44 Minutes: The North Hollywood Shoot-Out Page #2

Synopsis: On 28 February 1997, two men heavily armed with AK-47 try to heist the Bank of America of North Hollywood, but their plan fails and they are kept under siege by the LAPD. Along forty-four minutes, Los Angeles witnesses live on television one of the greatest shoot-out of the American history.
Genre: Action, Crime, Drama
Director(s): Yves Simoneau
Production: Fox Television Studios
  Nominated for 2 Primetime Emmys. Another 2 nominations.
 
IMDB:
6.4
R
Year:
2003
103 min
515 Views


- Yeah. Yeah.|- Okay.

At that point, I kicked the door.

I understand the old guy|had to get seven stitches.

That doesn't concern me.

What does concern me is|that you went charging

in there like some freakin'|John Wayne...

and left your partner alone|in a room with four felons.

I know you've been going through a tough time, son.|Your father was a great--

Lieutenant, I'm fine. That's got|nothing to do with it. I had a bad day.

Nine thousand cops|in the LAPD, Donnie...

and only 60 are good enough|to make it to SWAT.

We can't afford|to have bad days.

Now, you're taking|some time off to mourn, kid.

I need you making decisions,|the right decisions, from here on in.

Next time it might not be some|70-year-old man behind that door.

- I don't need the time off.|- And I'm not asking your opinion.

That's all.

- Here you go, Frank.

- Thank you, Ralph.|- Good as new.

Should last you another 20 years.

Yeah, I'm sure it will.

- But what about me?|-

You're a survivor, Frank.|You know that.

Let's hope so.

- Hey, Donnie.|- Frank.

- How are you?|- Not bad.

Sorry to hear about your old man.|He was, uh, he was good.

You guys worked together.|77th, right?

He was my T.O.|Kicked my ass every day for six months.

It was a different department|back then.

So I hear.

I gotta run.|Gotta be in court.

So, uh, look after yourself, yeah?

- I'll see you later, Frank. Thanks.|- All right. Yeah.

Well, I'm a training officer,|and Bobby is probably the 30th...

or 3 2nd younger officer|that I've trained.

A young cop needs to learn,|more than anything...

how to leap to that training|that you get, mentally...

when you're in|an emergency situation.

Bobby, is it clean?

It is now.|Morning watch brought in a hype.

Found two needles|in the backseat.

Uh-oh. You get stuck?

- Had my gloves on.|- Attaboy. Tires?

At least 50 more miles of treads left.

- Twelve-gauge?|- Four rounds, double-aught buck.

- Tank?|- Full.

Coffee?

Black.

You keep this up,|I might let you have lunch today.

Hit me, huh?

- I will take you out!|- Calm down, please.

Come on! I will whip your ass|right now. Let me go!

- It's your lucky day. Let's go.|- Calm down right now.

Ramon, how old are you, man?

- Sixteen.|- Sixteen. That's good.

I don't understand|what's happened to him.

- Is he using or running with a gang?|- Hell, who knows?

No more juvie hall for you, huh?

No, you hang with the big boys now.

They're gonna love you, baby.

You gonna be someone's date|for the prom tonight, huh?

There's no father|to help me with

this. I'm doing|it all by myself.

- I know, ma'am.|- He's a man now. How can I stand up to a man?

- I see. I see.|- It's just me. I'm doing everything I can.

That's a good move too, man,|joining Florencia.

What's that, about two of them|dying a week these days?

Nigga, don't know|nothin' about me, man.

Tell you what.|I know this.

You mess with|your moms again, man--

Domestic violence|ain't no joke.

For six months, he was doing okay.

Getting okay grades,|going to school every day.

Then his principal calls|me and tells me

he hasn't been to school|in two months.

And you didn't know about this?

I've been working. I get up early.|I go to work. I get home late.

Mm-hmm. How many jobs|you work, ma'am?

- What's your problem, man?|- Nigga made it good...

now you come back to the hood|all enlightened and sh*t?

Please, man!

Ramon, let me tell you something.

You recognize him? Huh?

Wasn't he the leader|of your gang there?

I mean, until he lost|his mind and his nuts?

You don't like my book?|Take a look at my book.

Oh, I got another guy here.|Check it out.

Huh. That's O-dog, right there.

You know him? I had O-dog,|just where you're sitting, just now.

You know, I need to get me|a picture of you.

See that way I can have|a before... and an after.

Now, you didn't like|my picture book, Ramon?

Huh?

How do you think|you're gonna end up?

How you gonna get it, Ramon?|Like him?

You need to think about that.

These guys are media junkies.|Robbin' banks in the morning...

and watching themselves|on television in the afternoon.

Hello, Frank.

Hey.

- Testifying in the Cortez case?|- Who's gonna cover it? You?

Care to comment on that?

Yeah, the cop.|I think he's guilty.

Actually, there are|three cops involved.

Well, then, all three of them|must be guilty.

I mean, that's what you're gonna|say anyway, right?

- Right.|- So now you've got a source.

Back in '65,|it was the Watts riots.

Then, early '7 0s,|the Hillside Strangler...

and, uh, the Night Stalker.

You got everybody|good and scared.

So afraid, they couldn't even|come out of their houses at night.

Then, along came the early '90s...

Rodney King beatings, and, uh...

well, by then, we all became|a bunch of racists, right?

It's gonna be a|while. Judge had

to hear a PI motion|in part 49.

What does that translate to,|an 8:00 a.m. tee time at Riviera?

- More or less.|- How long do you think?

- Couple hours.|- All right. Thanks.

You know, you forgot O.J.

- Did I? Well, imagine that.|- Uh-huh.

I'll tell you what.|

Why don't you come by|my house some evening...

and, uh, I'll show you|my Bruno Magli shoe, size 1 0 1 /2.

I only got one though. I left|the other one somewhere in Brentwood.

- Bye, Frank.|- See ya.

- There you go, chief.|- Gracias, seor.

- Payback.|- You're gonna get us in trouble, Henry.

You see that kid|in the car right there?

He's the one in trouble, not us.

Sometimes you gotta do|what you can do to reach somebody.

That's very noble,|Henry, but showing

crime-scene photos|of a live case.

- And playing preacher--|- You know what?

Just 'cause you don't|stand up for your own

beliefs, doesn't mean|I don't for mine.

Hey, you don't know sh*t|about my beliefs, Henry.

All I'm saying is|these days you even

look at a suspect|the wrong way...

and the department gets sued.

And our asses get hauled off|before a trial board. All right?

Slide over.

Turn around so I can uncuff you.

You hungry?

I brought you some food.

Here we go.

- Where's he going?|- That's not our guy.

Sh*t!

Screw this sh*t, man.|

- Can you guys set up? And you, don't forget about Friday.|- Yes.

- It's your turn to buy margaritas, huh?|- That's right.

- Luis, can you open up for me?|- Yes, sir. I'm gonna do that.

- Listen.|- Thanks. What's up with Bagstrom?

- It's on your desk.|- Okay. Great.

Judy.|

Morning.|How's everybody doing today?

Change of plans.|We do the bank.

- Okay. I'm with you. Let's do the bank.|-

- Hello.|- Hi, honey.

- Hey.|- Did you get to go back to sleep?

- No, I couldn't.|- No, it doesn't work, does it?

So, you, um,|heading anywhere special?

- Going to the post office.|- Good to hear it.

Uh, you, uh,|gonna be late tonight?

I think I'll call it off early today.

Oh, great. Okay.|I'll talk to you later, baby.

- I love you, honey.|- Love you too.

When you're a cop...

you have to make|split-second decisions.

Sometimes it's life or death.

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Tim Metcalfe

Timothy Grant Metcalfe is an Australian born, Los Angeles based songwriter and producer best known for his work on Robbie Williams' Take the Crown 2012 album, with writing partner Flynn Francis. Born: March 12, 1988 (age 28 years), Australia more…

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Submitted on August 05, 2018

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