Where the Day Takes You Page #7
- R
- Year:
- 1991
- 105 min
- 202 Views
Come on, man, let's go.
Yeah. No, you're right.
F*** this place.
You're right. I gotta get out too.
We'll get Little J and Greg,
and maybe we'll come.
Yeah. Anyway, if I don't see you,
it's good knowing you.
Yeah, you too.
Yeah. Have a good life.
It's nice to meet you, Heather.
Take care.
Later days
and better lays, y'all.
You didn't do sh*t.
Yeah, well, that doesn't matter.
(TV PLAYING)
I want you out of here.
I want you out of here now!
No, don't hurt me. Don't hurt me.
Don't hurt me.
(GROANING)
Oh, f***.
Oh, you gave me sh*t, man.
TED:
What the f***you talking about?
motherf***er!
You gave me sh*t!
Take this, man!
I don't cheat nobody!
I don't cheat nobody!
You wanna buy from
somebody else, kid, you do it.
I don't wanna sell to you no more.
I'm sorry. I'm sorry, Ted.
You just can't handle it, man.
I can.
Sit down.
I'm sorry, man.
I didn't mean it, man.
I'm sorry.
You're practically
my brother, man.
If I would've known you couldn't handle
the smack, I never would've given it to you.
I can handle it.
The f*** you can!
Look at you.
You stink, man. What the hell
is wrong with you?
Nothing.
Nothing! F*** that!
I'll tell you what's wrong
with you.
who's ended up on the streets...
...and thinks he's a
bad man with an attitude.
You're nothing but a punk, man, that's
it. A punk who can't handle his drugs!
F***ing pathetic.
All right. From now on,
it's cash only.
Maybe that'll help you
slow down a little.
You still got cash,
don't you?
Well, all right.
What do you want?
A quarter?
No.
I'll give you a 20 piece.
That's it.
Okay.
Show me your cash.
Have you seen him?
You just missed him.
And too bad for you. He had a bunch
of money and bought me all this food.
Where'd he go?
Hey, hey.
Where'd he go?
Sh*t. Thanks.
Young love. Sheesh.
You just do like we said, all right?
Okay.
Just leave it to me.
You stay in the hall.
You got your money?
Right here.
Is he here?
Ted.
Look out, Vikki.
What the f***?!
Ted!
Where's Greg?
Ted, where's Greg?
Greg's here, I know he is.
What can I do for you, man?
Just stay the f*** out of my face.
Sure.
Greg!
Sh*t.
What?
What the hell are you doing?
King.
What are you doing?
What's up, bro?
What?
Look at yourself.
What?
Look at yourself. How do you feel?
Well, it's cool, man.
It's not cool, Greg.
(METAL CLANGS)
We're in big trouble,
all right?
Little J and Heather and I
are leaving on a bus tomorrow.
What happened?
Somebody got shot, all right?
You're coming with us.
Where are we gonna go?
I don't know. Someplace cheap.
We'll just get on a bus and go where
it's going, okay? What do you say?
We'll be together?
Yeah, all of us. All right?
Okay.
All right. Get the hell up.
Get your shirt on.
I can't... Wait. I'm too high
for the street, man.
Listen, you'll do what I tell you
to do when I tell you to do it.
I'm too high, man.
Listen!
Look, no more drugs.
Here, take my money.
This doesn't mean
anything to me.
I can't believe a word you're saying.
On my honour.
I just need to know
you're gonna be there.
On my honour,
I'll be there.
I'm trusting you.
I promise.
Noon. Noon.
What? What are we...?
What's wrong?
I tell Greg in there... Where
are we gonna go? What city?
Are we just gonna pick a city?
What's gonna change?
Maybe we'll find
a freeway underpass...
or a nice squat.
Or maybe I'll just get my
sh*t together and get a job.
I told Greg that everything
would be fine.
I have no right. I have no right.
I can't promise anything.
No, you can't. You can't
promise anything to anybody.
You mean the world
to them.
I just want them to see how to
look out for themselves better.
They love you.
I...
Little J, are you home?
Little J.
Where you been?
You okay?
Yeah.
No, man.
What are...?
F***!
Man, I didn't mean to shoot him.
I f***ed everything up for us.
I'm sorry, man.
I'm f***ing sorry. F***!
F***!
F***.
Man, I'm f***ing sorry.
I didn't mean to f***ing shoot him.
I know, J.
He tried to kill me.
You saved my life.
Man, where the f***...?
What are we gonna do?
J, cool it. Cool it.
J, what?!
We're leaving. We're splitting town.
You're gonna come with us, okay?
Where the f*** are we going, King?
Now, listen to me.
What the f*** do we have. No!
J!
I'll take care of you, J.
Listen. Listen.
What?
I'll take care of you.
Will you come with us?
Come on, J. Come on.
Come with us.
Yeah.
Good. Come on.
F***. F***.
Hey, hold up there.
F***.
Police officers.
Wanna ask you a couple of questions.
Why?
Just got a couple questions for you.
I didn't do anything.
That's all right.
(TIRES SCREECH)
Oh, sh*t.
Goddamn it!
Get up! Get up!
I didn't do anything!
F*** are you running for? Shut up!
Jesus-f***ing-Christ.
You okay?
Yeah. Look, we're not
gonna take you in.
We just wanna ask you
a couple of questions, that's all.
Where the f*** is King?
I don't know King.
You're a f***ing liar.
I don't know who King is.
You're a f***ing liar! He's your friend
of yours. You're lying. Where's King?
I ain't seen him.
Oh, yeah? What were you running for?
What do you got on you?
I ain't seen him.
I swear to God. I ain't seen
him since he been in jail.
What's that? Huh?
You're a lowlife scumbag,
you know that?
All you had to do was share a little
information with me. Where King was.
Now you got a real problem.
What do you want from me?
You're going to jail. You have
If you give up that right, anything you say can
and will be used against you in a court of law.
(MELISSA ETHERIDGE'S
"ROYAL STATION 4I16" PLAYING)
You did the right thing,
talking to the cops.
You save yourself.
Save yourself.
F*** King, man.
F*** him.
You did the right thing,
little bro.
Come to me, okay?
Good. Good.
KING:
What do you got?
No, J. You gotta roll it
over your knuckles.
You'll get it when you
get a little older.
MAN (OVER SPEAKERS):
Bus number 420...
Sh*t, we can't wait.
We gotta go.
What about Greg?
We can't wait. Let's go.
...now boarding at Gate G.
Which way to departures?
KING:
Sh*t.
Where the hell is Greg?
You guys, wait here.
(MELISSA ETHERIDGE'S "YOU CAN
SLEEP WHILE I DRIVE" PLAYING)
MAN (ON SPEAKERS): This is
the final call for bus number 420.
Service to Riverside, Indio...
F***, Greg.
Oh, sh*t.
I f***ing did it.
Hey, King, I did it.
Hey, freeze! Don't move.
Put the gun down, son.
Come on, put it down.
Little J, put down the gun. Don't
make a mistake, son. Don't...
OFFICER:
Come on, son, put it down.
Put it down. What are you doing?
F*** them!
Don't, man!
(INAUDIBLE DIALOGUE)
INTERVIEWER:
How do you seeyour future on the street?
What do you mean?
Do you see yourself always on the street?
Or do you see yourself getting off...
Look, if you got a plan,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Where the Day Takes You" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/where_the_day_takes_you_23344>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In