You Don't Know Jack Page #8

Synopsis: Dr. Jack Kevorkian (1928 - 2011 ) in the 1990s, when he defies Michigan law assisting the suicide of terminally-ill persons. Support comes from his sister, a lab tech, the Hemlock Society president, and a lawyer. The child of survivors of the Armenian genocide interviews applicants: his sister video tapes them. He assembles a device allowing a person to initiate a three-chemical intravenous drip. The local D.A., the governor, and the Legislature respond. In court scenes, Kevorkian is sometimes antic. He's single-minded about giving dying individuals the right to determine how their lives will end. He wants the Supreme Court to rule. He picks a fight he can't win: is it hubris or heroism?
Genre: Biography, Drama
Director(s): Barry Levinson
Production: HBO Films
  Won 1 Golden Globe. Another 10 wins & 36 nominations.
 
IMDB:
7.7
Rotten Tomatoes:
91%
NOT RATED
Year:
2010
134 min
Website
966 Views


from his seizures,

He used to pray

not to wake up.

He talked about

shooting himself,

But he didn't want to leave

me the mess to clean up.

So here's your truth, mr.

Thompson.

As sick as hugh was,

I begged h

not to make the call.

I begged him every

night for nine months.

And then before christmas,

I asked him what he

wanted for a gift--

The last gift I'd

ever give him--

And he said, "there's only one

thing you can get me, sweetheart.

It's an appointment with dr.

Kevorkian."

I find no factual basis

to proceed.

- ( jazz music playing )

- ( people vocalizing )

- ( people chatting ) - fieger:

Exonerated once again.

Jack, 15;

thompson, zilch.

Wow. No wonder everyone's

drinking at this show.

( margo laughs )

Is that santa claus

stepping on a baby?

- Yes. - Janet:
Tell me

about doc's christmases.

It looks quite morbid--

Well, except for

the flower that is.

Thank god

I'm not a shrink.

Margo:
Our grandparents,

our aunts, our uncles,

The armenian holocaust was

the same as the jews.

Only our parents--

barely teenagers--

Were able to flee.

Growing up, all we heard were those

terrible stories of all the bloodshed,

And it frightened jack so.

It's all dealing with the

melancholy age-old struggle

Between warmth of life,

the iciness of death.

Only I'm sure that theme

would be better served

Had a real artist done it.

Margo:
Many nights he would

just sit in his bed--

Lights on a must--

you know,

Clutching that little

dog of ours so tightly.

Wait a minute. Wait a minute.

He had a dog?

You're looking

so intently.

- Yes. - What are you feeling?

That's what I'd like to know.

- Jack, it's, uh-- it's--

- it's, uh--

- Hi.

- Hi.

- It's, um-- - I know

what you're feeling.

You're feeling it's--

it's macabre.

Stan:
It is macabre, my friend.

Jack:
Yes, but you're

looking at it nonetheless.

It's like war.

War, you're drawn to it,

But after you've been through it,

you say, "oh, that was grotesque,

Macabre, strange, ugly.

"

That's the feeling I'm

trying to convey.

- I'm sold.

- I heard "sold."

- How much, jack?

- Whatever you think is fair.

- My patients thank you in advance.

- Good.

This is from

my private collection.

( phone ringing )

Hello.

Man:
Dr.

Kevorkian, I'm afraid we have

Some bad news regarding

your sister.

It appears she had

the heart attack

A couple of hours before

she called 9-1-1.

Perhaps she thought that whatever

it was, it would just pass.

I'm terribly sorry

for your loss.

Wouldn't you like

to see her?

( whispers ) no.

( flute playing )

Jack:
"by late, much

too often deceived,

By too early a death

now relieved

Of the burden she bore,

My sis margo gave more

To my life than she

ever received."

The whole question

of death and dying

Involves the most profound and

complex ethical questions

That we must decide

as a society.

At no time have the

people of michigan

Or the michigan legislature

granted jack kevorkian

Or any other individual

the sole right

To decide who lives or

dies in our state.

- Thank you. - Thank you, governor.

Congratulations.

Over here.

Just bring it right over here.

- We're going to save some of that stuff.

- ( honking )

- ( men chatting )

- ( silent )

We all

support you, jack.

Oh, thanks, fellas.

Thank you.

- Could I?

- Oh yeah.

- ( honking ) - jimmy!

Yeah, give me a hand here.

I'm signing

autograph!

- Okay? Wait a minute.

- gonna grab me a plane

that'll take me back

home to my folks...

( geese honking )

maybe real soon...

( engine stops )

just as soon as I get a

few dollars ahead...

I got it in a settlement

a couple of years ago.

It beats the hell out

of your apartment.

- ( chuckles )

- a lake.

- ( geese honking )

- oh!

- Geese? - Yeah.

( chuckles )

Well, it is a bit

romantic for my taste.

Well, sue me for trying to put a

goddamn roof over your head, jack.

- Well-- - I'm not letting

you live in some y.M.C.A.

- Come on.

- Fine.

Only I haven't

taken this yet.

And if I do,

I'm paying the rent.

No charity case.

Okay, I'll take it.

Okay.

Geoff?

- Yeah?

- Let's go.

Let's go.

Don't you have work to get back to?

Like what?

"like what?

"

Like appealing the 15-month

ban that's tying my hands.

What's on your mind, jack?

They made a law

specifically to stop me.

- I want to challenge it.

- ( paper rustling )

I want to test it.

What is this?

Thomas hyde,

30 years old,

Lou gehrig's disease.

Oh.

Are you gonna go along

with me on this?

I'm with you, jack.

- ( grunts ) - jack: Okay,

don't strain too much.

Don't strain.

Don't strain.

- Ah!

- He's gonna get a cramp here?

Does he? Yes. All right, that's

enough of the physical stuff, tom.

No more physical. I just wanted you

to move a little for the record.

So now, tom, tell me:

What is it you wish?

In plain english.

( camera clicks )

( clears throat )

Bond is set for $50,000.

Are you gonna pay that today?

Oh, that is beyond

egregious, your honor.

That is no way I'm going to pay

a bond like that, your honor.

You can forget it.

You can forget it,

- Because this is the last time...

- Fieger:
Jack.

...You people unjustly take

away from me my liberties.

- I need a moment with my client, your honor.

- The last time.

And I will not-- hear me

now-- I will not eat.

- Jack.

- Guaranteed.

- I apologize for my client.

- You are assisting in my suicide.

( whispers ) please.

Jack jack jack, just come on.

( door buzzes )

( doors clanging )

Fieger:
Jack, this is better

than I could've imagined.

Every paper is treating

you as a victim.

Don't even think

about paying my bond.

- Let 'em convict me.

- You're not getting convicted on my watch.

Here, jack.

Come on.

- Jack:
Huh?

- Have a bazooka.

- Bazooka?

- No, it is not cheating.

It's just

a little apple juice.

I put some vitamin

drops in, that's all.

Go ahead.

- Vitamin drops?

- Yummy. There you go.

I've seen you before, haven't I?

What the hell is in there?

You've seen better days, doc.

Just drink it down.

- I sure have.

- ( chuckles )

That's it.

Mmm.

That's sweet

of you, janet.

- Oh, my pleasure, doc.

- Share some with me.

No no no, you have it.

I'm on the wagon.

- ( chuckles )

- ( door buzzes )

- "because it's"--

- ( door clangs )

- "because it's"--

- ( door clangs )

What's this?

I know this.

I know this well.

Why can't I--

"because it is my name.

"

"because it is"--

Jack's voice:
"...

My soul."

"because it"--

How could

I not know that?

"because it is my name.

- Because I cannot have"--

- ( door clanging )

"because I cannot have

another in my--

Because I cannot have

another in my life."

- "because it is my name.

" - ( door buzzes )

"I have given you...

My life.

"

"I've given you my life.

"

"because I would--

Because I would"--

no no no.

- "because I-- I cannot

have"-- - ( door buzzes )

"because I cannot have"--

let meot--

- ( door clanging

) - ( mumbles )

"I cannot-- I cannot have

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Adam Mazer

Adam Mazer is an American screenwriter. He is the writer of HBO Film’s biopic, You Don't Know Jack, about the life of assisted-suicide advocate, Jack Kevorkian.Mazer was the co-writer of the 2007 Universal Pictures feature film, Breach, starring Chris Cooper, Ryan Phillippe and Laura Linney. Directed by Billy Ray, Breach is based on the true story of the FBI’s most notorious spy, Robert Hanssen. Adam and his former partner, Bill Rotko, optioned the rights of the young FBI aide who worked side-by-side with Robert Hanssen and played a vital role in his arrest. The movie was released in February, 2007. He’s recently finished the screenplay, The Sentry Keep; based on the true story of a 1982 New York City armored car company heist, that at the time, was the largest cash heist in U.S. history. Dito Montiel (A Guide to Recognizing Your Saints, Fighting) is attached to direct. The movie is being produced by David Hoberman and Todd Lieberman of Mandeville Films. He’s also currently working on a one-hour TV pilot, Contingency, with the television production company, Reveille (The Office, Ugly Betty). Contingency is set in the early 1980s and explores the wild early days of a Personal Injury law firm. Additionally, he wrote the one-hour TV pilot, Ghosts, for the CW Network. The drama deals with the personal and professional lives of young undercover FBI Agents who work in an elite unit called the “Special Surveillances Group”. Prior, Adam sold the family comedy, Big Baby, (co-written with Gregg Lichtenstein) to Warner Brothers with Neal Moritz and Richard Suckle producing, and Raja Gosnell attached to direct. Adam was a founding partner of Point Blank Entertainment where he was an Associate Producer on the outrageous ensemble comedy, Super Troopers. The film was sold at the Sundance Film Festival and released in 2002 by Fox Searchlight. Adam’s other efforts include his screenplay, The Amateur which was set up with the Kennedy-Marshall Company. Based on true events, The Amateur tells the story of 19-year-old golfer Francis Ouimet’s remarkable underdog victory at the 1913 U.S. Open. He also wrote the police corruption drama, Officer Down, the comic book fantasy adventure, The Last Ride of Waterloo Clyde, and Shelter From the Storm – an adaptation of Stephen Miller’s southern mystery novel, A Woman in the Yard. Upon graduating from the Newhouse School of Public Communications at Syracuse University in 1989, Adam moved to Los Angeles and partnered with Bill Rotko (A&E’s recent The Beast) until 2005. They sold their first screenplay, Freeze – a harrowing Antarctic action-adventure – to Columbia Pictures and Mandalay Pictures. more…

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Submitted on August 05, 2018

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