Things to Do in Denver When You're Dead Page #6

Synopsis: Jimmy the Saint's business is videotaping the terminally-ill, so that they will be around to give 'Afterlife Advice' to their survivors. He hasn't been doing too well lately and has had to turn to loan-sharks to accomodate his failing business, as well as his expensive personal tastes. When an evil gangster-overlord buys up his note and demands a favor of Jimmy, in exchange for the interest that he can't afford, Jimmy capitulates. Jimmy is to scare someone for the gangster-overlord--really rough them up. Without giving too much away (spoiler), the scene goes down badly and Jimmy and his crew all end up with contracts on their heads for their trouble.
Genre: Crime, Drama
Director(s): Gary Fleder
Production: Miramax
  2 wins.
 
IMDB:
6.8
Metacritic:
46
Rotten Tomatoes:
33%
R
Year:
1995
115 min
Website
1,949 Views


- I-I don't think so, Jimmy.|- Hey, Olden, no more porn theaters,

no more scumbags|strokin' it around you.

- The cool, blue waters of the Mediterranean.|- Ah, Jimmy...

- What?|- I-I ain't gonna run.

- What are you talkin' about, Olden?|- I been thinkin'.

- Olden, listen to me.|- I been thinkin' about this guy,

my neighbor next door|a few years ago, a citizen.

Never married, no kids,|just a sweet guy.

And he got a cancer...|a bad one...

and he was dyin'.

I been thinkin' about him,

thinkin' how|if in his last days...

when he was layin' on the bed|starin' up at the ceiling...

in this shitty little|apartment...

knowin' he was gonna die,

was he sorry|he never did nothin'?

Was he sorry he never|did the fox-trot...

with a $2,000-a-night|hooker...

in a Paris nightclub?

Jimmy, we did the things.

Olden, I appreciate|what you're saying, but listen.

I need you|on this island, man.

Jimmy, Jimmy, uh...

- I need you there.|- I-I-I don't...

I don't have any regrets.

I'm not gonna stare up|at the ceiling.

Maybe I coulda been|a better old man to my kids.

Maybe I shouldn't have pulled|as much time as I did.

But, sh*t, Jimmy,

we did the things.

Them days.

I had a snap-brim hat.

You walk into a joint.|Ah! Forget about it.

Olden, I want you to take|this money, please.

Take it.

You keep it.

You do something|good with it.

I'm all right.

This is what I wanted|to tell you, Jim.

- You all right?|- Ah.

I'm okay.

Well.

Olden.

Did you really do the fox-trot with a|$2,000-a-night hooker in a Paris nightclub?

What do you think, Jimmy?

Olden.

Boat drinks.

Boat drinks, Jimmy.

"Boat drinks. "

That's a common toast|in prison.

An ideal.

Yeah, at the end of a long,|bad life, there you are...

on a big cabin cruiser|somewhere in the Florida keys...

havin' boat drinks.

# Can't sleep #

- You seen Bill Dolittle around?|- No, man. I ain't seen nobody.

- I don't know where he is.|- Where you runnin' off to?

- Nowhere.|- Nowhere, huh?

What's the matter with you?

Nothin'.|What's the matter with you?

- Turn around.|- Why?

- Turn around!|- Jimmy!

- Turn around!|- There. Okay?

Come here. Come here.

- Let me see it.|- F***, man. What's it to you, anyway?

You got a couple of dollars|for me today?

Turn around. Let me see it.|The other way.

- Don't f*** with me. Hey!|- F***, Jimmy!

- Let me see it! What happened?|- There. Okay?

- F***, nothing, all right? It's the same old f***in' sh*t.|- What happened?

It was a bad beat,|all right?

It's those f***in' uptown|f***in' motherfuckers.

He's a regular.

Guess he just kinda decided to have a|little party with a couple of beer bottles.

Oh, nice.|Beer bottles.

Look, I told him. I said, "Lucinda|doesn't f***in' take no sh*t that way. "

And he did|what he wanted and...

he took me out back and he alley-whipped|me, and that's what happened, okay?

- And I'm fine.|- You happy with yourself?

- An exciting life, isn't it?|- Hey, f*** you.

- Get in the f***in' car. Get in the f***in' car!|- F*** you! F*** you!

- I don't need this f***in' sh*t from...|- Get in the f***in' car!

Get in the car!|Get in the...

Get in the f***in' car.

- Get in the car!|- One day I'm gonna f***in' kill you, you know!

- Get in the f***ing car. Shut the f*** up.|- Okay, okay. F*** you.

What's his name?

What is his name,|Lucinda?

- What is his name?|- I don't know.

- You know where he works, and you don't know his name?|- I don't know his f***ing name.

Uh, where are|the accountants, please?

- Um...|- The accountants. I need to see the accountants.

- Where are they?|- Uh, they're down the ha... The... No. Hey, you can't...

- You can't go down there!|- F***in' stop, Jimmy!

- Is that him? Is that him?|- No!

So this software package|can be applicable to all of your...

- What?|- Point him out.

- Point him out.|- He's that guy over there.

It's the blond guy.

- What is this?|- How are you?

What the hell are you...|Oh!

You liked it, huh?|Huh?

See that? See her?

Remember that girl? Do you remember|that girl? You remember her, right?

You know what this maggot did to|that girl? Sit the f***... Sit down!

Sit down!|Where are you going?

Huh? You wanna tell 'em|what you did?

Oh, my God.

Somebody get security on the phone.

He took a bottle...|not unlike this bottle, huh?

- I'm gonna get security.|- And he put this bottle in places...

where you're not supposed|to put bottles, huh?

How would you like it, huh? How would|you like it if I did it to you?

You'd like that, wouldn't you?|Huh? How would you like...

if I took this bottle|and shoved it up your ass?

- Every time you'd take a dump,|you'd need a nickel deposit!

- Come on, let's try it.|- Hey!

Jimmy! Jimmy!

- Come on. Come on.|- I've got him.

Come on, pal!|Come on! Move it out!

Let's say we take it outside.|- So he dropped the charges...

even though you|dogged him out like that.

Alternative would've been nastier. The|guy had a wife, a kid and a mistress.

Ooh, a wife and a mistress, huh?

Those were the days,|eh, Jimmy?

Oh, sh*t.

Mooncalf alert.

Hey, Jimmy.

Jimmy the Saint.

Hey. Jimmy, you...

- Could I have a word with you for a minute?|- What's up, Bernard?

I mean,|i- in private, Jim.

No... No offense.

I'm very upset, Jimmy.

- I know that.|- Yeah.

- I heard about Meg.|- Oh, it's unbelievably sad. It's a heartbreaker, you know.

I mean, she's missing.

I mean, I don't know|what to do.

My letters come back,|"Return to Sender. "

I sent her flowers, right?|They came back dead.

Be patient.

She'll turn up.

Jimmy the Saint.

Look, I just need|some advice, you know?

I'm just...|Get on through it.

I mean,|I love her, Jim.

Hmm? I just|wanna talk to her.

I just want to hear her say,|"Bernard, I'm happy now.

I love this guy,|but I'm happy now. "

I mean, if I could|hear her say that,

I would get on|with the rest of my life.

See, her happiness is more important|to me than my happiness.

You understand?

I understand.|That's very noble of you.

Thank you.

She'll turn up, and you can talk to her|and tell her how you feel.

- Just be patient.|- Yeah.

You're right.

Thanks, Jimmy.

You know,

I liked that thing|you said about bein' noble.

I could be noble.

I mean you,|you're noble.

I could be.

Hey.

You wanna go bowl a few strings|with me sometime?

- Yeah.|- Yeah?

- You know "Diamond Mike" Ettlers?|- Yeah, I know him.

All-Strike Lanes?|From Brownville?

- Okay. I'll call you.|We'll bowl a few frames.

Great.

- Hey, that's great.|- Okay.

- Thanks, again.|- All right.

- Jimmy the Saint.|- All right.

I arranged this thing with Petey Weed for|you guys to go to Canada, if you want to.

I got it.

I appreciate|what you're doin', Jimmy.

I really do, but I got|everything under control.

All right? Now, you oughta|get out of here yourself...

or you're gonna end up|terminal, man.

- I gotta find Bill first.|- Yeah, whatever.

Come here.

Take this.

- What's that, your boat fund money?|- Take the money.

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Scott Rosenberg

Scott Mitchell Rosenberg is an American film, television, and comic book producer. He is the chairman of Platinum Studios, an entertainment company that controls a library of comic-book characters and adapts them for film, television and other media. He is also the former founder and president of Malibu Comics, and is a former senior executive vice president for Marvel Comics. more…

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