12 and Holding Page #8
JIM (CONT'D) (cont’d)
(half crazed)
I went to work today. For the
first time in weeks. It was as if
I had just gotten out of college!
I was fearless! I went after
accounts I had avoided for years
because I thought they were out of
my league. I spoke to presidents,
vice presidents, business managers,
sales reps. I was amazing. I was
magic. But when I came home to
share the news with your mother, I
discovered her asleep. When I
looked around the house, I realized
that her “office”, for lack of a
better word, was also piled up.
So, I took to the house. I have
made it my duty to clean this place
from top to bottom. Even if it
takes me all night, I don’t care.
Jacob?
JACOB:
(frightened)
Yeah?
JIM:
Will you join me? Join me in this
celebration of life. A symbolic
gesture of cleaning out the old and
bringing in the new.
JACOB:
Do I have to?
JIM:
(thrown for a loop)
No, you don’t have to.
JACOB:
Good night, Dad.
Off Jim’s look -
EXT. JUNIOR HIGH SCHOOL AUDITORIUM - DAYS LATER - NIGHT
Parents and students file inside. A large SIGN above the
door reads, JEFFERSON JUNIOR HIGH FALL RECITAL.
47.
INT. SCHOOL AUDITORIUM - CONTINUOUS
A packed audience listens to A GIRL (12), standing center
stage and singing “The Rose”. She is not nearly as good as
she thinks she is, but she sings full throttle.
We FIND Malee, sitting in the flute section and playing along
with the rest of the orchestra. She looks to the front row,
but Gus is no where to be found.
The girl finishes her song, and the crowd politely applauds.
Mr. Farmer crosses to the microphone.
MR. FARMER
I’m sure Bette Midler would be most
impressed with that rendition.
The crowd laughs. Mr. Farmer didn’t mean for it to be a
joke.
MR. FARMER (CONT'D) (cont’d)
Anyway, our next soloist is Malee
Chung. She will play the theme
from “Love Story” on the flute.
The crowd applauds as Malee rises and crosses to the
microphone.
MALEE:
Thank you, Mr. Farmer.
Malee spots Gus, walking down the aisle. He scurries into
the front row and sits. Malee lights up.
MALEE (CONT'D) (cont’d)
There’s actually been a change.
I’m not going to play the theme
from “Love Story”. Um... this is a
song...
Mr. Farmer, waves to Malee from off stage. Malee looks at
him. Mr. Farmer mouths something to her.
MALEE (INTO MICROPHONE) (CONT'D)
(to Mr. Farmer)
What? I can’t hear you?
Mr. Farmer throws up his hands.
(CONTINUED)
48.
CONTINUED:
MALEE (CONT'D) (cont’d)
Anyway. This is a song by The
Doors.
At the mention of The Doors, Gus’ smile instantly fades. The
coincidence is just too great.
Malee starts to play “Light My Fire”. She is good. Mr.
Farmer and the audience seem pleased by her euphonious
performance. Even Gus is won over. He appears entranced by
the music.
INT. SCHOOL AUDITORIUM - LATER THAT NIGHT
The recital is over. Most of the audience has filed out. A
few remain, offering their congratulations to the musicians.
Malee stands with Leonard.
MALEE:
Where’s Jacob?
LEONARD:
Couldn’t make it. He...
GUS (O.S.)
Malee.
Malee spots Gus, heading towards her.
MALEE:
Oh my God! He’s coming over.
LEONARD:
Who?
MALEE:
Shut up! Leave now.
Malee pushes Leonard behind her just as Gus approaches.
GUS:
You were awesome.
MALEE:
Really? Be honest. I’d rather you
tell me I sucked then lie.
GUS:
You were great.
Leonard peeks around Malee’s back.
(CONTINUED)
49.
CONTINUED:
MALEE:
Excuse me for a second.
Malee turns around and pinches Leonard.
LEONARD:
Ow, ow, ow alright. I’m going.
Leonard walks off. Malee turns back around with a big smile
on her face. She plays coy.
MALEE:
GUS:
Yeah. Good song. What made you
pick it?
MALEE:
(covering)
Oh, uh... my mother was humming it
all last week. Big Doors fan.
GUS:
Really? Is she here?
MALEE:
No.
GUS:
She missed out.
MALEE:
You’re so sweet.
GUS:
Yeah well, I have to go, but thanks
again. I had a great time.
Gus gives Malee an innocent kiss on the check and then walks
off. Malee melts. She stands frozen, clutching onto her
flute in ecstacy.
EXT. STREET - MORNING
With fire and determination, Leonard jogs. Unfortunately, he
is quickly winded by the run. He bends over, gasping.
SUPERIMPOSE SHOT OVER SHOT: Leonard appears, running past
his old, weaker self. Stronger, he makes a few more yards
and then is forced to stop.
(CONTINUED)
50.
CONTINUED:
He leans over for air, and we SUPERIMPOSE another SHOT OVER
SHOT of Leonard, weeks later, running past his weaker self.
(This series of shots repeats a few more times, illustrating
the progression of time and weight loss.)
INT. LEONARD’S HOME - STAIRCASE/KITCHEN - DAY
Leonard runs up and down the stairs, sweating like crazy.
Grace appears, watching him around the corner. She shakes
her head and then returns to the kitchen.
GRACE:
That boy is going to bring the
entire house down.
PATRICK:
Let him be. He’s looking good.
I’m proud of him.
GRACE:
(to the girls)
Girls, have you decided what you’re
going to go as for Halloween?
SARA:
Either a witch or a princess.
GRACE:
That’s nice. Haley?
HALEY:
I’m going to go as a marble.
GRACE:
What do you mean, a marble?
HALEY:
You know, like a bag of marbles,
but just one marble.
INT. JUVY HALL - CONVERSATION BOOTHS - LATE AFTERNOON
Jacob and Jeff sit across from each other on the phone. Jeff
has two black eyes and a fat lip. He is crying profusely.
Jacob doesn’t appear at all sympathetic.
JEFF:
I’m really sorry, man. I...
(CONTINUED)
51.
CONTINUED:
JACOB:
You just think about what I said.
Get out of my sight. And send
Kenny in on your way out.
Jeff rises and walks to a door, leading to the jail. A
moment later, Kenny enters, looking pissed off. He sits
across from Jacob and picks up the phone.
KENNY:
What did you say to him?
JACOB:
I thought you’d both like to know
that Halloween was Rudy’s favorite
holiday.
Jacob picks up some pictures and presses them against the
glass.
JACOB (CONT'D) (cont’d)
These are pictures from every
single Halloween since we were
five. You see how happy he was?
KENNY:
Stop it.
JACOB:
After we’d go trick or treating,
we’d sit in our room and swap the
candy we hated. Rudy loved
Snickers, I Almond Joys.
KENNY:
Almond Joy sucks.
JACOB:
What sucks is that I’ll never get
to sit in my room and swap candy
with my brother ever again. Thanks
to you.
KENNY:
Why are you doing this?
JACOB:
To remind you.
(CONTINUED)
52.
CONTINUED:
(2)KENNY:
How could we forget? You been
coming here for months to “remind
us”.
JACOB:
No one is forcing you to talk to
me.
KENNY:
Anything to get out of my cell.
JACOB:
Is your cell small?
KENNY:
Yes.
JACOB:
So is a coffin.
KENNY:
You’re not the only one who wishes
he was still alive. I’d do
anything to bring him back, but I
can’t. It’s not easy being in
here. Hell, you saw Jeff.
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"12 and Holding" Scripts.com. STANDS4 LLC, 2024. Web. 27 Dec. 2024. <https://www.scripts.com/script/12_and_holding_279>.
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