The Oxford Murders

Synopsis: Martin, a PhD student in mathematics, enrolls at Oxford in the hope of meeting his mentor, Professor Seldom. The young man manages to find lodging at Mrs. Eagleton's but in this house a stifling atmosphere prevails due to the landlady's attitude. Indeed Mrs. Eagleton, who happens to be a friend of Seldom's, is a haughty and unsympathetic woman who also stifles her daughter Beth. At the university, things do not fare much better as Martin is put in his place by his idol during one of Seldom's lectures. But his private life changes for the best as he starts an affair with Lorna, a beautiful girl he met during a game of squash. One night Seldom and Martin who find themselves at Mrs. Eagletons's discover her dead body. They are interrogated by the police. Soon afterwards they decide to lead their own private investigation...
Director(s): Álex de la Iglesia
Production: Magnolia Pictures
  6 wins & 5 nominations.
 
IMDB:
6.1
Rotten Tomatoes:
9%
R
Year:
2008
104 min
$3,607
Website
727 Views


Go!

Go!

What is that?

It's a man!

- What is he, dead?|- No, sir. He's writing!

Repeat!

He's writing, sir.

He's writing in a notebook!

That man was not mad.|He was working

with shrapnel whistling round him|because he couldn't wait.

The contents of that notebook|were too important

to write it down later.

He had to do it|when his mind dictated,

he couldn't put it off|a single second.

What was so important that|he would risk his life for it?

What was he writing that|stopped him from standing up

and running, like any other man|would have done?

The "Tractatus|Logico-philosophicus",

the most influential philosophical|work of the twentieth century.

That soldier was called|Ludwig Wittgenstein,

the man who set the limits|on our thoughts.

The enigma that|he tried to decipher

was the following:

Can we know the truth?

All the great thinkers|throughout history

have sought a single certainty,

something which|no one can refute,

like "two and two make four".

In order to find that truth,

Wittgenstein used, in fact,

mathematical logic. What better|means of obtaining a certainty

than an immutable language,|free from the passions of men?

He advanced slowly,|using equation after equation,

with impeccable method,|until he reached

a terrifying conclusion.

There is no such truth

outside of mathematics.

There is no way of finding

a single absolute truth,

an irrefutable argument

which might help answer|the questions of mankind.

Philosophy,|therefore, is dead.

Because "Whereof we cannot speak,

thereof we must be silent."

Don't touch that, please.

This is an Enigma machine!

Just a copy. The original's in|the Imperial War Museum in London.

Sorry to sneak in like that...|The door was open.

Of course it was open. You surely|didn't expect me to get up

and let you in|on these legs, did you?

I'm...

Martin, our new overseas|student lodger, I presume.

- This man in the photo with you...|- Yes.

That's Turing, Alan Turing,

the man who deciphered|the Enigma code.

Thanks to him, we won the war.

Poor man died|such a strange death...

a poisoned apple, like Snow White.

And the one on the left?

My husband, Harry.

Harry Eagleton. He developed the|concept of fractional dimensions...

He deserved a bloody Nobel prize,|but he hated sucking up

to politicians.|Politicians or anybody.

He never had many friends.

He had one at least.|Arthur Seldom.

Poor boy. He spent day

after day in the house,|tidying Harry's papers.

He'd go without lunch or dinner,|going over the equations.

Eagleton tutored his doctoral thesis|on the logical series. In 1960,

- wasn't it?|- I see you've done your homework.

I know everything there is|to know about Arthur Seldom.

In fact, Mrs. Eagleton,|it's because of him that I'm here.

In Oxford, I mean.

I know what you mean.|Seldom is... unique.

Every prize,|every acknowledgement

he's received over the years|has been a real joy for me.

Careful, mother, or|your secret will be discovered.

What secret?

After daddy died,|you tried to marry him.

How dare you!|That's not true.

He's always been|like a brother to me.

Only because there was no chance|of him being anything else.

Beth!

There's no doubt|Professor Seldom is a genius,

but there's one area|he's no different from other men.

He likes young girls.

Beth, darling, couldn't you stop|being so spiteful just for a second?

Sorry, mother.

Take no notice of us.|We're like two bitter old spinsters.

Thank you, mother, for tarring me|with the same brush.

I'm sorry,

you are?

I sent a fax a few weeks ago,|about renting a room.

Ah, our overseas student.

Why don't you|show him to his room?

If I'd known,|I'd have rented a tux.

You look stunning.

My daughter has|a concert tonight. That's all.

A concert?

I play the cello|in the Sheldonian.

- It's the local amateur orchestra.|- Yes.

We're not quite|the London Symphony.

I... I love the cello.

Me too. Maybe it's because|it's all I get to cuddle

- these days.|- Beth.

Please.|You'll scare the young man.

Mother.

My daughter's suitors|tend not to be

around very long.

Difficult character, you know.

Having an old lady hovering in the|doorway doesn't exactly help either.

Are you calling me a busybody?

No, mother. You just want|to protect me, don't you?

Of course.

My mother has this theory

that unless a man lived|through the Second World War

he's not to be trusted.

My daughter

thinks I've gone a bit

gaga, but she knows

I'm right.

The Nazis changed the wheels

on that damned machine|every bloody day,

that altered the code, and we|had to decipher it all over again.

There were no computers|in those days,

calculations were done by hand.

You must have been very young.

Time for me to go.

Fancy a game of Scrabble?

Well, this is your study.

I trust you'll be comfortable.

It's perfect.

You should also be thinking|of a supervisor

for your thesis.

I've had one in mind|for a long time; Arthur Seldom.

Your parents?

Yeah.

Very American.|Is it close to the beach?

Not at all.|It's the desert, Arizona.

It actually happens to be my home.

Really? Lovely.

Anyway...

all the studies are shared.

Your colleague is|also an overseas student.

I'm sure we'll get on fine.

By the way,

I think you'll find Professor Seldom|only works as a researcher now.

I know, but the college told me that|he could supervise my doctorate.

Who told you that?

I've got a fax...

here.

I see.

I'm sorry to say Mrs. Keeman

was being rather over-optimistic.|Also,

she no longer works here.

But there must be some way,|perhaps if I speak to him...

You're free to talk|to whoever you want,

of course, but I must|warn you Professor Seldom

is not one for|this sort of spontaneity.

If you take my advice,

I suggest you approach your studies|in a more realistic way.

I'm sure you'll find some excellent|tutors among our teaching staff

who will more than understand|the nature of your work.

- Don't take it out on the wall.|- Walls?

Don't talk to me about walls. That's|all you get in this f***ing city.

Sorry, just letting off|a little steam.

Well, at least they come in|handy for doing your homework.

These? I was just trying to save|myself 16 years of practice.

See, I'm trying to calculate|where I need to run,

depending on where|the ball bounces,

and what height it makes contact

with my racquet.

Makes it easier. Here.

See? It works.

Yeah, and what would happen|if you played against a person?

There would be more variables

but it would still be possible|to work out the trajectory.

Please.

Give me time.

I have to rethink my calculations.

Okay.

Thanks for the beating.

Do you want to continue|letting off steam

on your own|or do you prefer company?

Wednesday, same time?

Yes. Bring a proper squash racquet.|Makes life much easier.

Okay.

I see you're picking up|the local customs very quickly.

I try my best.

Maybe she can help you|with your doctoral thesis,

since uncle Arthur|is out of the question.

- Can nothing be done?|- No.

And if you're suggesting my mother|have a word with him, forget it.

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Álex de la Iglesia

Alejandro "Álex" de la Iglesia Mendoza (born 4 December 1965) is a Spanish film director, screenwriter, producer and former comic book artist. De la Iglesia's films combines grotesque and very dark elements such as death and murder: most of his work is considered dark comedies, but are also often considered to have horror and/or drama elements. All his films, with the notable exceptions of The Last Circus (2010) and As Luck Would Have It (2011), were written together with Jorge Guerricaechevarría. more…

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Submitted on August 05, 2018

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