5 Card Stud Page #3

Synopsis: After a card shark is caught cheating, he is taken out and lynched by the drunkards he was playing against. Soon afterwards, the men who were in the lynch mob start being murdered, one after another; all by hanging, strangling, or smothering. Who will be killed next and who is responsible? Is it one of the original party seeking to cover their accursed deed, or perhaps the mysterious Rev. Jonathan Rudd, who has recently arrived in town?
Director(s): Henry Hathaway
Production: Paramount Pictures
 
IMDB:
6.6
PG
Year:
1968
103 min
297 Views


All right. I like you.

That's better.

Sometimes the truth|is actions, not words.

Act!

That could've led to trouble|in this town.

Prevented it.

If I was who you're worried about,|it'd be too late. I'm Jonathan Rudd.

That's my church down the street.

Van Morgan.|Pretty late for a preacher, isn't it?

We don't keep hours.|Nor does Mr Poe, that's where I've been.

The liquor's better at Mama Malone's.

I believe you're right.|But I don't go for the liquor.

I go to get people away from it,|on Sunday mornings at least.

Wind must've blown the door open.

Hey, you!|Gimme a hand, quick. Come on.

Hold him while I cut him down.

It's Mace.

- What do you want, Dad?|- I think I'll just have some coffee.

Thank you.

I think that's all I'll have, too.

I hate funerals.

Who'd want to kill Mace Jones?

Just about anybody|who ever knew him.

What would it take|to make you lose your appetite?

A bellyful.

Sometimes you don't seem|quite human.

More like you were made|in a factory or something.

If I was made by a machine|then you made it and you ran it.

Stop it, both of you. Just once!

Now to the sin of murder|we must add sacrilege.

Since coming to this town,|I've sadly had to perform

the burial of three men|who have died violently.

For the hand that slew|Fred Carson and Stoney Burough,

I sought the Lord's forgiveness.

But for the limitless evil|of him who slew Mace Jones,

I ask for limitless punishment for|he took a man's life in God's House.

Let us pray, therefore, that heaven|receives the soul of Mace Jones,

and that the soul of his killer|wander the darkness for ever.

All men being sinful and Thou just,

I pray You regard any score|against Mace Jones as even.

Strike it from Thy books|and let him sleep. Amen.

Amen.

I didn't hear you praying,|Little George.

You never will, either.|I don't believe in it.

Hey, George.

Van called the last meeting,|I am calling this one,

while we're still alive to meet.

We've paid for that hanging|three times.

We've paid for it all right.|But anybody notice how?

Three times|by some kind of strangling.

Stoney with wire, Fred smothered,|Mace got the rope.

All three of them strangled.|Which brings to mind what?

The way the card cheat died.

I still say|it's the work of an outsider

getting even for the card cheat|and an insider telling him who did it.

I don't know why it didn't hit me before|but it sure as hell hits me now.

We want the man, but we've never|looked up from the card table.

Well, I am looking up now.

And right at me, huh?

If George was going to talk,|he'd talk to the Marshal.

He'd talk where it'd do the most good,|where we wouldn't find out.

Why?|What good would it do George?

You think George likes you, Joe?|He don't like nobody.

You're the one who found that man|and told him about the card game.

Now you just tell us who he is.

I got no use for lynchers.

They ought to get|the same thing they give out.

And if I needed any killing done,|I'd do it myself.

But you're right about one thing.

I don't cotton to most people.|Least of all to you.

Why, you...!

There's a right place to stop.

I don't know if Nick is right,

but you'd best keep|your back to the wall.

And Van had better sit|right alongside him.

'Cause if I'm wrong about George,|I just might be right about him.

Everybody ought to have somebody|to say goodbye. Even you, Mace.

That sermon over Mace, you take it|hard that he died in your church.

My church?|I don't own it, I just look after it.

That night, how long were you out|before the bell rang?

I told Marshal Dana.|Why don't you ask him?

I'd like to hear it from you.

I went up to Poe's, as I said.|I saw you on the way back.

I was gone maybe an hour.

Even if you talked some, that's a long|time. Poe's is only 100 yards away.

Suppose I said I like to walk at night.

Suppose I said that's what I was doing.|You believe me?

No reason not to.

I'm glad you take my word for it,|because that's what I was doing.

What kind of man murders|in a church?

The kind that doesn't believe in God,|the kind that God doesn't scare.

No killer is scared of God, Mr Rudd.

In a church, in an alley|or behind a rock.

Watch this, sweetheart.

Left hand.

Men talk about guns|like they're women.

"She's a beauty", they say.|What's beautiful about a gun?

If you were going to do a man in,|what weapon would you use?

- It wouldn't be a gun.|- I'll bet it wouldn't.

If he was after us, we'd be dead.

"The wicked flee|where no man pursueth. "

"The righteous don't flee,|they stand like a lion. "

Yes, ma'am. That's the right quote.|Where'd you learn about the Bible?

Where'd a preacher|learn how to shoot?

Every preacher was something else|before he became a preacher.

You know, I'm tired of shooting|at tin cans and bottles.

We still have some cartridges left.

We're not going to shoot|each other, are we? How about...?

Six out of six.|Can't do better than that.

- You can only do worse.|- My shooting was way off.

- Way off? Six out of six?|- I was aiming at the spaces.

See you in church.

If every preacher was something else|first, I wonder what he was.

Everybody was something|else first, even me.

I don't know what you are now.

You don't need that gun to find out.

But maybe I need one.

Sam! I'll bank the fire. Go on home.

- Only one rig left? I'll take care of it.|- OK, Joe.

Are you still stewing|about Mace Jones?

Stewing about how I sit down|to a drink and play some cards,

and how I get up and hang a man.

Being drunk is a poor excuse.

You weren't drinking very much,|what's your excuse?

I don't lean on excuses.

Whiskey or no whiskey,|you went along.

- With you leading.|- That makes you a sheep.

A drunk sheep maybe,|but all the same.

- You were with us on that rope.|- Three men on that rope are dead.

You don't give a damn|about anybody except yourself.

When I was ten, eleven...

...my mother died.

They laid her out in the parlour and|my old man took me in to see her.

She wasn't my mother any more.

She was something busted.

She was something|that wouldn't run any more.

My old man was crying...

...but not me.

He looked up and he said,|"Where's your heart, boy?"

I didn't say anything.

So he slapped me|right across the mouth.

I still didn't say anything.

So...

...he took me out, back of the barn,

and he beat the hell out of me.

But he never drew a tear.

I think your mother was|as dead as you.

If I am dead...

...the same man killed me.

Name of Sig Evers.

Bring a glass for your friend.|I think he'll need it.

- He won't drink with you.|- Bring the glass.

Now it's reserved|for just you and me.

That's right.|These are unlucky chairs.

Are you afraid to sit down?

You sure know where to find them.

Mace Jones in the church,|Joe Hurley in the stable.

Meaning that I could've killed|both of them.

So could you. Trouble is,|so could any other man in town.

Any one of those four guys|could've blabbed to the killer.

My guess, though,|is that it's the first, Fred Carson.

Why Carson?

Rate this script:0.0 / 0 votes

Marguerite Roberts

Marguerite Roberts (21 September 1905 – 17 February 1989) was an American screenwriter, one of the highest paid in the 1930s. After she and her husband John Sanford refused to testify in 1951 before the House Un-American Activities Committee, she was blacklisted for nine years and unable to get work in Hollywood. She was hired again in 1962 by Columbia Pictures. more…

All Marguerite Roberts scripts | Marguerite Roberts Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "5 Card Stud" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/5_card_stud_1739>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does the term "spec script" mean?
    A A script written specifically for television
    B A script based on a specific genre
    C A script that includes special effects
    D A script written on speculation without a contract