44 Minutes: The North Hollywood Shoot-Out Page #4

Synopsis: On 28 February 1997, two men heavily armed with AK-47 try to heist the Bank of America of North Hollywood, but their plan fails and they are kept under siege by the LAPD. Along forty-four minutes, Los Angeles witnesses live on television one of the greatest shoot-out of the American history.
Genre: Action, Crime, Drama
Director(s): Yves Simoneau
Production: Fox Television Studios
  Nominated for 2 Primetime Emmys. Another 2 nominations.
 
IMDB:
6.4
R
Year:
2003
103 min
525 Views


People in there,|whether or not they were shot.

We just don't know.

Hit the deck! Shut up!

Don't look at my face!

What's taking so damn long?

Eight minutes. Time's wastin'.|What the hell's goin'on?

We're burnin' time.|What are you doin'?

Piece of sh*t says|he can't open them.

Open it, b*tch!

- I can't.|- Yes, you can!

- I can't!|- Open it!

- We're hearing some more shots fired inside.

How do we open this stupid thing?

I don't have the combination.

Stupid. Come on!

- Move! Go!|- We're movin' out.!

Okay. What are you gonna do now?

In the vault.

These guys weren't playing games.|The black masks, the eyes.

That guy just looked|at me, you

know. I'll never|forget it.

It was scary, you know.|I didn't think

I was gonna get out|of there, really.

I thought-- I thought|you were gonna be, you know...

seeing one dead Latino right here.

You know.

Go down!

You all go down.

Larry, we got the money.

Who's there?

Cops.

- I don't know what it is.

Hey, hang on. Go back!

- Mike, get me a shot of the bank. Come on. Let's go.|- Okay.

Set up right here.|This is great.

Here.

Turn it around.|Come on. Turn it around.

- Some roadblock.|- You can't come this way. You have to find another way.

I have an important meeting|in the studio in 1 0 minutes.

Your meeting will|be with the coroner

if you don't|listen to me.

- Back it up and move out now!|- You guys are always blocking--

You can't go this way, sir.|You must go back.

- And take a left. Go. Back it out now.|-

She's telling me to move.|I can't believe this.

We can't|confirm at this time how many gunmen.

We are monitoring the|situation. We're

gonna stay overhead|as long as we can.

We are monitoring the|situation. We're

gonna stay overhead|as long as we can.

LAPD.! Drop your weapon.!

I repeat, drop your weapon.!

I can see two gunmen are leaving--

- Return fire.! Return fire.!|- Get down.! Get down.!

Return fire.!

Return fire.!

Civilian down!

- R.A. units are responding.|- Shooting hundreds of rounds.

1 5-L-1 0, suspects|are exiting the bank.

They're wearing body armour|with AK-47 s.

I repeat, they have body armour.

Anyone with a head shot, take it.

Guys, we're looking|at multiple suspects,

assault rifles|and body armour.

Do not deploy the MP5s. Leave 'em|in the trunk. We're gonna go 223s only.

I'm hitting them,|but they're not going down!

- They got Kevlar. Head shots.|- Aim for the head.

Aim high.!

Hold it.! Here.! Cover me.!

These guys are|out of their minds.

They're just shooting|hundreds of rounds.

- Hang in there, partner.

Jim and Kelly, I'm here live on|Laurel Canyon in North Hollywood...

where a bank robbery|is currently in progress.

What you hear behind|me is not coming

from a movie set. It|is actual gunfire.

The details are coming in slowly,|but when we arrived--

- The North Hollywood site--|- ...bank in North Hollywood--

LAPD officers--

Once again, we|are in a firestorm of bullets.

The gunmen are now shooting|at anything and everything.

Officers from all over LAPD have been asked to respond|and are trying to--

Being the wife of a cop,|you learn that every day...

any day, could be the day|that he doesn't come home.

So, you can either|obsess and go crazy...

or you do what I did,|which is, uh, denial.

I mean, you know|that bad stuff happens...

but you just think, um...

''Not my guy.|He's too good. He's too smart.''

So, most days, that worked for me.

But, uh, that day, it didn't.

Cover me.!

An officer who was trying|to help a civilian has been shot.

He's down. I can't tell from here|if hes moving or not.

But he appears|to be seriously hurt.

Rescue units are|unable to get to either of them.

All responding units|to Laurel Canyon--

- Frank. Thank God.

- So, where are you?|- Don't worry about anything. I'm okay.

I guess you're watching TV, yeah?

Oh, yeah. It's on every channel.|They say there's officers down.

Patty, look. I'm not even close|to the action. I'm okay.

Everything's fine.|I'm all right.

- I don't want you to worry about me.|- I'm not worried.

No one's worrying, okay? I just--|I just want you to be careful, okay?

Everything's going to be okay.|I'll see you later. I gotta go.

- Bye.|- ...of this part of the Valley are to remain where they are.

I don't know if you can see this,|but the police cars...

are literally being|ripped apart by bullets.

Bullets are going|clear through the cars.

At least one LAPD officer|has been hit at this time.

Henry. Henry! Hey.

Nicole. I want you|to do me a favour.

You got it, Henry.|Whatever you want, buddy.

Why don't you go ahead|and pray for me.

I already have.

Then I know I'm gonna be all right.

The 1 70's really|starting to back up

as the LAPD have|closed the exits...

at Burbank and Victory off the 1 70.

Oh, what a mess.

Command post, this is 43 David.|I need someone on tac-one right now.

- Donnie, what's your E.T.A.?|- Frank, I'm about 1 0 minutes out.

I'm gonna need someone|to walk me in here.

This off-ramp's like|a parking lot.

Confirmed. Multiple suspects,|body armour, AK's.

It looks like our guys, Donnie.

We train so we're ready.

That way what we do,|it's automatic.

We don't have to|think about it.

It's second nature.|It just comes instinctively.

No, I don't think they|have any intention

of giving up. They've|seen our resources.

Firing non stop.

- Back inside!|- I can see they have gone back into the bank.

Sh*t. There was a lot of them out there.

- We got these.|- Yeah, right.

They got nothing but their d*cks|in their hands.

Multiple officers and|civilians are lying

wounded, some critically|in the streets.

There's also an unconfirmed report|of another uniformed officer...

that has been shot several times.

- Rescue units are unable to help either of them.|- We can't wait for SWAT.

- You're bleeding. You're bleeding.|- What?

- Oh, that's a scratch. Are you all right?|- Yeah, I'm good.

Four years earlier,|these two guys were arrested...

in a routine vehicle stop.

The sergeant of the Glendale PD|found an AK-47...

and 1 ,200 rounds of ammunition|in their trunk.

They went to jail for six months,|and, uh, walked out.

And then the judge|gave them their guns back.

Their attorneys said they needed|to sell them to pay their legal fees.

Can you believe that sh*t?

Harris.! Hey, Harris.!

- Yeah, what?|- You're right in the line of fire.

- Get your ass over here.|- Oh, you mean, back there by the gas tank? No, thanks.

Moron.

1 5-L-1 0, requesting|a V-1 00 RA unit.

Copy that.|V-1 00 rescue unit is on its way.

All units, we are on a|citywide tac alert. All

units on citywide tac alert|till further notice.

1 5-L-1 0, hold your positions.|They could be coming back out.

I repeat, hold your positions.

Henry. Henry!

Hey, Henry.|Do you hear me?

The RA's coming, Henry.|You hang in there.

Henry, hey.

Henry, you hear me?|Henry.

- Get the hell outta here!|- Okay.

Get that camera outta here!|You're gonna get yourself killed.

Stay with me, buddy.

Rate this script:0.0 / 0 votes

Tim Metcalfe

Timothy Grant Metcalfe is an Australian born, Los Angeles based songwriter and producer best known for his work on Robbie Williams' Take the Crown 2012 album, with writing partner Flynn Francis. Born: March 12, 1988 (age 28 years), Australia more…

All Tim Metcalfe scripts | Tim Metcalfe Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "44 Minutes: The North Hollywood Shoot-Out" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/44_minutes:_the_north_hollywood_shoot-out_1726>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    44 Minutes: The North Hollywood Shoot-Out

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the role of a screenwriter during the film production process?
    A Editing the final cut of the film
    B Designing the film sets
    C Directing the film
    D Writing and revising the script as needed