2001: A Space Odyssey Page #14

Synopsis: An imposing black structure provides a connection between the past and the future in this enigmatic adaptation of a short story by revered sci-fi author Arthur C. Clarke. When Dr. Dave Bowman (Keir Dullea) and other astronauts are sent on a mysterious mission, their ship's computer system, HAL, begins to display increasingly strange behavior, leading up to a tense showdown between man and machine that results in a mind-bending trek through space and time.
Genre: Adventure, Sci-Fi
Production: Warner Bros. Pictures
  Won 1 Oscar. Another 13 wins & 10 nominations.
 
IMDB:
8.3
Metacritic:
82
Rotten Tomatoes:
92%
G
Year:
1968
149 min
$135,620
1,773 Views


VISION AND PICTURE

FADE.

ALARM GOES OFF.

HAL:

Condition yellow.

BOWMAN AND POOLE

RUSH TO THE COMPUTER.

12/14/65 c87

------------------------------------------------------------------------

C79

CONTINUED:

BOWMAN:

What's up?

HAL:

I'm afraid the AO-unit has failed.

BOWMAN AND POOLE

EXCHANGE LOOKS.

BOWMAN:

Let me see the alignment display.

C80

THE ALIGNMENT DISPLAY

SHOWS THE EARTH HAS

DRIFTED OFF THE CENTRE

OF THE GRID.

C81

CENTRIFUGE.

BOWMAN:

Well, I'll be damned.

POOLE:

Hal was right all the time.

12/14/65 c88

------------------------------------------------------------------------

C81

CONTINUED:

BOWMAN:

It seems that way.

HAL:

Naturally, Dave, I'm not pleased

that the AO-unit has failed, but I

hope at least this has restored

your confidence in my integrity

and reliability. I certainly

wouldn't want to be disconnected,

even temporarily, as I have never

been disconnected in my entire

service history.

BOWMAN:

I'm sorry about the misunderstanding,

Hal.

HAL:

Well, don't worry about it.

BOWMAN:

And don't you worry about it.

HAL:

Is your confidence in me fully

restored?

BOWMAN:

Yes, it is, Hal.

HAL:

Well, that's a relief. You know

I have the greatest enthusiasm

possible for the mission.

12/1/65 c89

------------------------------------------------------------------------

C81

CONTINUED:

BOWMAN:

Right. Give me the manual antenna

alignment, please.

HAL:

You have it.

C82

BOWMAN GOES TO:

THE COMMUNICATION

AREA AND TRIES TO

CORRECT THE OFF-

CENTRE EARTH ON:

THE GRID PICTURE.

C83

OUTSIDE, WE SEE THE

ALIGNMENT TELESCOPE

ATTACHED TO THE:

ANTENNA. THEY TRACK

SLOWLY TOGETHER AS

C84

BOWMAN WORKS THE

MANUAL CONTROLS,

ATTEMPTING TO ALIGN

THE ANTENNA AND:

EARTH ON THE:

12/1/65 c90

------------------------------------------------------------------------

C85

GRID PICTURE READOUT

DISPLAY, BUT EACH TIME

HE GETS IT AIMED UP,

IT DRIFTS SLOWLY OFF.

THERE ARE A NUMBER

OF REPETITIONS OF THIS.

EACH TIME THE EARTH

CENTRES UP, THERE

ARE A FEW SECONDS OF

PICTURE AND SOUND

WHICH FADE AS SOON

AS IT SWINGS OFF.

BOWMAN:

Well, we'd better get out there

and stick in another unit.

POOLE:

It's the last one.

BOWMAN:

Well, now that we've got one

that's actually failed, we

should be able to figure out

what's happened and fix it.

12/1/65 c91

------------------------------------------------------------------------

C86

POD EXITS DISCOVERY.

C87

POOLE IN POD.

C88

POD MANOEUVERS:

TO ANTENNA.

C89

BOWMAN IN COMMAND

MODULE.

C90

POD ATTACHES ITSELF

NEAR BASE OF ANTENNA.

12/1/65 c92

------------------------------------------------------------------------

C91

POOLE IN POD, WORK-

ING POD ARMS.

C92

LIGHTS SHINE INTO

BACKLIT SHADOW.

C93

POD ARMS WORKING

FLIP-BOLTS.

C94

FLIP-BOLTS STUCK.

C95

POOLE KEEPS TRYING.

12/1/65 c93

------------------------------------------------------------------------

C96

FLIP-BOLTS STUCK.

POOLE:

There's something wrong with

the flip-bolts, Dave. You must

have tightened them too much.

BOWMAN:

I didn't do that Frank. I took

particular care not to freeze

them.

POOLE:

I guess you don't know your own

strength, old boy.

BOWMAN:

I guess not.

POOLE:

I think I'll have to go out and

burn them off.

BOWMAN:

Roger.

BOWMAN IN COMMAND

MODULE LOOKS A BIT

CONCERNED.

12/1/65 c94

------------------------------------------------------------------------

C97

POOLE EXITS FROM

POD, CARRYING NEAT

LOOKING WELDING:

TORCH.

C98

POOLE JETS HIMSELF

TO BASE OF ANTENNA.

C99

POOLE'S MAGNETIC

BOOTS GRIP THE SIDE

OF DISCOVERY.

C100

POOLE CROUCHES:

OVER THE BOLTS,

TRYING FIRST TO:

UNDO THEM WITH:

A SPANNER.

12/1/65 c95

------------------------------------------------------------------------

C100

CONTINUED:

POOLE:

Hal, swing the pod light around

to shine on the azimuth, please.

HAL:

Roger.

C101

THE POD GENTLY:

MANOEUVRES ITSELF

TO DIRECT THE LIGHT

BEAM MORE:

ACCURATELY.

C102

POOLE IGNITES:

ACETYLENE TORCH:

AND BEGINS TO BURN

OFF THE FLIP-BOLTS.

C103

SUDDENLY THE POD

JETS IGNITE.

12/1/65 c96

------------------------------------------------------------------------

C104

POOLE LOOKS UP TO SEE.

C105

THE POD RUSHING:

TOWARDS HIM.

C106

POOLE IS STRUCK:

AND INSTANTLY KILLED

BY THE POD, TUMBLING

OFF INTO SPACE.

C107

THE POD SMASHES:

INTO THE ANTENNA

DISH, DESTROYING

THE ALIGNMENT:

TELESCOPE.

12/1/65 c97

------------------------------------------------------------------------

C108

THE POD GOES:

HURTLING OFF INTO

SPACE.

C109

INSIDE THE COMMAND

MODULE, BOWMAN

HAS HEARD NOTHING,

POOLE HAD NO TIME

TO UTTER A SOUND.

C110

THEN BOWMAN SEES

POOLE'S BODY SILENTLY

TUMBLING AWAY INTO

SPACE. IT IS FOLLOWED

BY SOME BROKEN TELE-

SCOPE PARTS AND:

FINALLY OVERTAKEN

AND SWIFTLY PASSED BY

THE POD ITSELF.

BOWMAN:

(in RT cadence)

Hello, Frank. Hello Frank.

Hello Frank... Do you rad

me, Frank?

12/1/65 c98

------------------------------------------------------------------------

C110

CONTINUED:

THERE IS NOTHING

BUT SILENCE.

C111

POOLE'S FIGURE

SHRINKS STEADILY

AS IT RECEDES:

FROM DISCOVERY.

BOWMAN:

Hello, Frank... Do you read

me, Frank? Wave your arms

if you read me but your radio

doesn't work. Hello, Frank,

wave your arms, Frank.

C112

POOLE'S BODY TUMBLES

SLOWLY AWAY. THERE

IS NO MOTION AND NO

SOUND.

12/1/65 c99

------------------------------------------------------------------------

C113

CENTRIFUGE:

C114

CLOSE-UP OF

COMPUTER EYE.

C115

POINT-OF-VIEW

SHOT FROM:

COMPUTER EYE:

WITH SPHERICAL:

FISH-EYE EFFECT.

WE SEE BOWMAN:

BROODING AT THE:

TABLE, SLOWLY

CHEWING ON A:

PIECE OF CAKE:

AND SIPPING HOT:

COFFEE. HE IS

LOOKING AT THE:

EYE.

C116

FROM THE SAME:

POINT-OF-VIEW WE

SEE BOWMAN RISE.

12/1/65 c100

------------------------------------------------------------------------

C116

CONTINUED:

AND COME TO THE:

EYE. HE STARES INTO

THE EYE FOR SOME

TIME BEFORE SPEAKING.

C117

THE CAMERA COMES

AROUND TO BOWMAN'S

P.O.V. AND WE SEE

THE DISPLAY SHOWING

THE EARTH OFF-CENTRE.

C118

CUT AGAIN TO FISH-

EYE VIEW FROM THE

COMPUTER.

HAL:

Too bad about Frank, isn't it?

BOWMAN:

Yes, it is.

HAL:

I suppose you're pretty broken

up about it?

PAUSE:

12/14/65 c101

------------------------------------------------------------------------

C118

CONTINUED:

BOWMAN:

Yes. I am.

HAL:

He was an excellent crew member.

BOWMAN LOOKS:

UNCERTAINLY AT:

THE COMPUTER.

HAL:

It's a bad break, but it won't

substantially affect the mission.

BOWMAN THINKS:

A LONG TIME.

BOWMAN:

Hal, give me manual hibernation

control.

HAL:

Have you decided to revive the

rest of the crew, Dave?

PAUSE.

12/14/65 c102

------------------------------------------------------------------------

C118

CONTINUED:

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Stanley Kubrick

Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films. more…

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Submitted by acronimous on June 02, 2016

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