The Shootist

Synopsis: John Books an aging gunfighter goes to see a doctor he knows for a second opinion after another doctor told him he has a cancer which is terminal. The doctor confirms what the other said. He says Books has a month maybe two left. He takes a room in the boarding house and the son of the woman who runs it recognizes him and tells his mother who he is. She doesn't like his kind but when he tells her of his condition, she empathizes. Her son wants him to teach him how to use a gun. Books tries to tell him that killing is not something he wants to live with. Books, not wanting to go through the agony of dying from cancer, tries to find a quicker way to go.
Director(s): Don Siegel
Production: Paramount Home Video
  Nominated for 1 Oscar. Another 1 win & 3 nominations.
 
IMDB:
7.7
Rotten Tomatoes:
90%
PG
Year:
1976
100 min
1,758 Views


His name was J.B. Books,

and he had

a matched pair of. 45s

with antique ivory grips

that were something

to behold...

but he wasn't

an outlaw.

Fact is,

for a while,

he was a lawman.

Long before I met Mr. Books,

he was a famous man.

I guess his fame was

why somebody or other

was always after him.

The wild country

had taught him to survive.

Hyah!

He lived his life

and herded by himself.

He had a credo

that went...

I won't be

wronged. I won't be insulted.

I won't be

laid a hand on.

I don't do these things

to other people.

I require

the same from them.

You hold it right there.

Give me your wallet.

Take it a little easy

with that cannon, mister.

Just throw me

your wallet.

Yes, sir,

and a little

something extra.

You done murdered me.

No, but you're

going to have

a long winter bellyache,

you boob.

Give me that wallet.

Just the wallet.

I can hardly move.

You done shot a hole

in my stomach.

I appreciate that.

You ain't going

to leave me here.

Well, it's quite obvious

that's what you were

going to do to me.

Get out of the way.

Mister, you better find

yourself another line of work.

This one sure don't

fit your pistol.

Hey, mister,

want a paper?

Yeah, I will, son.

Queen Victoria's dead.

There you are.

Thank you.

Whoa.

Hey!

Hey, you!

Hey, Methuselah,

move that cack

out of the way.

Are you

talking to me?

Yeah, you dumb bastard.

Move it, or I'll

deliver you something

to remember me by.

Well, now, pardon me

all to hell.

Giddyup!

Buster.

Whoa.

Try it.

Come on, Jay, the old man

ain't worth the bullet.

He looks

all tuckered out.

Giddyup.

You're right there, son.

Doc Hostetler.

John Bernard Books.

You remembered.

The newspapers

occasionally remind me.

Wh-What was it,

15 years ago?

The only time

I was ever hit...

Right here

at the Acme Saloon.

You killed two men.

I'm damn lucky

you were around.

That second one

nearly did me in,

coming out of nowhere

like that.

You must have the

constitution of an ox.

Well, we'll see.

That's what

I'm here for.

Oh?

About 10 days ago

in Creede, Colorado,

I hadn't been feeling

up to snuff,

so I went to see

a sawbones there.

He, uh...

Well, the next day

I got on my horse

and took off

to find you.

And what did my

colleague in Creede say?

Examine me,

and I'll tell you.

You don't trust me.

Oh, Doc,

you saved my life.

You don't trust

my profession.

In my profession,

you trust too much,

you don't celebrate

many birthdays.

I kind of like it

around here.

All right,

I'll examine you.

Take your clothes off

down to your long johns.

Now, I, uh...

if I'm to know

what to look for,

you'll have to tell me

what's ailing you.

Well, I hurt, Doc,

way down deep

in my back.

Not all the time,

but now and then

suddenly.

Pain in the lumbar

vertebrae?

Like sin.

All right, whenever

you get ready,

just... bend over

the table there,

trapdoor down.

Well?

Books, every few days

I have to tell a man

or a woman

something

I don't want to.

I've been practicing

medicine for 29 years,

and I still don't know

how to do it well.

Why don't you just

say it flat out?

All right.

You have a cancer...

advanced.

Is that what that fella

up at Creede told you?

Yeah.

And you didn't

believe him.

No.

Do you believe me?

Can't you

cut it out, Doc?

I'd have to gut you

like a fish.

Well, what can you do?

There's...

just, uh...

very little

I can do.

Uh, if... when

the pain gets too bad,

I can give you

something.

What you're trying

to tell me

is that I...

Yeah.

Damn.

I'm sorry, Books.

You told me I was

strong as an ox.

Well, even an ox dies.

How much time

do I have?

Two months...

six weeks... less.

There's no way

to tell.

Well, what can I...

What will I

be able to do?

Oh, anything

you want at first.

Then, later on,

you won't want to.

How much later?

You'll know when.

You'll have to

get off your feet

and get some rest.

Have you made any kind of

arrangements for a room?

No. I just

got in town.

You might try

the widow Rogers.

She's got a place down

the street a fair piece.

She takes in lodgers.

She's a nice woman.

She needs the help.

I'll give it a try.

Do me a favor.

Don't tell anybody

I'm in town.

Oh, no, but if I wanted

to go unnoticed,

I don't think I'd walk

around with this thing.

Stole it from

a whorehouse in Creede.

Did you?

Hello.

This the Rogers place?

Yeah.

Ma!

You can tell

your mother

that a tuckered-out

old man needs a room.

Good afternoon, sir.

Afternoon.

Doc Hostetler says you

might be able to help me.

How kind of him.

Yes, sir, I have

one room available.

Good.

Downstairs

in the rear.

$8.00 by the week.

$2.00 per day if

you're not permanent.

Well, I'm not

permanent, ma'am.

Oh, boy, get my gear and

the saddlebags off that horse

and bring them

into the house.

Gillom will be happy

to do that.

The parlor

is yours to use

and the telephone.

My other lodgers

have rooms upstairs.

Two railroad men

and a schoolteacher.

I'll introduce them

at supper.

My kitchen.

And the bathroom.

I thought

that's what it was.

We do have

running water,

also in the washbowl

in here.

Nice-looking brass bed.

I hope it hasn't

got any, uh...

It isn't ticky, is it?

It certainly is not.

This is very comfortable.

I'll take my meals

right here.

I serve

in the dining room.

I'll pay you extra.

Very well, since

you're not permanent.

This suit's got a lot

of countryside on it.

I'd like to have it

brushed before morning.

I'll take

those saddlebags.

That bedroll you can

leave outside.

I have my things

wrapped in it.

They'll need

soap and water.

Have you a barn?

No, we don't.

Boy, take my horse over...

My name's Gillom.

It's not "boy. "

It's Gillom Rogers,

and I don't like

being ordered around.

Well, that's fair enough,

Gillom Rogers.

Would you be so kind

as to take Old Dollar

over to

the livery stable

and see that he gets

a double order of oats?

O.K.

You seem to be a man

accustomed

to giving orders.

I guess it is

a bad habit of mine.

I didn't

get your name.

I didn't give it.

Is it so important?

For anyone living under

my roof, it is.

Well, all right.

It's, uh... Hickok,

William Hickok.

Where do you hail from,

Mr. Hickok?

Abilene, Kansas.

And what

do you do there?

I'm a U.S. Marshal.

Oh, that's nice.

No, it isn't.

I'm glad you're not

staying long, Mr. Hickok.

I'm not sure

I like you.

Not many do,

Mrs. Rogers.

Moses, where did you hide

the whiskey this time?

Third drawer from

the left, Gilly boy.

Gilly, fetch me

my spectacles.

What the hell

are you doing?

You watch

your language, boy.

J.B. Books is

in my house.

Hey.

My name is Books.

Y'all get that?

Bang!

Boom!

He's in my house.

Ma!

Ma, I got to

tell you something.

Shh. Close the door.

What's happened?

Who do you think...

Oh, Gillom, you've

been drinking again.

Do you know

who he is?

William Hickok...

United States Marshal

Rate this script:4.0 / 1 vote

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Shootist" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_shootist_18038>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the main actor in "Fight Club"?
    A Matt Damon
    B Brad Pitt
    C Johnny Depp
    D Edward Norton