12 Years a Slave Page #3
Solomon gives the whole deal one last consideration.
SOLOMON:
The payment offered is enticementenough, as is my desire to visitthe metropolis.
HAMILTON:
We are delighted, sir. So
delighted. Though we would addthat our travel plans-
BROWN:
We would like to depart withhaste.
(CONTINUED)
1/24/13 FINAL SHOOTING SCRIPT 10.
11 CONTINUED:
(2) 11 11 CONTINUED: (2) 11SOLOMON:
As luck would have it, my wife and
children are traveling. I will
write her of our plans.
BROWN:
Excellent! I would beg you
collect yourself, then we may
proceed.
12 INT. NORTHUP HOUSE/BEDROOM - LATER 12
Back in his house, we see Solomon packing: putting someclothes in a travel case, and collecting his violin aswell.
13 INT. NORTHUP HOUSE/STUDY - LATER 13
Solomon sits down to write a letter; pen poised overpaper with already a few lines written. But Solomon
thinks better of it. WITH LITTLE THOUGHT HE TEARS THE
PAPER AND SETS IT ASIDE. WE SHOULD GET THE SENSE THAT
THE ABSOLUTE VALUE OF BEING ABLE TO COMMUNICATE BY LETTER
IS LOST ON SOLOMON. THIS FACT WILL HAVE GREAT WEIGHT IN
THE NEAR FUTURE.
14 EXT. SOLOMON'S HOUSE/INT. COVERED CARRIAGE - LATER 14
Solomon enters the buggy, carpet bag in hand. Brown and
Hamilton are waiting. They ride in a covered carriageled by a pair of "noble" horses.
HAMILTON:
No letter to post?
SOLOMON:
No need. My return will coincide
with my family's.
BROWN:
We're off then.
15 INT. PUB -EVENING 15
We find ourselves in a roadside pub. It serves the
purpose of drinking and diversion, and little more. As
Solomon plays his violin, Brown and Hamilton perform adecent, paired magic routine before a SPARSE AUDIENCE NOTOF "SELECT CHARACTER."
1/24/13 FINAL SHOOTING SCRIPT 11.
16 INT. PUB -LATER 16
After the show, the pub now fairly empty, Solomon,
Hamilton and Brown sit down to eat. Hamilton and Brown
drink, but again Solomon abstains. Though Solomonremains cool, Hamilton and Brown put up a great show ofbeing disappointed as Hamilton counts out what littlemoney was collected.
HAMILTON:
Not an additional tip from a oneof them. They expect to beentertained for nothing.
BROWN:
And not satisfied a bit despitegiving them more than what theypaid for.
SOLOMON:
It's the national mood. There's
too much grief to make room forfrivolity.
HAMILTON:
My sincerest apologies, Solomon.
You were promised opportunity, andyou were given none.
BROWN:
The opportunity is with thecircus. A two man show poorlypromoted, what were we to expect?
HAMILTON:
True.
BROWN:
I have told you of the circus withwhich we are connected. Creatures
from the darkest of Africa.
Acrobats from the Orient who--
SOLOMON:
You have described it, yes.
BROWN:
Yes. We need to return
immediately to Washington.
Solomon...I believe us familiar
enough now, but forgive me if I ambold...would you consider makingthe trip with us?
Solomon gives a bit of a laugh at the idea.
(CONTINUED)
CONTINUED:
CONTINUED:HAMILTON:
Entertaining at pubs and inns has
it's place, but a man of your
skills deserves better.
BROWN:
Hear, hear.
HAMILTON:
And more importantly you would
build your own name and following.
The circus tends to attract those
with the highest of reputations.
An introduction here and there
reward. Now would be the time.
With your family away, an
opportunity presents itself.
BROWN:
Said as fellow artists as well as
businessmen. Well worth the
effort at least.
SOLOMON:
You present a flattering
representation. As my family will
be traveling back shortly, perhaps
I might commit only to one trial
engagement.
HAMILTON:
Oh, very good, sir. Very good. I
cannot recall being so excited.
BROWN:
There is a practical concern. If
you are to continue on with us you
should obtain your free papers.
SOLOMON:
Not necessary.
BROWN:
Here in New York, no. But we will
be entering slave states and as a
matter of precaution... It's to
all our benefit we should not have
to come to account for your well
being.
HAMILTON:
could well save much trouble
later.
12.
(CONTINUED)
1/24/13 FINAL SHOOTING SCRIPT 12A.
16 CONTINUED:
(2) 16 16 CONTINUED: (2) 16BROWN:
We'll go to the Customs House inthe morning, then travel on. Good
business all around.
1/24/13 FINAL SHOOTING SCRIPT 13.
17 OMIT 17
18 EXT. WASHINGTON -DAY 18
The city is a swarm of people. At the moment the populaceis displaying both sorrow and anticipation. Sorrow for
the loss of the President. Many are dressed in black,
and black crepe hangs nearly everywhere. Black armbandsare frequently seen, and the occasional American Flaghung at half mast. As well, there are portraits ofHarrison at varying locations.
Having arrived in Washington, Solomon, Hamilton and BrownRIDE ONWARD IN THEIR CARRIAGE.
19 INT. GADSBY HOTEL/DINNING ROOM - EVENING 19
A decent though crowded, boisterous and smoke-filledjoint. Very lively. Solomon, Hamilton and Brown areamong several parties drinking in the hotel's bar. As
with seemingly everywhere in the city black crepesaccessorize the background. Brown counts out $43.00 IN
COIN on the tabletop. Solomon is astonished by theamount.
BROWN:
Forty-three dollars. All to you.
SOLOMON:
That...it's far more than my wages
amount to.
BROWN:
Consider the remainder an advance
from the circus. I cannot tell
you...I honestly wish you had seen
the expression of our director
when I described your abilities.
excitement.
HAMILTON:
You should have invited him to sup
with us.
BROWN:
I did. I did, but so many
preparations before the company is
to depart.
SOLOMON:
Gentlemen-
BROWN:
Tomorrow we shall prepare for our
Washington debut. But tonight, our
thoughts are with the great man
(MORE)
(CONTINUED)
1/24/13 FINAL SHOOTING SCRIPT 13A.
19 CONTINUED:
19BROWN (CONT'D)
for whom this city prepared solemn
memorial. He has passed from the
praise of men to receive the
plaudit of his heavenly father. A
fine man has passed. Let us
remember him with a drink.
(CONTINUED)
1/24/13 FINAL SHOOTING SCRIPT 14.
19 CONTINUED:
(2) 19 19 CONTINUED: (2) 19Both Hamilton and Brown hold up their tankards to drink.
Solomon, a bit reluctantly, does the same.
HAMILTON:
Cheers.
BROWN:
Another. Our departed President
deserves all the salutation we can
imbibe.
Hamilton and Brown drink again, and Solomon does as well.
20 OMIT 20
21 OMIT 21
22 EXT. ALLEY -LATER 22
WE MAKE A HARD CUT to Solomon outside of the Pub, in analley, with Brown and Hamilton in silhouette, back-lit bythe street lights. He is violently ill, hunched over andretching horribly.
HAMILTON:
That's all right Solomon. No
shame in it. No shame at all.
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"12 Years a Slave" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/12_years_a_slave_47>.
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