42 Page #9
Sitting up off third. His knees knocked together to hold his
TYPEWRITER on his lap. Nothing to write about there. He
looks over at Rachel who puts her hand over her mouth.
SMITH:
You okay?
RACHEL:
(standing)
Excuse me, Wendell.
He watches as she starts out, looks to the field.
SMITH:
I’d be sick at a swing like that,
too.
CUT TO:
57 INT. REST ROOM STALL - ROOSEVELT STADIUM - DAY 57
Rachel exits looking stricken. She steps over, splashes a
little water from the sink up into her face. An OLDER BLACK
WOMAN watches sympathetically.
OLDER WOMAN:
Are you alright, honey?
RACHEL:
I’m sick. I don’t know why.
The older woman rolls off a piece of paper towel for her.
RACHEL (CONT’D)
Thank you.
OLDER WOMAN:
When did you have your monthly
last?
WHITE 3-14-12 45.
Rachel looks over, taken aback. But then...
RACHEL:
I’m late.
OLDER WOMAN:
It may be that you’re pregnant.
The older woman offers a little smile, leaves her there.
INSERT:
Third Inning.P.A. ANNOUNCER
(echoing)
Now batting. Jackie Robinson.
CUT TO:
58
HOME PLATE 58
Jack steps up to bat. The JERSEY CITY GIANT PITCHER looks to
the Montreal RUNNER at first, glances over his shoulder at
the Montreal RUNNER at second, then focuses on home.
59 SMITH 59
His hands resting on the top of his typewriter.
SMITH:
Come on, Jackie. Come on, batter.
60 RACHEL 60
Emerging up the runway. The field opening up before her.
There’s Jack standing down there. The sight of him settles
her. As she puts a hand gently over her belly...
61
THE PITCHER 61
Grimaces for something extra as he fires a high fastball -Jack
UNLOADS. All heads turn to watch it sail -- high into
the left field bleachers, banging hard off the scoreboard.
62 SMITH 62
Nearly drops his typewriter, pushes his hat back as he
watches Jack start his home run trot. Smith laughs. Joy.
63 DUGOUT 63
Hopper can’t believe his eyes. Softly to himself:
HOPPER:
I’ll be damned...
WHITE 3-14-12 46.
As he runs the base paths. Over it, a TYPEWRITER CLATTERS.
SMITH (O.S.)
Robinson jogged around the bases,
his heart singing...
The crowd loves it as he continues toward third where
Sukeforth is clapping for all he’s worth.
SMITH (O.S.) (CONT’D)
And our own hearts beat just a bit
faster, and the thrill ran through
us like champagne bubbles...
Watching him head for home, shaking hands with the two men he
batted in. Pride & joy in her eyes.
RACHEL:
Oh, Jack... Oh Jack...
CUT TO:
Suddenly in pain, face beaded in sweat.
RACHEL:
Jack! Jack!
INSERT:
November 18, 1946. Pasadena, California.She is in labor and we are in Huntington Memorial Hospital.
A CRY. The DOCTOR holds up a slick, wailing NEWBORN.
DOCTOR:
It’s a boy.
As Rachel holds out her arms for him...
CUT TO:
67 INT. HALLWAY - MATERNITY WARD - PASADENA - NIGHT 67
Jack at the glass looking at JACKIE JR. Jack’s eyes shine as
he regards his infant son. It’s quiet. Jack’s voice soft.
JACK:
My daddy left. He left us flat in
Cairo, Georgia. I was only six
months older than you are now. I
don’t remember him. Nothing good,
nothing bad. Nothing.
(MORE)
YELLOW REV 4-24-12 47.
JACK (CONT'D)
(a beat)
But you’re going to remember me.
And I am going to be with you until
the day I die.
The stakes just got raised...
CUT TO:
68 INT. YMCA GYMNASIUM - DAY 68 *
THIRTY prominent BROOKLYN NEGRO leaders, representing a cross
section of civic responsibility, sit on folding chairs before
a dais where HERBERT MILLER making an introduction.
MILLER:
As all of us know a young Negro
second baseman played north of the
border last season...
INSERT:
Brooklyn YMCA. February 5, 1947.In back:
TWO DEACONS in the back whisper over a SPORTS PAGE.DEACON ONE:
Look here what he did.
(reads)
Led the International League in
batting:
.349, in stolen bases: 40,runs scored:
113. Plus batted .400in the Minor League World Series.
DEACON TWO:
Last season doesn’t matter. The
International League, it doesn’t
matter. What matters is this year.
What matters is Brooklyn.
DEACON ONE:
Shhh... Here he comes.
As Herbert Miller introduces...
MILLER:
I present the general manager of
the Brooklyn Dodger baseball club,
Mr. Branch Rickey!
Warm APPLAUSE as Rickey steps up. As it settles...
RICKEY:
Good evening. I have something
very important to talk with you
about tonight. Something that will
require courage from all of us.
(a beat)
(MORE)
PINK REV 4-19-12 47A.
RICKEY (CONT'D)
I have a ballplayer on my Montreal
The start of applause. Rickey motions for it to stop.
YELLOW REV 4-24-12 4848.
RICKEY:
He may stay there or he may bebrought to Brooklyn. But if Jackie
does come up to the Dodgers, thebiggest threat to his success, theone enemy most likely to ruin thatsuccess, is the Negro peoplethemselves!
There is shocked silence in the room. Rickey notices a groupof KIDS watching from a raised running track, soldiers on:
*
*
RICKEY:
I say it as cruelly as I can tomake you all realize the weight ofresponsibility that is not only onmyself and the Dodgers, but onNegroes everywhere. For on the dayJackie enters the National League,
if he does, I have no doubt everyone of you will form parades andwelcoming committees. You'll
strut. You'll wear badges. You'll
hold Jackie Robinson days andJackie Robinson nights. You'll getdrunk, fight and be arrested.
This is too much. People are slackjawed. Rickey powers on.
RICKEY:
You'll wine and dine him until he
is fat and futile. You'll
symbolize his importance into anational comedy and yes, a tragedy!
So let me tell you this!
(pounds his fist)
If any group or segment of Negrosociety uses the advancement ofJackie Robinson in baseball as a
triumph of race over race, I willregret the day I ever signed him toa contract, and I will personallysee that baseball is never so
abused and misrepresented again!
Is he done? An embarrassed smattering of applause. Mostlyshock and stares. As Rickey stands there uncomfortably...
CUT TO:
69 INT. HALLWAY - YMCA - DAY 69 *
Rickey stands waiting; giving that speech has worn him out.
The door opens and Miller looks in on him.
WHITE 3-14-12 49.
MILLER:
I question your bedside manner, Mr.
Rickey, but they’ve agreed to set
up a committee of self-policing.
We’ll call it the 'Don't Spoil
Jackie's Chances' campaign.
RICKEY:
Thank you, Mr. Miller. I’m sorry;
the spotlight will be on us all.
CUT TO:
70 INT. BEDROOM - BEVERLY HILLS HOTEL SUITE - NIGHT 70
The silhouette of stately palms through the window. A PHONE
RINGS. A figure fumbles through silk sheets for the
receiver. It’s LEO DUROCHER, a WOMEN in bed alongside him.
INSERT:
Beverly Hills. February 16, 1947.DUROCHER:
Yeah?
RICKEY’S VOICE
Hello, Leo, what are you doing?
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