3 Women Page #4

Synopsis: Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is a lonely outcast who desperately tries to win attention with constant up-beat chatter. They hang out at a bar owned by a strange pregnant artist and her has-been cowboy husband. After two emotional crises, the three women steal and trade personalities until they settle into a new family unit that seems to give each woman what she was searching for.
Director(s): Robert Altman
Production: 20th Century Fox
  Nominated for 1 BAFTA Film Award. Another 3 wins & 4 nominations.
 
IMDB:
7.9
Metacritic:
71
Rotten Tomatoes:
96%
PG
Year:
1977
124 min
Website
2,654 Views


so I just take it whenever

I know I'm gonna do somethin'.

- You know what that is?

- That?

- Yep.

- A shelf.

- Nope.

- I give up.

- It's a rollaway bed.

- What for?

- For whenever we have company.

- Ohh.

I slept on it a lot before my roommate,

Deidre, moved out.

I fill in my diary every night,

whether anything happened that day or not.

Got a lot

to write about today. You.

[Millie Thinking]

I have a new roommate.

Of all people, it's Pinky,

the new girl at work.

She's a strange person,

but it's better than waitin'around...

for some fat nurse

to answer the notice.

On the way home I took her

to Dodge City for a beer.

All the guys were ridin'dirt bikes out back,

so we didn't stay long.

Edgar pulled one ofhis tricks on Pinky.

She fell for it till the end.

She sure doesn't have much to her name,

but she does have a sewing machine...

and maybe will make me

a new dress or somethin'.

She loves the apartment. I guess

she's never lived in a decorated place before.

Anyway, we're all settled in.

Last one in bed

turns out the lights.

Good night, Millie.

I hope ya don't mind ridin' the bus

home tonight. I got a hot date.

- I don't mind.

- Normally, I won't go out with a guy...

unless he provides for the transportation,

but tonight I'm makin' an exception.

Jeffo's car is in the shop.

Besides, he's worth makin' an exception for.

He's real cute.

Oh, yeah, and don't wait up for me.

- I'll probably be home real late.

- Okay.

Bye.

- Have a good time.

- I will.

[Engine Starts]

# You think you're winning

but you don't know the score #

- Hi. What ya drinkin'?

- Uh, it's liquor. It's, uh, for somebody else.

Six and two.

One, two, three, four, five, six

- #I'll keep on walkin'#

- Who's winnin'?

# Till I'm over you #

Two.

- Hi, Pat.

- Millie, you're back.

I hadn't been anywhere.

If Pinky doesn't have a date,

maybe we'll come down and join ya later.

#Leave the past behind #

- # You'd be the last thing on my mind ##

- [Man] Your turn.

[Door Closes]

[Sewing Machine Whirring]

How come ya left these

lyin' in the middle of the living room floor?

- Oh, hi, Millie. Oh, my shoes.

- Yeah.

What's that

you're wearin'?

Oh, l-I spilled somethin' on that one

you gave me and I had to borrow yours.

- Well, I wish you'd ask me first next time.

- Okay.

Okay.

- What's this?

- Milk.

I know it's milk,

but what's it doin' in the bathroom?

What happened to your date?

He wanted to go to some striptease joint

and I wasn't about to.

Say, Tom and some of the guys are settin'up

a swimmin'party downstairs.

Why don't we get on our suits

and gojoin 'em?

- I don't have a suit.

- You can borrow one of mine.

Tsk. Well, I got this sewin'

I wanna finish up and

Besides I I got some readin'

I wanna catch up on.

##[Country]

[Chattering]

[Woman] Uh-oh. Don't look now

but it's Thoroughly Modern Millie.

- Top of the stairs making her entrance.

- [Laughing]

[Chattering]

[Man] Uh-oh.

You better start sneezing, man.

- Hi, Tom.

- [Snickering, Laughing]

- Hi, Tom.

- [All, Laughing] Hi, Tom.

- [Laughing Continues]

- # Close to me #

- [Man] Get some

- #I watch you sleep #

[Woman] You're the guy who took her out.

I don't know what you're laughing about.

- [Chattering Continues]

- "Sexual drive.

"We went to my apartment,

went straight to bed.

- # Your arms around me #

- It was great." [Continues Indistinct]

- # Oh, how I love #

- Would anyone care to go for a swim?

- [All] No. Mm-mmm. Just ate.

- # When you hold me #

Well, I guess you shouldn't swim

for at least an hour after you've eaten.

# Oh##

- [Doris] No.

- [Dr. Maas] This one?

Mm-mmm.

- This one?

- Mm-mmm. No. [Mutters]

- Checking out early, Lammoreaux?

- [Chattering]

- No, I came in early.

- Oh. All right.

- What about

this? - No. - No.

[Dr. Maas]

Okay, a couple of these are signed

- Hurry up. It's Friday. I wanna get out of here.

- Okay.

- What's Friday?

- [Alcira] That's a five.

[Dr. Maas]

You can read it. I can't read it.

Well, it's very easy.

- Oh!

- The twins did that.

- What's this?

- I punched Millie's card by mistake.

I can't This is all blurry.

Vivian? Vivian?

Rose here has punched

Lammoreaux's card...

and the time out is double-punched,

like it's blurry.

- I can't read it.

- It was a mistake.

- I'll take care of this. Where's Millie?

- Thank you.

- She's getting dressed.

- Get her and come into my office.

- Don't you get dressed. I wanna take care of this right now.

- Yes, ma'am.

That's the dumbest thing

you ever did.

She just loves makin' me late

gettin' out of here on Friday.

- I'm sorry, Millie.

- Well, hurry up and get dressed.

If you're not outta there in five minutes,

I'm gonna have to leave without ya.

It won't take me that long.

Whoo!

I wonder what it's like

to be twins.

- Huh?

- Twins. Bet it'd be weird.

Do you think they know

which one they are?

Sure they do.

They'd have to, wouldn't they?

I don't know.

Maybe they switch back and forth.

You know,

one day... Peggy's Polly.

Another day, Polly's Peggy.

Who knows?

Maybe they're the same one

all the time.

- Can we just talk about somethin' else now?

- Yeah.

What?

[Brakes Squeak]

Not that way, Pinky.

This way.

[Gunshots]

[Gunshots Continue]

[Gunshots Continue]

[Gunshots]

[Gunshots Continue]

Pinky? Pinky.!

Come on.

[Gunshot]

- Hi, guys. This is Pinky, my new roommate.

- [Men Chattering]

- This is Jimmy, Rich, Joe, Johnny and Roger.

- Hi. Hi.

- Hi, Pinky.

- Pinky.

- I thought you weren't comin'.

- I'm just a little late. Hi, Jim.

- Hi, Millie.

- You remember Pinky?

Pinky, look out!

Oh, boy. Very close.

- Let's shoot.

- You remember this now?

- [Gunshot]

- [Millie] What's the matter, Pinky? Don't ya like guns?

- There you go. That's good.

- Seemed awful tight.

- [Millie] All right. Let me get a good aim on it.

- [Edgar] Ready to go.

- [Millie] Right in the -

[Gunshot] - [Edgar] Good.

[Gunshots Continue]

- The neck.

- [Laughs] The neck? You killer.

I'd rather face a thousand crazy savages

than one woman who's learned how to shoot.

[Engines Revving]

[Gunshot]

- [Gunshot]

- [Millie] No, I've been up for hours.

Well, I kind of got

a tentative date for tonight. Why?

Really?

Well, it's nothin' I can't get out of.

I've stood this guy up so many times before

and he just keeps comin' back for more.

Two extra guys, huh?

Are they cute?

Oh, yeah. She's all right.

She's kind of quiet, but she's real nice.

Kind of homey.

No, not homely, homey.

Okay, see ya tonight. Bye.

Pinky, wake up.

- What time is it?

- Early. I hope you don't have any plans for tonight.

- I don't. Why?

- Well, you remember my ex-roommate, Deidre?

- Uh-huh. - Well, she, her boyfriend and two

other guys are comin' over for dinner tonight.

- Here?

- Sure. I'm famous for my dinner parties.

Tell ya what. I'll go and do the shoppin',

if you'll clean up the apartment, okay?

Okay.

- [Man On Radio, Indistinct]

Rate this script:3.7 / 3 votes

Robert Altman

Robert Bernard Altman (February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and film producer. A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly naturalistic but stylized and satirical aesthetic, unlike most Hollywood films. He is consistently ranked as one of the greatest and most influential filmmakers in American cinema. more…

All Robert Altman scripts | Robert Altman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "3 Women" Scripts.com. STANDS4 LLC, 2024. Web. 27 Dec. 2024. <https://www.scripts.com/script/3_women_1689>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    3 Women

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "denouement" in screenwriting?
    A The rising action of the story
    B The opening scene of the story
    C The climax of the story
    D The final resolution of the story