
8mm Page #21
AMY:
(into phone)
Hello?
WELLES (V.O.)
(from phone)
Amy, it's me. Listen very
carefully..
AMY:
(into phone)
Tom? Where have you been... ?
INT. WELLES' CAR -- CONTINUOUS -- DAY
Welles drives, face caked in dried blood, cellular phone to
his ear. The HIGHWAY rushes past out the car window.
WELLES:
(into phone)
Amy, just listen. Take Cindy and
get out of the house. Do it now.
Go to a hotel and stay there...
AMY (V.O.)
(from phone)
What's wrong? Are you alright?
WELLES:
(into phone)
I'm okay. Please, honey, I can't
explain. Don't use the phone, just
pack a bag and get out. I'm on my
way. I'll be back at the house in
three hours. Call me from the hotel
when you get there
AMY (V.O.)
... What's going on?
WELLES:
Just do it, Amy, please, go.
INT. WELLES' HOUSE, KITCHEN -- CONTINUOUS -- DAY
Amy hangs up, scared. She goes to grab Cindy up into her
arms, hurrying out of the kitchen and going upstairs.
EXT. HIGHWAY -- CONTINUOUS -- DAY
Welles' car tears down the freeway, passing other cars.
EXT. WELLES' NEIGHBORHOOD -- NIGHT
Suburban streets. Welles' car arrives, parks. Welles gets
out, starts across a neighbor's yard, cuts between houses...
EXT. WELLES' HOUSE, BACKYARD -- NIGHT
Welles enters his backyard, slowing, taking out his gun. He
keeps behind shrubbery, surveying his dark house.
INT. WELLES' HOUSE, DOWNSTAIRS LIVING ROOM -- NIGHT
Welles uses a key to unlock the SLIDING GLASS DOOR, opens it
slow, enters, gun up, searching the darkness.
INT. WELLES' HOUSE, OFFICE -- NIGHT
Welles pushes the door open, checks this room.
INT. WELLES' HOUSE, BEDROOM -- NIGHT
Welles makes sure the bedroom's empty, looks in the
bathroom. He puts his gun away, leaves the lights off.
He goes to the PHONE on the bedside table, unscrews the
earpiece. He removes a small, wire-mesh BUGGING DEVICE.
INT. WELLES' HOUSE, KITCHEN -- NIGHT
Dark. Welles picks up the cordless phone, struggles to pry
the receiver open. He discovers another small BUG.
He drops the BUGS to the floor, crushes them under foot.
He puts the phone back together and is replacing it when it
RINGS LOUDLY. Welles is startled, drops the phone...
Welles takes a breath, trying to shake off the jitters. He
picks up the RINGING PHONE, answers it...
WELLES:
(into phone)
Honey... ?
MACHINE (V.O.)
(from phone)
Not quite.
Welles stiffens.
MACHINE (V.O.)
Nothing like getting home after a
rough day. Home sweet home.
Welles moves into the HALL, towards the front door...
MACHINE (V.O.)
Walk away. Pack your bags, put the
wife and kid in the car and find a
place to hide. If you're lucky,
you'll never see me again.
Welles takes out his gun, opens the front door, looking out.
The street in front of the house is empty. CRICKETS CHIRP.
WELLES:
I don't know if I can do that.
MACHINE (V.O.)
I know who you are. I know where
you live. I know everything I need
to know to find you.
(pause)
Who am I?
MACHINE is HEARD HANGING UP the phone.
Cindy's crying. Amy opens the door with the chain on, sees
Welles, lets him in. Amy and Welles embrace, kissing. Amy
touches Welles damaged face, worried...
AMY:
What happened to you?
WELLES:
I'm okay, honey, I'm okay. Are you
alright?
AMY:
What's going on, Tom? What happened?
WELLES:
I can't tell you, Amy. You know I
can't. You have to trust me...
AMY:
Tom...
WELLES:
It has to be this way for now. It
won't be long.
Welles goes to pick up Cindy, tries to comfort her, kisses
her red face as she keeps crying.
AMY:
Why haven't you called? Why don't
you answer your phone?
WELLES:
I don't know. I'm sorry...
AMY:
You're sorry? What was I supposed
to think?
Amy comes to take Cindy from him.
AMY:
You owe me an explanation. You
can't treat me like this.
WELLES:
I wanted to call. I couldn't.
AMY:
You couldn't?
WELLES:
You don't understand...
AMY:
No, I don't, because you're not
telling me anything!
WELLES:
I was in hell. If I called you...
if I heard your voice... it would
have been so easy for me to quit.
I couldn't do that.
Tears comes to Amy's eyes.
AMY:
You should have.
WELLES:
Amy, I'm not going to let anything
happen to us.
AMY:
Look where we are. Look at
yourself. You son of a b*tch,
you don't have any idea what
you're putting me through...
WELLES:
I don't know what to say
AMY:
You're killing me...
WELLES:
Don't...
AMY:
What was I supposed to think
happened to you?!
WELLES:
Amy...
Welles goes to Amy, but she pulls away. She sits on the
bed. Cindy's still crying. Welles sits beside Amy, puts
her arms around her.
WELLES:
Forgive me.
Amy cradles Cindy. Welles rests his head on Amy's shoulder,
places one hand on Cindy.
WELLES:
We have to stay here a few days.
I'll get more clothing from the
house if I can. I'm sorry.
(pause)
We're going to be okay.
Welles rises. He goes to the PHONE, starts dialing. Amy
looks at him, wipes tears.
AMY:
Who are you calling?
WELLES:
Mrs. Christian.
AMY:
What?
WELLES:
She's all I've got. She's the only
witness.
AMY:
Tom... she's dead.
Welles looks to Amy.
AMY:
She died in her sleep three days
ago. It was in the paper...
WELLES:
I just talked to her.
Cindy's crying. Welles sits into a chair, trying to
understand this, his mind racing. He hangs up the phone.
AMY:
How could you not know?
Misery pulls down the corners of Welles' mouth. He tries to
find words, but none come. He sits forward and hides his
face in his hands, overwhelmed. Cindy's crying.
INT. HOTEL ROOM -- LATER NIGHT
Cindy sleeps, encircled by pillows and blankets on the bed.
Amy watches her, runs her hand gently across Cindy's head.
Amy rises, turns out the light, goes to a BALCONY DOOR...
EXT. HOTEL ROOM, BALCONY -- NIGHT
Welles sits with his feet up on the balcony rail, looking
into the parking lot. Amy joins him, sits.
AMY:
Promise you'll stay.
Welles looks at Amy.
WELLES:
Promise you won't go back there,
wherever you were. Whatever it was,
forget it.
Welles takes a deep breath, nods his head.
AMY:
Promise me.
Welles looks out into the night sky of stars.
WELLES:
I promise.
Amy comes to kiss Welles. Welles wraps his arms around her
and holds her tight. She holds him.
INT. HOTEL ROOM -- LATER NIGHT
Amy is asleep on the bed beside Cindy. Welles comes out
from the bathroom in a fresh shirt and suit, turns off the
bathroom light. He stands looking at Cindy and Amy.
EXT. HOTEL -- NIGHT
Welles exits the hotel, heading to his Ford.
INT. WELLES' CAR -- NIGHT
Welles drives, staring ahead. Through the windshield, the
headlights illuminate the endless roadway.
Airplanes take flight. Manhattan glitters in the distance.
EXT. WILSHIRE OFFICE BUILDING -- DAY
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"8mm" Scripts.com. STANDS4 LLC, 2025. Web. 4 Mar. 2025. <https://www.scripts.com/script/8mm_680>.
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