The Ploughman's Lunch Page #8
- R
- Year:
- 1983
- 107 min
- 365 Views
JEREMY:
To the Fleet.
JAMES:
To the Fleet.
JEREMY:
And the Argies.
JAMES:
The Argies.
Jeremy reaches into his inside pocket and pulls out an
envelope.
JEREMY:
Now, top secret file.
JAMES:
(reaching for it)
Come on. Hand over.
Jeremy outs the envelope out of James's reach.
JEREMY:
Uh-huh. Tell me what you think of
this first.
JAMES:
It's sh*t.
JEREMY:
You approve!
JAMES:
Let me see.
JEREMY:
Get way. You'll see when I'm ready.
First I want you to reflect on my
noble behaviour, on how your
interests are closest to my heart,
how I lay awake at night worrying--
JAMES:
Jeremy, just let me see what you've
got.
JEREMY:
You're so hard. All right then.
I was chatting to some people from
the diary page, and the name of
Barrington came up. I expressed
an interest...
JAMES:
Oh yes.
JEREMY:
...an innocent interest, and found
out that last year Vogue ran a
series called 'Mothers and
Daughters' Number seven, Anne and
Susan Barrington. Being a decent
loving friend I went to the files
and made a copy for you.
JAMES:
Let me see.
JEREMY:
Ah, ah. There's more. The piece
celebrates the undying affection
between eminent left-wing historian
and he dazzling daughter. Then
the news editor, who happened to
be in the room, said that years
ago, when he worked on The Guardian,
Anne Barrington had written a very
good piece on...guess...Suez. It
was 1966, the tenth anniversary.
Jeremy hands over the envelope which James now opens.
JEREMY:
She's never written a book in it,
but she clearly knew a lot.
JAMES:
Mmm...
JEREMY:
It's obvious what you have to do.
Your way into the daughter's pants
is through the mother, up the Suez
canal...
JAMES:
You're so gross.
JEREMY:
She's very nice, apparently. Lives
in Norfolk. And very left-wing.
You'll have to watch yourself there.
JAMES:
Ha ha...
JEREMY:
According to this, the daughter
goes up to stay quiet often. You'll
need to get yourself invited for
the right weekend.
JAMES:
You've really got it all worked
out, haven't you?
JEREMY:
No need to thank me, if you don't
want to. Just pay for these drinks.
BARMAN:
That'll be eleven pounds, sir
INT. POLYTECHNIC - DAY
James walks along a busy corridor in a polytechnic. In a
recess to one side is a games room. Along the walls are
Space Invader machines by the dozen. Students stand at
the machines intently, their faces illuminated by the glow.
We SEE some expertly handled Space Invader action. James
approaches one of the players and asks directions. Without
looking up the student points down the corridor.
INT. CORRIDOR - DAY
James stands outside the doors or a lecture hall. Inside
a lecture is in progress. We catch a few words.
James pushes the door open.
The LECTURER glances back and acknowledges his presence.
James stands at the back of the hall for the end of the
lecture.
LECTURER:
A vacuum had been created. If the
United States did not fill it, it
was assumed the Russians would.
(A beat)
Next week I shall be considering
the extent to which the behaviour
of nation states or governments
may be judged by the moral criteria
we normally apply to individuals.
Thank you.
The students stand and begin to move out. James and the
Lecturer move towards each other and shake hands.
INT. LECTURER'S ROOM - DAY
James and the Lecturer sit separated by a low table. A
tape-recorder is on the Lecturer's side of the table.
LECTURER:
Well, what you need to understand--
JAMES:
No, sorry, could you lean forward
a bit when you speak.
LECTURER:
Oh. Is this all right? Um...you
see, through the early autumn of
1956 the Egyptians were running
the canal, their canal, that is,
quite efficiently. Traffic was
passing through unimpeded, for
Nasser didn't want to provide the
West with any reason for invading
his country. Is that loud enough,
by the way?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Ploughman's Lunch" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_ploughman's_lunch_500>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In