job.
That band, Free Beer.
They always pull a big crowd.
- I like A Flock of Budgies.
- That's a stupid name.
It's better than bleedin' yours:
Cosmic Lino.
It has to be ''The'' something. All the best
Sixties bands were ''The'' somethings.
- We could be The Northsiders.
- Or The Liffey Lads?
How about The F***in' Eejits?
What kind of music are we
goin' to be playin', Jimmy?
- You're workin' class, right?
- Yeah, if there was any work.
where you're from.
It should speak
the language of the streets.
It should be about struggle and sex.
And I don't mean mushy shite about
I'll love you till the end o' time.
I mean ridin', f***in', tongues,
gooters, boxes. The works!
Jaysis! What kind of music says all that?
Soul.
Soul?
Soul! We're goin' to be
playing Dublin soul.
Dublin soul.
F***in' deadly!
Dublin soul, wha'?
Jimmy!
Dublin soul!
# In a window pane
# Do you remember
# How sweet it used to be?
# When we was together
# Everything was so... grand
# Now
# Now that we've parted
# You know there's one thing
# That I just can't stand
# I can't stand the rain
- Are you Mr Rabbitte?
- Yeah.
- I've come about the ad.
- What ad?
The one in the paper.
''Have you got soul? If so...''
Yeh have the wrong Rabbitte!
Can I have me paper back?
F*** off!
Jimmy, I've more things to be doin'
than ironing shirts for you every day!
- What's this?
- What's what?
''Have you got soul? If so, the world's
hardest-working band is looking for you.''
''Contact J Rabbitte. Rednecks and
southsiders need not apply.''
- World's hardest-working band(!)
- Where are you goin'? Finish your dinner.
- Out.
- Can I borrow your hairdryer?
- Go and shite!
- And leave my aftershave alone.
- Who was that at the door?
Some snotty-nosed fella
with a mouth organ.
- Yeh put an ad in the paper?
- I'm puttin' a band together.
D'yeh need a singer?
# Wise men say
# Only fools rush in
# But I can't help
# Falling in love
# With you
- # Like the river flows...
- Elvis is not soul.
Elvis is God!
with a fat gut in a corset
singing ''My Way'' at Caesar's Palace!
Don't upset your father.
- Who are your influences?
- Uh... Barry Manilow.
- Who are your influences?
- Joan Baez... Joni Mitchell...
Wings...
Bachman Turner Overdrive?
Spandau Ballet. Soft Cell.
Sinad O'Connor.
# It's a nice trip to a candy shop...
Hi, I've come about the audition.
Led Zeppelin.
Uh...
Billy and The Bollix.
U2?
# Well, the black folks are starvin'
# And the white trash is carpin'
# And the KKK's all over the TV
# Blood on the mirror,
and there was blood on your face!
# Look so good
# I've really done my best
# Powder, paint and lipstick
# The latest Paris dress
# Poppa, rumba, rumba,
hey, Poppa Joe, coconuts
# Yeah, hey... Poppa Joe
# Why didn't you tell me
you were bored!
# Why didn't you tell me
you were bored!
# And still I dream he'll come to me
# That we will live the years together
# But there are dreams that cannot be
# In the haze of a drunken hour
- # But heaven knows I'm miserable now
- Yeah, I know how yeh feel.
# Elvis was a Cajun
# He had a Cajun heart
# Had to move down to Memphis
- # Cos that's where he got his start
- F***in' blasphemy! Elvis wasn't a Cajun!
# All that time in Graceland
and in Vegas, where he got huge
What d'yeh play?
I used to play football at school.
I mean what instrument?
I don't.
So what are yeh doin' here?
Well, I saw everybody else linin' up,
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"The Making of Alan Parker's Film 'The Commitments'" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_making_of_alan_parker's_film_'the_commitments'_5822>.
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