A Bucket of Blood Page #12

Synopsis: Nerdy Walter Paisley (Dick Miller), a maladroit busboy at a beatnik café who doesn't fit in with the cool scene around him, attempts to woo his beautiful co-worker, Carla (Barboura Morris), by making a bust of her. When his klutziness results in the death of his landlady's cat, he panics and hides its body under a layer of plaster. But when Carla and her friends enthuse over the resulting artwork, Walter decides to create some bigger and more elaborate pieces using the same artistic process.
Genre: Comedy, Crime, Horror
Production: American Pop
 
IMDB:
6.8
Rotten Tomatoes:
73%
APPROVED
Year:
1959
66 min
Website
1,545 Views


WALTER:

Carla...

(Beat)

I don't want to make statues

anymore!

CARLA:

You don't?

WALTER:

No.

(Beat)

I want to get married.

(Beat)

To you.

Carla senses trouble -

CARLA:

Uh...

(Beat)

...how long have you been thinking

about this, Walter?

WALTER:

Oh...f-for a long time. Ever

since you first came to the club.

Carla looks down at the ground -

WALTER:

You were the only one who was

ever nice to me!

(Beat)

I didn't know you loved me

until you kissed me.

Carla suddenly feels very awkward - she takes a deep breath and

prepares for the rejection -

CARLA:

Walter, I really do like you.

And I did kiss you. But...

that was because of your work.

Walter listens intently to every word -

CARLA:

There's more to being in love

than just that.

Carla gives a sympathetic look to Walter - Walter doesn't react for

a beat, as if putting two and two together -

WALTER:

You mean...you don't love me?

Carla looks down at the ground -

CARLA:

I'm afraid that's what I mean.

Walter begins to get very upset -

WALTER:

But you gotta love me!

(Beat)

Why do you think I made that

statue of Alice?!

CARLA:

Walter, I'm sorry...

WALTER:

You just can't be sorry! I wanna -

I wanna marry you!

Carla looks around -

CARLA:

Now calm down Walter!

(Beat)

Now, let's go in there, and

when the show's over, maybe we

can talk about it.

WALTER:

No! I want to talk about it now!

CARLA:

Walter...

(Beat)

I don't want to hurt your feelings

but there is no way we're ever going

to get...together. You know what I

mean?

WALTER:

Why not?!

CARLA:

Because...

(Beat)

We're just friends. That's all.

Just friends.

WALTER:

I get it. I see the whole thing

now. No one knows if Walter Paisley

is born!

CARLA:

Jeez, what is your problem all of a

sudden?

WALTER:

Oh sure, let's string along poor

Walter, see how far it will take us!

Carla gets up -

CARLA:

You're starting to freak me out,

Walter. I'll see you there.

Carla heads off - Walter watches her leave -

WALTER:

You have to love me, Carla...

DISSOLVE TO:

INT JABBERJAW - NIGHT

The hoi polloi of the art community mingle at the private party -

On display are Walter's creations - Dead Cat, Murdered Man,

Strangled Girl and his bust of the carpenter's head -

People talk about the works in muted voices, as if they are

serious works of art -

Art, the undercover cop, is also there, eyeing the room -

Maxwell takes an hors d'oeurve off a passing tray, and nods to

someone offscreen -

Walter sits alone, dejected - a waitress presents him with a tray of

champagne glasses -

Walter looks up at the tray -

WALTER:

No thanks.

The waitress walks away -

The plump man talks to an ART CRITIC -

CRITIC:

We have many artists about but

no craftsmen.

The critic gestures to the voluptuous figure of Strangled Girl -

CRITIC:

This man knows his anatomy.

PLUMP MAN:

I'd give five thousand for

this.

CRITIC:

After you've read my review it will

probably cost you ten thousand.

The critic and the plump man laugh -

Maxwell swaggers over to Walter, putting his empty glass of

champagne on a passing tray and grabbing up another -

He puts his hand on Walter's shoulder -

MAXWELL:

So what's the problem?

Leonard watches them from across the room -

MAXWELL:

Why on Earth should you be so

depressed? Have you heard some

of the things they've been saying?

You can make fifty thousand

on these pieces alone!

WALTER:

I thought you didn't respect money!

MAXWELL:

I don't! But fifty thou? That's

not money, that's manna!

Walter gets up -

WALTER:

Leave me alone.

Walter sees Carla -

He gets up and heads over to her -

Carla glares back at him - Walter looks at her with a strange gaze

in his eyes -

WALTER:

I'm sorry about what I said before.

CARLA:

(softening)

Forget it.

WALTER:

I've been thinking...

(Beat)

Carla, would you do one favor

for me?

CARLA:

Just about anything, Walter.

WALTER:

Would you let me make...a statue

of you?

Carla smiles -

CARLA:

Would you really like to? That

would make me very happy.

WALTER:

Ok...tonight. I'll make a

statue of you tonight, OK?

Carla smiles and nods - then her smile fades -

Leonard takes a sip of champagne and notices something across the

room -

Cuff and Link have crashed the party - they head over and take a

look at Murdered Man -

Leonard puts his glass down and heads over to them -

Cuff takes his cigarette and jams it in the mouth of Murdered Man -

Leonard approaches -

LINK:

Man, we've come to make the scene.

LEONARD:

You weren't invited. Now get out

of here.

CUFF:

I guess we're not good enough to get

a private show.

LEONARD:

That's right! And we're not open for

business! This is an art exhibit! No

bums!

Leonard pushes them out the door as Cuff grabs his cigarette back -

LINK:

Man, you're the worst.

LEONARD:

Yeah right right - goodbye!

CUFF:

That's alright, we got a pressing

engagement!

LINK:

Yeah, right outside the door!

Leonard closes the door behind them -

Carla is looking at the collection - she inspects Dead Cat, the

carpenter's head -

She then approaches Strangled Girl - She smiles, drinking in the

sculpture -

Then she sees something that troubles her -

CARLA:

Uh - oh.

She looks closely at one of the hands - a FRACTURE has formed on one

of her fingers -

Carla gently goes to touch it when the piece CRACKS OFF -

Carla picks up the piece and goes to put it back -

She sees a HUMAN FINGER protruding from the sculpture -

Carla stands back, in shock -

She looks around the room - soon shock turns to horror -

She makes a bee-line for the front door but is stopped by Walter -

WALTER:

Where are you going Carla?

Whatsamatter?

Carla is mute with terror for a beat, but manages to get out the

words -

CARLA:

Walter...there's...

WALTER:

What?

CARLA:

There's...a body inside that statue!

Walter smiles innocently -

WALTER:

Well, that's Alice.

Carla is speechless -

WALTER:

It's alright, Carla.

(Beat)

Maxwell said it's alright.

Walter takes a few steps closer -

WALTER:

Let them become clay in his hands

so that he might mold them.

Carla is clearly frightened -

CARLA:

Walter...stay away from me!

WALTER:

Don't you see Carla? I made them

immortal.

Walter takes a few steps closer -

WALTER:

Don't you see? I can do the

same for you!

Carla waits for a second, then SHOVES Walter out of the way, fleeing

out the door -

Walter looks around to see if anyone is looking -

Nobody is -

He takes this opportunity to BOLT out the door in pursuit of Carla -

EXT STREET - NIGHT

Carla runs down the street as fast as she can -

Walter follows, in hot pursuit -

INT JABBERJAW - NIGHT

The critic stands in front of Strangled Girl - Art approaches from

behind -

The critic has noticed the EXPOSED finger -

CRITIC:

Well I'll be. Look at this!

A WOMAN approaches -

CRITIC:

There's another work...inside this

work.

WOMAN:

My Heavens! It looks...like a real

finger.

CRITIC:

It's unparalleled...reality cased in

layers...concealed in a shield of

whiteness, blankness...

Art scrutinizes the finger - several other people begin to approach,

admiring the discovery -

ART:

Yeah...that's reality alright -

Rate this script:2.0 / 5 votes

Charles B. Griffith

Charles Byron Griffith (September 23, 1930 – September 28, 2007) was a Chicago-born screenwriter, actor and film director, son of Donna Dameral, radio star of Myrt and Marge. along with Charles' grandmother, Myrtle Vail, and was best known for writing Roger Corman productions such as A Bucket of Blood (1959), The Little Shop of Horrors (1960), and Death Race 2000 (1975). more…

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