Water's Edge Page #5

Synopsis: Robert and Molly are a married couple struggling with the tragic death of their young daughter. They've fallen on hard times financially and move to Robert's late father's rustic cabin in the small town of Reedsville. Then Robert stumbles across a horrific scene in the woods and finds himself entangled in the web of corruption and deceit that hides under the small town's surface.
Genre: Drama, Thriller
Director(s): Harvey Kahn
Production: LionsGate Entertainment
 
IMDB:
5.1
R
Year:
2003
101 min
99 Views


Sit down.

How long you and your wife been | staying up at your daddy's cottage?

We moved in | at the beginning of this month.

And this is just | for recreational purposes?

- I'm working on a new book. | - Oh, is that right?

Have you heard anything | unusual in the last week?

No, I haven't.

Do you own any other guns | other than the shotgun there?

No. | And that's not my gun.

It was my father's.

I see. So you're saying | you never fired it?

No. I mean, | not since I was 12.

I'm really gonna need to speak | with your wife.

Well, there's nothing | she can tell you that I can't.

Oh, I don't doubt that.

It's just that you live three miles | from the scene of a homicide.

- A homicide? | - Yes, a multiple homicide. Yes, sir.

Whoa. | I haven't heard anything.

These homicides, they-- | they happened in the last week.

Is there anything you heard | that you just can't explain?

Like what?

That's what I'm trying | to figure out here.

Look, Officer...

I lived in New York | most of my life,

and if I had heard gunshots, | I'd have known what they sounded like.

- Are you sure? | - I'm positive.

Well, that's kind of strange, | don't you think?

- What's that? | - Well, I didn't mention gunshots.

I just said homicide. I think it's kind | of funny you'd just assume that.

Well, Officer, we did a lot of talking | about that rifle there.

I think that's a pretty | fair assumption.

You know what?

When you put it that way...

I see your point.

Are you sure you don't want | a soda or anything?

No, thank you. | I'm fine.

if my associate

tracked down | your wife at the grocery store.

Sit tight.

Say...

you ever serve | in the army?

No. | My dad was in Korea.

- Why? | - I was just wondering.

Oh, Jesus.

Oh, no, no, no, | the flashlight.

Hey! Hey!

He took off 'round back!

Robert?

Robert?

Robert?

( metal banging )

Where you going, | Shakespeare?

Ow!

Damn it!

Son of a b*tch.

Son of a b*tch!

It was you.

You and your husband, | you started this.

No. But we finished it. | Or we thought we did.

How could you do that?

Allow your husband to take | those pictures of you?

Molly, as grateful as I am | for what you've done for me,

I'm sure as hell not gonna stand here | and listen to you lecture me

on what a husband and wife | should and shouldn't do.

Robert didn't come | home last night.

- Where is he? | - Cops came, took him away.

- Why should I believe you? | - I don't care, really!

All I know is it's not going to be long | till they come looking for me.

So I need you to tell me | where the money is.

It's in the locker, | where it's always been.

No, it's not | in there, Molly!

Now tell me where it is.

You tell me | where Robert is.

You're like a little house bird. | You know that, Molly?

Without somebody taking care of you | or that little house you done built up,

you could be squashed | in a fist.

I'm stronger than you think.

Well, try this on.

The last time I saw Robert | was last night.

And aside from being | real drunk,

his spirits were real high.

At least that's what | it looked like

when I was on top of him | and he was on top of me.

Inside me.

You're not strong | enough for him, Molly.

And I think you know that.

So I don't think | you know where the money is.

'Cause you're not | in his thoughts anymore.

You're not a part | of his life.

You're weak, Molly.

You're nothing | but a little, weak--

( groans )

( gasping )

( screams )

Get him, T!

Damn it, Molly, | I don't have time for this.

Give it up!

How do you like | where I parked my truck? Huh?!

Huh?!

Take a load off.

Why'd you have to beat | on him so much?

He ran. We went after him. | What's your problem?

Byron:
| Take off the handcuffs.

I said take 'em off!

Byron, the day I take | a direct order from you

will be the day | I lick my own nut sack.

- ( T laughs ) | - Block: Take 'em off.

You heard me, Campbell. | Take 'em off.

You'll have to excuse the stench | in here, Mr. Graves.

Our mutual friend T. Wallace | insists on keeping the feed store open,

despite the fact that there isn't much | of a demand for horse oats anymore.

They just sit back here | getting wet and moldy.

- It's a waste of space, T. | - I'll be the judge of that.

I suppose you will.

You mind if I sit?

Now don't be sore | at old Byron here.

He's looking out | for your best interests,

as all of us are.

You see, your daddy was what we'd | like to call "Old Reedsville."

Your people are buried | up on Magnolia Hill, same as ours.

So we've decided we'd like | to claim you, Mr. Graves,

as one of our own.

Someone we'd like | to take care of.

I can take care of myself.

Hmm. That, uh...

remains to be seen, | don't you think?

You're... | bleeding there.

Here you go.

Now, I'm in a very | awkward position.

Yeah, I know.

- I've seen all your positions. | - Ah.

A reference to the lewd photographs, | I suppose, yes.

There's a few questions I'd like | to ask you about those.

Yeah? Why don't you ask him? | He's the one who took 'em.

You mean T? | Well, now,

we've had our differences | over the years,

but he would never | do something like that to me.

Then why is he here?

Well, you killed | his brother for one.

Sheriff Dodd.

He's the one you shot and sank | at the bottom of Chitwick Lake.

Oh. Well, I guess sh*t | doesn't float after all.

Stop it!

Hang on, you gotta admit, | that was a pretty good one, T.

Now, just sit down | and relax now. Come on.

Son, she's a bad person.

Her and her husband.

the pictures.

They're the ones | who started this whole mess.

Mm-hmm. Now, | if you've seen those pictures,

I imagine you also saw

a little black bag up there, too.

If Rae is up at that cabin I'm concerned | about Molly's safety.

She's a fierce woman, | this Rae Butler.

( Block chuckles )

Sweet as a Georgia peach, | though, I gotta tell you.

Of course, I may might be speaking | to the already converted.

You've... had a sample of that | peach pie now, haven't you?

What is it you want from me?

Mr. Graves, | we're it.

This is the committee. | We make Reedsville happen.

Now, if you say you didn't | kill someone, that's it,

you didn't kill someone. | Ain't that right, T?

Like he said,

you can be part | of "Old Reedsville."

Byron here's gonna | take you back.

And you will return to us | what is rightfully ours.

After that... it's over.

Done. Finito.

I figure we've got enough | dirt on each other

to keep the playing field fair.

So what, you're just | gonna kill her?

No. | No, no, no, no, no.

We missed our opportunity at that, | unfortunately.

We're gonna put some cash | in her hand

and ship that split-tailed b*tch | out on a bus.

Robert, we just got to go | pick up that money.

Just you and me.

all is forgotten.

( laughs )

How do you do it?

How do you get | all these fools

wrapped around | your finger?

We take care of our own.

Like I said...

we're "Old Reedsville."

- Wait! Wait! | - I'm sorry, Molly.

I can't let Robert | find you like this.

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Craig Brewer

Craig Brewer (born December 6, 1971) is an American film director, producer, and screenwriter. His 2005 movie Hustle & Flow won the Audience Award at the 2005 Sundance Film Festival and achieved commercial success, along with an Academy Award for Best Original Song, "It's Hard Out Here for a Pimp". more…

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Submitted on August 05, 2018

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