Untraceable
FADE IN:
INT. SUBURBAN BASEMENT -- RAINY NIGHT. .
VIDEO CAMERA POV: held at hip level, jerking with each step,
we move in dim light past boxes of junk...a dormant furnace
.
...a rusty bicycle...shelves of Christmas decorations...and
bundles of Ethernet cable, running beside flashing state-ofthe-
art computers...around a corner into-
.
A WOOD-PANELED ROOM. Rain rattles the ground-level windows,
whose panes are covered with black soundproofing panels. A
.
folded-up Ping-Pong table leans against a wall. Ugly shag
carpeting has been stripped back from the cement floor.
.
A small, muted TV set, sitting on a cardboard box, plays a
prime-time hour-long drama. Thunder rumbles outside.
.
The CAMERA shakes as it is screwed into a tripod and pointed
to the cement floor. At the top corner of the frame, the TV
is visible.
Footsteps. Liquid pours.
A MALE HAND, long and slender,
lowers a saucer of milk to the floor.
More footsteps. A package is torn open. A glue rat-trap is
slapped to the floor a few feet from the milk. .
A canvas bag is unzipped. A tiny meow, then the tinkling of
a little bell. .
A man’s torso passes by, momentarily blotting
out our view.
A moment later, the CAMERA zooms tighter on the milk and the
trap. More meowing, as a KITTEN enters the frame, bounding
.
clumsily, adorably. It wears a handcrafted pink collar with
a bell.
It steps into the trap. It freezes, pulls and pulls, the bell
tinkling urgently, but it cannot free its paw.
.
The kitty freezes, blinded.
EXT. SUBURBAN PARKING LOT -- RAINY NIGHT. .
.
Headlights blind us, as an SUV, wipers working, drives up to
a guard booth.
--then once he’s raised a million .
bucks in donations, he’s gonna
.
shoot himself in the ass, live on
the Internet!
2.
Laughter from the radio. The YOUNG GUARD nods, smiles, and
waves the driver through.
INT. SUV -- MOMENTS LATER -- RAINY NIGHT.
The driver, whose face we cannot see, pulls into a parking
spot in the barely-filled lot.
CAR RADIO DJ:
And guess what his website’s
called. I am not making this up.
Gonnashootmyselfintheass.com!
Seriously!
Manic laughter from the radio, until the driver kills the
engine. As the driver unfastens the seat belt, we glimpse a
9mm Glock on the driver’s hip.
The driver reaches over and grabs a black umbrella, which lies
next to a half-clad Barbie doll.
EXT. SUBURBAN PARKING LOT -- CONTINUOUS -- RAINY NIGHT.
Emerging from the car, opening her umbrella, is JENNIFER
MARSH, early 30’s, beautiful and fierce, no make-up, wearing
a windbreaker.
.
FOLLOW MARSH, walking alone across the dark, rainy lot toward
a bland FOUR-STORY OFFICE BUILDING.
The closer she gets to the entrance, the higher the CAMERA
CRANES. By the time she enters, the CAMERA has reached the
roof, which is crowded with massive satellite dishes and
towering antennae.
INT. OFFICE BUILDING LOBBY -- SAME -- RAINY NIGHT.
RAY, 65, a security guard, smiles almost paternally at Marsh
as she jams her photo I.D. in and out of the electronic
reader.
INT. OFFICE ELEVATOR -- MOMENTS LATER -- RAINY NIGHT.
As the car ascends, Marsh stares at herself in the silver
doors. Her hair is wet, disheveled. She primps at it a bit,
then stops. What’s the point? Why bother?
INT. DIAL-UP ROOM -- MOMENTS LATER -- RAINY NIGHT.
Marsh walks down a row of beige cubicles under fluorescent
lights. In each carrel, a MALE WORKER clicks away at a
desktop computer.
3.
Over the workers’ shoulders, we catch glimpses of their
screens. Mundane stuff, mostly: chat rooms, newsgroups,
myspace.com, e-mails, etc....
But then a flash of hard-core pornography. And on the next
monitor, something worse. Are those naked children on the
screen? We’re moving too fast to know.
Marsh stops at a large desk, equipped with four large
monitors and two keyboards. She removes her Glock from its
holster, slips it into a drawer, and locks it.
EXT. OFFICE BUILDING -- LATER -- RAINY NIGHT.
Behind the rainy window pane, we see Marsh, typing quickly,
navigating the web, her screens flashing as pages open and
close.
INT. MARSH’S WORK STATION -- SAME -- RAINY NIGHT.
Seated closest to Marsh is GRIFFIN DOWD, 30, funny-looking,
bright, amiable, typing into a chat room. Despite the
intensity of their concentration, they manage to converse-
GRIFFIN:
I’m serious. It was the best first
date ever. She was amazing. She
looked exactly like her picture.
MARSH:
You’ll never see her again.
GRIFFIN:
How do you know?
MARSH:
Because you look nothing like
yours.
Griffin laughs. Marsh freezes, types something, hits a key.
On one of her monitors, a website appears. She reacts to the
little victory. Curious, Griffin wheels his chair over and
reads the screen-
GRIFFIN:
Tunethief.com?
MARSH:
For the next few hours, anyway.
Tomorrow, it’ll have a new name.
It’s taken me a week to isolate the
creep.
4.
She hits Enter and a nasty gangsta rap song blares from her
speakers. Other workers look over, startled and amused.
Marsh lowers the volume.
.
MARSH (cont'd)
He offers free downloads of pirated
music. Watch what happens to my
dummy drive when I accept his offer.
Marsh clicks on the download button. On one of the screens,
at lightning speed, we see a digital representation of files
being madly copied.
MARSH (cont’d)
He stole all my financial data...all
my passwords...which I just happened
to have conveniently gathered in a
file called “Passwords.” I also
threw in a keystroke recorder, so I
can follow him. He’s run up a half-
million bucks in fraud in the past
three weeks.
GRIFFIN:
What’s he into?
MARSH:
High-end tech and low-end porn.
GRIFFIN:
Are you sure it’s a guy? If it’s a
woman, she could be my soulmate.
Ping! A sixteen-digit number appears on the screen.
MARSH:
My dummy Am Ex. Let’s hope he uses
it.
The screen changes to ebay.com.
MARSH (cont’d)
Huh. I’m surprised he has the
patience.
The screen changes to the item page of a CONSERVATIVE, GOLD,
SWISS WATCH.
MARSH (cont’d)
Okay, it’s a “Buy It Now” item.
Fine, buy it now, a**hole.
(ping!)
Thanks.
5.
Marsh starts working her keys at a furious pace, her hands a
blur. Even Griffin, who’s used to it, watches in wonder. He
glances over and sees other workers glancing out of their
cubicles, watching, as well.
.
MARSH (cont’d)
I’ve got his IP address. Now I’ll
get his physical one.
Phone directories appear. Marsh, typing with one hand and
not even looking at the screen, begins typing on her second
keyboard.
MARSH (cont’d)
There it is.
A profile pop up: SANDRA HOBBS, 221 BAYSHORE BOULEVARD,
TAMPA, FLORIDA 33611.
GRIFFIN:
So it is a woman.
MARSH:
Fifty-six years old.
GRIFFIN:
Damn, a year past my cut-off.
MARSH:
An ER nurse. Lived there her whole
life. No priors. And no history
of on-line purchases.
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"Untraceable" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/untraceable_526>.
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