4.3.2.1. Page #7

Synopsis: While Jo (Roberts) is chained down in a dead end supermarket job, her friends are all out on their own separate adventures: Cassandra (Egerton) is jetting off to New York to meet her Internet boyfriend; Kerrys (Warren-Markland) is on a one woman crusade fighting for female liberation and Shannon (Lovibond) is on a one way trip to meet her maker. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fate itself. These 4 girls are about to have 3 days they will never forget, spanning to 2 cities. That is ... if they survive.
Genre: Crime, Thriller
Director(s): Noel Clarke, Mark Davis
Production: Unstoppable Entertainment
 
IMDB:
5.9
Rotten Tomatoes:
37%
NOT RATED
Year:
2010
117 min
Website
162 Views


Yeah, yeah. You know what,

you caught me, yeah.

But mine's bigger though, right?

Hey. This isn't a confessionaI or a hospitaI.

There's no visiting hours here,

so buy something or f*** off.

Hey, Kerrys. I'm so f***ing tired.

I'm sorry, babe.

You'll definitely pass next time.

See you tomorrow.

...continues to surround this robbery.

How could this not be an inside job?

is it a conflict diamond cover up?

Are there illegal stones...

- You guys eating lunch without me?

- You were sleeping.

And how do you sell tens

of millions of pounds worth of diamonds,

when there's such heavy media coverage

surrounding the robbery?

Do us a favour, put the kettle on.

- Oh, yeah, I'd love a coffee.

- I'll have a...

I'll make you one, too.

What time did you get in, hon?

Finished at 6:
00, got in about 20 past?

Do you know that guy

that I went out with last night?

Well, he wants to take me out again.

- Yeah, so?

- So, will you work again tonight?

Gwen, come on.

Jo, please. Just tonight. I really like him.

I really like him.

Slut.

I need you to go and get them now.

Good. Yeah, it's got to be today.

She's flying in tonight and she's leaving

tomorrow. All the boys with you?

Well, go and do it now.

All right, man, cooI. Later.

What?

Hey, Shannon, what's up?

- What?

Did you see a note yesterday?

No, I don't. What letter?

I don't know anything about a letter.

Look, just come by and see me later.

I got to get off the phone.

I can't be on the phone here. Yes.

Yes, I'm getting off the phone. I'm getting

off the phone. You don't have to say it.

Rim. Good choice.

Come on.

- All right?

You know, they're all lazy.

So, the thing is, they walk in,

they lean, they see, they lean,

they see, and it's just here.

Yeah. I'm just a bit worried about

the access there.

Condoms, plunger, hamster food.

- Aisle three.

Thanks.

- You working all night again?

- It should be illegaI.

I like you.

I mean, I liked working with you last night.

Yeah, I liked working with you, too.

It was probably the only

part of the night that I enjoyed.

What about sexy Tee?

Are you jealous?

Look, firstly, yeah, you know,

he's kind of hot, brooding, arrogant,

- and he probably has a really big...

- I'm still here.

I'm sorry, yeah. No, look, he's a dick.

I don't need that.

You're sweet, that's important.

Angelo, why do I see empty shelves

in my store?

Didn't I tell you yesterday to fill them?

I'm sure I did.

Oh, no, not right now.

Hey, yo, whoa, whoa. Who's on the register?

I'll be right back. I'll just be two minutes.

You know, I gotta...

Yeah, I know you never leave

a register unattended.

And I can't let you go anywhere with those

untiI you pay for them.

Okay, but how am I supposed

to pay for something

when you don't let me

bring my bag up here?

Okay, well you go down.

You get your money.

You come back, pay for them.

You go back down and then you do

whatever it is you need to do.

Hey, yo, whoa, whoa, whoa.

You don't go anywhere

untiI someone's back on register.

Are you being serious?

Okay, you know what?

Fine, fine, I'll just bleed on the floor.

Hey, look I don't care what you do.

Just know that I'm watching you.

You're watching me?

How about that I'm watching you?

I mean, what was the deaI yesterday

with the safe key? Huh?

If you say one f***ing word about that key...

All done.

I'm going back on till.

Where is this guy?

No, no, no, calm down, bruv.

How many times have I got to tell you?

You get the money, then you do the job.

It's common sense.

There's supposed to be thousands.

- No.

- F*** this. Sh*t.

Man, you trying to take me for

some d*ckhead out here? Now, get him.

Keep your mouth shut, all right?

And you won't get hurt.

- Get over here. Move.

- You! Open up the till, blud.

Hurry up. I'm getting paid today.

Try to take me for some d*ckhead.

Hurry up, blud. Hurry up.

All right, if you shut up, you won't get hurt.

Hurry up, man.

We're closed. Sorry.

Oh, I... Well, I thought this was a 24-hour...

Oh.

- I'll call the police.

- The police are down the road, blud.

- Well, hurry up, then.

- No more games, Tee.

Take your sh*t.

You f***ing idiot.

You said you'd act like you didn't know me.

You're supposed to come in,

drop the stuff off, get your money and leave.

You don't rob the store,

and you don't implicate me.

Yeah, well, I would've done that,

if the money that you said

would've been there was.

But it weren't. So...

F***!

You tried to warn that guy, didn't you?

And now you're gonna shut your mouth

or I'm gonna hurt you.

- Don't hurt her.

- Shut your mouth, all right?

You're all gonna keep your mouths shut.

And you?

Don't think about getting brave out here.

Good luck.

Do you have any idea

what's going to happen to me

if these don't get

where they're supposed to go?

It's my friend. I'll get rid of her.

- Hey, Jo.

Hey, look, I'm busy.

- You need to go.

Why are you being like that?

Look, you need to leave. Leave.

I just came to talk to you.

Why are you being like that?

Can you just go?

Why?

'Cause she's here with her man.

And she don't want you here.

F*** you.

No!

Did she take them? I couldn't tell.

- I don't know. I don't know.

- You said that this would be simple.

If she took them, you're a dead man.

Where are you going?

- Get your wallet out. Hurry up.

- All right, I'm...

See, now I know who you are, all right?

So, if you try anything, you're f***ing dead.

Tee, think fast.

Now, it's got your prints on it, all right?

Just in case you thought about

getting a bit clever.

Let's go, man.

Okay, okay, you didn't see anything

and you didn't hear anything.

If anyone even looks at me wrong

for the next month,

I'm gonna come and find you.

Get the f*** out! Get out! Get out, get out.

- You, get over here.

- No, I won't say anything.

- Please, Tee.

- Shut up, shut up.

Stop it. Leave him alone.

What's wrong with you?

Hey. Stop it.

No.

So, where were you actually stood

during all of this kafuffle?

I was behind the counter.

And so you pretty much saw

everything, I guess?

I mean, yeah,

they were kind of hidden around. I...

...about to tackle him,

like I should, being the guard and stuff.

Well, this guy came from over here

and he just hit me, you know?

I had this cake in my hand,

and it went all over my face.

So, is it usuaI practise

for the CCTV not to be in use?

I must have forgot to put the new one in.

- The person who hit you...

- Yeah.

...were they big or small?

Medium.

Right.

Couldn't understand them, they...

You think they were foreign?

Sorry.

How many were there, would you say?

But, I was very... Very dazed at that point.

- Four?

- Four.

- Four, okay.

- Five.

Four or five.

- Four or five.

- Seven.

Seven.

No, I don't know how many there were.

Look, I admit that it is a bit strange

having a safe on the shop floor,

but we assumed that it was

the last place people would look.

Frankly, it's lucky that I took that cash out,

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Noel Clarke

Noel Anthony Clarke (born 6 December 1975) is an English actor, screenwriter, director, and comic book writer from London. He is known for playing Wyman Norris in Auf Wiedersehen, Pet and Mickey Smith in Doctor Who. Clarke appeared in and wrote the screenplay for Kidulthood and wrote, directed and starred in the sequels, Adulthood and Brotherhood, which earned £1,209,319 during the opening weekend of its release. Clarke studied Media at the University of North London before going on to take acting classes at London's Actors Centre. Clarke won the Laurence Olivier Award for Most Promising Performer in 2003 and was awarded a BAFTA Orange Rising Star Award in 2009. more…

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Submitted on August 05, 2018

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