3:10 to Yuma
1.
A dark room in a small ranch house.
WILLIAM EVANS (14), lies awake. Not a boy and not a man,
there’s a restlessness in his eyes. He lights a match,
watching it blow out in his fingers.
His brother, MARK (7), lies beside him, his breathing
labored, asthmatic. A medicine bottle and spoon sit on the
table beside a folded tearsheet for the ‘Colt Peacemaker’.
William stares at the engraving of a gunslinger, brandishing
the fancy weapon, a smile of confidence on his face.
Suddenly William turns, alert. There is a faint sound.
...a gate creak... a latch clink.
CUT TO:
2 IN ANOTHER DARK ROOM-- CONTINUOUS-
ALICE EVANS, 32, beautiful but care-worn, opens her eyes.
Groggy, she reaches reflexively for-
DAN EVANS, 36, her husband. But he isn’t against the pillow
where her hand expects him. He is upright on the edge of the
bed, tense, sweaty, eyes on a window as he LOADS HIS PISTOL.
ALICE:
Dan...
He signals silence. Alice holds her breath, listening to the
air... nothing... The clock on the dresser reads 3:45...
ALICE (CONT'D)
...maybe it’s the wind...
Dan shakes his head. He glances to WILLIAM, who arrives in
the bedroom door, in his longjohns, holding AN OLD RIFLE.
The snort of a horse outside. Men whisper. Hooves.
DAN BOLTS FROM THE BED, crossing to the window on one leg,
using the beamed roof for support. He pushes back the drape
with his pistol.
3
A HORSEMAN ENCIRCLES THE BARN OF THIS HOMESTEAD, UNHOOKING A
CORRAL, LETTING LOOSE A HERD OF CATTLE.
Then Dan notices-
ANOTHER HORSEMAN at the corner of the barn, LIGHTING A FIRE.
(CONTINUED)
CONTINUED:
DAN:
No!-
4 EXT. EVANS RANCH-- CONTINUOUS
Wearing longjohns and boots, DAN BUSTS OUT THE DOOR, moving
toward the man fanning fire at the barn-
DAN:
No-- Please-- stop!-
A RIFLE BUTT SMASHES DAN’S HEAD. He tumbles off the porch to
the dirt, losing his gun, one boot coming off, revealing-
William runs past Alice and Mark on the porch and his father
on the ground as-
THE BARN EXPLODES IN FLAMES. Dan jerks back on his rigged
boot, gets upright and lunges toward the barn.
THE FIRST HORSEMAN, bears down on him.
HORSEMAN (TUCKER)
-- You have a week, Evans. Then we
burn the house.
THE HORSEMEN RIDE AWAY AS WILLIAM ENTERS THE FLAMING BARN.
DAN:
William!
5 INT./EXT. BARN-- CONTINUOUS--
FLAMES LICK THE RAFTERS. SMOKE.
FOUR HORSES tied in stalls, crazy with fear.
William frees two of them, Dan untangles the others and leads
them out, grabbing equipment, tossing saddles out the door...
Then Dan notices WILLIAM HAS TURNED BACK INSIDE.
William struggles to drag A HUGE SACK OF FEED and some tools-We
see above him, the burning roof sags, flaming pieces of
wood raining-- it’s about to collapse-
DAN LEAPS AND GRABS HIS BOY and drags him toward the door,
fists swinging.
(CONTINUED)
CONTINUED:
WILLIAM:
--Let go! It’s the last we got!
They fall to the ground as THE BARN COLLAPSES in a fiery
mass, sparks showering down. Alice and Mark run toward them.
DAN:
...You alright?
Will turns from his father to see- THE TWO HORSEMEN riding
away. Dawn light beginning to touch the sky.
WILLIAM LUNGES FOR THE REMINGTON on the ground---
but Dan is faster and puts his hand on the weapon.
DAN (CONT'D)
I’ll take care of this.
WILLIAM:
No you won’t. ...You don’t take
care of nothing.
Tears stand in William’s eyes.
Dan takes the gun and starts walking back toward the house.
He passes Alice and Mark, avoiding their eyes.
DAN:
The herd is over the ridge by now.
Get cleaned up.
INT./EXT. FOLLOWING DAN -- EVANS RANCH -- DAYBREAK
Dan yanks open a drawer and grabs a shirt. His arms and chest
streaked in SOOT... Out the bedroom window the sun is
creeping over the rocky horizon.
His eyes fall upon a beautiful ANTIQUE BROOCH in a drawer.
He examines it. It is gold. And he pockets it and turns,
finding himself looking at William, watching him.
William turns away, and crosses to his bedroom.
Dan moves to a basin at the back of the house.
ALICE:
You lied to me, Dan.
Dan turns to face Alice.
ALICE (CONT’D)
You told me we made payments to
Hollander.
(CONTINUED)
CONTINUED:
DAN:
We did. Some.
(off look, heading inside)
How do you think we bought feed,
Alice? Three months water. Medicine
for Mark. I had a choice between
our family and paying it down.
ALICE:
We’re supposed to make decisions
together.
DAN:
Would you have made it different?
ALICE:
Dan.
DAN:
We can’t make it rain together. Or
turn dust into grass. And we can’t
hold back winter. It’s too bad the
doctors at Essex saved so much of
my leg. I read the pension act
pays by the pound now.
Dan leans against the wall, pulling on his boots.
Tears come to Alice’s eyes.
DAN:
Stop looking at me like that.
Mark appears in the hall. Dan crosses back to his bedroom,
pulling on a clean shirt.
MARK:
(as Dan passes)
...You gonna tell the Marshal what
those men did?
WILLIAM:
(from his bedroom)
Marshal ain’t doing sh*t.
ALICE:
William.
DAN:
First thing I’m gonna do, Mark, is
take you boys and round up the
herd. ...Then I’m going to town.
(CONTINUED)
CONTINUED:
(2)CLOSE ON-- WILLIAM in his room, gettting dressed, listening
with jaundice as his father reassures Mark. He pockets a deck
of cards and his dime novel.
MARK:
What you gonna do in town?
DAN:
I’m gonna tell Hollander to make
this right. I’m gonna tell him he
needs to pay for a new barn.
MARK:
Maybe we should just shoot him,
like Will says.
Alice meets eyes with Dan who grabs HIS SPENCER RIFLE and
brushes past William on his way to the door.
DAN:
....Let’s go. We got cattle to get.
--atop a magnificent BLACK MARE, staring at something. Ben
has a ruggedly handsome face, but what strikes you first is
his focus. He’s very still, eyes on fire, low to the horse.
The horse inches forward. Hooves hardly make a sound.
REVERSE TO REVEAL-- A RED-TAILED HAWK, perched only fifteen
feet away on the limb of a dead tree.
WE ARE:
EXT. BOULDER CLUSTER, DESERT VALLEY-- CONTINUOUSANGLE ON-- WADE makes a low ‘s’ sound and his horse halts.
Wade sketches the bird on A SMALL LEDGER PAD with a PENCIL,
capturing its form with quick gestures. Suddenly: A noise.
The hawk FLIES OFF. Wade watches it shrink into the sky.
PULL BACK TO REVEAL: CHARLIE PRINCE (31), a pale eyed outlaw,
coming up behind Wade. A PAIR OF SCHOFIELDS on his legs.
...he stops his horse respectfully, a few yards back.
CHARLIE PRINCE (CONT'D)
Coach is headed for Bisbee, Boss.
Girded with iron. Pinks on top.
Double shotguns and a Gatlin-
(CONTINUED)
6.
CONTINUED:
Charlie trails off as Wade rides to the tree, tears his
SKETCH and pins it to a BRANCH where the hawk had been
perched. His eyes flick to-
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"3:10 to Yuma" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/3:10_to_yuma_166>.
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