12 and holding Page #12
GUS:
No.
Gus catches a look of relief on Malee’s face.
GUS (cont’d)
I mean, yeah. You may be 13, but a
boy even three years older than you
is probably more “experienced”.
Boys can be impatient about that
sort of thing.
MALEE:
Are you impatient?
GUS:
No, but when I was a kid.
MALEE:
Why don’t you have a girlfriend?
GUS:
I did, but it didn’t work out.
MALEE:
How old was she?
GUS:
About my age.
MALEE:
See that, age wasn’t an issue, yet
you still wanted different things.
(MORE)
(CONTINUED)
73.
CONTINUED:
(2)MALEE (cont'd)
I think when two people connect,
they connect for other reasons.
And since soulmates are eternal,
they have no age.
Gus is stumped.
EXT. LEONARD’S DRIVEWAY - NEXT DAY
Leonard watches Patrick and his sisters drive off in a
TAXICAB.
LEONARD:
(calling after them)
Have a good flight!
The taxicab disappears down the street.
As Leonard turns back around, he sees Grace, staring at him
from the window. They lock eyes for a moment and then Grace
disappears into the dark recesses of the home.
INT. LEONARD’S HOME - BASEMENT - NIGHT
Leonard descends the staircase and begins looking around at
the setting. Boxes of junk clutter the floor along with old
furniture and bicycles.
He crosses to the basement door, which leads out to the
backyard. As Leonard unlocks and opens the door, a mass of
cobwebs stretch across the frame like elastic bands. Leonard
grabs a nearby broom and starts wiping away the cobwebs.
INT. JACOB’S HOME - BEDROOM - DAYS LATER
Jacob sits at his desk, reading the PLASTIC SURGERY PAMPHLET
his parents had given him for his birthday last year.
The bedroom door opens and Ashley sticks her head in.
ASHLEY:
We’re home.
JACOB:
Hi.
ASHLEY:
Could you come downstairs for a
minute. We have a surprise for
you.
74.
INT. JACOB’S HOME - KITCHEN - MOMENTS LATER
Jacob stands in front of KEITH GARDNER (10), African
American, sweet faced and dressed in a shirt and tie. He has
luggage with him.
Ashley and Jim stand behind the boys, beaming.
JIM:
This is Keith Gardner. You’re new
brother. Keith our son, Jacob.
Keith extends his hand.
KEITH:
It’s nice to meet you.
INT. JACOB’S HOME - BEDROOM - LATER
JACOB:
You get top bunk.
KEITH:
I’m kind of afraid of heights.
JACOB:
Sucks to be you.
Keith lets Jacob’s attitude pass.
JACOB (CONT'D) (cont’d)
No offence, but I never thought my
future brother would be a... well,
a “brother”.
KEITH:
I never thought my future brother
smeared across his face.
JACOB:
F*** you, it’s a birthmark!
KEITH:
We’re getting off on the wrong
foot.
(CONTINUED)
75.
CONTINUED:
JACOB:
When my parents said they were
taking in an orphan, I pictured a
baby. So what happened, your
parents die or something?
KEITH:
I was given up at birth.
JACOB:
You gonna try and find your mother
when you’re 18?
KEITH:
As far as I’m concerned, the fact
she had me was enough. I don’t
need to show up one day and disrupt
her life.
JACOB:
Oh, but it’s okay to just show up
one day and disrupt mine?
Off Keith’s hurt look
INT. LIBRARY - LATER
Malee stands at the card catalogue, flipping through the “S”
section. She comes to cards with the word SEX in the title.
INT. MALEE’S HOME - BEDROOM - EARLY EVENING
Malee enters her room, locks the door behind her and empties
her bag of SEX books on the bed. The first one she peruses
is the “KARMA SUTRA”. At first glance, Malee’s eyes go wide
in shock. She grabs her backpack and removes a number of
index cards. Malee starts taking notes.
INT. JUVY HALL - COMMUNICATION BOOTHS - NEXT DAY
Jacob is on the one way phone with Kenny.
JACOB:
He’s not some baby. He’s like 10.
KENNY:
You’re blaming me for this?
JACOB:
No. But can you believe it?
(CONTINUED)
76.
CONTINUED:
KENNY:
Maybe this is the only way they can
get over Rudy’s death.
JACOB:
He’s a person not a f***ing vase.
KENNY:
I know.
JACOB:
I gotta get out of there. I can’t
live in that house for one more
day. I want to go with you to New
Mexico.
KENNY:
No way. You’ve never even been
out on the road.
JACOB:
So.
KENNY:
It’s not easy. After first night
falls, you’ll be pissing yourself.
JACOB:
No, I won’t.
KENNY:
You don’t need me to run away from
home.
JACOB:
That’s not what this is about.
KENNY:
Yes, it is.
(beat)
And you want to come with ME of all
people. Are you forgetting, I was
the one who killed Rudy!
JACOB:
That was an accident.
Kenny appears stunned. Jacob has never accepted that truth.
(CONTINUED)
77.
CONTINUED:
(2)JACOB (CONT'D) (cont’d)
I’ll be helpful. I can get
everything we’ll need together. As
soon as you’re released, we can go.
Kenny appears to be weighing the decision.
JACOB (CONT'D) (cont’d)
Please.
KENNY:
If this is what you want. Alright.
INT. MALEE’S HOME - KITCHEN - SAME TIME
Yacco is on the phone with her ex-husband.
YACCO (INTO PHONE)
... I’m not asking for much. Just
call her from time to time...
Because she needs to know her
father cares... Call collect.
Malee enters the kitchen.
MALEE:
Is that Dad? Can I talk to him?
YACCO:
Take some responsibility for
yourself and grow... Hello?...
YACCO (CONT'D) (cont’d)
He hung up.
MALEE:
Well, what do you expect? All you
ever do is yell at him.
YACCO:
Malee, you don’t understand.
MALEE:
He’s my Dad! I’m sorry if it
bothers you, but I love him. You
keep this up then one day, when I’m
old enough, I’ll leave here and go
and stay with him.
Malee runs out of the room, leaving a disappointed Yacco.
78.
INT. LEONARD’S HOME - BASEMENT - NIGHT
Leonard hammers a piece of wood over the basement door, which
REVEAL the basement. Now clean. Boxes, furniture and trash
are piled neatly in a corner. Only a mattress remains on the
floor in the center of the room.
Leonard grabs a grocery bag and crosses to a bathroom at the
opposite end of the basement.
INT. LEONARD’S HOME - BASEMENT BATHROOM - CONTINUOUS
Leonard turns on the light, revealing a shower, toilet and
sink. He removes toiletries from the grocery bag and places
them inside.
INT. LEONARD’S HOME - DEN - SAME TIME
Grace watches FAMILY FEUD while eating cake.
LEONARD (O.S.)
(screaming)
Help! Oh God, Ma! Help!
Grace drops her fork.
GRACE:
Leonard?
Grace jumps up and runs out of the room.
INT. LEONARD’S HOME - HALLWAY - CONTINUOUS
Grace opens the door to the staircase, which leads to the
basement.
GRACE:
(screaming)
Leonard, what’s wrong?
LEONARD (O.S.)
It’s on top of me. I can’t get up!
Oh, there’s so much blood!
GRACE:
I’m calling 9-1-1!
LEONARD (O.S.)
Get it off me first! I’m bleeding.
(CONTINUED)
79.
CONTINUED:
GRACE:
If I go downstairs, I won’t be able
to make it back up. Let me call
9-1-1 first, okay?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"12 and holding" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/12_and_holding_389>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In