A Cry in the Night Page #5

Synopsis: Owen Marks, parked at Lovers' Loop with girlfriend Liz Taggart, surprises a peeping Tom, who knocks him out and kidnaps Liz. The police leap into action when they learn the victim is a cop's daughter. Kidnapper Harold Loftus, the unhinged product of a smothering mother, makes ineffectual advances toward Liz, who staves him off as the police close in, hindered as much as helped by her overprotective father Capt. Dan Taggart.
Director(s): Frank Tuttle
Production: Warner Bros.
 
IMDB:
6.1
APPROVED
Year:
1956
75 min
317 Views


But no Im your friend!

Im going to help you.

Ill get some water!

Dont you be afraid.

Where do you guys come off?

3 o'clock in the morning!

That's no accident it had to be planned.

How do you spell Holzapple?

With an S or a Z!

Mrs. Marie Holzapple!

Dependent of Sargent Fredrick Holzapple, the United States Army!

With a Z!

I got guys like you paying from way back.

How do like better than breaking into a ladies bedroom waking them up out of a sleep?!

How old are you Mrs. Holzapple?

Mrs. Marie McGunnies!

Dependent of Chiefs Units Mate Francis X. McGunnies, United States Navy! I'm 23 and I can prove it!

Trouble with you guys you're all cut out on the same mold.

Figure you break into a ladies bedroom.

Thinking she might be taking a shower or bath.

What are you cops or plumbers?

Mrs. Holzapple!

What is your occupation?

Mrs. Marie Finklestien, dependent of Private First Class Irvin Finklestein, United States Marines!

Geeee!

Mamma Mia!

What a women!

Isn't there a law against things like that!

What kind of a crack is that?

I'm a housewife!

You're a what?

I'm a housewife!

Mrs. Maria Botchicgaloop!

Dependent of Able Semen Dominic Anthony Botchicgaloop, United States Coast Guard!

Alright!

Anything wrong with me having problems with a high cost 11?

In there lady!

In there!

Any break on that Loftus car?

Communications hasnt reported a thing.

Whats the matter with them.

That had half-and-hour.

The have everything out they can roll its a big city.

Well some of these guys stretch out these patrols form coffee joint to coffee joint.

They spend a little less time, trying to impress the waitresses.

Dan! In my office!

Ed! I cant sit around and wait any longer.

How do we find this guy?

Why dont go home!

Yeah!

Why dont you!

Id rather stick around.

Not much you can do.

Not much any of us could do.

What about those flee bags and skid row and the bucket eyed rooming houses out of the north end of town.

Not a chance captain!

Why not?

Why cant we give it try?

It wont work Dan!

This kind of a monkey of forge human contact act like the plague.

He treats deep and deeper to his own verge of security.

Security?!

How does that fit in to this kind of case?

Thats what starts them out in the first place.

The need for emotional security.

At least thats the explanation the psychiatrist to agree on.

I dont care explanations.

Give me a squad in a roast in a joint of Main Street.

You wont find them there!

Where!

Thats what I want to know.

Ed!

Where do we find him?

I dont know!

I can only tell you that in these own rules, the man has gone as back as far as he can go.

Where Ed?

This guy has got my kid!

Where does a guy like this go?

I dont know Dan! Im a cop, not a psychiatrist.

You heard what Sam said!

You saw what his mother is like.

This guy could go in any direction.

He must have a mother complex of mild wide.

A mans mother?

Is that what youre trying to tell me?

A mans mother is the blame for this?

Im not blaming anybody Dan!

Im just trying to crack the case!

Dan!

Where are you going!

Home!

Its where I belong!

Thats all I can get to bring the water in.

Get out of my way.

I was only going to fix the cut on your leg.

If you dont, Im gonna kill you!

Im gonna kill you!

Go ahead!

Its empty!

I thought I could trust you.

I thought you were my friend.

Youre not my friend.

You just want to get me in trouble.

Thats all!

Thats all you wanna do!

Where did you get these things?

We had to move.

We move to this new house and there was some old trunk up in the attic.

Well may I have them!

Why they are pretty arent they?

You said before I could have them.

You couldve have them.

Thats what I was saving for was some girl!

I was saving it for my girl.

You are my girl!

Yes you are!

Youre gonna be nice to me. No!

Yes you are!

You yell, Ill kill you!

What was that?

Police car!

This is the car alright!

Theres nothing in here.

Hes around here somewhere!

Boy what place that hide.

Were gonna call in and were gonna need some help.

I'll go out there and tell them that I'm alright and then they'll let you go!

I know what you'll tell them.

You're hurting me!

You think I don't know anything, I'll show them how much I know.

Ow! Ow-hohow!

Oh!

Come on!

I can't!

I can't walk!

Car 73!

Mack Avoy reporting!

Two!

What do you got?

On the Taggart case weve found the car.

Where!

The old brickyard on the east side of town.

Cross the railroad viaduct. Wait a minute tell it to the captain.

Captain Bates!

Radio sir!

Okay Vince Ill talk to Mack. Mack!

Listen to me!

Ogalty seems to thing that you got this guy tagged.

So lay low and give us a few minutes to get out there.

Maybe split up and have one of you take the gate.

We dont want to panic this into hurting Taggarts kid , but we dont want him to get away. He wont get away captain.

Okay!

Im counting on you and Grant!

Dont let me down!

Captain if he does anything to that girl, Ill Tear him kid!

Ill help you!

Ill take the gate.

Okay!

I thought the brickyard is east of town.

Were detouring for a minute in 20 seconds to pick up a cop named Taggart.

He couldnt just disappear without a trace.

Where could he taken her?

I dont know!

The guys a.nut! A Looney like that could do anything.

Dan!

Will we ever see Liz alive again?

If we dont, youll know whos fault it will be.

Whos fault!

You cant mean Helens fault.

Why Helens fault!

Why not yours?

What do you mean by that?

Youve gone crazy too?

Maybe!

Maybe I went crazy 15 years ago.

Now dont you bring that up now!

Why not?

Dont tell me it hurts.

Dont tell me you learned anything these last 15 years.

The thing on my mind tonight is Liz.

Nothing else!

Nothing?

Not even a sneaking suspicion you may be the reason on whats happened to Liz.

Me?

Please Madge!

Please dont say anymore!

Oh why not!

Hasnt he done enough damage?

Isnt that time he what hes told.

Told?

Told what?

What are you talking about?

Why do you think Liz and that boy did up on that hill?

Because Liz was afraid to bring him home.

Because she was afraid on what you might do to him.

What!

What would I do to him?

Browbeat him!

Question him!

The third degree is only you can pour it all and the poor kid would tell and run.

Alright!

Maybe I am a little extra carful on who goes out with my kid.

But I got a good reason to be.

Im a policeman!

I know what goes on I see it every day in my life.

For 20 years,

I dealt with nothing but thieves with vultures with dirt!

You think you want my kid to be part of that?

Isnt that exactly what she is part of tonight?

And you blame me for that?

Helen!

You dont believe that do you?

You dont think anything like that.

How many times do I have asked you to stop being a cop at home and just be a father, a good father?

I am a good father.

Id kill anybody trying to hurt me kid!

Thats it Dan!

Liz was always a policemans daughter.

Not just another child.

All the kids on the block stared clear that youre such a good father.

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David Dortort

David Dortort (October 23, 1916 – September 5, 2010), was a Hollywood screenwriter and producer, widely known for his role as producer in two successful NBC television series: Bonanza (1959–73) and The High Chaparral (1967–71). Dortort's focus shifted in the late 1960s to the newer series, leaving the production of Bonanza largely to his associates during its last five and a half years (1967–1973). From 1954-55, Dortort was involved in directing and writing for The Public Defender. He produced The Restless Gun (1957–59), The Cowboys television version (1974), and a prequel series featuring younger versions of the Bonanza characters called Ponderosa (2001), which was produced with Beth Sullivan. In 1979–1980, he created the 13-week CBS miniseries, The Chisholms. Michael Landon appeared in a supporting role in the pilot for The Restless Gun, starring John Payne, aired on March 19, 1957, as an episode of The Schlitz Playhouse of Stars and Dan Blocker played multiple roles in five episodes of The Restless Gun. Alan W. Livingston of NBC hired Dortort to write the screenplay for the pilot episode of Bonanza. He did it at night, while producing The Restless Gun by day.In 2001, the alumni association of City College of New York, where he had studied history, honored him with its John H. Finley award. more…

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    "A Cry in the Night" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/a_cry_in_the_night_1865>.

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