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Wish Granting Factory

Synopsis: A runaway teenager, dreaming of changing some event in his past, which he believes, ruined his life, accidentally gets to the Wish Granting Factory and makes his wish fulfilled. Consequences lead to unexpected results.
Asking price: Negotiable
Genre: Fantasy
59 Views

BLACK SCREEN:

NARRATOR:

They say to dream! Dreams do come

true.

FADE IN:

1. EXT. ST. LOUIS - HOUSE - DAY

JACK (30s) and other PARENTS sit at the table in the backyard

of the house watching CHRISTOPHER (10) and other CHILDREN

play with a dog.

NARRATOR:

Since childhood, we've been told

that if you make a sincere wish it

will come true.

JOANNA (30s) appears at the porch door holding a huge cake,

and she sets it on the table. Her son, Christopher, gleefully

approaches the table. His father Jack gazes fondly at him. On

the cake, there are 10 candles with the words “Happy Birthday

Christopher”.

JACK:

And now, make a wish, son!

Christopher blows out the candles. The GUESTS applaud.

NARRATOR:

Can the wish come true instantly?

What happens with the wish after it

is made?

2. EXT. PARK - EVENING

A YOUNG WOMAN and a MAN sit on the bench and look at the

stars. They see a falling star.

MAN:

Let's make a wish!

The man takes the woman's hand.

NARRATOR:

What would you say if I told you

that your wish is written in a

special file containing all details

like the date and circumstances the

wish was made? For sure you can

imagine how many files are created

on Christmas Eve and during New

Year's Eve.

3. EXT. TIMES SQUARE - NEW YORK - NIGHT

3. EXT. TIMES SQUARE - NEW YORK - NIGHT

The PEOPLE stand at the square and look at the ball that is

about to drop.

PEOPLE:

Seven, six, five, four, three,

two...

The ball drops. The people applaud and kiss each other.

WOMAN:

(asking her little

daughter)

Did you make a wish?

GIRL:

Yes, Mommy!

The WOMAN kisses her DAUGHTER.

NARRATOR:

So, did you imagine millions of

these files that contain wishes?

Great. Then I should be really

careful and find people that will

help to make these wishes come

true. I create a plan on how you

will meet these people. So, this is

me, who is responsible for

everything that is going on in your

life. Good and bad things, tears

and laughter. Everything that your

life consists of. But isn't it a

great moment when after several

misfortunes you eventually get what

you want and say that you’ve been

dreaming about it all your life?

4. EXT./INT. BUSINESS CENTER - DAY

A YOUNG GIRL, wearing stilettos, approaches the glass door.

She closes her eyes and crosses two fingers on her hand. When

the glass door opens, the young girl gets into the hall of

the building, stumbles, and falls down. A YOUNG MAN

approaches her and helps her to get up. She smiles at him.

NARRATOR:

Sometimes I travel to your world to

meet some of you. You could have

met me once or twice.

I could have been a man on a bus,

2.

I could have been a man on a bus,

who asked for directions, or a

bartender, whom you decided to talk

to at midnight, when the bar was

about to get closed, or a woman in

a hotel lobby you had a few words

with. You might have forgotten

about these conversations, or maybe

not, but they've definitely changed

the way of your thoughts and

therefore you changed some of your

previous decisions.

5. EXT. PLACE MASSENA - NICE - DAY

A WOMAN is throwing a coin into a fountain and making a wish.

A YOUNG MAN is approaching her and starts a conversation.

NARRATOR:

I am the one who helped these

people meet each other.

NARRATOR:

6. EXT. BEACH - EVENING

A YOUNG MAN walks across the empty beach. He notices a log.

He sits on it and takes out an album. He draws the sea. He

gets a stone with a hole under his feet, picks it up, and

looks through the hole at the sea. He makes a wish. He looks

to the right and sees a boat coming out of the bay.

NARRATOR:

We also ensure that the level of

evil does not exceed the level of

good. The level of evil is

monitored by another department,

which receives information about

bad wishes.

7. EXT. BANK - MORNING

The ROBBERS wearing masks enter the bank. The police cars

drive up to the bank.

FADE OUT:

NARRATOR:

So, you might have been wondering

who we are and what we are actually

doing all day.

8. INT. OFFICE - EVENING

3.

8. INT. OFFICE - EVENING

A MAN is sitting at the table and looking at the computer

monitor. We don't see his face.

CLOSE UP - COMPUTER MONITOR

Nine videos from a security camera.

NARRATOR:

We watch you.

9. INT. CINEMA HALL - SAME TIME

The PEOPLE sit on their seats in the cinema hall. Two GIRLS

eat popcorn and laugh. A YOUNG MAN drinks Cola. A young

couple kisses on the love seat.

NARRATOR:

And maybe at this very moment, I am

looking just right at You. Yes,

You. And I smile, because I know

that You don't believe in anything

You hear. You’ve decided to watch a

family movie! Not a blockbuster,

not a thriller. Just some movie you

weren’t interested in at all. But

this story is for You, for the

person, who made a wish to find out

how wishes come true.

(beat)

After you hear this story from the

beginning till the end, all your

questions will be answered. My dear

Friend, enjoy the show!

FADE IN:

10. EXT. KANSAS CITY PUBLIC LIBRARY - EVENING

The VISITORS leave the building. It starts to snow.

11. INT. READING ROOM - EVENING

Christopher (16), absorbed in thought, sits at the table near

the window and writes in a notebook. He finishes the

sentence, closes the notebook, and looks at the clock on the

wall. It’s 7 p.m. He puts his things into a backpack and

leaves the empty reading room. In the hall, he meets the

SECURITY GUARD (40s) of the library.

SECURITY GUARD:

Christopher! One evening I’m going

to lock you in on accident.

CHRISTOPHER:

4.

CHRISTOPHER:

Yeap, last to leave as usual. Have

a good evening.

SECURITY GUARD:

Have a good evening.

12. EXT. KANSAS CITY PUBLIC LIBRARY - EVENING

Christopher takes a bicycle, parked near the entrance, and

rides down the street, heading to the South.

13. EXT. KIMBELL FAMILY FARM - EVENING

He gets to the green gates of the farm, opens the door, and

parks his bicycle near the barn.

14. INT. STABLES - EVENING

Christopher comes into the stables, gets an apple from the

pocket, gives it to MARY, the black horse, and pets her.

CHRISTOPHER:

Good girl!

Mary carefully takes an apple from Christopher's hand and

eats it with pleasure.

CHRISTOPHER (CONT'D)

I've almost finished writing my

story.

Mary neighs.

CHRISTOPHER (CONT'D)

I'll read it to you as soon as it's

ready.

15. INT. KITCHEN - EVENING

Joanna sets the table putting plates, silverware and napkins.

JOHN (40s), her second husband, an unpleasant bearded man

enters the dining room.

JOHN:

It's late! Where the heck is

Christopher?

John sits at the table.

JOANNA:

5.

JOANNA:

He said he was going to the library

to write his story for literature

class. He promised he would be on

time.

Joanna puts a plate with baked potatoes, grilled chicken, and

a bowl with salad on the table.

JOHN:

Let's eat! I'm not gonna wait for

him again!

John grabs potatoes and a piece of chicken and puts them on

the plate.

JOHN:

All writers are slackers. A man

should work as an engineer, farmer,

or vet and be useful to his

country. Who needs these writers?

They're just writing some stupid

novels and stuff, in other words

doing nothing.

John grabs the bowl with salad and puts some into his plate.

He looks at it and gets angry.

JOANNA:

Let's not talk about that again.

What's the matter?

Joanna is looking at John, trying to understand what

happened.

JOHN:

There are no tomatoes in the salad.

How the heck should I eat it?

JOANNA:

We ran out of tomatoes yesterday.

I'll go to the farmers’ market

tomorrow and get some.

John looks as if she really did something wrong, gets up,

comes up to the fridge, and grabs two cans of beer.

JOANNA (CONT'D)

(making a look that she

didn't notice the beer)

If Christopher wants to become a

writer, it's his choice. Not

everybody wants to work at the

farm. You should understand that.

John drinks out of the can. Joanna makes a look that she

doesn't care about that.

JOANNA (CONT'D)

6.

JOANNA (CONT'D)

Today I went to Mr. Clark's coffee

shop. He needs someone to help in

the kitchen. He offers ten dollars

per hour. I thought I could work

there, save some money. In two

years, I hope, we could afford to

get a loan, so Christopher could

enter the Washington University

(beat)

in St. Louis.

John angrily crumples the can.

JOHN:

In this case, you won't have time

to help me at the farm. We've

already taken a loan to keep this

farm afloat. We can't afford to get

one more loan, you know that. Why

the heck do you always start this

conversation?

John throws the crumpled can into the waste bin.

JOANNA:

But…

Joanna gets up.

JOHN:

Sit down and eat your dinner. I am

tired of hearing about this loan.

If your son needs money, he should

earn it by himself. Nobody gave me

any money when I was his age. I've

been working hard. We have already

discussed that he should go to

community college in Kansas City

and get a real profession.

JOANNA:

But he has been dreaming of

studying at Washington University

in St. Louis, just like his father.

John throws a napkin into his plate.

JOHN:

That’s enough! I gave you home. I

gave you everything I had. I was

treating him like my own son and

this is what I am getting? Having a

conversation about a loan just to

make his dream come true.

(MORE)

JOHN (CONT'D)

He has to stay in Kansas City,

7.

He has to stay in Kansas City,

enter the community college, stay

at the farm and help me, and forget

about writing.

Christopher enters the kitchen.

CHRISTOPHER:

You are not my father and you will

never be. My real father would have

done everything to make my dream

come true. He would have sold a

business he owned to get a loan.

But you are selfish. You think only

about your farm and your tomatoes

that are never gonna grow there.

Never. I hate you and your stupid

farm. I wish we had never met you!

JOANNA:

Christopher! Don't say that.

JOHN:

I don't care about what he says. I

said no loan. That's it. You'll

stay there where you belong. At the

family farm.

John gets up and leaves the kitchen.

JOANNA:

Christopher!

CHRISTOPHER:

Leave me alone!

Christopher runs out of the kitchen.

16. INT. CHIRTOPHER'S ROOM - LATE EVENING

Christopher sits at the windowsill near his cat, DAISY, and

pets her.

CHRISTOPHER:

What should I do, Daisy? I can't

stand this anymore. I hate John and

this farm so much it makes me sick.

My life sucks. I can’t celebrate

Christmas under the same roof with

him and pretend nothing’s happened.

Christopher looks out the window. It snows. He suddenly sees

a falling star.

CHRISTOPHER (CONT'D)

I wish I never met John.

Christopher gets up from the windowsill and walks around the

8.

Christopher gets up from the windowsill and walks around the

room.

CHRISTOPHER (CONT'D)

What if I go to St. Louis tomorrow

and never come back?

Christopher sits at the table, turns on the laptop, and

checks the bus timetables.

Daisy crawls out from under the sofa and sits near

Christopher.

CHRISTOPHER (CONT'D)

So, there is a bus to St. Louis at

6 a.m. The bus station is just near

the public library. The only

problem is Lilian. I have to

convince her to come with me.

Christopher buys two tickets one way and pays online. He

enters a phone number and email, receives confirmation, and

opens an e-ticket from the mail on the phone.

CHRISTOPHER (CONT'D)

Great! I've got the tickets. Now I

have to pack.

Christopher gets a couple of T-shirts and sweatpants out of

the closet and puts them into the backpack. Then he gets a

piggy bank from the shelf and breaks it. He puts money in his

pocket and looks around the room.

CHRISTOPHER (CONT'D)

Tomorrow I will start a new life.

John won't bother me anymore. I'm

sorry, I can't take you with me,

Daisy.

DAISY:

(pitifully)

Meow, meow, meow

Christopher puts his backpack next to him, lies down on the

bed, and looks up at the ceiling.

17. EXT. KIMBELL FAMILY FARM - EARLY MORNING

Christopher gets out of the house, carrying a backpack. He

meets Joanna near the barn.

JOANNA:

Good morning, Christopher. Why did

you get up so early? I haven't

cooked breakfast yet.

CHRISTOPHER:

9.

CHRISTOPHER:

Good morning, Mom. I ate some

cereal. I'm not hungry.

JOANNA:

Okay.

CHRISTOPHER:

I’m gonna stay at Lilian’s today.

Don’t wait up.

JOANNA:

(anxiously)

Christopher, but you promised John

that you would give him a hand

today in the greenhouse.

CHRISTOPHER:

I’ve changed my mind. Tell him I

won't help him anymore. I don’t

wanna work at this stupid farm from

dawn till dusk.

JOANNA:

But we really need your help. We

can't afford to hire a worker now.

CHRISTOPHER:

Of course, we can't. We can't

afford anything. Even a trip to St.

Louis. I was looking forward to

this trip all year, but…

JOANNA:

We've discussed that already.

CHRISTOPHER:

Whatever. I'm gonna go.

JOANNA:

Christopher, wait! Don't forget to

invite Lilian and Sarah to

Christmas dinner tomorrow at 6 p.m.

CHRISTOPHER:

Ok. See you.

Christopher gets on his bike and rides out of the gates.

18. EXT. COUNTRY ROAD - SAME TIME

Christopher rides down a country road.

19. EXT. STEWART FAMILY FARM - SAME TIME

10.

19. EXT. STEWART FAMILY FARM - SAME TIME

Christopher opens the gates and puts the bike near the barn.

He comes up to the house, approaches the door and rings the

bell.

LILIAN:

It's open!

20. INT. HALLWAY - SAME TIME

Christopher enters the hallway. He takes off his jacket and

hangs it in the closet.

21. INT. KITCHEN - SAME TIME

He gets to the kitchen. LILIAN (16), a pretty blond girl,

washes the dishes. Her sister SARA (10), sits at the table in

a wheelchair and peels the potatoes.

CHRISTOPHER:

Hello! Lilian! Sara!

LILIAN:

(surprised)

Good morning! Why did you get up so

early?

Christopher walks up to Lilian and kisses her on the cheek.

He approaches Sarah and strokes her head.

CHRISTOPHER:

(to Sarah)

What a beautiful pigtail you’ve

got!

Christopher approaches the coffee maker and makes a cup of

coffee.

CHRISTOPHER:

I couldn't sleep!

Christopher stirs the sugar with a spoon and takes a sip.

CHRISTOPHER:

Sara, how are you feeling today?

SARA:

I think every day I am getting

better and better! Lily and I were

walking in the park all day

yesterday.

CHRISTOPHER:

This is great! You even have a

blush on your cheeks.

Sara smiles and puts the potatoes in the water.

11.

Sara smiles and puts the potatoes in the water.

SARA:

Will you have breakfast with us?

Lily's gonna cook French fries and

bacon.

CHRISTOPHER:

I had breakfast at home. I'll only

have coffee.

Lilian turns off the faucet and dries her hands with a towel.

She takes potatoes from the bowl, gets a knife, and starts to

cut them. Christopher finishes his coffee and puts the cup

down on the table.

CHRISTOPHER:

We need to talk, Lilian.

MRS. STUART (40s), looking tired, and wearing a dirty robe,

enters the kitchen.

MRS. STUART

(yawning)

Who came to us at such an early

hour?

Mrs. Stuart looks at Christopher.

MRS. STUART

Of course, who else? If you can't

sleep, don't disturb others.

CHRISTOPHER:

Good morning, Mrs. Stuart.

MRS. STUART

Morning is never good.

LILIAN:

Mom, it's already 8 in the morning.

It's time to get up!

MRS. STUART

Today is Saturday! Could I sleep at

least one day a week?

Mrs. Stuart yawns and forcefully closes the door.

LILIAN:

Pay no attention to her.

(worried)

You wanted to talk. Did something

happen?

CHRISTOPHER:

We can’t talk here.

LILIAN:

12.

LILIAN:

Okay, let's go to the stables. No

one will hear us there.

Lilian takes a plate with potatoes, a cutting board and a

knife and puts them in front of Sarah.

LILIAN:

Please cut the potatoes! I'll put

them in the deep fryer when I come

back.

SARA:

Okay.

Lilian goes to the closet, opens it, gets her jacket, and

hands a jacket to Christopher. They leave the house and head

to the stables.

22. INT. STABLES - STEWART FAMILY FARM - SAME TIME

Christopher and Lilian enter the stables. Christopher walks

over to the HORSE and pets it. He turns to Lilian.

CHRISTOPHER:

Yesterday John and I had another

fight. I said I hate him. I can no

longer stay under the same roof as

this tyrant.

LILIAN:

When will you stop fighting?

CHRISTOPHER:

Never. I can't stand him! Yesterday

I saw a falling star and my only

wish was to get rid of John. He

makes me sick. So, I decided to

change everything by myself. I’m

gonna come back to St. Louis and

start life over. I figured

everything out. I'll ask my Uncle

Mason for help and stay at his

place for a while. I’m gonna find a

job and then figure something out.

Christopher walks up to Lilian and takes her hand.

CHRISTOPHER:

The bus leaves for St. Louis

tomorrow. Come with me!

LILIAN:

Did you tell your Mom about how you

feel?

CHRISTOPHER:

13.

CHRISTOPHER:

I’ve spoken to her many times. I’ve

asked her to divorce John and get

back to St. Louis, but she doesn't

want to. You see, I can't believe

my Mom likes her life, but she

doesn't want to change anything.

LILIAN:

Maybe she's fine there.

CHRISTOPHER:

But I'm not fine. I want to get

back to the city where I was happy

and celebrate New Year there. Life

is so short to waste it on things

you don’t wanna do. Don’t you think

so?

LILIAN:

She will be devastated if you don’t

get back home in the evening.

CHRISTOPHER:

I told her I was gonna spend this

night at your farm and I would be

back for dinner the next day. So,

we have a day before they start

looking for us. We don't have much

time! Look. First, we get downtown

by bicycle, go to the public

library, hide there, and spend the

night in the basement. The bus

station is just nearby. The bus

leaves for St. Louis at 6 a.m.

LILIAN:

Christopher, it sounds so easy. You

have no idea how I dream of

escaping from a dull life to a city

where no one knows me! But I can't

leave Sara alone. She needs me. No

one but me can take care of her.

CHRISTOPHER:

What about your mother? That's very

comfortable for her.

LILIAN:

She is not able to take care of

herself. Mom constantly yells at

her. But she is just a child! She

deserves to be loved. She is smart,

beautiful, and kind. The best

sister ever.

(with tears)

This accident. How could it happen?

CHRISTOPHER:

14.

CHRISTOPHER:

Please, calm down. The main thing

is that Sara survived! She is

recovering. She will still have a

chance to live a normal life. But

you have to make your mother take

responsibility! This is her child!

Of course, if you do everything,

why should she bother?

LILIAN:

She has always been irresponsible!

The tears stream down Lilian's cheeks.

LILIAN (CONT'D)

(quietly)

Sara has been my child for five

years now. She doesn't even call

her Mom anymore. I’m her mother,

sister, and nurse. It would be so

selfish! I can't even take a day

off! But you want me to go away and

never come back? I can't leave

Sarah alone on Christmas! She won't

even open presents without me! I

don't want to go anywhere without

Sarah.

CHRISTOPHER:

So, you're saying that you'll be

her nurse for the rest of your

days? But what about our family?

When will you start to think a

little about us? Do you love your

sister more than me?

Lilian pulls her hand out of Christopher's.

LILIAN:

How could you say something like

that? I love you, but I would never

leave my sister just to make your

wish come true. If you're asking me

to betray her, then you don't know

me at all.

CHRISTOPHER:

(loudly)

I don't know you? I read you like

an open book! I know that you are

only dreaming, but you do

absolutely nothing! I know that

you're ready to sacrifice yourself,

but it turns out not for me!

LILIAN:

Stop yelling!

CHRISTOPHER:

15.

CHRISTOPHER:

I ask you for the last time. Are

you with me or not?

LILIAN:

If Sara was healthy, I'd go to the

ends of the Earth with you. But...

CHRISTOPHER:

Then we have nothing else to talk

about! That's your choice. You

don’t want to change anything. But

I wanna live another life.

Goodbye, Lilian!

Christopher comes out of the stables, picks up a bike, and

rides off down a country road. Lilian sits down on a bench by

the stables and cries.

23. EXT. DOWNTOWN - KANSAS CITY - DAY

Christopher rides into the main street of the city.

24. INT. CLARK'S FAMILY COFFEE SHOP - SAME TIME

Christopher stops at a coffee shop, enters it, and approaches

a CASHIER (50s).

CHRISTOPHER:

Good evening! Can I get a

cappuccino, please?

CASHIER:

Good evening, Christopher. How is

your Mom doing?

CHRISTOPHER:

(trying not to look up)

She's fine. Thank you.

Christopher takes a twenty-dollar bill out of his backpack

and hands it to the cashier. The cashier hands Christopher

the change. Christopher puts the change into his pocket. He

looks around and sees an empty table by the window.

Christopher sits at a table and starts to look out the

window. He sees a carriage near the coffee shop. A MAN gets

out of the carriage, and gives a hand to the WOMAN, helping

her to get out. Then he takes out a little GIRL from the

carriage. The man hands a coachman money. The carriage

leaves. The family enters the coffee shop. The woman and the

girl sit at a table near the entrance.

The man takes off his coat and hangs it on a chair. He

approaches the cashier and makes an order.

FLASHBACK TO:

16.

FLASHBACK TO:

25. EXT. DOWNTOWN - ST. LOUIS - DAY

Christopher (9), Jack, and Joanna are walking down the

street. Jack sees a carriage.

JACK:

Shall we ride?

Jack waves to the COACHMAN.

JACK:

(to the coachman)

Good afternoon, we would like to

take a ride along the main street!

COACHMAN:

Great! Get in! The weather is

wonderful today.

Jack helps Joanna into the carriage.

CHRISTOPHER:

(happily)

May I sit next to the coachman? I

have always dreamed of riding the

carriage!

JACK:

You can ask for permission! All

dreams do come true on Christmas!

CHRISTOPHER:

Mister...

COACHMAN:

Stampton. Harry Stampton.

CHRISTOPHER:

Mr. Stampton. May I sit next to

you?

COACHMAN:

Of course, son. Get up!

Christopher happily sits down next to the coachman. Jack gets

into the carriage next to his wife.

COACHMAN:

Would you like to ride the carriage

by yourself? It's not difficult at

all.

Christopher happily nods.

COACHMAN:

17.

COACHMAN:

Take the reins and give command to

the horse.

CHRISTOPHER:

Go!

The horse starts walking. Christopher happily watches the

snow flying from under the hooves. They make a circle along

the avenue and stop.

CHRISTOPHER:

Thanks for the riding lesson, Mr.

Stampton. Merry Christmas!

COACHMAN:

Merry Christmas, son!

Jack and Joanna get out of the carriage.

CHRISTOPHER:

Dad, Mom! I actually was riding the

carriage by myself! I dreamed about

it so much!

JACK:

(to his son)

You did great!

(to the coachman)

Thank you very much, Sir! Merry

Christmas!

Jack pays the coachman.

COACHMAN:

Merry Christmas!

END OF FLASHBACK

26. INT. CLARK'S FAMILY COFFEE SHOP - SAME TIME

Christopher picks up a small decorative Christmas tree from

the table and looks at it, absorbed in thought.

MAN:

(to the cashier)

Good evening! Two cappuccinos, a

glass of milk and three pieces of

chocolate cake!

CASHIER:

Good evening!

The man takes out a credit card and hands it to the cashier.

A WAITRESS brings out a tray and places the order on the

table in front of a YOUNG MAN.

Then she walks up to Christopher and places a cup of

18.

Then she walks up to Christopher and places a cup of

cappuccino and a plate with cookies on the table in front of

him.

WAITRESS:

(referring to cookies)

This is a treat for you from my

Mom! Merry Christmas!

Christopher takes the cookie and sniffs it.

CHRISTOPHER:

Thank you!

Christopher takes a bite of the cookie.

CHRISTOPHER:

(with a mouth full)

The best cookies in the world! They

smell like Christmas!

WAITRESS:

Well, have a good evening! Enjoy!

Christopher watches the little girl eating the cake. The man

and the woman look at their daughter lovingly. The man gives

the girl a napkin. The girl wipes her mouth and hands.

CHRISTOPHER V.O

How wonderful to see a happy

family!

Christopher puts an empty cup aside, wraps two pieces of

cookies in a paper napkin, and puts them in his backpack. He

gets up from the table and heads towards the door.

CHRISTOPHER:

Goodbye!

CASHIER:

Goodbye! Merry Christmas!

27. EXT. CLARK'S FAMILY COFFEE SHOP - SAME TIME

Christopher gets on the bike parked in front of the coffee

shop and rides down the main street.

28. EXT. KANSAS CITY PUBLIC LIBRARY - EVENING

Christopher pulls up to the entrance of the library, jumps

off the bike, and hides it in the bushes.

He enters the library and approaches Jim Potter, the security

guard.

CHRISTOPHER:

19.

CHRISTOPHER:

Good evening, Mr. Potter!

JIM POTTER:

Good evening, Christopher. Today is

Saturday! The library closes at 6

p.m.!

CHRISTOPHER:

Yea, I remember, I'll just finish

the book.

JIM POTTER:

(talking to CLEANER)

Nice guy, but so weird. Coming to

the library on a Saturday night...

CLEANER:

It's better than being ignorant.

The security guard sits down at the table and looks at the

monitor.

29. INT. READING ROOM - SAME TIME

Christopher sits at a table and reads a book. He looks at the

clock on the wall.

VOICE FROM SPEAKER

Dear visitors! The library closes

in ten minutes. Please leave the

study rooms. And don't forget your

stuff. We wish you a good evening

and Merry Christmas.

Christopher slowly gets under the table.

30. EXT. KANSAS CITY PUBLIC LIBRARY - SAME TIME

The library workers and visitors leave the building. The

security guard closes the door.

31. EXT. LOBBY - SAME TIME

CLEANER:

Another day is over! What are you

doing tonight, Jim?

JIM POTTER:

(laughing)

Nothing special. I am gonna check

the reading rooms.

32. INT. READING ROOM - SAME TIME

20.

32. INT. READING ROOM - SAME TIME

The security guard enters the first study room. He picks up a

pen from the floor, looks at it, and puts it in his pocket.

He walks over to the table under which Christopher hides,

looks around the room, and, then leaves for another room.

Christopher crawls under the tables, leaves the hall, and

sneaks along the corridor. He comes up the stairs and goes

down to the basement.

33. INT. BASEMENT - SAME TIME

Christopher examines the basement. There are mops and buckets

in the corner. There is a wooden box by the wall. He notices

a wooden ladder. Christopher walks down the stairs to the

basement one level below and suddenly sees an OLD MAN (70s)

who sits in the armchair reading a book. He looks at him with

astonishment.

OLD MAN:

Who are you and how did you get

there?

Christopher looks surprised and makes a few steps back.

CHRISTOPHER:

(stuttering)

I didn't know there was someone

here. I'm lost. I'm leaving now.

OLD MAN:

No need to rush. Let's have some

coffee and talk. I rarely get a

chance to talk to young people. Did

you have nowhere to go, so you

decided to sleep here?

Christopher heads to the door.

OLD MAN (CONT'D)

Please, don't leave. I’ve been

living in this basement for many

years. I take care of old books.

You love reading books, don't you?

CHRISTOPHER:

It should be obvious, given that

I'm in the library.

The old man hands Christopher a cup of coffee and cookies.

OLD MAN:

Well! How is life treating you?

What's on your mind?

CHRISTOPHER:

21.

CHRISTOPHER:

(angrily)

Life is not fair! I hate everything

and everybody.

OLD MAN:

Hmm. Let’s compare a person's life

with a book.

Sometimes it is thick, sometimes

thin, but it always contains the

same information: born, lived,

died. Someone lives a long time,

and someone dies without knowing

life. Therefore, the number of

pages is different.

CHRISTOPHER:

It makes me angry because I can't

predict anything.

OLD MAN:

You sure can't. Life is so

interesting because it's

unpredictable. Would you read the

book if you already knew the

ending? Huh?

Let's talk about dreams. What do

you want the most at the moment?

CHRISTOPHER:

(quietly)

Are you a shrink or something?

OLD MAN:

Of course not. I am a wizard and I

could make your wishes come true.

CHRISTOPHER:

Are you kidding me? There are no

wizards. It sounds ridiculous. But

okay. If you insist. I wish my

mother would never marry my

stepfather and that he wouldn’t

adopt me.

The old man shakes his head.

OLD MAN:

I considered you wanted a new car,

for starters. This wish of yours

can't come true. You can't change

the past.

CHRISTOPHER:

I would give anything I have to

change the past. My life sucks

because everything went wrong.

(MORE)

22.

(MORE)

CHRISTOPHER (CONT'D)

We shouldn't have come to this darn

farm. We should have stayed in St.

Louis.

OLD MAN:

Well! You sound really pissed! What

about your other dreams?

CHRISTOPHER:

My dream is to become a writer like

my real father. He died. My stepdad

John doesn’t support me. He hates

books and writers. He wants me to

get a real profession and to work

at his farm for the rest of my

life.

OLD MAN:

What did you do to make your

stepfather understand why you wanna

become a writer? Perhaps if you

talked to him more and told him

about your dreams, he would feel

that you need his support.

CHRISTOPHER:

But I don't want to talk to him. I

hate him with all my heart! He is

rude and ignorant.

OLD MAN:

People always have positive and

negative sides and you can find an

approach to everyone. The wishes

aren’t granted with a magic wand.

Becoming a writer requires a lot of

work. You have to follow through on

your goals. That's it. Only this

way you can meet people who will

help you. And if you run away from

home, you will lose this path.

You've got to believe me. You will

betray...

Christopher puts the cup down on the table and looks at the

old man suspiciously.

CHRISTOPHER:

Whom will I betray? How do you know

that I ran away from home?

OLD MAN:

You will betray yourself! That's

what I wanted to say, young man.

No need to rush. It's obvious that

you ran away from home!

(MORE)

23.

(MORE)

OLD MAN (CONT'D)

I understood it right away! You

must have had a fight with your

stepfather. The usual thing. It's

already dark outside. And it's

snowing. Where will you go? You can

crash on this couch. It's not a

suite, but still better than

spending the night on the street.

Moreover, the police can see you.

CHRISTOPHER:

No doubt, they will. Cops would

definitely make things worse. I'll

go to the restroom and come back.

Thanks for the invitation. Then you

better show me your wizard skills.

OLD MAN:

You got it. I promise.

Christopher takes the backpack and exits the basement.

34. INT. CORRIDOR - SAME TIME

Christopher goes up the stairs. He enters the restroom on the

first floor.

35. INT. RESTROOM - SAME TIME

CHRISTOPHER V.O

The old man will now report about

me to the security guard. I'm sure.

He's probably a janitor. He must be

a nutcase! I won't let anyone ruin

my trip to the native city!

Christopher approaches the window and climbs onto the

windowsill.

36. EXT. KANSAS CITY PUBLIC LIBRARY - SAME TIME

Christopher jumps off the windowsill and finds himself on the

street. He goes around the library and sees a carriage and a

white HORSE. It kicks and neighs. Christopher slowly

approaches the Horse and gently reaches out to pet it. The

Horse sniffs Christopher.

CHRISTOPHER:

Where is your owner?

HORSE:

Pfuuuu

CHRISTOPHER:

24.

CHRISTOPHER:

You don't know?

HORSE:

Pfuuu, pfuuu

CHRISTOPHER:

Are you hungry?

Christopher takes off his backpack, unzips the zipper and

pulls out an apple. He puts it on his palm and gives it to

the Horse. It gently takes the apple from the palm of his

hand. He inspects the carriage and looks around.

CHRISTOPHER (CONT'D)

Your owner, I think, wouldn’t mind

if I sit on the coachman seat for a

while. As in childhood!

Christopher gets on the coachman seat.

CHRISTOPHER (CONT'D)

You know, things didn't go

according to the plan. I thought I

would spend the night in the

basement of the library, but the

place has already been taken. This

old man is really suspicious. Maybe

he is homeless.

The Horse nods. Christopher takes up the reins. Suddenly a

holographic display appears in front of him.

NAVIGATION SYSTEM

The navigation system is activated.

The following information is shown on the display: Location:

"Default". Mode: "Autopilot". Options: "Confirm" or "Cancel".

CHRISTOPHER:

Wow. Some new technology! I've only

seen this in movies. How does it

work?

Christopher clicks "Confirm".

CHRISTOPHER (CONT'D)

Wow! A carriage with a navigation

system. Tourists must love it.

The Horse suddenly starts to run slowly, then faster and

faster.

CHRISTOPHER (CONT'D)

Stop, stop! That's too fast. There

may be cars there. Stop!

The Horse is not reacting. It goes faster. Then the carriage

25.

The Horse is not reacting. It goes faster. Then the carriage

lifts off the ground and takes off into the sky. Christopher

looks down, terrified. He closes his eyes.

CHRISTOPHER (CONT'D)

This is a dream! It definitely

should be a dream. Where are we

going? Are we flying? Do you even

know the way?

The Horse neighs and nods approvingly.

CHRISTOPHER (CONT'D)

Are you the Horse of Santa Claus?

Did I steal Santa's carriage?

The Horse neighs and looks surprised.

CHRISTOPHER (CONT'D)

Are we flying to the North Pole?

37. EXT. SKY OVER KANSAS CITY - LATE EVENING

Christopher looks down, watching the lights flicker. The

lights get smaller and smaller and then they disappear.

Suddenly, he sees the mountain peaks and the forested hills.

CHRISTOPHER (CONT'D)

Probably yes! I’ve stolen the

carriage from Santa and the poor

kids won't get the gifts! Probably,

the old man put something in my

coffee. That can't be happening.

The Horse neighs and nods approvingly.

CHRISTOPHER (CONT'D)

Just say something! After all, if

I'm in a fairy tale, animals should

be able to talk!

The Horse turns around and looks at him surprised.

HORSE:

Puff, puff, puff

CHRISTOPHER:

You can't talk. Got it. I have to

wait for the destination and

everything will become clear.

38. EXT. SKY OVER UNKNOWN TOWN - NIGHT

The Horse prepares for landing. The carriage descends lower

and lower, flying over a town.

39. EXT. STREET - SAME TIME

26.

39. EXT. STREET - SAME TIME

The carriage lands on a street. It slowly pulls up to a

house.

NAVIGATION SYSTEM

Arrived at the destination.

The following options are displayed: "Complete the route or

Standby mode". Christopher clicks "Complete the route". The

carriage disappears.

CHRISTOPHER:

This is awesome!

Christopher looks around. He approaches the lantern and

gently touches it.

CHRISTOPHER (CONT'D)

The lantern looks like a real one.

And it doesn't talk either! Good to

know.

He takes off his hat and shakes the snow off.

CHRISTOPHER (CONT'D)

The snow also looks real.

40. EXT. UNKNOWN HOUSE - SAME TIME

Christopher steps on the porch and walks to the door. There

is a Christmas wreath hanging on the door. Christopher looks

for a bell to call, but he doesn’t find it. He knocks on the

door with his fist. Then he sees a sign half covered in snow.

He cleans it from the snow by hand. The sign reads "Jacob

404".

CHRISTOPHER (CONT'D)

Is there anyone at home?

Christopher doesn't hear anything. He knocks again. He slowly

moves away from the door and looks around the veranda. He

goes to the door and presses the handle. The door opens.

41. INT. UNKNOWN HOUSE - SAME TIME

Christopher enters the house. The light turns on

automatically. Caught in surprise, Christopher bumps into a

wooden hanger that falls down. He immediately picks it up and

puts it in the corner. He walks into the kitchen and the

light turns on automatically.

CHRISTOPHER:

(with apprehension)

Is there anyone at home? Please,

respond! I'm not a thief, I'm lost!

Still no answer. Christopher walks into the living room,

27.

Still no answer. Christopher walks into the living room,

looking around it. He gets up the wooden stairs.

42. INT. BEDROOM - SAME TIME

Christopher enters the bedroom. He takes off his jacket and

hangs it on a chair. Then he approaches the window. There are

pots with flowers on the windowsill. Christopher sits down on

the bed, takes off his shoes, and lies down.

CHRISTOPHER:

I should get some sleep. If I fall

asleep now, maybe I will wake up at

home, or in the library!

Christopher puts his head on a pillow and looks up at the

ceiling. The eyes slowly close and he falls asleep.

43. INT. BEDROOM - MORNING

An electronic alarm clock rings next to the bed. Christopher

presses the "OFF" button. He looks at the clock. It's 5 a.m.

He jumps out of bed and looks around. He slowly walks over to

the window and carefully draws back the curtain.

CHRISTOPHER:

Wow! It's snowing!

The sun shines outside the window. A bird sits on a branch

and sings. He moves away from the window and walks over to

the coffee table, next to which there is an armchair. He gets

to the closet door, opens the door, and sees neatly hung

trousers and shirts, sweaters of the same blue color. Then he

gets to the second door and opens it.

44. INT. BATHROOM - SAME TIME

Christopher walks into the bathroom, opens the faucet and

washes his face, raises his eyes, looks at himself in the

mirror, and sees his backpack.

CHRISTOPHER:

I've got a mobile phone!

Christopher runs out of the bathroom.

45. INT. BEDROOM - SAME TIME

Christopher grabs his backpack, pulls out his phone, enters

the password, and presses "Find Wi-Fi network". The message

"No networks found" is displayed. Charge percentage: "15%".

He opens the inbox and makes a call to Mom but the call

doesn't come through. He turns off the phone.

CHRISTOPHER:

28.

CHRISTOPHER:

I need to charge my phone.

Christopher walks around the room and inspects the walls.

CHRISTOPHER (CONT'D)

Not a single outlet.

How do they charge their phones? Or

they don't have any.

Christopher puts on his boots, takes his jacket in his hand,

and goes down the stairs.

46. INT. KITCHEN - SAME TIME

Christopher enters the kitchen, opens the cupboard above the

stove, and sees neatly arranged glass jars with sugar, pasta

and spices.

CHRISTOPHER:

Nothing special!

He gets to the fridge. There is a tablet embedded into the

door. He clicks on it. A list of products that the owner has

run out of is displayed.

CHRISTOPHER:

Let’s see what he ran out of.

He opens the fridge and sees a carton of milk, two eggs, and

a small piece of cheese. He closes the door and clicks

"Order". He selects from the list the following products:

"eggs, cheddar cheese, milk".

CHRISTOPHER:

Done.

He sees a coffee maker and a jar of coffee beans. He opens

the jar and sniffs the beans.

CHRISTOPHER:

Hmm, if I'm in the city of the

future, people should probably be

eating pills by now.

Christopher hears his stomach growl and presses the button on

the coffee maker. He places a cup, the coffee machine grinds

the beans, and the coffee preparation program starts.

CHRISTOPHER (CONT'D)

There is nothing better at 5 a.m.

than the smell of freshly brewed

coffee! Wherever I am, hunger will

only make things worse.

He pulls out a white box labeled "cornflakes" from a

cupboard. He examines it with surprise.

CHRISTOPHER (CONT'D)

29.

CHRISTOPHER (CONT'D)

There is no information about the

manufacturer or ingredients. Just

cereal. Gee.

Christopher gets milk out of the fridge, takes out a bowl,

puts cereal, and pours milk over it. He puts a cup of coffee

next to him, takes a spoonful of milk and cereal and

carefully brings it up to his nose.

CHRISTOPHER (CONT'D)

Smells like regular cereal.

Christopher eats a spoonful of cereal, then another and

another, until there is only a drop of milk left in the bowl.

He puts down the bowl and starts drinking coffee. After

taking a sip he drinks the whole cup of coffee with pleasure.

CHRISTOPHER (CONT'D)

Well. Now I can figure out where I

am.

Christopher gets out of the kitchen and heads into the living

room. He approaches a white door with a glass window. He

opens it and gets into a huge room full of light.

CHRISTOPHER:

Wow. It's a library. But why are

all books with gray covers? It's a

really weird collection.

He gets a ladder and takes a random book. The cover reads

"The Life Story of Phillip Olaf, 1885-1977". He opens the

first page and reads it.

CHRISTOPHER (CONT'D)

Hmm, biography, what could be more

boring? It must have been some

famous person.

He grabs another book with a gray cover.

CHRISTOPHER (CONT'D)

Another biography! This guy might

be collecting biographies of some

famous people.

He puts the books back, puts the ladder to the corner he got

it from, and notices a white door. He approaches it, opens

and enters the garage.

CHRISTOPHER (CONT'D)

An electric car! Just like in a

golf club!

Christopher inspects the car and gets into it.

NAVIGATION SYSTEM VOICE

30.

NAVIGATION SYSTEM VOICE

The navigation system is activated.

The following information is shown on the screen: Location:

"Default". Mode: "Autopilot". Options: "Confirm or Cancel".

CHRISTOPHER:

Great! This is the same device as

on the carriage!

Christopher clicks "Confirm". The garage doors open and the

car begins to drive out of the garage.

47. EXT. HIGHWAY - SAME TIME

Christopher drives down the road, passing suburban houses. He

looks in the mirror and sees two more cars coming up behind

him. He attempts to catch a glimpse of the drivers' faces but

fails.

CHRISTOPHER:

At least they look like people.

48. EXT. UNKNOWN BUILDING - SAME TIME

The car approaches a white building. There is a small park

and a fountain in front of it. The trees are covered with

snow.

49. INT. PARKING LOT - SAME TIME

The car pulls into the parking lot and parks in parking space

#404. Christopher sees a blue cap on the seat, examines it,

puts it on his head, gets out of the car, and looks around.

There are several other cars nearby. The rest of the parking

spaces are still empty.

CHRISTOPHER:

Jason 403, Willie 402, Keith 401.

Looks like employees' parking

spaces.

Christopher sees the elevator and heads for it. He presses

the call button and the elevator arrives.

50. INT. ELEVATOR - SAME TIME

Christopher looks around the elevator and sees a tablet

embedded in the wall. He touches the screen and the "Enter

floor number" field is displayed.

CHRISTOPHER (CONT'D)

31.

CHRISTOPHER (CONT'D)

So, if I got into the house of a

certain person, probably an

employee of this company, and his

name is Jacob, and he lives in

house #404, then probably by the

same principle it can be suggested

that he works in the office #404 on

the fourth floor.

Christopher types #4, clicks "Confirm" and the elevator

begins to go up. The elevator stops. The screen displays

"Floor #4." The doors open.

51. INT. FOURTH FLOOR - SAME TIME

Christopher exits the elevator and sees a long corridor.

There are white doors along the corridor.

CHRISTOPHER (CONT'D)

It looks like a hospital. I hope I

didn’t die. It's a bit early for

me!

52. INT. CORRIDOR - SAME TIME

Christopher gets to the first door on the left. There is a

sign that reads "#400."

He approaches the door on the right, the sign reads "#402."

He gets to the next door, the sign reads "#404." Christopher

looks at the door.

CHRISTOPHER (CONT'D)

Behind this door, I hope I’ll

finally find the answers to my

questions. Either I wake up or I

never wake up.

Christopher turns the handle clockwise, but the door doesn’t

open. He turns the handle counterclockwise and the door

opens.

53. INT. OFFICE - SAME TIME

Christopher enters the room and hastily closes the door

behind him, hearing footsteps outside. He gently opens the

door and peeks out, spotting a short MAN wearing a blue cap.

Christopher quickly closes the door again.

He moves away from the door and takes a look around the room.

There is a huge monitor on the wall and several orchids on

the windowsill. The remote control lies near the pot with the

orchids. In the middle of the room, there is a desk and an

office chair.

On the desk, there is a computer, but there is no other

32.

On the desk, there is a computer, but there is no other

furniture in the room.

CHRISTOPHER (CONT'D)

This guy has an ascetic office.

Christopher walks over to the windowsill and picks up the

remote control. He presses the "On" button. The monitor turns

on. Eight windows appear on the screen, in which there is a

broadcast of nine videos at the same time.

CHRISTOPHER (CONT'D)

Gee. It is Times Square.

In the upper right corner, the current time is displayed. The

yellow taxis drive along the avenue, pedestrians cross the

street, and a cyclist rushes along the pedestrian crossing.

CHRISTOPHER (CONT'D)

Wow! It seems like a video from a

security webcam. Is it some

security facility?

Christopher puts the remote control on the windowsill, then

walks over to the desk and sits down on the chair. However,

he finds the chair is too high, so he adjusts it to his

height.

CHRISTOPHER (CONT'D)

This guy is clearly shorter than

me.

Christopher turns on the computer.

CHRISTOPHER (CONT'D)

It looks just like the Windows

operating system.

Christopher looks at the desktop and sees a shortcut to an

application named "Kansas City". He starts the application

and sees a search field. He thinks for a moment and types

"Lilian Stuart". The green folders appear on the screen.

CHRISTOPHER (CONT'D)

Let’s see what we’ve got here.

He gets into the folder that reads "1998". The folder

contains 365 videos and 365 text files. He opens the video

dated "1st of January, 2000". There is the timeline that

reads 00:
01 a.m. and the date in the upper corner of the

player. The video duration is 24 hours.

Christopher hesitates for a moment, presses "Play" and starts

to watch the video.

CHRISTOPHER:

Oh my God! It's a baby Lilian!

A little GIRL (4) with curly blond hair is sleeping in a

33.

A little GIRL (4) with curly blond hair is sleeping in a

crib.

She whimpers and rolls over to her other side, then turns

around again, opens her eyes, and starts crying. A pretty

young WOMAN (30s) enters the room and approaches the crib.

She sits down next to the baby and strokes her head.

WOMAN:

What happened, my princess? Did you

have a bad dream?

GIRL:

I saw a huge dragon.

WOMAN:

The dragons exist only in fairy

tales. And sometimes fairy tales

appear in your dreams. I am sure it

was a good dragon! He flew in to

put presents for you under the

Christmas tree. Tonight is New

Year's Eve!

GIRL:

Wow! He will put gifts under the

tree! Maybe he's Santa's helper?

WOMAN:

Well, of course, he is! Go to

sleep, my dear.

The girl rolls over and falls asleep. The woman kisses her on

the cheek and leaves the room. Christopher stops the video.

He closes his eyes with his hands.

CHRISTOPHER:

It can't be true, it's a dream!

Does it mean that someone filmed

Lilian and young Mrs. Stuart? She

looks so nice here.

Christopher opens a text file and reads the text.

CHRISTOPHER (CONT'D)

Oh my God! It's a kind of

"synopsis" of the events that

happened during the day!

Christopher opens the next video dated "2nd of January,

2000". After advancing the recording, Christopher watches as

baby Lilian plays with a large doll by the Christmas tree. A

MAN (30s) enters the room and takes a seat next to her on the

carpet.

MAN:

Do you like the doll? How did you

name her?

LITTLE LILIAN:

34.

LITTLE LILIAN:

I love her! I named her Anna.

Young Mrs. Stuart enters the room and sits on the couch.

YOUNG MRS. STUART

(to the man)

Could you please light the fire in

the fireplace, dear?

MAN:

Sure.

The man stands up and approaches the fireplace, puts the

wood, and makes the fire.

CHRISTOPHER:

They seem like a happy family. I

can't watch it.

Christopher closes the video, stands up, and approaches the

screen, which is broadcasting from Times Square. He looks at

the videos. His attention is caught by the video in the upper

right corner. A WOMAN with a stroller is getting into the

taxi.

CHRISTOPHER (CONT'D)

These events are being recorded

right now. Every single event that

happens to every single person.

Christopher is walking around the room.

CHRISTOPHER:

It's too much for me. I can't stay

here. I have to find out the

purpose of this application.

Christopher gets back to the computer. He gets out of

Lilian's folder, enters the "Menu", and sees the following

items:
"Statistics", "Wishes", "Contact the citizen", and

"Life schedule".

CHRISTOPHER:

That might be the clue.

Christopher clicks "Contact the citizen". The following

fields are displayed: “Name of the citizen you want to

contact”. “The character you need to choose: cashier, passerby,

homeless, etc.” “The age you need to have”. “The gender

you need to have”.

CHRISTOPHER (CONT'D)

Gee! It is clear now. The old man

is Jacob, who got in touch with me

in the library. It's something

unbelievable.

He gets back to the "Menu", clicks "Wishes" and types in the

35.

He gets back to the "Menu", clicks "Wishes" and types in the

search field "Lilian Stuart". The folders "Bad wishes" and

"Good wishes" are shown on the screen.

Christopher hesitates for a moment and gets into the folder

"Good wishes."

CHRISTOPHER:

I couldn't imagine she might have

bad wishes.

A long list is displayed. He selects the file dated "20th of

December, 2000" and opens it. The following information is

written in the file: "20th of December, 2000, time: 08:57.

A wish:
a giant talking doll".

CHRISTOPHER:

That's true. Every baby girl wants

to get a talking doll.

He selects the next file, dated "21st of December, 2000". The

following information is written in the file: 21st of

December, 2000, time: 11: 33. A wish: to learn how to fly".

CHRISTOPHER:

Wow, baby Lilian wanted to fly. How

nice!

He opens the next file dated "25th of December, 2000". The

following information is written in the file: "25th of

December, 2000, time: 5: 48. A wish: a white kitten".

CHRISTOPHER:

Her cat Lisa is white. Her wish

came true. Wow.

Christopher scrolled down and opened the file dated “10th of

December, 2005, time: 5:45 p.m. A wish: I wish Sara wouldn't

die”.

CHRISTOPHER:

This is the day when Sara got into

the accident!

Christopher scrolled down and opened the file dated "12th of

December, 2005, time: 7:45 pm. A wish: I wish Sara would get

better”.

CHRISTOPHER:

Gee.

Christopher scrolled down and opened the file dated "1st of

December 2006, time: 6:45 a.m. A wish: Dear Santa, I wish

Sara would walk again.

CHRISTOPHER:

36.

CHRISTOPHER:

No other wishes. Only wishing Sara

to get better.

Then he opens ten other files and reads a wish: “I wish Sara

would walk again”.

CHRISTOPHER:

Oh my God, all her thoughts are

only about Sara. She didn't wish

for anything else except for her

sister getting better. How selfish

I was trying to convince her to go

with me.

Christopher closes his eyes.

CHRISTOPHER:

I wish I could help Sara walk

again. I don't know how I could do

that but please, Factory, help me!

He closes the file and gets out of the folder.

CHRISTOPHER (CONT'D)

I'm not supposed to read the wishes

anymore. It's a violation of

privacy.

Christopher gets up from the chair and approaches the screen.

He is looking at people who are crossing the intersection.

CHRISTOPHER (CONT'D)

Life is impossible without wishes

and dreams. They make us do

something, and pursue our goals.

So, the application keeps records

of our lives and collects

information about our wishes in

separate files. But what for? To

make them come true? How do they do

that?

Christopher continues to walk around the room. He looks at

the computer monitor.

CHRISTOPHER (CONT'D)

If I am here, I have a unique

chance to fulfill my wish. If all

our actions are written in a text

file, it means it can be edited. If

I delete that day or rather the

moment when Mom decides to go to

the farm, we won’t meet John, and

Mom won’t marry him.

Christopher sits back at the table and types in the search

field "Christopher Kimbell".

The green folders named by years appear on the screen. He

37.

The green folders named by years appear on the screen. He

gets into the "2005" folder. The files named by dates are

displayed.

CHRISTOPHER (CONT'D)

We met John in July. The day after

Independence Day.

Christopher selects the file dated "5th of July, 2005". He

opens it and reads the text, getting more and more surprised.

CHRISTOPHER (CONT'D)

Joanna tells Christopher she'd like

to try working at the farm.

He thinks for a moment.

CHRISTOPHER (CONT'D)

I'll rewrite it like that: "Joanna

doesn't want to work at the farm

and says it's better to look for

another job”.

Christopher writes the text "Joanna doesn't want to work at

the farm and says it's better to look for another job" and

quickly closes the file. The following options are displayed

on the screen:
"Save" or "Cancel." Christopher clicks "Save".

The following information is displayed on the screen:

"Attention! The events are being replaced".

CHRISTOPHER (CONT'D)

Great! Now I need to get back to

Kansas City and find Jacob. What if

something happens to him in our

world?

Christopher gets back to the "Menu" and clicks “Contact the

citizen”.

CHRISTOPHER (CONT'D)

I guess this is how Jacob got to

the library.

The following fields are displayed: “name, location, and

time”. Christopher clicks on the “location” field and types:

“Kansas City Public Library”. The following information is

displayed on the screen: "Make a contact with:....".

CHRISTOPHER (CONT'D)

Let it be Mr. Potter.

Christopher types: "Jim Potter”. The field "Select the year

and the date of birth" appears on the screen.

CHRISTOPHER:

Year of birth. He is about forty

years old.

Christopher selects "Jim Potter, male, date of birth 27th of

38.

Christopher selects "Jim Potter, male, date of birth 27th of

July, 1973, a security guard at the Kansas City Public

Library". Christopher clicks "Next". The field "Select the

vehicle" is displayed.

CHRISTOPHER (CONT'D)

A retro carriage, a car, a minivan,

a convertible, a motorcycle, an

airplane, a submarine. Wow, there

are so many options here!

Christopher clicks "Car". The "Brand" field is displayed on

the screen.

CHRISTOPHER:

Better look for some not-fancy

cars.

Christopher clicks "Default". The following information is

displayed on the screen: "The passenger car waits for you in

the parking lot. Level E, parking space #JKB404-K".

Christopher clicks "Next". The "Mission" field is displayed.

CHRISTOPHER (CONT'D)

I'll skip it.

Christopher clicks "Next". The "Choose the character" field

is displayed on the screen. Christopher skips this field and

clicks "Next". The following information is displayed on the

screen:
"Location: Kansas City Public Library. Contact: Jim

Potter, security guard. Mission: not specified".

CHRISTOPHER (CONT'D)

Done.

Christopher turns off the computer, puts on the blue cap, and

carefully opens the door. He looks out from behind the door,

inspects the corridor, and walks quickly to the elevator. He

presses the call button. The elevator arrives.

54. INT. ELEVATOR - DAY

Christopher enters the elevator and selects "Level E" on the

tablet. The elevator gets down, the doors open and

Christopher finds himself at the half-empty parking lot.

55. INT. PARKING LOT - SAME TIME

Christopher finds parking space #JKB404-K and gets into the

car.

NAVIGATION SYSTEM

The navigation system is activated.

The following information is shown on the holographic

display:
"Mode: Autopilot.

Location:
Kansas City Public Library. Options: Confirm or

39.

Location:
Kansas City Public Library. Options: Confirm or

Cancel". Christopher clicks "Confirm". The car slowly pulls

out of the parking lot and heads towards the exit.

CHRISTOPHER (CONT'D)

Everything goes just great.

The garage doors open and Christopher drives out the other

side of the building onto an empty road. He turns around.

CHRISTOPHER:

From this side of the building,

they fly to our world! And the

central entrance is used for

employees to drive into the garage.

What a great idea!

56. EXT. ROAD - SAME TIME

The car accelerates along the road and gets up into the sky.

57. EXT. HIGHWAY - KANSAS CITY - AFTERNOON

The car slowly lands on an empty highway.

58. EXT. KANSAS CITY PUBLIC LIBRARY - SAME TIME

Christopher drives down the avenue and parks near the

library.

NAVIGATION SYSTEM

Arrived at the destination.

The following options are shown on the holographic display:

"Complete route or enable a standby mode". Christopher clicks

"Enable a standby mode", gets out of the car, and heads

towards the library.

59. INT. LOBBY - SAME TIME

Christopher gets into the library lobby. He approaches the

security guard.

CHRISTOPHER:

Good day, Mr. Potter! Can you help

me? I am looking for my

grandfather.

JIM POTTER:

(surprised)

How do you know my name?

CHRISTOPHER:

40.

CHRISTOPHER:

Don't you recognize me? It's me,

Christopher!

JIM POTTER:

Sorry, young man! Can you imagine

how many people there are in our

library? How can I remember all of

you?

CHRISTOPHER:

So, you mean you don't remember me?

JIM POTTER:

No! I see you for the first time!

Christopher takes a few steps back.

CHRISTOPHER V.O

Of course, if we didn't go to the

farm that day, Mom might not have

found a job in Kansas City, and we

probably moved to another city! Or

even state. Or to another country!

There are million events that could

have happened differently. So, in

the new scenario, I’ve never come

to this library.

Christopher takes a few more steps back and leans against the

wall.

CHRISTOPHER V.O

It means now I might not know

anyone here, and no one knows me!

JIM POTTER:

(impatiently)

So how can I help you, young man?

CHRISTOPHER V.O

Still, it wasn’t a dream! I’ve

indeed changed events in the past.

Christopher takes out a small notebook and a pen from his

pocket.

CHRISTOPHER:

I have to write an essay. I need to

get the book. It's about...

JIM POTTER:

Get to reception and register.

CHRISTOPHER:

Thank you. Have a good day!

60. INT. READING ROOM - SAME TIME

41.

60. INT. READING ROOM - SAME TIME

Christopher walks into the reading room. He looks around the

room and then heads to the corridor.

61. INT. CORRIDOR - SAME TIME

Christopher’s walking down the corridor.

62. INT. BASEMENT - SAME TIME

Christopher goes down to the basement.

CHRISTOPHER:

Jacob! It's Christopher! Come out.

He finds the switch and turns on the light, looking around.

CHRISTOPHER (CONT'D)

Jacob! Jacob!

Christopher walks around the basement but finds nothing.

Suddenly a JANITOR (50s) enters the basement.

JANITOR:

What are you doing here? Visitors

are not allowed to enter here. Have

you seen the sign? It says

"Employees only".

CHRISTOPHER:

Mr. Willis! How glad I am to see

you!

The janitor looks at Christopher in surprise.

JANITOR:

Do you know my name?

CHRISTOPHER:

Ah, I’ve read it on your badge.

It's good that you came.

I am looking for my grandfather. He

suffers from this disease, well,

when he forgets everything and

thinks that this library is his

home! He keeps talking about this

library. About how he loved to read

here. He ran away from the nursing

home again. I thought he might be

here. Can you help me find him?

JANITOR:

42.

JANITOR:

(with joy)

Well, of course, I can! I saw him

yesterday near the library. He was

sitting on the curb and talking to

himself. He was asking himself:

"Where is my carriage? Who stole my

carriage?"

He was wearing a black short coat

and a blue scarf. White hair. About

seventy years old. He isn't tall.

CHRISTOPHER:

(stuttering)

Yes. It's him!

JANITOR:

Don't worry, son! I'm sure he's all

right. I took him to a homeless

shelter because it was very cold

outside. He was so lonely. And the

shelter isn’t far from my house. He

looked like he didn't know where he

was or what he was supposed to do.

CHRISTOPHER:

How did he agree to go with you?

JANITOR:

I told him that it would be better

not to stay outside. He might get a

cold.

CHRISTOPHER:

That’s very thoughtful of you.

JANITOR:

My mother constantly forgot where

she put things. Once she went to a

neighbor and could not find her way

home.

JANITOR:

(with sadness)

Mrs. Willis is no longer with us.

This is hard. But it's life.

CHRISTOPHER:

Thank you, Mr. Willis! You are a

very kind and generous person.

JANITOR:

That's the least I could do. After

all, we need to help each other.

What if my mother was there instead

of your Gramps?

CHRISTOPHER:

43.

CHRISTOPHER:

I'm really sorry!

JANITOR:

You can't walk to the shelter. It's

better to get a taxi. Let me write

you an address.

The janitor hands Christopher a piece of paper.

CHRISTOPHER:

Thank you, Mr. Willis! Merry

Christmas!

JANITOR:

Merry Christmas!

Christopher walks quickly down the corridor and walks out

into the lobby.

63. EXT. KANSAS CITY PUBLIC LIBRARY - SAME TIME

Christopher runs out of the library and gets to the place

where he parked his car. There is no car.

CHRISTOPHER:

How could it happen? Has my car

been stolen?

64. INT. LOBBY - SAME TIME

Christopher runs back to the library. He approaches the

security guard.

CHRISTOPHER:

Mr. Potter! My car has been stolen!

It’s a catastrophe!

JIM POTTER:

Where have you parked your car?

65. EXT. KANSAS CITY PUBLIC LIBRARY - SAME TIME

Christopher and Mr. Potter get out of the building and

Christopher points to the place where he parked a car.

JIM POTTER:

Son! Do you see, there is a "No

Parking" sign? A tow truck took it

about ten minutes ago.

CHRISTOPHER:

What should I do now?

JIM POTTER:

44.

JIM POTTER:

Ask your parents to give you money

and go pick it up from the impound

lot. It’s nearby!

Mr. Potter goes back to the library.

CHRISTOPHER:

Thank you, Mr. Potter. Have a nice

day.

CHRISTOPHER V.O

First, I need to find Jacob, and

then go to the impound lot.

Christopher looks around and sees a WOMAN (50s) getting out

of the taxi. He waves to the TAXI DRIVER. The taxi pulls up

to him. Christopher opens the door.

66. INT.TAXI - AFTERNOON

He gets into the taxi and hands a taxi driver an address.

TAXI DRIVER:

Well! Are you sure, son?

CHRISTOPHER:

Yes, there should be a social

service. My grandfather is there!

He ran away from the nursing home

again. I have to pick him up!

TAXI DRIVER:

Well, in this case, let's go! But

still, be careful in that

neighborhood!

67. EXT. HOMELESS SHELTER - SAME TIME

The taxi pulls up to the building. Christopher gets out of

the taxi. The taxi leaves. Christopher looks around. Two

crows get into a McDonald's bag looking for food. Pigeons

peck at a piece of bread.

CHRISTOPHER (CONT'D)

This place sucks.

The black cat sniffs hamburger, pushes the bun away with his

paw, and bites off a piece of meat. Christopher walks up to

the red brick building, looks around, and gets up the dirty,

shabby stairs.

68. INT. FOYER - SAME TIME

45.

68. INT. FOYER - SAME TIME

Christopher enters the lobby and walks over to the

registration. The ADMINISTRATOR (40s) is sitting at the table

and drinking coffee from a disposable cup.

CHRISTOPHER:

Good afternoon, Ma'am!

I am looking for my grandfather. He

is about seventy years old. He ran

away from home. He has, well, this

disease when a person forgets

everything.

ADMINISTRATOR:

Good afternoon! We got an old man

yesterday. Go down the corridor,

there you will see a gray door.

Those who arrived yesterday were

assigned to this room.

Christopher runs down the hallway and gets into a room. There

are dozens of bunk beds. An OLD WOMAN (80s) in rags sits on

the bed and gets dirty things out of a bag. A MAN (40s) plays

solitaire. Two GUYS talk about a robbery that happened

yesterday.

CHRISTOPHER:

Hello! I am looking for my

grandfather. He is about seventy

years old.

MAN:

Hey, old man! Get down! Your

grandson came.

The old man gets down from the upper bed.

CHRISTOPHER:

Great! How glad I am that I found

you! Come quickly with me!

The old man silently puts on his boots, takes Christopher by

the hand, and they go down the corridor.

OLD MAN:

Don't say anything right now.

CHRISTOPHER:

(to the administrator)

I've found my grandfather.

The administrator hands him a log.

ADMINISTRATOR:

Sign here.

Christopher signs and they leave the building.

69. EXT. STREET - SAME TIME

46.

69. EXT. STREET - SAME TIME

Christopher and the old man walk in silence. They reach a

pedestrian crossing, stop and look around.

OLD MAN:

Now tell me!

CHRISTOPHER:

(indecisively)

I’ve stolen your carriage!

OLD MAN:

Tell me everything!

CHRISTOPHER:

It was incredible. The carriage

took off. I arrived in your city,

spent the night in your house and

drove an electric car to your

office. I didn't mean to do

anything wrong...

OLD MAN:

Continue!

CHRISTOPHER:

(scared)

I removed the part of the events

when Mom decides to go to John's

farm. I examined the application

and clicked on the function

“Contact the citizen”. I guessed

that you are Jacob who impersonated

an old man. I came to the library

to look for you, and Mr. Potter

didn't recognize me! It means I

succeeded.

OLD MAN:

How? How did you do this? The past

cannot be changed!

CHRISTOPHER:

I changed the events in the text

file. It was really easy to get it

edited. I've got a completely

different fate now! John is no

longer in our lives! I can start

over. But you need to get back to

work! As I understand, you are a

very important employee.

OLD MAN:

Hasn’t it ever crossed your mind

that now you’ve changed the fate of

several dozen people?

(MORE)

OLD MAN (CONT'D)

47.

OLD MAN (CONT'D)

You didn’t go to the farm, so

everything has changed in your

schedule. You have a different past

you don't know about. All the

people from the past that you knew,

now don't know you.

Also, you completely changed the

lives of the people you, your Mom,

and John communicated with!

CHRISTOPHER:

(happily)

And Lilian! We can start over! I

didn't say nasty things to her.

OLD MAN:

Do you hear what I'm telling you?

CHRISTOPHER:

Lilian, I have to find her!

The old man grabs Christopher by the shoulders and looks into

his eyes.

OLD MAN:

I’ve just told you that you

completely changed the lives of the

people you, your Mom, and John

communicated with.

Do you hear what I am saying?

Lilian doesn’t know you now. She

might have another boyfriend!

Have you thought about it? We need

to return to the Factory and

rewrite every line you deleted.

Have you understood me?

Christopher takes the old man's hands off his shoulders.

CHRISTOPHER:

But I want to know what has changed

in this reality! I want to know

where my Mom is now! I want to

start a new life! I didn't have to

look for you. I don't care about a

couple of destinies that have been

changed!

OLD MAN:

It's good that you decided to find

me. But it was very selfish of you

to change the past. Why did you

even think that everything has

changed for the better? The fate of

a person changes depending on his

intentions. I am really

disappointed.

CHRISTOPHER:

48.

CHRISTOPHER:

But my wish came true!

The old man sits down on the bench at the bus station.

OLD MAN:

Sit next to me.

(MORE)

OLD MAN (CONT'D)

(beat)

Your father was the most decent man

I’ve ever met. His wishes were

always good. He wanted only one

thing. He wanted you to find your

way in life.

CHRISTOPHER:

(with tears)

Why did he die? Why? My mother told

him that we had no milk, and he

went to that supermarket, since the

nearest one was being renovated. If

she hadn't mentioned that milk, he

wouldn't have had an accident! He

would be alive!

OLD MAN:

People die, sometimes quite by

accident and unexpectedly. This is

how your world works! Your father's

book is not so big, but meaningful.

His life cycle has gone through all

stages. All his wishes were

fulfilled. When we get to the

Factory, I will show you the

schedule of his life, and you will

understand that some events had to

happen.

CHRISTOPHER:

But who writes this stupid script?

I want him to rewrite it now! Let

me bring my father back. Let me

rewrite that day! I had to rewrite

when I was at the Factory! And my

father would be alive now!

The old man puts a hand on his shoulder.

OLD MAN:

(sympathetically)

He would have died anyway, but

later! You must understand that

such is his fate, such is his

schedule!

CHRISTOPHER:

49.

CHRISTOPHER:

Fate! I'm sick of that word! I had

to remove from the text file the

moment when Sarah was hit by a car!

Mrs. Stuart did not take her hand

when they were crossing the road.

And little Sarah wasn’t noticed by

the driver.

(MORE)

CHRISTOPHER (CONT'D)

I would rewrite every line. I would

write that the driver saw Sarah.

Everything would be fine in their

family. Mrs. Stuart wouldn’t have

gotten depressed, and Lilian

wouldn’t have become a nurse. And

now I would find Lilian, we would

fall in love again, and Sara would

be healthy, and Lilian and I would

go to St. Louis!

The old man jumps up from the bench.

OLD MAN:

(strictly)

You're talking like a spoiled,

selfish youth now! You only think

about yourself and your needs! Have

you ever thought for a moment about

what grandiose consequences could

be after you acted as an "editor"?

CHRISTOPHER:

I didn't think about it! All I

thought about was how to get rid of

this alcoholic and go to St. Louis,

where my father is buried.

OLD MAN:

Enough of this nonsense!

I'm afraid to even imagine what has

changed in the world because of

your actions.

CHRISTOPHER:

(with delight)

But what if my arrival to the

Factory was planned? What if this

is how it was supposed to happen?

OLD MAN:

Stop fantasizing! Your arrival to

the Factory was an accident that

happened due to my negligence.

CHRISTOPHER:

But...

OLD MAN:

50.

OLD MAN:

No "Buts". There is the main rule

in the protocol of our Factory:

"People must never, under any

circumstances, learn about the

existence of the Factory". So, this

is just a coincidence.

(MORE)

OLD MAN (CONT'D)

Perhaps our world is not perfect,

like yours, and factory workers

also make mistakes. I shouldn't

have lost sight of you. I broke the

protocol.

CHRISTOPHER:

(regretfully)

I wish it wasn’t a coincidence.

OLD MAN:

You just have a great imagination,

so you'll become one of the most

popular writers in the United

States.

CHRISTOPHER:

What have you just said? How do you

know the future?

OLD MAN:

I see a schedule that shows how

your dreams will get fulfilled. And

by the way, your cherished dream is

not to become a writer at all.

CHRISTOPHER:

Hmm, what is my cherished dream

then?

OLD MAN:

I'll show you the chart when we

arrive at the Factory!

CHRISTOPHER:

Intrigued!

Christopher looks up at the sky.

CHRISTOPHER:

Okay, I'll get back the lines that

I deleted from the file. But you

must promise me that you’ll tell me

more about the Factory.

OLD MAN:

51.

OLD MAN:

That's wonderful. I promise. We

need to hurry. We’ve already spent

a lot of time arguing.

CHRISTOPHER:

There is a teeny-tiny problem. The

car in which I arrived was taken to

the impound lot. I was in such a

hurry that I parked it in the wrong

place!

OLD MAN:

Taken away? Do you have any idea

how risky it is? What if someone

discovers its capabilities? What

are we waiting for? Let's go pick

it up quickly.

CHRISTOPHER:

(with annoyance)

But we won't be able to pick it up

without documents for the car. We

need to get to the impound lot at

night and turn on the flight mode.

I’ve set a standby mode.

The old man looks at Christopher in bewilderment.

OLD MAN:

How many days did you set in

standby mode?

CHRISTOPHER:

By default.

OLD MAN:

It's two days! When did you arrive?

CHRISTOPHER:

Yesterday around noon.

Christopher looks at the time on his phone.

OLD MAN:

So, the situation is as follows! We

won't be able to take off and to

fly. We need a highway for

acceleration. The only thing we can

do is to sneak to the impound lot

at night and get the navigation

system. We'll install it on another

car.

CHRISTOPHER:

What if...?

OLD MAN:

52.

OLD MAN:

And if something or someone

prevents us from doing it, the car

will disappear in a day, and we

will forever stay with you in an

altered reality. You will eat the

fruits of your actions until the

end of your days! And I'm afraid

they will be rotten like apples

that have fallen to the ground and

that no one has bothered to pick

up.

CHRISTOPHER:

Wow! You should write books! What a

phrase you made up about apples.

I've got goosebumps! Or rather,

worms that eat rotten apples. Uh...

So, let's then make a plan on how

to get to the impound lot. Since we

don't have a car, we’ll have to

hijack one. I've seen in movies how

easy it can be done!

OLD MAN:

(thoughtfully)

Wait! We need not a car, but a

plane! A car in this world won’t be

able to take off. We are in your

world and cars can’t fly. We have

to get on a plane or a helicopter

and start the navigation system

when we will be already flying. I

don't know exactly where our world

is, but we can arrive there only

with the help of the navigation

system. It is key with which you

can travel from our world to yours,

and not otherwise!

CHRISTOPHER:

Airplane? You said airplane? But

where the heck could we get an

airplane? Moreover, it has to fly

to "we don't know where!". I

certainly can't hijack an airplane.

OLD MAN:

You have to think! We are in your

world. Maybe you know someone who

can help us. By the way, a

helicopter will do better for us.

CHRISTOPHER:

I only know one person who can fly

a plane.

OLD MAN:

53.

OLD MAN:

So, let's get to him quickly!

CHRISTOPHER:

This is John, the one I wanted to

get rid of. Before meeting my

mother, he worked at the

agriculture enterprise and was

flying the plane that sprays crops.

Due to back problems, he had to

quit. He often talked about how he

enjoyed working on the field.

OLD MAN:

Then we need to find John and ask

him for help. This is our only

chance.

CHRISTOPHER:

Yes, I'd rather flush myself down

the toilet than ask him for help!

OLD MAN:

You completely forgot that in this

reality, he has no idea who you

are. By the way, he’s got drinking

problems because of you. When you

were little, he loved you very much

and dreamed that you would never

grow up. You were so sweet and

funny. Yeap. I am talking about

you. I remember everything, even

the smallest wishes of people I’m

in charge of. But then you got

older, and a wall of

misunderstanding grew between you,

or rather, not even a wall, but a

huge fortress. He didn’t cope with

the difficulties that await all

parents when their offspring grow

up. He snapped.

CHRISTOPHER:

He constantly yelled at me, forced

me to work, and picked on me. He

isn’t my father to tell me what to

do.

OLD MAN:

He is your father! He adopted you

because he truly loved you.

But he, like any person, could not

cope with negative emotions. He

couldn’t overcome himself and

believe that the day would come and

you call him a father.

CHRISTOPHER:

54.

CHRISTOPHER:

So, you want to say that it's all

my fault!

OLD MAN:

Nobody should be blamed for

anything! People tend to make

mistakes, be selfish,

overconfident, or insecure! But I

can tell you for sure! If you want

to change something in your life,

you shouldn't dig into the past but

act in the present. So, let's hit

the road and find John.

CHRISTOPHER:

Let's hope that in this reality he

lives on his farm and hasn’t moved

anywhere. I'll call a taxi now.

Christopher takes out his phone and orders a car through the

application. A taxi pulls up in ten minutes.

TAXI DRIVER:

(looks suspiciously at

customers)

Did you call a taxi?

CHRISTOPHER:

Yes! We did.

TAXI DRIVER:

Good! Have you got money?

Christopher takes out his wallet and shows the money to the

driver.

CHRISTOPHER:

But I'll pay when we get there.

TAXI DRIVER:

Okay, get into the car!

Christopher and the old man get into the taxi. The taxi

driver presses the gas pedal.

70. EXT. JOHN KIMBELL'S FARM - EVENING

The taxi pulls up to the farm gates.

71. INT. TAXI - EVENING

The taxi driver looks at the meter.

TAXI DRIVER:

Forty-seven dollars.

Christopher takes out a fifty-dollar bill and hands it to the

55.

Christopher takes out a fifty-dollar bill and hands it to the

driver.

TAXI DRIVER:

I don't have change.

CHRISTOPHER:

Leave it!

TAXI DRIVER:

Thank you. Have a good day!

CHRISTOPHER:

You too.

72. EXT. JOHN KIMBELL'S FARM - EVENING

Christopher closes the doors and the taxi leaves. He looks at

the gates.

CHRISTOPHER:

Look, they are brand new. When my

mother and I arrived at the farm,

they were gray. I painted them

green last summer.

OLD MAN:

Of course, because in this reality

you’ve never been to this farm.

73. EXT. YARD - SAME TIME

Christopher opens the gates and enters the yard. The old man

follows him.

74. EXT. VERANDA - SAME TIME

They get up the stairs, find themselves on the veranda and

approach the door. There is a Christmas wreath hanging on the

door.

CHRISTOPHER:

And the stairs are new too. They

don't make any squeaky noises when

you step on them. When we arrived,

the steps were in a terrible state.

Mom and John fixed them five years

ago.

Christopher looks around.

CHRISTOPHER:

This farm looks very well

maintained.

(MORE)

CHRISTOPHER (CONT'D)

56.

CHRISTOPHER (CONT'D)

Where is the greenhouse?

(he points to the right)

There was a greenhouse in which we

grow a rare type of tomato!

OLD MAN:

Someone else might live on this

farm.

Christopher presses the bell and listens.

CHRISTOPHER:

What if there is no one home?

Christopher knocks on the door.

CHRISTOPHER:

John! Open the door! We need your

help!

There is a sound outside the door.

JOHN:

Who's there?

CHRISTOPHER:

Please, open!

JOHN:

My pizza has already been

delivered!

CHRISTOPHER:

We need your help! It's a matter of

life and death!

John opens the door. He peeks out and looks at Christopher.

JOHN:

Who are you and how can I help you?

CHRISTOPHER:

Can we come in? Please, I will

explain everything.

John looks at the old man suspiciously.

CHRISTOPHER:

Please! After our conversation,

your life will completely change.

JOHN:

My life will change, you say? Okay,

come on in!

John opens the door wider.

75. INT. JOHN’S HOUSE - SAME TIME

57.

75. INT. JOHN’S HOUSE - SAME TIME

Christopher and the old man get into the house.

76. INT. LIVING ROOM - SAME TIME

Christopher looks around the living room connected with the

kitchen. It looks spacious and modern. On the coffee table

near the couch, there is a pizza box. John wears a nice red

shirt and blue jeans.

CHRISTOPHER V.O

He looks ten years younger! No beer

belly, no beard.

Christopher sits down on the couch, looking at the box with

pizza.

JOHN:

Help yourself!

CHRISTOPHER:

Thank you.

Christopher grabs a slice of pizza and takes a bite with

pleasure.

CHRISTOPHER:

(with a mouth full)

I don't even know where to start so

as not to shock you.

JOHN:

There is no way to surprise me, but

you could try!

OLD MAN:

(to Christopher)

You eat and I'll start.

(to John)

Have you ever felt like you are not

living your life? That something

happened last night and you woke up

in a different reality?

JOHN:

What are you talking about?

OLD MAN:

We don’t have much time. You have

to listen to me.

Christopher grabs the second slice of pizza.

CHRISTOPHER:

58.

CHRISTOPHER:

We came to ask you to find a plane

or a helicopter for us! We need to

fly somewhere.

OLD MAN:

Be quiet! We must tell everything

from the beginning.

JOHN:

Hmm, you really surprised me! What

makes you think that I will give

you my helicopter?

CHRISTOPHER:

Because after you find out what I

did...

A cat enters the room. Christopher puts the half-eaten slice

of pizza on a plate.

CHRISTOPHER:

Daisy! Daisy!

Christopher grabs the cat and hugs it.

CHRISTOPHER:

You told me once that you found her

when she was a kitten. Now she is

about ten years old.

Christopher puts the cat on his lap, strokes her head and

scratches behind her ear.

DAISY:

Meow, meow, meow

CHRISTOPHER:

How I missed you!

Daisy curls up in Christopher's lap and purrs.

JOHN:

Holy Moly! Why does my cat know

you? She is quite a wild kitty, but

she definitely likes when you pet

her.

OLD MAN:

That's interesting! It turns out

that animals can remain themselves

in parallel realities. Nothing has

changed for her! She recognized

you, even though she’s never seen

you in this reality.

JOHN:

59.

JOHN:

Just don't say you're from the

future, or that you're aliens and

your flying device is broken. I

think you are playing me. This is

some kind of a joke! Am I right? My

friends decided to make fun of me,

making me believe some nonsense.

This trick with the cat is amazing.

OLD MAN:

No, you’re never gonna guess.

CHRISTOPHER:

Photos, of course. I'll explain

everything now.

Christopher takes out his phone, and opens a folder with

photos.

CHRISTOPHER:

No photos! No videos? How can I now

prove that I’m his adopted son?

OLD MAN:

Of course, all the photos

disappeared, since in this reality

these events have never happened.

And it's very easy to prove!

(to JOHN)

Recall one rainy summer day seven

years ago. You were selling

vegetables at the farmers' market.

A beautiful woman and a ten-yearold

boy approached you. You talked

about the weather and stuff and she

mentioned they had recently moved

to Kansas City and she was looking

for a job. You fell in love with

her at first sight and thought that

it was a woman that you always

dreamed of marrying. Your wish was

so strong and sincere! And it came

true! In another reality.

John sits down on the couch.

JOHN:

Yes, that's how it was. I offered

her a job at my farm. She was

supposed to come the next day in

the morning. I cleaned the whole

house for her arrival. It has never

looked so clean and comfortable. I

waited all day, but she didn't

come. And I understood everything!

She is a lady!

(MORE)

JOHN (CONT'D)

60.

JOHN (CONT'D)

She belongs to high society. She

won't be able to work at the farm.

And she will never marry a farmer.

She agreed to come only out of

respect!

CHRISTOPHER:

I remember very well how it was. We

came to you the next day in the

morning, as agreed. Mom really

liked the garden. And I liked the

stables! I'd never seen a horse so

close. My mother used to be a

landscape designer, and while my

father was alive, she dreamed of

buying a huge house outside the

city and making a garden there.

John gets up, walks over to the fridge, pulls out a bottle of

water and drinks it in one gulp.

OLD MAN:

A year later, your cherished dream

came true. Joanna fell in love with

you and accepted your proposal.

After the wedding, you adopted

Christopher and then dreamed that

Joanna would give birth to your

daughter.

JOHN:

How is it possible? Now I

understand why your face seemed

familiar to me. It's you. You are

the boy I met seven years ago!

Am I dreaming all this? What

happened? Why am I now living in a

different reality? But that's

impossible! It is impossible to

travel in time!

CHRISTOPHER:

Everything is possible in our life!

Until yesterday, I didn't believe

in fate either! I had a unique

chance to learn something that no

one on Earth knows about. I managed

to change some events in the past.

To return to another world, we need

a plane. If we don’t fly away

today, we will forever remain in

this reality. Do you want to change

everything?

JOHN:

61.

JOHN:

Yes! I don't want to live the way I

live now. I have wealth, but I'm

not happy. I've lost my taste for

life. I bought a helicopter I was

dreaming about, but it didn't make

me happy. I am so lonely. If you're

telling the truth, and I will help

you to get back, then tomorrow I'll

wake up in another reality, married

to Joanna!

OLD MAN:

Absolutely!

JOHN:

Do you know how to fly a

helicopter?

OLD MAN:

It's not a problem! We have a

navigation system. We just need to

start the helicopter, take off and

connect the navigation system.

JOHN:

What are we waiting for? Let's go

to the hangar!

John walks to the front door and puts on his jacket.

CHRISTOPHER:

How did you manage to buy a

helicopter? Where did you get the

money?

JOHN:

I recently quit an agricultural

enterprise because of health

issues. And an old friend of mine

offered me a job at the horse farm.

Then we became partners. We earned

a lot of money selling horses. So,

that's the story.

CHRISTOPHER:

I completely forgot about the

navigation system! You must first

go to the impound lot, and pick up

the navigation system from the car!

JOHN:

Where is this impound lot?

Christopher opens the map on his phone and hands it to John.

John looks at the map and hands the phone back to

Christopher.

JOHN:

62.

JOHN:

My friend works there as a security

guard! If he's on shift right now,

he'll help us. Let's go to the

garage!

John, Christopher and the old man walk through the living

room and get into the garage.

77. INT. GARAGE - LATE EVENING

John walks over to the pickup truck.

JOHN:

Get in!

Christopher and the old man get in the car. He presses on the

gas pedal and the pickup truck pulls out of the garage.

78. EXT. ADMINISTRATIVE BUILDING - IMPOUND LOT - SAME TIME

The pickup truck drives up to the administrative building.

John, Christopher, and the old man get out of the car.

JOHN:

You said you need to get the

navigation system.

OLD MAN:

Yes, we can't go back without it.

JOHN:

(to Christopher)

What is the number and model of the

car?

Christopher thinks for a second.

CHRISTOPHER:

Gray Chevrolet Cruze

(thinking)

It's 404 JKB KANSAS.

JOHN:

Ok.

John walks up to the building, and looks at the sign that

reads:
"Opening hours from 8 a.m. to 6 p.m." John rings the

bell at the door.

79. EXT. ADMINISTRATIVE BUILDING - SAME TIME

The SECURITY GUARD (30s) gets out of the building.

SECURITY GUARD:

63.

SECURITY GUARD:

John! Wow! Long time no see!

JOHN:

Yeap. How are you? How's your work?

SECURITY GUARD:

Excellent! Everything is going

well. I am gonna be promoted soon.

And, how are you?

JOHN:

I bought a Chevrolet Cruze a week

ago! Exactly the car I needed!

SECURITY GUARD:

Sounds great!

JOHN:

So, I decided to take her for a

spin. I went to pick up my

grandfather in the morning from the

bus station. He told me he forgot

his medicines at home!

(MORE)

JOHN (CONT'D)

I parked for three minutes at the

pharmacy. I didn't notice the sign.

So, we get out of the pharmacy and

there is no car! I was told it had

been taken to the impound lot.

SECURITY GUARD:

Dude, congratulations on your

purchase! Well, so what is the

problem? Pay the fine and you're

gonna get it back. But only

tomorrow. I can't give you the car

now.

The security guard points to a sign with a schedule.

SECURITY GUARD:

We are open until 6 p.m. today!

JOHN:

Yes, I know. I have another

problem. My grandfather's bag was

left in the car. He really needs

all his stuff. Also, he lost his

glasses. Maybe put it in the car

somewhere. Can we pick up things

today, and tomorrow I will pick up

the car?

SECURITY GUARD:

64.

SECURITY GUARD:

Okay! But be quick. Maybe we could

grab a beer then!

JOHN:

Sure, buddy! Thanks a lot. Now I

will call my grandfather. Let him

look for his glasses!

John runs to the pickup truck, and opens the door.

JOHN:

(to the old man)

Gramps, come out quickly! Tell the

security guard that you need your

glasses! Understood?

(to Christopher)

And you stay in the car.

OLD MAN:

Got it.

John helps the old man to get out of the car. They approach

the security guard.

OLD MAN:

Good evening, young man! Merry

Christmas and Happy New Year!

SECURITY GUARD:

You too!

OLD MAN:

I forgot my glasses! I don't even

remember where I put them. I can't

see anything without my glasses.

Anything at all.

SECURITY GUARD:

(to John)

What car do you have again?

JOHN:

Gray Chevrolet Cruze. 404 JKB

KANSAS.

SECURITY GUARD:

If I remember right, it’s located

in sector #8. Be quick.

The security guard opens the gates. John and the old man

enter the impound lot.

JOHN:

Thanks, buddy!

OLD MAN:

Thank you, young man.

80. EXT. SECTOR #8 - SAME TIME

65.

80. EXT. SECTOR #8 - SAME TIME

John and the old man approach the car. John opens the front

door.

JOHN:

Come on quickly. Get the navigation

system!

The old man gets into the car. John walks around the car,

opens the trunk, and pretends to look for the bag.

OLD MAN:

(loudly)

Launch the navigation system.

The holographic display appears. The following information is

shown on the display: "Standby mode. Five hours left”. The

old man gets into settings and clicks "Remove navigation

system”. He puts his hand under the holographic display.

OLD MAN:

Done!

A round device that looks like a hazelnut falls onto his

hand. The old man puts the device into his pocket and gets

out of the car. John takes his glasses out of his pocket.

JOHN:

Put them on, and happily say that

you’ve found your glasses!

The old man puts the glasses on. John and the old man exited

the impound lot. They approach the security guard.

OLD MAN:

I’ve found my glasses!

JOHN:

But we forgot the bag somewhere

else. Thank you, buddy! Merry

Christmas!

SECURITY GUARD:

Always happy to help! And be

careful! Merry Christmas!

John shakes the hand of the security guard.

OLD MAN:

Thank you, young man! Merry

Christmas!

The old man and John get into the pickup truck.

CHRISTOPHER:

Did you get the navigation system?

The old man takes the device out of his pocket and shows it

66.

The old man takes the device out of his pocket and shows it

to him.

JOHN:

Mission is almost accomplished. Now

we’ll go to the hangar.

John presses the gas pedal and drives away from the impound

lot.

81. EXT. PRIVATE AIRPLANE HANGAR - NIGHT

John presses the brakes and the car stops near a hangar.

John, Christopher, and the old man get out of the pickup

truck. John opens the lock on the gates.

CHRISTOPHER:

Is this your hangar?

JOHN:

No. I rent it.

CHRISTOPHER:

You told me how you dreamed of

buying a helicopter, and sometimes

even traveling short distances. But

you didn't.

JOHN:

That’s weird! In this reality, I

can’t live without it. It brings me

so much joy! I show tourists around

Kansas City, as I always dreamed.

(to the old man)

I guess I can’t fly with you.

OLD MAN:

That’s right. You have to stay in

your reality. Since Christopher has

changed the events directly related

to you, you cannot move. Otherwise,

the course of events will be

completely disrupted.

JOHN:

Then I’ll show you how to take off

on your own. It's not as difficult

as it seems.

OLD MAN:

Thank you. But when I launch the

navigation system, the helicopter

will be controlled by autopilot and

it’s gonna take us to our

destination.

JOHN:

67.

JOHN:

That sounds great. Then it won't

take long.

82. INT. PRIVATE AIRPLANE HANGAR - SAME TIME

John takes the helicopter ground handling wheels and

approaches the helicopter. Christopher looks at John with

interest and admiration.

CHRISTOPHER:

And you can move the helicopter by

yourself?

JOHN:

Yeap. It's easy. Helicopter ground

handling wheels are used to lift a

helicopter off the ground for easy

movement in the hangar or on the

ramp. They are attached to the

skids, allowing the user to easily

balance the aircraft during

maneuvering without the tail

hitting the ground. You can help me

if you want!

John attaches ground handling wheels to the skids of the

helicopter. Christopher rolls the helicopter out of the

hangar.

CHRISTOPHER:

That's great! It looks like a toy.

JOHN:

The helicopter is the best

invention of mankind! When I fly, I

feel free!

CHRISTOPHER:

The same thing happens to me when I

write! That's the problem! You

suffered because you gave up on

your dream!

JOHN:

As you see, in this reality I dream

only about a family. I wish I could

show Joanna around Kansas City on

the helicopter.

CHRISTOPHER:

You will. I'll fix everything! It

turns out you are so cool. And I

actually really like you. I promise

everything will change for the

better! I’ll make it happen when I

get back.

OLD MAN:

68.

OLD MAN:

You definitely can do it! You and

only you.

83. INT. HELICOPTER - SAME TIME

Christopher, the old man, and John get into the helicopter.

John starts the engine. The blades begin to rotate, raising a

cloud of dust.

JOHN:

Now the helicopter will warm up and

you can take off. Have a good

flight.

OLD MAN:

Thanks for your help! Tomorrow

you'll wake up in a different

reality, next to your lawful wife.

And in the morning you’re gonna

have your favorite breakfast: three

eggs, bacon, and toast. But you

won't remember these events.

JOHN:

My life was completely empty. I

don't mind waking up married to a

woman I’ve been dreaming about all

my life!

Christopher hugs John and shakes his hand. John looks

attentively at Christopher.

JOHN:

You know, that's exactly how I

imagined my son! I dreamed of how I

would teach him to drive a car, and

then how to fly an airplane or a

helicopter. But the days flew by,

and I didn't meet the woman I

wanted to marry, maybe because I

still couldn’t forget that woman

from the market! It turns out that

I didn’t live my life. Yesterday I

was sitting at the window, looking

at the gate and dreaming that one

day she would come.

CHRISTOPHER:

But I showed up instead of her.

OLD MAN:

Even in a parallel reality created

by mistake, dreams do come true.

John hugs Christopher one more time.

JOHN:

69.

JOHN:

See you in another reality!

CHRISTOPHER:

See you!

OLD MAN:

See you, John! You are a good

person! Merry Christmas!

84. EXT. HELICOPTER - SAME TIME

John gets out of the helicopter.

85. INT. HELICOPTER - SAME TIME

The old man puts his hand into the pocket and takes out the

navigation system.

OLD MAN:

(loudly)

Launch navigation system.

The navigation system starts up. The holographic display

appears. The old man enters the "Menu", selects the

destination, and activates the autopilot.

NAVIGATION SYSTEM

Autopilot is activated. The system

is ready for the flight.

The helicopter slowly rises and disappears over the horizon.

JOHN:

Gee. I hope I didn't dream it all

up!

86. EXT. PRIVATE AIRPLANE HANGAR - SAME TIME

John closes the hangar, gets into a pickup truck and drives

off, leaving a trail of dust behind him.

87. EXT. JACOB'S HOUSE - LATE NIGHT

The helicopter lands near house #404.

NAVIGATION SYSTEM

Arrived at the destination.

Jacob clicks "Complete the route". Christopher and the old

man get out of the helicopter. The helicopter disappears.

The old man turns into a short young man. He is wearing a

blue jacket and cap. He approaches Christopher.

JACOB:

70.

JACOB:

Let me introduce myself! My name is

Jacob. I’m the head of the Wish

Granting Department at the Wish

Granting Factory, which serves

Kansas City.

CHRISTOPHER:

Sounds like a serious job.

Christopher shakes Jacob’s hand.

JACOB:

We must immediately go to the

Factory and fix everything.

Jacob opens the garage.

88. INT. GARAGE - SAME TIME

CHRISTOPHER:

I’ve left your electric car in the

parking lot at the Factory because

I flew to Kansas City in the car

selected in the application.

JACOB:

It's not a problem! Sometimes I go

to work by scooter.

Jacob gets on the scooter. Christopher sits behind. The

holographic display appears in front of Jacob. He clicks

“Route by Default" and "Autopilot mode".

JACOB:

Hold on to me!

The scooter drives out onto the road.

89. INT. PARKING LOT - SAME TIME

The scooter drives into the garage and parks next to the

electric car in parking space #404. Christopher and Jacob go

to the elevator. The elevator goes down. The doors open and

they exit the elevator.

90. INT. CORRIDOR - SAME TIME

They go down the corridor, approaching door #404. Jacob opens

the door.

91. INT. JACOB’S OFFICE - SAME TIME

71.

91. INT. JACOB’S OFFICE - SAME TIME

Christopher and Jacob enter the room and Jacob pulls out a

chair.

JACOB:

Sit down. Only you can fix it. I

don't even know how you did it.

Christopher sighs and turns on the computer. He finds the

"Christopher Kimbell" folder and clicks on it. He opens a

text file. The following information is shown on the screen:

"Attention. The file has been changed". Options: "Restore,

Save changes, Cancel". Christopher clicks "Restore" and

closes the file. Christopher opens the file again and reads.

CHRISTOPHER:

Look! All events have been

restored! It says here that my mom

and I are driving down a country

road and stopping at John Kimbell's

farm.

JACOB:

Wow! Until now, I thought that the

past can't be changed. But you

found how. This function should be

unavailable.

CHRISTOPHER:

I agree.

JACOB:

This issue has to be discussed at

the meeting. But only when you get

home and your schedule recovers.

CHRISTOPHER:

Still, maybe it was intended that

way?

JACOB:

No, no, and one more time no!

CHRISTOPHER:

You see, before that, you said that

the past cannot be changed!

JACOB:

Even I can be wrong! Get up, I'd

better show you your schedule. I

promised to tell you what your

cherished dream is!

Christopher gets up and Jacob sits down at the computer.

Jacob clicks on the item "Schedule", and types in the search

the name "Christopher Kimbell”. The schedule is displayed.

JACOB:

72.

JACOB:

As you can see, your wish to get

rid of John came true completely

unexpectedly for all of us!

Therefore, before wishing for

something, you need to think about

the consequences.

CHRISTOPHER:

It turns out that the Factory

taught me a lesson! I am sure it

was meant to be!

JACOB:

No, no, and one more time no! Look.

All your good wishes have been

restored. You changed your mind

about going to St. Louis.

So, it means all your dreams, the

cherished, the main ones, and many

secondary ones, will be fulfilled

according to this schedule.

CHRISTOPHER:

So, you came to the library to talk

me out of going to St. Louis!

JACOB:

You see, the closer you are to St.

Louis, the further you move away

from the plan to fulfill your

dreams.

CHRISTOPHER:

I wonder... what if...

JACOB:

Do not interrupt! If you went

there, you wouldn't meet the right

people who therefore wouldn't help

you to fulfill your main dream, and

you wouldn't fulfill the cherished

dreams of other people. You see,

everything is connected.

CHRISTOPHER:

That is, the task of your factory

workers is to follow the schedule

and help us to meet the right

people.

JACOB:

Exactly! I’ve never failed in my

mission before. But this time I

wasn't careful.

CHRISTOPHER:

73.

CHRISTOPHER:

What about people who have really

bad wishes?

JACOB:

These people are monitored by

another department. Therefore, one

can often hear the phrase: "Good

Defeats Evil". They carefully

maintain a balance of good and

evil.

CHRISTOPHER:

Hmm, what is my cherished dream?

Jacob clicks on the "C" in "Schedule."

JACOB:

Look here. The letter "C" means

"cherished", the letter "M" means

"main", and "S1", "S2", "S3" -

"secondary".

CHRISTOPHER:

A family!

JACOB:

This is your cherished dream! You

dream of becoming a good father as

your father was and having the

happy family as you had before your

father passed away!

CHRISTOPHER:

I have always dreamed of marrying

Lilian! But after what I said to

her...

Christopher looks slyly at Jacob and the computer.

CHRISTOPHER:

What if I edit our last

conversation with Lilian?

JACOB:

Do not even think! Act in the

present, don't dwell on the past.

Do what your heart tells you!

Apologize to her, but don’t tell

her about your adventures. It's

time for you to go home.

JACOB:

What will you fly home on?

CHRISTOPHER:

74.

CHRISTOPHER:

So, I have already flown by car, by

helicopter, by carriage. Maybe by

motorcycle?

JACOB:

Harley-Davidson?

CHRISTOPHER:

Of course! Retro!

JACOB:

You must get back to the library at

the very moment when you ran away

from me. One second… I’ve taken

care of it. You have to get to

parking space #650, Level C.

CHRISTOPHER:

Will we ever see each other again?

JACOB:

Maybe! But you won’t recognize me!

Christopher hugs Jacob and Jacob hugs Christopher.

JACOB:

Bon Voyage!

CHRISTOPHER:

Thank you. Goodbye.

Christopher exits the office and walks to the elevator. He

presses the call button and the elevator arrives.

92. INT. PARKING LOT - SAME TIME

Christopher approaches parking space #650. There is a Harley-

Davidson motorcycle waiting for him.

CHRISTOPHER:

Just the one I've been dreaming of!

Christopher gets on the motorcycle. The holographic display

appears.

NAVIGATION SYSTEM

The navigation system is activated.

The following information is shown on the screen: Location:

"Kansas City Public Library". Mode: "Autopilot". Options:

"Confirm or Cancel". He clicks "Confirm". The motorcycle

slowly drives out of the parking lot.

93. EXT. HIGHWAY - SAME TIME

75.

93. EXT. HIGHWAY - SAME TIME

The gates open, the motorcycle enters the empty highway,

accelerates, and takes off.

94. EXT. KANSAS CITY DOWNTOWN - MIDNIGHT

The motorcycle lands on a deserted street in Kansas City

downtown and drives along the street.

95. EXT. KANSAS CITY PUBLIC LIBRARY - SAME TIME

The motorcycle stops near the library. The holographic

display appears.

NAVIGATION SYSTEM

Arrived at the destination.

The following options are displayed: "Complete the route or

Standby mode". Christopher clicks "Complete the route". The

motorcycle disappears. He takes out his phone and checks the

time.

CHRISTOPHER V.O

This is precisely when I stole a

carriage.

(MORE)

CHRISTOPHER V.O (CONT'D)

I don't wanna run away from home

anymore. Jacob's mission is

accomplished! That was quite a

trip!

Christopher walks over to the bushes near the library and

pulls out his bike.

CHRISTOPHER:

It's time to go home.

Christopher gets on his bike and rides down the avenue.

96. EXT. GAS STATION - SAME TIME

He stops at the gas station. He walks into a shop and sees a

plastic box. He grabs the box and goes to a CASHIER (40s).

CASHIER:

Good evening! Thirty dollars,

please.

CHRISTOPHER:

Good evening!

Christopher hands the money to the cashier. She packs the box

76.

Christopher hands the money to the cashier. She packs the box

in a paper bag.

CHRISTOPHER:

Thank you. Merry Christmas!

CASHIER:

Merry Christmas!

Christopher exits the store and puts the bag in his backpack.

He gets on his bike and rides along the bike path. He turns

onto a country road and pulls up to the farm.

97. EXT. KIMBELL FAMILY FARM - SAME TIME

Christopher opens the gates and enters the yard. He parks his

bike near the house and opens the front door.

98. INT. LIVING ROOM - SAME TIME

Christopher walks into the living room. Joanna and John are

sitting on the couch, arguing.

JOHN:

I checked every coffee shop. I even

went to the bookstore. What else

can I do?

Joanna wipes away the tears.

JOANNA:

I can't bear that! What if

something has happened to him? He

couldn't just disappear!

CHRISTOPHER:

I am here!

John gets up from the couch. Joanna rushes to Christopher and

hugs him.

JOHN:

Oh my God, Christopher! We've been

so worried. Where have you been?

CHRISTOPHER:

I had a fight with Lilian, so I had

to think things over.

JOANNA:

We know everything. Lilian came in

the morning and told us about your

plan. We went to the police, but

they told us we should wait for one

day. You might come back.

CHRISTOPHER:

77.

CHRISTOPHER:

I am really sorry!

JOHN:

You know, I've been looking for you

all day. When I got home I got a

weird feeling that something is

wrong with me, something is

happening. I thought I probably had

a cold. So, I don’t know how I fell

asleep. I guessed I had a dream,

but it was for real. I swear.

Anyway, in my so-called dream, I

was living in this house all alone.

It looked really nice and neatly

renovated, but it was empty like my

heart. I've never felt such

emptiness before. It was a terrible

dream! You know, I woke up and

realized that I can't live without

Joanna and you. She is the best

thing in my life! I took everything

I have for granted.

CHRISTOPHER:

It wasn't a dream, John. I can't

explain it to you right now.

JOHN:

The most important thing is that

you come back home. Everything will

change from now on.

Christopher runs up to John and hugs him tightly.

CHRISTOPHER:

Thanks for your help! It turned out

you are an incredibly kind and

generous person. Only certain

circumstances changed you a little

bit.

John looks at Christopher in disbelief.

JOHN:

Are you all right? You look at me

like you haven't seen me forever.

JOANNA:

Are you hungry? There is some ham

in the fridge. I could make you a

sandwich.

CHRISTOPHER:

No, I’m not, thanks.

Christopher gets to the backpack, takes out the box and hands

it to John.

CHRISTOPHER:

78.

CHRISTOPHER:

I've got a gift for you! I can't

wait until you find it under the

tree!

John opens the box and takes out a radio-controlled

helicopter.

JOHN:

Wow, it's a helicopter! I’ve been

dreaming about buying one since

childhood.

CHRISTOPHER:

I think you shouldn’t give up on

this dream.

JOANNA:

Christopher, you know we don't have

money for a helicopter!

CHRISTOPHER:

Not yet! But dreams do come true,

Mom!

JOHN:

Since we've already started

exchanging gifts, I'll bring you

yours.

John walks up to the tree and grabs a small paper bag. He

hands it over to Christopher.

JOHN:

I knew you would come back. Merry

Christmas, son!

Christopher opens the bag and takes out a book. He reads the

title.

CHRISTOPHER:

"How to become a great writer".

Written by Stephen Merritt.

JOHN:

After our fight, I felt terrible.

Sometimes I get grouchy, but I love

you and wish you well.

CHRISTOPHER:

I know, John! I couldn’t say I

loved you before, but after what

happened, I guess I really like

you. You used to be really cool and

I want us to be friends again.

JOHN:

79.

JOHN:

Sounds great. But let me speak.

It’s really important. Don't

interrupt! So, after I woke up

after a nap, I felt like going

downtown again and continuing to

look for you. I was walking down

the street and saw a small

bookstore. I've never been

interested in books. I was really

surprised that there were so many

people there. Someone was sitting

in an armchair and reading by the

window. Someone was choosing a

book, I assume, for a gift. Then I

saw a shelf with books for writers.

And I thought about a gift for you.

If you want to be a writer, just do

it. I will only help you from now

on. The shop assistant helped me

choose the best one. I’ve never

felt so wonderful before.

CHRISTOPHER:

Wow, John. Thanks! This is the best

gift!

Joanna wipes her tears with a napkin. John and Christopher

look at her surprised.

JOANNA:

(with tears)

My dream has just come true! You

two finally get along so well.

Christopher puts the book on the shelf.

CHRISTOPHER:

Lilian! I told her nasty things and

broke up with her! What should I do

now?

JOANNA:

Go to her tomorrow morning,

apologize, and remind them again

that we are expecting her, Sarah,

and Mrs. Stuart for dinner. I'm

sure she'll forgive you and

everything will be fine. She loves

you so much. Tomorrow is Christmas

Eve!

Christopher walks up to Joanna and kisses her on the cheek.

CHRISTOPHER:

I won't wait until tomorrow! I'll

go right now!

Christopher takes the jacket and walks out the door.

80.

Christopher takes the jacket and walks out the door.

FADE IN:

99. INT. LIVING ROOM - KIMBELL FAMILY FARM - EVENING

John, Christopher, Lilian, Sara, and Mrs. Stuart sit at the

table. Joanna brings out the holiday turkey. The camera zooms

out and we see this scene on the computer monitor.

100. INT. OFFICE - WISH GRANTING FACTORY - SAME TIME

Jacob sits at the table, looks at the monitor, and smiles.

FADE OUT:

To be continued.

81.

0.0 / 0 votes
Contact Author

Olena Chepurna

Olena Volodymyrivna Chepurna was born on March 25, 1986 in Kharkiv, Ukrainian SSR, USSR [now Kharkiv, Ukraine]. She is a writer. As a translator and English teacher by profession, she has always been interested in literature and journalism. In 2014, she opened Olena Chepurna Language School, having developed a methodology for teaching the English language based on movies, TV-Series, subtitles, and scripts for them. She enrolled in a screenwriting school with an idea for a sitcom that could help to learn English and an animated family movie. Inspired by her Professor, she decided to pursue a career as a screenwriter. 

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