The Ploughman's Lunch Page #4
- R
- Year:
- 1983
- 107 min
- 365 Views
INT. JAMES' FLAT - EVENING
James is clearing a desk he has against a wall, in
preparation for work on his Suez book. It is a desk that
has not seen much use before, piled high with clutter. He
brings over a lamp for it, arranges the typewriter in its
centre. Various London library books are arranged along
one edge.
On the wall above the desk, James pins a large map of Europe
and the Mediterranean. He sits at the desk, lines up a
couple of pencils...and picks up a book.
INT. RESTAURANT - DAY
Langan's, Piccadilly. Gold and James are met at the door
by the HEAD WAITER, Gold is obviously known here.
Businessmen, media people, agents, conspiracy, urgency,
babble. Cornucopia too - dessert trolley, cheese trolley,
something being flambee'yd at a table.
ANOTHER SHOT through the diners we find Gold and James
already seated. The main course has been cleared away. A
clock shows the time to be ten to three.
JAMES:
I was only ten years old at the
time, but it was the first
international crises I can remember.
It's obviously a key point, and
I've always thought that sooner or
later we would have to re-examine
Suez in the light of subsequent
events. And now, suddenly, with
this Falklands business on us,
it's quite clear we do need to
take another look at 1956. The
way I see the book is that it would
get away completely--
The waiter has wheeled up the dessert trolley. Gold has
been examining it for the last few seconds before breaking
in.
GOLD:
Would you like a dessert...I'm
having one.
JAMES:
No thanks. I'd like to break away--
GOLD:
I'll have some of that.
JAMES:
...break away completely from--
GOLD:
And some of that. Sorry.
JAMES:
...from all the moralising and
talk of national humiliation that
is now the standard line on Suez...
Gold has a great forkful of gateau near his face.
GOLD:
Yes...You're not a socialist then?
JAMES:
No. I'd want to--
GOLD:
Good.
JAMES:
I'd want to set out events as they
happened. The way I see it is
this:
the British Empire was anideal. It may have become totally
obsolete by the middle of this
century, but it wasn't totally
dishonourable to try and defend
its remains and try and salvage
some self-respect, which is what I
think the Conservatives were trying
to do. Then there's the essential--
GOLD:
Are you going to have coffee?
JAMES:
Yes, please.
GOLD:
And you'll join me in a sambucca?
JAMES:
Thank you.
Gold speaks to the waiter as James continues.
JAMES:
...there's the business of the
British collusion with Israel. Of
course it's proved beyond all doubt
now, but I want to set it in the
context of diplomacy and warfare.
I mean, if you're about to attack
one country, it makes sense to
encourage neighbouring countries
to attack it to. The French
understood this. They could never--
The waiter brings the coffee. Gold is lighting a cigar,
having offered one to James.
JAMES:
The French could never make out
all the embarrassment and breast-
beating of the British. My enemy's
enemy is my friend. It's as simple
as that. If we had not been so
scrupulous we would not have been
so ashamed.
The waiter brings the sambuccas. We CLOSE IN on the drinks
as James goes on talking. Gold puts a match to James's
drink on this next line.
JAMES:
Now it's as if we discovered
ourselves again. We're acting
independently when the standard
line has always been that after
Suez we couldn't lift a finger
without the Americans.
INT. ARCADE - DAY
Gold and James stroll through the arcade, bloated from
their lunch. Both are slightly drunk. Gold is expansive.
GOLD:
Personally James, I'm very excited
by this new arrangement we have.
literally hundreds of American
collages. Twentieth century history
is a growth area over there, don't
ask me why. Your readership will
be first and second year American
collage students...
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